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Showing content with the highest reputation on 05/12/19 in all areas

  1. Hey gang! I'm selling my 1972 Fender Precision. It in its original black custom colour, with a maple neck. The previous owner bought it new in 1972 in California, and in the early 80's did the usual 'upgrades' to the bridge, pickguard, pickups & wiring. I've since re-replaced them with repros from Limelight, to restore it back to its former glory. The rest is all-original. There's a small, virtually invisible repair to the finish on the top horn, performed by the legendary Dave Wilson, who also gave it a full set up. The neck is strong, the truss is good. It's a medium-light weight (3.8kg, 8lb 6oz), and resonant. It kind-of comes with the original case - the owner kept the Fender badge, interior, handle and latches, and adapted it into a more substantial flight case (NOTE: the actual case can be seen in photos further down the thread). Shout up if you need any more info, pics etc.
    7 points
  2. If Robbie Shakespeare wasn’t available, it would be my dream to play any Black Uhuru song, with sly Dunbar, who in my opinion is the best reggae drummer ever, the headline would read , Sly & Tony 😀
    6 points
  3. Now sold but info left up for reference. Specifications: Aged Olympic White over Black Hipshot USA Ultralite tuners retro fitted (Relic'd satin version) original aged Gotoh tuners supplied, Aged Nitro-cellulose finished neck with Tusq nut and clay dots, Rosewood fretboard with hand rolled edges, Vintage style bridge, CTS pots and Sprague cap, Vintage wired, Vintage type Pick ups, Switchcraft jack, Nut width: 40mm, String spacing at Nut: 9mm, String spacing at bridge: 20mm, Depth at first fret: ~20mm Depth at 12th fret: ~22mm Weight: ~4 KGs or ~8.8 lb in old money! Click here for original FS webpage
    5 points
  4. I did hit someone who was spitting at us in the face straight on with the headstock of my bass many years ago. Back in my early 20s I had the energy, strength, anger and ability to do that sort of stuff (as in lift a bass guitar higher than waist height). Nowadays I’d probably criticise their curtains or something equally severe.
    5 points
  5. Felt Fuzzy Dunlop. The new winter tyre that won't let you down......
    5 points
  6. Sellin this great 59’Pbass Custom Shop, got this new in June. It’s basically mint. Comes with og case, strap and certificate. Trade with Alleva Coppolo 4 string, preferring LM. Price drop to 2600£ or open to reasonable offers. bass is in mint conditions, never gigged, just played at home a few times...amazing Ptone, great worn in feel neck. Just im not to much a P guy
    4 points
  7. Ok, so bought this on here from @Pentode a few weeks ago and then the Handbox I wanted came up a few days later so, this is up for grabs. It really is as brilliant as his original listing ( see attached and a few of his pics too, hope that’s ok ) ! So it’s back up for what I paid for it, will make someone very happy indeed! Trades I’m looking for a nice cab to go with my Handbox and Ampeg heads.
    4 points
  8. If Axl Rose came to take me on man-O-man I'd need at least a week to work up a shiver. Ken Barlow coming at you with fists raised would be scarier.
    4 points
  9. It's "Speed of Light" by Joe Satriani. It's from "Time Machine".
    4 points
  10. I remember seeing the Rollins Band, many years back, and one guy kept getting on the stage. Obviously he'd wait for Hank to be over the other side before doing it, then leap off as Hank moved towards him. The guy then got his timing wrong and Rollins caught him in mid air and pulled him back on the the stage. For the rest of the song Rollins held the guy, one handed, behind him. The song lasted about 8 minutes. At the end of the song Rollins just stared right in to the guy's eyes and without saying a word threw him off stage.
