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Mrs S made the basic error of leaving me on my own with time to kill in Nottingham for the afternoon. I made the even more basic error of nipping in to Hotrox in Sneinton. They had this.... I wasn't going to buy it until i realised; a) that it is medically necessary as the binding on a 4003 is a bit sharp on the forearm, and b) that it will annoy Young Teebs. Oh, and; c) it is bloody lovely. Mrs S did the rolly eyes thing until I mentioned (b) then she understood why i had to get it. Of course, I've broken my one-in-one-out rule so expect some major activity in the marketplace shortly. Or I have a kidney if Raymondo's interested.....

I was waiting in all morning for a visit from the UPS man bearing bits & bobs from Thomann, including an EMG Geezer Butler pickup and a Fender High Mass Bridge for the Precision I bought new from Rockbottom in Croydon 37 years ago. As soon as the parcel was delivered I got my screwdrivers out and after installing the bridge & pickup and doing a setup this bass has never sounded so good or looked so cool.

Using flash for gig photography (as a pro/semi-pro) would be one of the quickest ways to get yourself ejected from the building! Or at least produce only photos of an artist scowling at you. Even presuming that your flash had the reach to be effective across that range rather than just mess with your exposure. It’s all about wide aperture, balancing “film speed” with image quality, balancing shutter speed with exposure... ...not using flash!

I thought these were only made in China? Congrats, enjoy and tick off mr Teebs.

Very pretty SkinnyPeeps. 👍 Just sayin'

Very short review: It's very good. Closest to the VTDI from the existing lineup, but with a darker speaker sim, tighter lows, more low mids, and a lower frequency on the treble EQ. Very flexible control of the mids and very punchy. Sounds more like a real amp than the other pedals.

I've seen that big, ignorant fat f*cker before with his long hair, bald at the front and looking about sixty if he's a day. Watching his channel is like having your car towed away by a 'Private Contractor' and going to their yard to get it back and you go in the Portakabin to pay some fat moron the fine and then you have to find your car and when you do you notice there's a big scratch on your driver's door so you go back to the Portakabin and the fat moron says 'It was like that when we towed it, pal. Prove it wasn't'. Just saying.

Oh, and; d) if you drop something on the laminate floor and take a chunk out of it you can saw a couple of inches off the finger board to patch it up with.

Just got one... pretty useful tool when you're playing about with a bunch of effects and wondering how to power all the pedals. Not much more to say... it just works... plug it in, see the reading, make a note. Here's a handful I just checked... First, a digital pedal that I thought was very power-hungry. The Source Audio Bass Envelope Filter... wasn't as bad as I thought, at just 120mA. Then, the EXH Bass MicroSynth... I had no idea how much current it required. I thought it would not be a crazy amount, but I was not sure. Now I know. Just 40 mA. How about the little Caline Reverb "Snakebite"? 33mA And what about an overdrive? A lot of this kind of pedals are between 10-15mA, so how about the Valeton Tube Refiner (which sounds GREAT on bass)... just 10mA. Cool. And finally... a monster. I got this valve overdrive pedal. It's a really strange thing, but sounds really nice. It's a Nobsound (yes, I know) G3 Little Bear that cost something like £35-40. A battery cannot power it. It's just very bad. It recommends a 500mA supply, if I recall correctly. I plugged into a 250mA supply and it worked ok, but it does work a bit better with a bigger supply. So, what does this one measure? 343mA!!! Makes sense.

They seem to be “desirable” but always come up for sale...weird.

These days they generally save the "Fish" era songs for festival slots and fan club shows. As this tour is billed as "With friends from the orchestra", none of the gigs on this tour so far have featured a Fish era song so far as I know, though they have pulled out some exceptional deep catalogue tracks. Glasgow may be the exception, but I doubt it. Hope you enjoy it 🙂

Hello! I just did a mod to my Swedish made Jazz bass. It used to have passive volume and a Stellartone - tone knob. Now it has an East J-tone. Passive/active with a push pull on the tone knob. Stacked volume/blend knob. Stacked bass/trebble knob. Really easy installation! Before Nice padded box! I just cut the old control plate out. Just screw the wires to the terminals Played it the day after with the band. Great!!!

That does look rather lovely Dave. Mrs S won't be making that mistake again

Thanks!

I’ve found a fairly quick way to do this - press and hold the mode button to go into pedal edit mode. Tap pitch shift, it defaults to interval as the first parameter, then use up/down to change between -1/-2. Just timed myself and can change the pitch in 3 seconds with 3 taps. Probably quicker than me bending down and twiddling the knobs....and better for my knees/back!

must admit, I do fancy the walnut 5 string version

This is my first ever Rickenbacker & I can't get over how much better it is than any of the many Fenders I've owned over the last four decades. My P bass is now just a backup bass.

I've no idea! Couldn't care less about that. But I suppose it must do, it has his name on it after all!

The sadness of this video is the championing of gear destruction just because it doesn't compare to more expensive stuff, thus going under the sledgehammer. It's 2019 folks, pretty much everything manufactured nowadays is generally going to be fittish for purpose; let's face it, while it's probably unlikely many Line6 Spider combos will be gracing big stages, but for bedroom, rehearsal or pub gig stuff, it's going to be fine and compared to what we all probably had access to when we first started out, these modelling amps are like something out of Tomorrows World. It really just sickens me that these asshats are just making a (small) name for themselves by subjecting usable gear to destruction, when it could be donated to a kid.

