Leaderboard

Maybe guff, but maybe not. . . . . . I remember the days when you needed a carnet when you travelled abroad with your gear. And the joy on some customs men's faces when you drove up to their post at Dover. They could wave you through, or just as easily make you unload the whole van onto the road and justify every piece of gear against the documentation. The one thing that is certainly not guff. . . . we may or may not be going back to the bad old days, but gigging in Europe will be a much more difficult process that it has been.

We don't all just stand at the back, y'know!

I was having a Hoover up this morning and took a quick pic of one end of my practice room 🙂

...with my first band of 40+ years ago. Started out as a WMC band playing an odd set of country, 50’s & 60’s songs as 16/17 year olds with an ‘older’ bandleader - I joined on bass having replied to an ad for a guitarist as he was retiring as he was too old (he was 30!!) but by the time I got to the audition he’d realised that was BS, but they didn’t have a bass player so did I fancy the job? We did that for while and then as a three piece after he left and we carried on playing clubs, though we had to have a driver for gigs as none of us was old enough to drive. Started writing our own stuff in a punky vein and built up a good following and full gig list on the south coast - I used to have a gig flyer that covered three months and had around sixty dates, which would probably kill me now. Then ‘stuff’ happened and I carried on with the drummer and later vocalist addition but lost touch with the guitarist for some time. Cut to a couple of months back when our old ‘manager’ (ok mate who drove the van and desk) got in touch and we had a meet up in a pub to chew over old times - usual “...and do you remember when...” conversation that band mates have 🙂 Old/ancient copies of songs were shared by Dropbox, keys agreed, and all agreed that maybe we wouldn’t play them quite that fast now, and today we met up in a studio to bash through what we could remember and record what happened. Also a chance to get the cone on my new BF OneTen, picked up yesterday and lovely & easily able to keep up with a Blackstar 20 rig. Despite not having played together as a three piece for 40 years it was still bloody tight. The recordings will be interesting to hear. Despite being ‘punks’ the eclectic range of influences was interesting, Bill Nelson/Bebop Deluxe, Wishbone Ash, XTC, Wilko Johnson, Hendrix/Trower, shades of Motörhead, and many more.

I bought this fabulous combo from a friend, when he got rid of some surplus studio equipment, and got it WAY too cheap. EBS Neo Gorm 212.

Well guys this bass is incredible. Everything I hoped for, expected from an ACG and more. I honestly can't really argue that I "need" any more basses now. Should I be happy or sad about that... Pic for attention... Eude

Q: How many BassChatters does It take to change a lightbulb? A: It takes: Four to say they'd be all over it if only it was a 5 string lightbulb ... Six to ask how much the lightbulb weighs Fourteen to say all you really need is a Precision lightbulb Nine to say they used to have a lightbulb just like that, but it was an original '63 and how they regretted selling it Three to say how great the service is at Bass Direct and how if they were in the market for a lightbulb, that's where they'd go Seven to wonder how the lightbulb would sound if it had different capacitors Eleven to say that the bulbs are less bright with flats but that's how they like it Fifteen to say they have not changed their lightbulbs in over a decade ... Oh, and one to actually change the bulb .... 🙂

Some solders, supplied in the form of bars, contains enough tin to emit a sound called a "tin cry". It is a faint noise that the alloy makes as it is stressed such as during a sharp bending action. Interesting that.

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Only ever had two problems with stuff bought from Thomann, a clip on tuner which arrived broken and more recently a pedal which just suddenly packed up. Today I received a replacement for the pedal, no quibbles, just like the last time, two emails and a replacement was shipped to me. Customer service? Yup, no complaints here.

One, five; one, five; one, five. Hmm, maybe that’s just country music Basschatters (paraphrasing an old joke).

Kamasi Washington’s bassist Miles Mosley can only be described as playing Uprighteous bass! Testify!

Generally speaking the main act at Thekla is on by 9pm, sometimes earlier. Support act normally around 1945. For a busy gig it's worth getting there earlyish if you want a good spot at the front as it's quite narrow and not ideal if you're at the back by the bar. Enjoy!

https://content.govdelivery.com/accounts/UKHSE/bulletins/211f52e

Thought I'd post back and say how happy I am so far with the BB800. Really looking forward to gigging with this little rig next month.

I’ve never ever put any credibility into those opinions/statements. ”mij Fenders are brilliant” - some are, I’ve played some Japanese fender dogs, and by the same token some amazing and terrible MIM ones. Same goes for USA built. we once got 8 new 2008 jazz basses in at once and 5 were great, 2 were underwhelming, and I sent one back - just horrific. I don’t believe that geography has a bearing on wether or not a bass is any good. That’s before you take into account what each individual player wants. but if it helps, I owned several Japanese BB’s and some Taiwanese ones at the same time. There was nothing between them, quality wise. I kept the 414, which is Indonesian. And “lesser”. Sits proudly with a jazz bass and Modulus which if I bought new now I’d have to spend £10,000 to replace between them. Think it’s cost me £150 in total.

It is a satisfying material to work with if you follow a few simple rules. Most of these are to do with it being a notch sensitive material. In other words it will easily start to crack wherever there is a sharp nick or inside corner to concentrate stresses within the material. As Maude says, careful choice of sawblade pitch in tpi (Teeth Per Inch) relative to the thickness of the material and rate of cut should produce good results even with a hacksaw. Sometimes however, trial and error is the way to go with more complex cuts. Be prepared to do the same piece over from scratch if it goes bang (usually just as you're finishing it in my humble experience).