    4 points
  11. Burning Love - Elvis Not difficult, but fun!
    4 points
  12. This one's really nice, taken at Stray's recent gig at The Stables in Milton Keynes.
    4 points
  13. Made my own: B&Q battens, some wood screws & a junior hacksaw.
    4 points
  14. Ritter Cora fretless 4-string Delivered in: 2012 Location: Antwerp, Belgium I don't play much fretless any more and something new is coming... Details Spacing: 60mm - 32mm Scale: 34" (863.8mm) Body: Alder Body finish: Damaged Desktop Neck: maple fingerboard: ebony finish: Frosted trasparent Weight: 3,7kg (8,14lbs) Ritter F4 active/passive electronics Ritter Website: Instrument' page Electronics document: Download Current new price is GBP 5,275 Asking Price: £ 3,200 > 3,100 £3,000 (exl. shipping) No trades. More pics @ https://basslessons.be/1185.php
    3 points
  15. UPDATE - Don’t know what I did but got it to work. Currently on 3rd update at 2.54
    3 points
  16. 3 points
  17. slightly off topic but in relation to some previous comments : we manage very well with 2x Yamaha DXR12 tops and a DXS12 sub at all our gigs (big and small pubs). The entire band (e-kit, bass, 2x guitars and 3x vocals) all go through the PA with very minimal backline (1x 20w Friedman valve guitar amp and the other using his Boss combo on 0.5w setting with acoustic shield, both miked). I run no backline and IEMs with bass sound processing done by the XR18 and we have no issues running that setup nowhere near flat out to get a great sound (if i don't say so myself). I'm very much past using a bass backline for this band - we sound better for a quiet backline and setup time is no different to normal (less if you factor in the amount of gear we have to lug around). The drummer is on IEMs and a P&D haptic drum throne and the two guitarists have their own Yamaha monitors. it's taken 2 years of gentle (and sometimes not so gentle) persuasion to get to this stage - when i joined it was the same PA running vocals and bass drum only with the usual acoustic kit, 4x12's, 50 or 100w heads, i used a BF super twin with a 1500w power amp etc etc etc - sounded like any other pub band i.e. waaaay too loud for the locations played - we still have plenty of volume, it's just now through the PA and sounds so much better for it
    3 points
  18. This would be a perfect subject for a reputable guitar improver to convert to a four string for someone with a perchant for giant foam hands
    3 points
  19. And the award for oldest functioning Basschat amp goes to...
    3 points
  20. it fell off, I think I was looking for it.
    3 points
  21. I actually really like the challenge of playing with people who are technically better than me - I much prefer to be the weakest musician in the room, and if I'm not, somebody probably needs sacking! And I do think that bass players can get away with quite a lot because while we know what we bring to the role, outside of some specific genres, people often look for "solid" rather than spectacular What I hate is not having a clue how the song goes and being expected to make it up on the spot - hence why jam nights are not really for me. I'm not against "jamming" in the true sense, more that I'm not going to magically get the bass lines for Mustang Sally at the drop of a hat, and nobody wants to hear me try
    3 points
  22. End of our three night run in Germany this summer - only the middle six are the band, the others are promotor of the event (on the left) and a guest percussionist (right). No prizes for guessing which one is the bass player!
    3 points
  23. UK Delivery now Included I'm slightly pained listing this but I've bought another bass today so my least played has to go. Picked it up a while ago as I had to try one and see what they were about. These are brilliant basses and a great blend of modern features and retro styling but Ive come to the conclusion it's not my bag with a wider flat radius P style maple neck and the colour scheme never really floated my boat being a monochrome lover at heart. Reverse oversize poles P pup and humbucking J. Volume tone and pup blend controls Lovely 5 piece roasted maple neck satin finish. Hipshot ultralites, string through body and hi mass bridge with lockable saddles. Approx 3.8kg so pretty comfortable weight too. In generally excellent condition, very minimal fretwear etc. Has one tiny chip through the lacquer on the top horn and a few smaller knocks by the input jack (see photos) I would prefer collection from my studio in S.E. London but Ive got a box and packing stuff so I can ship at buyers cost but I'll need to get a gig bag from somewhere to put it in.
    2 points
  24. One in/ one out policy now truly in enforced place by Mrs Raslee and as I have another incoming P so this one can go to make some much needed space. So here we have a funky strawberry red Late 80’s/1990's Yamaha BB200. When I got it, it had been neglected - poor set up, strings on wrong and dodgy electrics - yet structurally the bass still felt very good indeed. I decided to treat this bass and upgraded with a Tone Rider pick up with whipped creamy covers, Kiogon wiring loom and a Gotoh bridge. The body and neck really are great condition for its year, and now it sounds and looks fantastic with the upgrades. A lot of (vintage) BB P bass for £200 (or offer) and it plays really sweet too; I won’t be too concerned if it doesn’t sell too quickly TBH but it is sitting here begging to be taken out. Original Yamaha pickups also included. Collect from Plymouth or will post in the UK for £20 - extra if abroad.
    2 points
  25. Sorry if this has been done before but I did search. You know that fantasy that most of us have probably had where (normally at the start of a playing career) you imagine that Marcus Miller, Victor Wooten, Mark King, Roger Glover, Chris Squire or whoever, has slammed their hand in the limo door and the MD shouts out "is there anybody here that can play......." That number that you've nailed because you just love it. Hard or simple, doesn't matter. Just that dream song that you'd love to play with THAT band, on stage, and get to be the hero. Out of interest, mine's Danger, breakdown dead ahead by Bozz Scaggs.
