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Showing content with the highest reputation on 18/01/20 in all areas

  1. We don't try and compete with the likes of FB and eBay but we like to think our strength is our community and safety which was only enhanced with the fee which saw any chancers take a hike. It's nice to know that most people try us first as a way of supporting the site also, even if they have eventual success elsewhere.
    11 points
  2. Just started selling on FB. Impressed so far. Trying to clear bass and photographic backlog from last year’s GAS. Items are moving much quicker than on BC, even quite exotic stuff. Who’d have thought a general punter would want a 6 string bass. Now getting responses within 12 hours.Same bass items haven’t had a tickle of interest here.
    4 points
  3. Does that mean if you put it in the fridge it gets harder to play?
    4 points
  4. Just seen this on Jon willis' facebook page.... will be interesting to see how the metering side of things is implemented... tis deffo something I've been keen to see in it for a while....
    4 points
  5. A shame, because Talkbass used to be the home of exotic basses. It is super staid these days. I play Talkbass bingo. Browse until you've heard all the big hits... "P with flats" "Sits in the mix" "Leo got it right first time" "Mud and thud" "Bass should be felt and not heard" "7.6lbs? That's an ounce too heavy for me, I'm out"
    4 points
  6. 1978 Fender Precision. This is the A-Neck model, so has the Jazz type neck (38mm) and ideal for those without the chubby fingers or don't like the wider neck, but want a Precision. It's not after market before anyone asks, as they made a few of these in the late 70s. Obviously, it might say 78 on the head-stock Ser No, but we all know Fender bits could lay about for a while before being assembled, so could be between Dec 77 to later. I've found the neck stamp is the best thing to go by for when it was assembled and the stamp here shows 79 (last but one digit). The Fender spotters among us will also work out the model, neck, month, year and day of the week the chap assembled it 🙂 Ash body, so a heavier than 60s & early 70s alder versions, but sounds great and 'growly'. Has the usual marks and dinks you'd expect from a 42-year old bass that been used as intended. Weight is 4.7kg or 10lb 3oz, whichever system you prefer. It seems that with great sound you pay the price with great weight, but that's what you get with ash 🙂 All original, frets in good order, truss rod ok, but paintwork has gone a bit 'milky' and thin in places with wear (tried to show in the pics). Recently set up with 105-45 rounds and comes with a Hiscox Hard Case. Happy to post at buyers expense and risk. No daft offers please, as not desperate to sell it, and not too fussed about trades....... but you never know.
    3 points
  7. I have just posted my transcription of Geddy Lee's bass part for Show Don't Tell off their Presto CD in my transcription archive thread. My little tribute to Peart.
    3 points
  8. One problem i'm finding on BC at the moment is that every bass i really like seems to be from outside the UK. There seems to an awful lot of basses for sale from outside UK. I'm not brave enough to buy from outside the UK. Dave
    3 points
  9. My eBay days are done. For me, BC for substantial / specialist stuff, FB for bits and bobs. Works a treat.
    3 points
  10. Work in progress... grain filler applied 😎
    3 points
  11. So the server doesn't play like buttah?
    3 points
  12. ...where he took up welding. Yes and he built a talkbox out of Fender Twin Reverb and when he tried it out he rattled all his fillings out of his teeth. Us Jersey Boys anything for a laugh...
    3 points
  13. While that is present I feel like there is less of it these days, Talkbass is less middle class than it used to be. As I say, it used to be a doctors and lawyers hangout and the bass porn was off the scale. As a mere regulatory professional, I'm surprised they even approved my account!