👍👍👍 I recall reading somewhere that he picked up and played a lot of top lines from a wide array of sources. I think it's a real signature of his that he went from root chordal / harmonic playing into melodic toplines and back, seemlessly. 'A Remark you Made' is a really fine example of that PLUS it's a really evocative title for a track. Bloody love it. And Joe Zawinul's piano solo is a fine demo of space awareness - knowing when NOT to play a note. I could go on...

Just ordered a Helix FX. As much as the Stomp is working for me i was struggling to see what effects were on or off when controlled by an external foot switch. Lack of LED's and the small screen made it a bit of a distraction. The FX will be better for me on stage. I spent most of the evening at rehearsals using the BDDI sim, just to make sure i can give up the Amp sim, and i can, very easily. using the BDDI sim was like coming home.

Frankly, I think everyone should now send you pedals and you could turn this in to a super blog Great work chap! Do more! It will be really useful!

If it's only a few days at this time of year they'll be fine in the loft. Middle of summer might be more of a problem but the risk of overheating in mid-November is probably minimal. And they should also be safe from flood damage 😁 Wrap them in a couple of bin bags to stop the mice/bats/whatever else might be up there from crapping on them and you'll be fine.

The body is pretty much done. Actually it still needs a hole for the jack, but that can wait.

Isn't this forum great? - 5 pages of friendly discussion about one of the finer details of bass playing 🙂 I put Olympias on my '82 JV Squier about 18 months ago. They get better and better - rather a 'sticky' feel to begin with. I would say they're medium tension - weights are 45.65.80.100 The big thing about flats for me is that they're so versatile - If you're playing with fingers then digging in changes the sound substantially - but then they also sound great with a pick. Or pick and palm mute for the Carol Kaye Beach Boys sound? Or play with light thumb and palm mute for a real DB sound. Only thing they fall down on is slap - but like I really care....😁 Here's my bass. Had it from new in '82, converted to a PJ in '83. It's turned out to be the most playable and versatile bass I've ever owned. And it's done some serious bass miles in the last 37 years - I'd be lost without it.

Hello all! I don't write here to much but now I have a question that is bothring me. 😎 I have seen recently in topic "basses for sale" a few Fender Pino Palladino CS for sale with the same price like the stores have them. I am in Germany and I was searching at Thomann for that. My question is: Are there different quality periods in building these basses or what is the reason people are selling second hand basses the same price like the stores sells them new? Thanks!

Been looking for one of these beauties for a little while now. This suddenly appeared on Ebay. Best neck ever and serious tonal palette. Loving the 18v preamp.

Called into Wunjo’s today tried a few precision’s in the following order and after a very quick and abc unscientific test through the same amp/speaker came to following first impressions: a Fender vintera: meh OK but felt a bit cheap and copy’ish for a 700quid plus bass. Anodised pickguard would be off to eBay too.Very disappointing. b Fender American Pro maple fretboard: Lovely. sounds and plays just as I expect a P to be, nice finishing on the neck frets etc. But £1475!!! c Fender Player series Mexican Rosewood fretboard: really good not quite as full on as the US pro but still a very good P bass. Frets could do with a tidy in the edges and maybe upgrade some electrics and possibly hardware but nice neck and finish like the US. For 600 quid I probably would if I had the dosh and it’s almost half the price of a US one. I really liked it. Surprised and impressed. The chap in Wunjos was great, very helpful and would have been happy to do me nice deal on this as it was a quiet and very wet day. Only downer was that some s**tbag nicked my mates umbrella which he left by the door. Probably a guitard as I can’t insgine a fellow bassist would stoop so low.

Hello Everyone, The music game is obviously a long and varied road and I thought it would be nice to hear stories from the forum's members about the last time you had a moment where you thought 'this is why I stuck with it', 'I'm so lucky to get to do this so regularly' or even your 'all of those hours put in are finally paying off!' Revisiting those uplifting moments can only be a healthy thing and I'm sure I won't be the only one who'll enjoy reading about such heart warming events. Have a decent weekend y'all!

Looking forward to reading a comprehensive report!

Always generate and be enthusiastic when you 're going to play !!!! So a nap after a day 's work and before football 5 vs 5 and an acoustic pub !!! Sometimes a rock&roll life is so hard !!

The FX is very clear on stage as to what is on. There are a couple of times I have looked down because something sounded a bit off and noted that I still had an effect on that I wasn't aware of!

I had a Pedaltrain Volto for a while. I hated using it as I was always paranoid it would die mid set.

From a playing perspective, I'd do the gig. Not for the money, for the fun - it's come up on other threads, but my attitude is that I can put up with all of the other crap like late nights and unloading in the wee small hours, as long as i get to play the bass, which is better than staying in and not playing the bass From a band perspective, as long as I get on with you, and as long as it doesn't happen every other time there's a gig, it wouldn't worry me and you wouldn't be any closer to a sacking because of not wanting to play a gig that is a major pain in the backside from a personal perspective, even if it meant cancelling the gig. But even with the dep, my attitude might change if you were turning down a lot of gigs and cherry picking which ones you were doing. From experience, the only other time it would become an issue is where the band has an unconnected problem with you. If they do then it becomes another reason on the list of why to sack you

Hiya CV

...and you bumped into me, so it obviously wasn't a complete waste of time

Here’s my nearly finished (I might change the bridge)of my mec fender precision,,sonic blue paint by @discreet with newFender 63 precision bass pick up pure vintage,and it sounds unbelievable,very please

Wrap the cases in cling film all over and several layers to stop any moisture getting in.

If you are not enjoying gigging and its not your main source of income then give it up. Its a no brainer. If you do something mainly for fun, but its no longer fun then don't do it. Who knows, after a while you might crave it again. Give it a rest and see what happens.

[eating big bag of popcorn] 😁