    2 points
  26. Hx Stomp arrived yesterday. Only had 20 minutes with it so far... I don't remember the last time I was so impressed with something straight out of the box!
    2 points
  27. Thanks. Excellent work. At last I now know after all these years. It's great to hear the original again. It always sounded like Satriani but nobody could put a name to it. Now with the power of the internet and help of BC we know.
    2 points
  28. I do it, everyone ok's it and then the singer/guitarist changes it around 10 mins before we start. Every time. 🙄
    2 points
  29. Light is like sound, on a log scale so there won't be half as much light again with 105W, but I am using the 70W lights. When you think that an 8W domestic led is rated as 100W equivalent then think of these as being rather like the old 500W floodlights, not really a domestic item. Obviously the 70W rating is with all the leds lit so a single colour won't be as bright but even so you really can't see much with one of these a few feet away shining straight at you.
    2 points
  30. Same here. I don't like those 'jams' when it ends up being a run through a bunch of songs that some people there know very well. They're invariably songs I don't like You want to jam? Then let's jam. Choose a few chords if it makes it easier... and let's just jam.
    2 points
  31. Oh look, they have been busy:
    2 points
  32. Having checked out the SVT with the cab, I thought it would be interesting to try out this. It is a General Electric PA amplifier, made in 1935. 4 KT66 cathode biased output valves and rated very conservatively at 30W. It was my first amp when I started playing well over 40 years ago! My father had just bought a TV and cycle shop business and we found this old (even then) amp languishing in the loft. It needed a good service, jack connectors adding for input and output and a matching transformer for the 100v line output. It weighs nearly as much as the SVT and back in the day was paired with a massive 1 x 12" cab with a slate baffle from an old billiard table with 1 1/4" chipboard for the rest of the cab and a pine frame around the front, painted gloss purple! The cab is long gone but I still have the amp and it still works. The valves are all original except for the driver. I've changed a couple of leaky caps and added some new smoothing caps to help the originals. It's not as loud as the SVT but has a smooth slightly compressed sound. A peek inside for the tech minded. Very neat and easy to work on.
    2 points
  33. There are loads of bad photos of me but I finally found one I like! From last Thursday at the Rescue Rooms
    2 points
  34. In regards to positioning these behind the backline, I assume that pointing them at the drummer eyes is considered to be ‘good sport’?
    2 points
  35. Bet he couldn't walk through a doorway carrying it, tho...or not carrying it, for that matter...
    2 points
  36. Glad to see you still loving the alt. rig. Night and day over traditional rigs eh?
    2 points
  37. Aha, thank you for the explication! Well it does have a fitted Gibson case, just not the cat-friendly, pink fur lined one!
    2 points
  38. My entire rig (replace the Fishman with a HX Stomp though), I’d never go back to amp/cab now...
    2 points
  39. How about one of these? Only holds 6 but at this time of year it could double as a Christmas tree. 😁
    2 points
  40. 21st June 2014, the last time we let our guitarist choose the set...
    2 points
  41. Herebe us handsome chappies
    2 points
  42. Mine came with 2.3 And I went straight to 2.82 in one go. i couldn’t get Hx edit to connect on my work laptop, but I think it is all the security settings, so had to use another computer in the end.
    1 point
  43. Forgot to mention hugely important feature the option to add an expression pedal and control the envelope manually. Anyhoo, I put a short demo together to quickly show the flexibility of the pedal. DI from my Trace head to the PC:
    1 point
  44. My Trans-themed MJT-aged Bass arrived. Assembly begins: Allparts neck’s bolted on w/threaded inserts, Seymour Duncan pups are my go-to for most builds. If all goes well I’ll be playing it for the 1st time on the 12th @diyspace4london,
    1 point
  45. Used to quite enjoy playing their songs back in the day. Remember going to see them Oct 26th 1979 in Edinburgh and they were ok but the support band were better. Can't remember who they were tho but i'll have the programme somewhere. The venue didn't help things as it was in what you might say an agricultural market building Ingliston Edinburgh. Bit boomy when they horsed up the volume for Boston. Support probably sounded better because volume was lower. Dave Decided to google it and low and behold i found it first attempt. It was a band called Trickster. This is Boston from that very gig
    1 point
  46. True enough, and I'm not one to shout at a waiter when they haven't cooked my food either but the companies clearly don't really care. I've had these two corkers in the past few weeks alone.
    1 point
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