    3 points
  14. A lovely tribute from Doane Perry, which casts some light on how Neil dealt with his illness: Doane Perry 11 hrs Neil Ellwood Peart - 9/12/52 - 1/7/20 I want to thank all the people who have so kindly written, texted, posted or called regarding Neil's passing. Like so many, this has completely undone me and I haven't quite known where to start. I am working on something more substantial to be posted in the future when things have settled a little for everyone. During the last three and a half years, Neil faced this brutal, aggressive brain cancer bravely, philosophically and with his customary humor, sometimes light and occasionally dark - all very characteristic of him, even given the serious situation and the odds handed to him at the time of the diagnosis and subsequent surgery. But he fought it. By his own request for privacy, few people knew, but his understandable response to this news in no way excludes or diminishes ALL of those who also knew him, worked with him or loved and admired him from up close, or at a distance. His tenacious approach to life served him well during these last years and although he primarily kept his own counsel, he retained his dignity, compassion, understanding and his deeply inquisitive nature, which never deserted him. Remarkably, considering the severity of his condition (glioblastoma) and through the resulting aftermath, he really had no pain. This was always my first question when I saw him. “Any pain?” I asked. “No pain”, came the reply. What a blessing that was. We were all grateful for that. For every one of us who loved him, near and far, this is a loss that is difficult and impossible to summarize in a few short paragraphs. The outpouring of love, respect and appreciation from every imaginable quarter for this extraordinary, singular talent and beautiful man with a mind like no one I have ever met, is touching beyond words. To those that had to guard and hold on to this information closely for three and a half years, for obvious and protective reasons; his wife Carrie, daughter Olivia, his loving family, band, colleagues and friends, they have my undying admiration. You know who you are. Apart from his deeply gifted, genius talent and prolific output, which he brilliantly displayed through music, lyric and prose writing and that staggering storehouse of knowledge across an array of subjects in multiple fields, he remained a kind, gentle, considerate and modest soul and a consummate gentleman… as well as an extraordinary friend. If you were his friend, you knew it and he understood how to be the best friend that you could ever hope to have. I think I speak for all, known and unknown to him, to say he will be deeply missed, eternally loved, appreciated and remembered for his many invaluable contributions to music, art and the written word. That will be forever celebrated. Despite what he knew and we knew which was inevitable, I believe there is some sense of relief that this long, difficult odyssey has finally ended. Thank you my dear friend, for passing this way. We are all richer for your presence and light in our lives. 🙏💙🙏 Doane Perry - January 16th, 2020
    3 points
  15. High-end bass by Philippe Deputte Luthier Artist. - Walnut table with inserts in black pear - Swamp Ash body 3 parts wavy maple neck - Graphite reinforcements and Truss Rod double actions. - Speckled maple fingerboard, abalone inlays. Scale 34 ' - Walnut veneered head, Hipshot Tuners - Hipshot bridge 18mm - Bone nut. - Neck / body connection by step inserts mechanical, optimized vibrations. - Maple and ebony railing - Very dynamic and precise through B string. - BENEDETTI microphones exclusive MIC system (switchables pickups). Contact by copper plates. A Precision, a Jazz and a double Humbucker. - John East Uni pre 3 Electronic Preamp with Volume control / Balance stacked pots Parametric medium / boost medium stacked Bass / treble stacked - Switch 2 positions 1 active / passive - Switch for pickups 1 + 2 or 1 + 3 - 3.45 kgs !! Perfectly balanced. Each point of this bass has been designed for optimal ergonomics. Whether the choice of the profile of the handle and its radius, as well as certain details that are important such as the jack plug in the back and the front strap attachment which allows to have a flat strap, which does not pull not on the shoulder. Fantastic playing sensations. Very low action. It falls perfectly on the shoulder, no tiredness of play even after a very long gig. Supplied with Hiscox case. New strings set La Bella Super Steps 45-128. Very versatile modern and vintage sounds Links and follow-up of its creation: https://onlybass.com/topic/87754-projet-duo-lutherie-l3m/ Price include shipment from France 🇫🇷 to Europe with insurance. 1800£ straight sale/ 2200£ Trade value.
