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Showing content with the highest reputation on 19/10/19 in all areas
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Maybe guff, but maybe not. . . . . . I remember the days when you needed a carnet when you travelled abroad with your gear. And the joy on some customs men's faces when you drove up to their post at Dover. They could wave you through, or just as easily make you unload the whole van onto the road and justify every piece of gear against the documentation. The one thing that is certainly not guff. . . . we may or may not be going back to the bad old days, but gigging in Europe will be a much more difficult process that it has been.6 points
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5 points
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I was having a Hoover up this morning and took a quick pic of one end of my practice room 🙂5 points
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...with my first band of 40+ years ago. Started out as a WMC band playing an odd set of country, 50’s & 60’s songs as 16/17 year olds with an ‘older’ bandleader - I joined on bass having replied to an ad for a guitarist as he was retiring as he was too old (he was 30!!) but by the time I got to the audition he’d realised that was BS, but they didn’t have a bass player so did I fancy the job? We did that for while and then as a three piece after he left and we carried on playing clubs, though we had to have a driver for gigs as none of us was old enough to drive. Started writing our own stuff in a punky vein and built up a good following and full gig list on the south coast - I used to have a gig flyer that covered three months and had around sixty dates, which would probably kill me now. Then ‘stuff’ happened and I carried on with the drummer and later vocalist addition but lost touch with the guitarist for some time. Cut to a couple of months back when our old ‘manager’ (ok mate who drove the van and desk) got in touch and we had a meet up in a pub to chew over old times - usual “...and do you remember when...” conversation that band mates have 🙂 Old/ancient copies of songs were shared by Dropbox, keys agreed, and all agreed that maybe we wouldn’t play them quite that fast now, and today we met up in a studio to bash through what we could remember and record what happened. Also a chance to get the cone on my new BF OneTen, picked up yesterday and lovely & easily able to keep up with a Blackstar 20 rig. Despite not having played together as a three piece for 40 years it was still bloody tight. The recordings will be interesting to hear. Despite being ‘punks’ the eclectic range of influences was interesting, Bill Nelson/Bebop Deluxe, Wishbone Ash, XTC, Wilko Johnson, Hendrix/Trower, shades of Motörhead, and many more.4 points
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I bought this fabulous combo from a friend, when he got rid of some surplus studio equipment, and got it WAY too cheap. EBS Neo Gorm 212.4 points
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Well guys this bass is incredible. Everything I hoped for, expected from an ACG and more. I honestly can't really argue that I "need" any more basses now. Should I be happy or sad about that... Pic for attention... Eude4 points
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Q: How many BassChatters does It take to change a lightbulb? A: It takes: Four to say they'd be all over it if only it was a 5 string lightbulb ... Six to ask how much the lightbulb weighs Fourteen to say all you really need is a Precision lightbulb Nine to say they used to have a lightbulb just like that, but it was an original '63 and how they regretted selling it Three to say how great the service is at Bass Direct and how if they were in the market for a lightbulb, that's where they'd go Seven to wonder how the lightbulb would sound if it had different capacitors Eleven to say that the bulbs are less bright with flats but that's how they like it Fifteen to say they have not changed their lightbulbs in over a decade ... Oh, and one to actually change the bulb .... 🙂3 points
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EUR 500 / GBP 430 I just bought this bass as a backup for my 71 Mustang, only to find out that it has a 34" long scale neck! I already have an old Fender P with maple neck so I will let this pass on. Same period, same factory, same build quality as the more common Squier JV-series instruments. On the heel of the neck is a handwritten date from 1984, I forgot to take a pic when I took off the neck. I googled the serial: SQ50770 Built: 1983-1984 Made In Japan by FujiGen The tiny PU has a lot of punch. The sound is very much like a P-bass, with a little more bite to it. The Mustang style PU is located about 14mm nearer to the bridge, I guess that´s the reason for this. The neck is great, it has a comfortable feel to it, with a 41 nut it is easy to handle. No fretwear. Everything works including the trussrod, no noisy pots. It´s a light bass, the weight is 3,8kg. I´m in Berlin, international shipping is no problem.3 points
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Some solders, supplied in the form of bars, contains enough tin to emit a sound called a "tin cry". It is a faint noise that the alloy makes as it is stressed such as during a sharp bending action. Interesting that.3 points
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Only ever had two problems with stuff bought from Thomann, a clip on tuner which arrived broken and more recently a pedal which just suddenly packed up. Today I received a replacement for the pedal, no quibbles, just like the last time, two emails and a replacement was shipped to me. Customer service? Yup, no complaints here.2 points