There’s always room for one more bass. Always.

I had a 1963 Philips tungsten filament bulb - with it's original box! Had proper bayonet fitting, original price sticker (1/6d) and everything. It didn't work, so I foolishly threw it away. Just think what it would be worth now. 😥

I hadn't looked closely enough to see those as well!

I've got a wooden reel of about 200' of lead solder that my Grandad liberated from EMI Ruislip when he retired in 1961. Not bragging, just saying.

One to threaten a lawsuit if your lightbulb looks similar to mine.

Is the lightbulb any good for metal and how much will it cost to post it to Outer Mongolia please?

Found a pic of my first board, Feb 2015. Life was simpler then

I've always found them absolutely superb too. It's very rare these days to find a company that's an absolute pleasure to do business with.

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I had no idea how useful the ART DTi was until I owned one. I use it all the time now. It converts one connection to another (xlr, phono and jack) and any combination. It has two discrete channels, which is handy for stereo use or for using on two signal paths (or more since it can be used as a splitter), and its 1:1 gain. https://www.thomann.de/gb/art_dti.htm

Anyone checked out the new custom shop G&L model? Double split pick-ups with series/parallel on the neck and vintage G&L style Seems like a neat set of controls to me - plenty of different tones and not too much fuss over loads of switches/knobs First saw them on their Instagram, but there's also a couple of videos up now:

I just bought a new rack for my basses so I now have three Hercules GS414B AGS Plus Guitar Stands for the raffle, if prizes are scant you might want to split them into three separate prizes! Ha ha 😂

Been to the Thekla loads of times, but I'm none the wiser about start times. If it was a Friday, then I'd recommend getting down there early as the bands usually finish by 10/10:30 so the club night can start. On a Tuesday, there wouldn't be a club night after the bands, but the 6pm doors would suggest that the action starts about 7. They do usually have a running order printed out on the door. These days it seems like all venues are reluctant to tell you when the bands are on, I suppose they want you in and drinking as early as possible .

Blimey, he was good...

http://www.emismusic.co.uk/?LMCL=wh198E If you can get to Bristol, this guy is well regarded.

PS love the pics btw, Dave and the way you've used a low f-stop to get that shallow depth of field with just the rig in focus. Nice!!

The flat piece on the handle reinforcement ring was originally there to clear the front baffle. We later discovered that it wasn't actually needed, but didn't bother changing it. I've just discovered that the plywood in this batch is actually 15.2mm thick. That extra .2mm takes up the clearance in the rebates originally intended for the glue. That's why some builders have found the panels a tight fit. I'm going to increase the width of the rebates in the next batch of kits, but I'd repeat my advice to use 40-grit sandpaper on any rebates that you find are a bit tight.

That's really interesting. I switched from Aguilar to Tecamp specifically because the Tecamp had some character to it and gives out a great 80's tone (I play in an 80s covers band) - the Aguilar seemed too neutral to me, horses for courses I guess....

Mine is similar to most of the suggestions above, but with the additional of... small soldering iron kit (yes, this has been used a couple of times) aux lead to 3.5mm jack and I keep my PL and PAT documents in their too.

What key are you playing it in?

One to argue that tungsten watts are brighter than led watts?

My 25W lightbulb is so bright because they're Trace Elliot watts.

Three rules to walking basslines: Play in key Play in time Play whatever you want without contradicting 1 & 2 In practice what you want to do is play a sub-melody that 'pushes' the song along, a good walking bassline should sound totally aligned to the song, It can be repretitive or not have any repetitve figures, its the acme of good playing because it's like playing an ace guitar solo but has to stay grounded in the song not go off into the stratosphere.

So in summary to the OP's question: Some consider it essential and can already do so. Some consider it desirable and can do so. Some consider it desirable and would like to be able to it. There are probably enough of these for the OP to make money from videos showing how to do it. Or at least having fun making the video Some consider it desirable, but have found it impossible. There may be medical reasons for this. Some consider it unnecessary and/or really don't want to do it, but wouldn't stop anyone else doing it The DUP don't think anyone should ever do it. What was the question again?

I love the worn look on my basses, but that is because I can point at most dings and say "that it where I clipped the doorframe in '92 when getting on the bus with it", or that is where the strap broke in 2004 and I caught it, but still did that". It tells our (mine and the instrument's)" story, especially around how clumsy I am. When I see old basses for sale covered in dings and scratches, I love to imagine what those stories might have been with their previous owners. I'd feel I'd been cheated if they were faked and added on. Of course, this is only my own opinion, no criticism of others intended.

I didn't know Max Wall could play bass.

Yes, they are easy to fit - being solderless pre-assembled units. But Kiogon also uses top quality components, and he's a helpful sort too - always willing to answer questions, even if he's not actually selling you anything To the OP. I fitted one of his stack control wiring units to my Roadworn Jazz a little while back, and it's great - I like the added flexibility it gives over standard V V T Nice looking Jazz you have there BTW. Gotta love Block & bound necks, especially on a Jazz

No you will have to cut the wires unfortunately,I was a little daunted about doing it at first but I'm so glad I did. There is no way I'd ever put the active system back into it now.

I know this is too obvious for some, but it needs posting...