    2 points
  16. Just started working through Mark from Talking Bass's slap course** I must admit to being a big fan of Mark and glad I've found an excuse to sign up to one of his courses rather than just taking advantage of his (excellent) free tuition. We've all gotta put food on the table at the end of the day - don't we? I've found that setting up works well: 1) use the bridge rather than the neck pup The bridge pup is generally going to be better at picking up the overtones and also has the advantage of being further away from where the strings are being slapped so less likely to clip your amp / overload your speakers than when using the neck pup. 2) dial the treble up on either the bass and / or amp Slap bass very much relies on higher frequency zing. Quite a lot of 'advice' seems to also suggest cutting / scooping the mids for a classic slap bass tone. I've not found that necessary to get the slap zing but I guess it provides a different tonal colour and you go with what you like. In my case, I'm holding on to the desire to continue to cut through the mix by not losing the mix but maybe a wrong headed approach? Those of you far more experienced in this arena than me (which will be just about anyone proficient at slap!) - does that tie in with what you guys are doing in terms of setting up? **the sort of pointless stuff you find time for when you join @bassfan's 2020 GAC so that you can no longer spend many productive and happy hours drooling over the latest bit of gear that's going to deliver that tiny nirvana difference to your tone that you're never going to hear wearing ear plugs when playing live and no one in the audience will notice or care about 😉
    2 points
  17. Free to a good home. Washburn XB-125 bass. Functional 5 string for someone that wants to dabble with the extra string before splashing the cash on a new one. Or just for someone looking for a free 1st bass. It works and stays in tune but it wouldn't feel right charging for it. Black. Alder body. Maple neck with rosewood board. P-style pickup. It's had a hard life - gigged heavily in the early 00's, the body is bashed, it has an old band name scratched into the back, the strap pin has been pulled out so many times its just taped on (has worked like this for many a gig), the neck has a crack down both sides from it hitting the roof at one too many venues (it has been like this for about the last decade and hasn't given way yet, though I don't know what would happen if you took the strings off), there's also a minor crack on the head stock. It's been hiding under the bed for a lot of years but the time has come to set it free, someone please come and get it before it goes to land fill. Collection only - Deptford SE London (8 mins from London bridge).
    2 points
  18. Hello there ! So I fell in love with a Sandberg which I've already ordered and since I am not Richie Rich I need to sell something to raise the funds for this aka live in peace with the mother of my children. I have to admit that this move is stupid since it burns the money I've spent in the blink of an eye but the love for the Sandberg is so strong ..... I don't care. Up for sale is the Warmoth PJ project that has just been finished and is built from only highclass parts. So far has been played on for maybe 3 hours so it is like new ! Warmoth Custom Body Model: Chambered P Bass® Orientation: Right handed Scale: 34" Wood: Flame Maple on Mahogany Contours: Contoured Heel / Tummy Cut / Forearm Contour Battery Box: No Battery Box Rout Top Finish: Transparent Purple Back Finish: Transparent Purple Finish Type: Satin Finish Warmoth Custom Neck Style: J Bass® Orientation: Right Handed Neck Wood/Hals: Roasted Flame Maple Fingerboard/Griffbrett Wood: Ebony Nut Width: 1-1/2" (38mm) Fret Size/Bünde: 6150 Tuner Ream: BML (17.5mm) Radius: 10" Scale: 34" Fret #: 21 Pre-Cut Installed String Nut/Sattel: GraphTech Black TUSQ XL - Standard Nut Inlays: Cream Face Dots Side Dots: White Side Dots Stiffening Rods:Standard Steel Rods I put several layers of TruOil on the neck and put one seal of wax on it in the end - Feels just awesome and looks amazing ! Tuners: HipShot UltraLite Bridge: HipShot Style A Aluminium Bridge Pickups: Sandberg Black Label Electrics: Noll TCM 4 XM (B 2083) - Runs with 2 x 9 Volt batteries = 18 V for more headroom Potis: 3 x Tandem Pins: Schaller Security Locks String retainer: Sandberg At the moment it is set up for D Standard --> DGCF 4,5 KG This baby was put together by a professional luthier in Germany (Acys Guitar Lounge). It received the best treatment and all the routings and the electric cavity was shielded professionally. This is what it cost me: Pickups: 230 EUR Bridge: 130 EUR Electrics inkl. Potis: 200 EUR Body and Neck incl. shipping and all taxes: 1500 EUR Tuners: 145 EUR Security Locks: 20 EUR Luthier costs to put it together professionally: 630 EUR In total: 2.855 EUR I put it up for sale for WITHDRAWN ... shipping to anywhere within the European Union ... standard Sandberg Gigbag ... higher insurance I am not interested in a trade You can play and pick it up in Munich/Germany and pay in cash if you want to. You can also pay by bank transfer (You cover the transfer costs) or by PayPal (Family & Friends only) If you want to I can make more pictures.