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One, five; one, five; one, five. Hmm, maybe that’s just country music Basschatters (paraphrasing an old joke).2 points
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Kamasi Washington’s bassist Miles Mosley can only be described as playing Uprighteous bass! Testify!2 points
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Generally speaking the main act at Thekla is on by 9pm, sometimes earlier. Support act normally around 1945. For a busy gig it's worth getting there earlyish if you want a good spot at the front as it's quite narrow and not ideal if you're at the back by the bar. Enjoy!2 points
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2 points
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Thought I'd post back and say how happy I am so far with the BB800. Really looking forward to gigging with this little rig next month.2 points
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I’ve never ever put any credibility into those opinions/statements. ”mij Fenders are brilliant” - some are, I’ve played some Japanese fender dogs, and by the same token some amazing and terrible MIM ones. Same goes for USA built. we once got 8 new 2008 jazz basses in at once and 5 were great, 2 were underwhelming, and I sent one back - just horrific. I don’t believe that geography has a bearing on wether or not a bass is any good. That’s before you take into account what each individual player wants. but if it helps, I owned several Japanese BB’s and some Taiwanese ones at the same time. There was nothing between them, quality wise. I kept the 414, which is Indonesian. And “lesser”. Sits proudly with a jazz bass and Modulus which if I bought new now I’d have to spend £10,000 to replace between them. Think it’s cost me £150 in total.2 points
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2 points
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It is a satisfying material to work with if you follow a few simple rules. Most of these are to do with it being a notch sensitive material. In other words it will easily start to crack wherever there is a sharp nick or inside corner to concentrate stresses within the material. As Maude says, careful choice of sawblade pitch in tpi (Teeth Per Inch) relative to the thickness of the material and rate of cut should produce good results even with a hacksaw. Sometimes however, trial and error is the way to go with more complex cuts. Be prepared to do the same piece over from scratch if it goes bang (usually just as you're finishing it in my humble experience).2 points
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2 points
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Outrageous - some of the finest luthiery and carving I've ever seen for the price of production line instrument. I play one 34" bass and the others are all 30" - weirdly, 32" doesn't suit me at all. If it did, this would be on its way up north. One of BC's finest sellers too... I'm starting to crack2 points
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I had a 1963 Philips tungsten filament bulb - with it's original box! Had proper bayonet fitting, original price sticker (1/6d) and everything. It didn't work, so I foolishly threw it away. Just think what it would be worth now. 😥2 points
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I hadn't looked closely enough to see those as well!2 points
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I've got a wooden reel of about 200' of lead solder that my Grandad liberated from EMI Ruislip when he retired in 1961. Not bragging, just saying.2 points
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One to threaten a lawsuit if your lightbulb looks similar to mine.2 points
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Is the lightbulb any good for metal and how much will it cost to post it to Outer Mongolia please?2 points
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Found a pic of my first board, Feb 2015. Life was simpler then2 points
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I had no idea how useful the ART DTi was until I owned one. I use it all the time now. It converts one connection to another (xlr, phono and jack) and any combination. It has two discrete channels, which is handy for stereo use or for using on two signal paths (or more since it can be used as a splitter), and its 1:1 gain. https://www.thomann.de/gb/art_dti.htm2 points
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Hi folks! This bass is just incredible, probably my favourite ever, but I've had a bit of a change of direction and it needs a new home. This was my second sandberg custom build, built around 2013/14. It's very lightweight and ergonomic, very balanced tonally, versatile, and features that incredible sandberg neck feel! I upgraded to a swamp ash body which not only looks stunning (pics don't do it justice!), but it's incredibly lightweight at around 3.7kg, and it works exceptionally tone - wise with the maple fretboard. I also upgraded to a 3 band eq (these models normally come with 2 band). The natural headstock was also an upgrade, as these would come with a black one as standard. It is actually a veneer with a black accent layer in between. Specs : Swamp ash body with matt cherry sunburst finish Maple neck and fretboard Natural headstock Black hardware 2x dual coil soapbars 3 band Glockenklang eq with true passive bypass and passive tone control Comes with original sandberg gigbag There are a couple of very minor dings in the body, I can attempt to photograph these if you like. No trades sorry. If you're nearby, you're more than welcome to come and try! Thanks for looking! 😊👍1 point
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I just realised, the bassline in the lesson from part one: Is this: Knew I recognised it from somewhere... 😛1 point