    2 points
  19. Hi folks Again I find myself with too much ‘stuff’ and pressing family commitments so I’m looking to sell this beautiful bass. If you want the ‘ultimate’ Smith bass, this is it. One of the original 200 hand made in NYC by Ken and Vinnie (Fodera). Completely standard and the neck is dead straight, the action is super low. It barks, growls and plinks with the best of ‘em. - Haz pre-amp (two band, blend and vol) - Phase switch and active/passive switch - Smith bridge (early version) - Gold hardware including original headstock roundel - Walnut top, maple body - Ebony fingerboard - Comes with Smith Wax - Elixir super light strings (new) 0.040- 0.095 - Dunlop locks included - Weight about 4.3kg/9.5lbs More details here Must be collected from York (can meet a reasonable distance). Comes with teardrop style hard foam case. Ask away if you have any questions. I’m around most weekends and evenings if you’d like to try the bass yourself in my home studio setup which will let you hear the bass perfectly. A few pictures, ask if you’d like anything else! Cheers ped
    2 points
  20. Hi - am listing my Shuker black/maple PJ 4 string with jazz profile neck. I’ve copied a lot of the information from the BCer I bought it from. The bass has a Jean Jacques Brunel Precision English ash body core with swamp ash wings and is finished in a beautiful black gloss with a bwb pickguard. It has a maple neck with a select birds eye fretboard and matching headstock veneer that is truly stunning. The neck profile was taken from a Sadowsky Will Lee jazz, so is slim and comfortable and sports hipshot light tuners.. All hardware is black and adds to the classic black and maple look. The pickups are Di Marzio and these perfectly compliment the Sadowsky pre amp with vintage tone control. She weighs in at just a tad over 9lbs on the bathroom scales and is very comfortable to play. Included is the Shuker hiscox case. I am asking £950, £895 available for collection from West Yorkshire or can meet up within a couple of hours travel time. If someone wants to arrange a courier I will pack it up very securely. Trade wise I am specifically looking for a USA Musicman Sterling
    2 points
  21. The one slight issue I have (particulalry when using mobile), is the sheer quantity for equipment for sale from outside the UK. At the risk of suggesting some sort of BCexit, how do people feel about a seperate topic for equpiment for sale outside the UK? Or am I just being stupid?
    2 points
  22. I'll be writing a series of NAMM mega-blogs throughout Feb and March! It's a great show.
    2 points
  23. My new RM500 EVO II on my Two10. Haven't gigged the amp yet but mightly impressed so far.
    2 points
  24. Spotted along a wall, in an empty space large enough for a decent-sized booth. Nuff said. LBGS/UK Guitar Show, please take note. It can be done.
    2 points
  25. 2 hours on and I've agreed a trade with another forum member for my Jazz bass - Basschat wins
    2 points
  26. She has more singing talent than me, and that's a fact. On bass playing let's call it evens.
    2 points
  27. She may not be a songwriter, but can sing and she's an ordinary middle aged woman with Aspergers who overcame a lot more barriers than 99.98% of them!
    2 points
  28. Use PayPal and nothing can go wrong
    2 points
  29. This is a signed Ltd Edition Print by Jamie Reid (The designer of the Sex Pistols iconic album cover). This is an edition called ‘Dirty Fake Old Queen’ and is inspired by the famous cover. It’s been relicced by the artist, you’ll see what I mean! Its number 28 of 231. Here is some more information about the edition: https://www.artrepublic.com/dirty-fake-old-queen-by-jamie-reid-47287-html-sid-u.html This was purchased from the L13 Gallery in London and I was going to frame it for my office, but never get round to it and I’ve moved office and can’t put up pictures anymore. This was for sale at £250 but I obtained it for £135. (I’ll include the receipt for provenance, naturally). I’m hoping a fellow Pistols fan will be interested in it and if so I’m happy to sell it for what I paid. Editions online have been listed for 2 or 3 times this amount as Reid’s work is highly sought after. Can send but collection is possible, I make a mean cup of tea!
    2 points
  30. Shame these things happen anywhere but i've had the opposite on BC where @muydeemer travelled up by train from London to pick up a bass at Glasgow. I drove into Glasgow about 50miles for me but unfortunately he was held up due to flooding at that time which was on the news. He contacted me several times with updates and fortunately i was able to wait in Glasgow, get a late lunch /early dinner with my wife until he arrived. Guy was brilliant, liked the bass handed over the cash with absolutely no issues. He jumped back on the train that was just about to leave and all done in 10mins. I've had some great deals with both BC and FB to be honest but generally i find BC deals go a bit smoother. No idea why but maybe its because most of us are all doing the same thing when it comes to GAS and we just like being treated the same way we would treat others. We are a lovely bunch of people on BC. Dave
    2 points
  31. Yes it’s difficult to have a feedback system with any value when it comes down to it - these transactions happen separately from the site and we get no detail about them and can only go on what we’re told. I feel a star rating would end up meaning the mods would constantly be roped into disputes and it’s also difficult to implement on a software level. The text based system is ok and can provide context when things didn’t go well but I agree it could be better integrated. Unfortunately I don’t think our software allows for that at this stage and coding it in ourselves would be very tricky! Loving the new job, thanks for asking. I’ll make an update on the thread. Two weeks in and I haven’t been sacked yet!! Cheers ped
    2 points
  32. Nothing has changed about the marketplace here and although that might not tally with your own experience it’s a bit of a stretch to say the marketplace isn’t what it used to be. In fact I don’t remember the last time I had to help in a dispute between members, and the statistics show more items being listed than ever before. Also we can only help with issues if they’re raised with us. Did you leave feedback for these guys who didn’t turn up?
    2 points
  33. Painting work in progress... the new EVO-FX4 Headless, will be my first yellow painted Bass 😎😉🎸
    2 points
  34. When i was a teenage brat back in the 80s I was big into the likes of Vai, Satriani etc as I was more of a guitar than bass player back then. IMO I don't see why guitar players shouldn't be accomplished bassists. I think it's a bit strong to say the guitar playing in the vid is poor. While it's no longer my cuppa Darjeeling there's no denying these are skilled players and recognisably so. Anyway, back in the 80s, shredding had taken electric guitar playing far beyond what Hendrix, Clapton etc had been doing even if it sounds somewhat dated nowadays
    2 points
  35. To me it's III Sides to Every Story. Saw them twice at the time. Great concerts, but they never played the acoustico symphonic parts, sadly.
    2 points
  36. I use both FB and BC. The pattern seems to have been as follows. Sell on FB. Stuff I no longer want, not looking to make a profit, easy local pickup or delivery. Buy from BC. More expensive specialist stuff that I feel confident has been usually cared-for. Don't mind travelling a distance to collect or meet part-way.
    2 points
  37. Still won’t be joining facebook, no matter what.
    2 points
  38. Just sat watching DG in Pompeii and have only just noticed that Guy is using a P in what appears to be the same colour as Betsy on Comfortably Numb. I’d be up for one of those!
    2 points
  39. Yeah I know what you mean. I can definitely see more new/younger/poorer bassists coming through now. I feel sorry for them having to suffer all the "use the search function" jibes from the jaded old grumpy hacks. Basschat is so much better.
    2 points
  40. Couple of oldies but goodies. First edition Hohner B2A, 1984, owned from new: Cort Space B2 - bought from a BCer about 8 years ago, original black finish was badly worn so I removed it using a heat gun & was pleasantly surprised to find a satin poly sealing coat underneath. Want to pop some different pickups in at some point. And this one's a no-brand Crack Converters special I picked up because I liked the sort of Marleaux/Laurus-y styling, and it was dirt cheap. Unfortunately quite cheaply-made too, despite appearances it's not through-neck, it took a lot of work to make it play nicely and unfortunately the tuning system is over-engineered, poorly thought out and barely fit for pupose. Looks smashin' though, but sadly no use as a wall-hanger because paradoxically, it lacks a head to hang it by. So off it went. Future headless ambitions include a Riverhead Unicorn (had GAS since the 80s when I couldn't afford one), Hohner Jack (the J/J version) Westone Super Headless (when one turns up at the car boot for £30) Status S2/S2000 (see previous entry) - and probably more realistically, a conversion of a sort-of Rickenfaker I've had kicking around for years, which has one of the ugliest & most incongruous headstocks I've seen.
    2 points
  41. @Mastodon2 you forgot "New to bass. Which $5k bass should I buy ?" 😀
    2 points
  42. And Jaco never needed a web forum.......
    2 points
  43. They should have got a Fender Precision and strung it with flats. Leo got it right first time.
    2 points
  44. If only they had some kind of user forum to contact them
    2 points
  45. Not sure about the bass playing, but I've always thought Nuno was an extremely underrated guitarist. He's up there with the best imo.
    2 points
  46. It's gone 3pm here in Anaheim and we've managed to talk to John Hall at the Rickenbacker stand, say hi to Roger Sadowsky with a promise of a chat later, spent some time with Tomm of Stonefield, talked to Sheldon Dingwall, and spotted several other familiar exhibitor faces we'll get back to when it's less busy. Watch this space!
    2 points
  47. I’ve managed to find a real nice Ripper in Washington DC so I’ve bought it tonight👌👍
    2 points
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