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1 point
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Darn - that actually is one handsome rig! And having 400 watts (at 8 ohms) on tap will give the F112 the deep power drink that it thrives on.1 point
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The flat bit is meant to go to the side where the rebate is - at the front. In my case it didn’t matter; either way I fitted it there was enough clearance to install the front baffle. So I just did it how I felt. On my kit, which has been tweaked since, the pre-drilled holes for the handles were large; bigger than would accept a wood screw. So I used T-nuts because that’s all I could do, in that case. But it also makes an insanely secure handle, lol.1 point
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1 point
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I don’t know what this is...”despite being made by one-eyed Indonesians...” very uncomfortable with reading that. I have Indonesian family members...they all have 2 eyes... maybe I’ve just got it wrong. as an aside, the 2004/2005 are Taiwanese.1 point
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My knobs are different to yours (!) but I'm confident both sets are the originals from Bernie. I've tried a few GBs with your style knobs and I think it's just a case of him running out of them for mine. I certainly didn't specify a smaller knob! With regards to being out-Spitfired - I wouldn't over-think it - they're all built to a very high standard and beyond that, have their own personality. That six-bolt neck joint Bernie helped popularise isn't going anywhere and I think the electronics are the same. Enjoy your GB.1 point
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IMO it’s rare to find a bass that’s perfect for recording AND live use. I’d nothing else it’s a good excuse to have two ‘number one’ basses in your stable.1 point
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We all spend a lifetime searching for the right tone! its a long and winding road 😀1 point
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And we haven't even begun to discuss the lightbulb's HEFT!1 point
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1 point
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Well, after all this, I've ended up looking at a 5 string J! 😂1 point
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1 point
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I had a pair of the PJB headphones that broke after 2 years and 3 months, they sent a brand new pair straight away. I never spoke to a person, as far as I can tell it was all automated. Couldn't have been happier! I've also got several of their own brand products: the well-regarded 50s style P bass, a few di boxes, the Six Mix, they're all great. I'm considering they're 1x12" pa cabs at the moment because I've never not been happy with their stuff.1 point
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Don’t forget they managed to fit George Michael and menstrual cycle into another of their songs.1 point
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Right from the beginnings of heavy metal the lyrics have been macho, vacuous and devoid of relevancy or social comment: Generals gathered in their masses, just like witches at black masses. Evil minds that plot destruction, sorcerer of death's construction. In the fields the bodies burning, as the war machine keeps turning. Death and hatred to mankind, poisoning their brainwashed minds... Oh lord yeah! Politicians hide themselves away They only started the war Why should they go out to fight? They leave that role to the poor Time will tell on their power minds Making war just for fun Treating people just like pawns in chess Wait 'till their judgement day comes, yeah! Now in darkness, world stops turning, ashes where the bodies burning. No more war pigs have the power, hand of god has struck the hour. Day of judgement, god is calling, on their knees the war pigs crawling. Begging mercy for their sins, Satan, laughing, spreads his wings... Oh lord, yeah!1 point
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Yes, they are easy to fit - being solderless pre-assembled units. But Kiogon also uses top quality components, and he's a helpful sort too - always willing to answer questions, even if he's not actually selling you anything To the OP. I fitted one of his stack control wiring units to my Roadworn Jazz a little while back, and it's great - I like the added flexibility it gives over standard V V T Nice looking Jazz you have there BTW. Gotta love Block & bound necks, especially on a Jazz1 point
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I'd try and get to a music shop/s or a bass bash and play a few. I went on a research expedition a couple of months ago and ended up buying something that wasn't on my list and not what I thought I wanted or liked. I'm very happy with it.1 point
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Just got a new black grill for my Barefaced two10 to match the Ampeg. This is the little set up. The big one is a six10. Im tempted to add the two together just for fun.. although I doubt I can lift the head that high!1 point
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Decided to add Fieblings to my Encore fretboard today, came out just how I wanted so quite chuffed. Whilst it was all apart, added some 3M carbon to the face of the headstock to match the pick guard and finished off with some new flatwounds which I have never experienced before. Sounds really nice! Makes it a mellow alternative and a different playing experience to my Steiny. Encore is deffo a keeper for me. I know the appearance wont be for everyone but its unique to me!1 point
