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Showing content with the highest reputation on 11/02/20 in all areas
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TL;DR -- we had a power cut but managed it anyway. As per my status update, I was in the studio with Train To Skaville this weekend. Set-up on Saturday afternoon, recording Sat evening and all day yesterday. Or at least, that was the plan. The idea was to record 3 takes of each song 'live' as a band and patch up or cut/paste any hiccups after. We put 3 songs in the can on Saturday evening and had another 12 planned for Sunday. All was going well and we were blasting through take 2 of Rancid's "Time Bomb" when Ciara put the lights out... We waited for a while -- "anyone want tea while we w... oh boIIocks" -- until a google revealed that half of Wiltshire was fecked and we were looking at probably a 6 hour wait. Hold on, says Gil the keys, I know a bloke who hires generators... could we make that work? A quick scout around the control room and some fag packet work and yeah, if we just plug in the bare bones of what we need and forget most of the rack gear then why not? Jim from Powerline turns up with his trailer genny and ten miles of electric spaghetti, and much plugging and trailing and swearing and we're back in business. We finished all the songs as planned, a bit later than planned but with a sense of triumph in the face of adversity. What a TOTALLY BRILLIANT weekend. Here's engineer-producer Steve in the moodily-lit control room. The live room wasn't much brighter13 points
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Whilst I understand that occasionally posts on here can be a bit sarcastic, even pompous (and I've been guilty of it myself once or twice) please keep in mind that for every bass player that may have achieved the dizzy heights at which you are fortunate enough to have found yourself, there are many thousands who play in their bedrooms, in rehearsal bands, or whose peak of achievement might be a gig down their local pub. If you have done much better, you are to be applauded, admired, and even envied. But please show a bit more deference to those who are what could be termed in the lower echelons of the bass community. We far outnumber you. I'm a 'pro'. I played in a pub last week. I got paid a modest amount. I've also played in Hyde Park, on national TV in many different countries, and to crowds of 20,000 and more on numerous occasions. This may sound like I'm blowing my own trumpet, but I've never said any of this on here before, the reason being that it has nothing to do with anything. I'm a just bass player, and part of a community, as you are. If people do, in fact 'avoid this forum', it's for their own reasons, not because they're 'pros'.13 points
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The plan was to visit Mark and the boys at Bass Direct to try and buy a US Lakland Jazz they have advertised. That was the plan. What happened was, well, basically my head got turned by a spotless 2011 4003 in my favourite colour scheme and once I plugged it in and heard that Ric "fizz" it was only ever going to finish up one way. The Lakland was lovely but left me feeling completely underwhelmed. It was a gorgeous piece of work and the build quality was superb, but I just didn't feel anything from it. It was (as they say) me, not the Lakland. I need to change the strings but it's a real beauty and fills a gap I didn't know needed filling in my collection. All in all, a worthwhile trip.11 points
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Hey all, I’m clearly not in a good place at the min, can I apologise, if caused any upset or offence I’m genuinely sorry, best wishes and regards to all of you9 points
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I've put your definition in the urban dictionary for ya, boss. 👍9 points
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She should have kept such an expensive piano at home. See what happens when you take your best gear to gigs!!!9 points
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Went in to the Bass Gallery today to put my old bass up for commission sale and try a few basses out. Thank you to the excellent staff in there for all their help and subsequent set up. I am now a very happy owner of the Sadowsky Will Lee they had for sale in there, although one of my idols was in there at the same time getting some work done on their basses so had no idea what to play! Really versatile bass and way too good for me but I am unlikely to be in a position where I could do something like this again.7 points
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See, this is what happens when you let amateurs use computers and the internet. It should be for Pros like me, you know, people who built the internet and made it dance. Everyone else should just have to write letters.7 points
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Reaching the final stages now7 points
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Until recently I was after a P bass, but then I made a bass I already had work better for the P bass with flats thing. I looked at the Stingray 5HH before I bought that one, and I knew about the Stealth Black, but never spotted one second hand, so when this one came up on BC while I still had the money I'd put aside, that seemed like the universe telling me I needed this bass in my life. Well, that's my way of justifying buying yet another thing anyway. It's... well, it's a Stringray 5HH. I know the HH doesn't sound the same as the H (or HS), but I want this as a rock bass and I think it will do that nicely. The bridge pickup is right there for me, great sound. I'm just figuring out which amp models it likes, Ampeg ones seem to work unsurprisingly. I can see it being played with a pick more than my other 2. Also, it looks the absolute dogs IMO, quite hard to photograph though. How much more black could it be? None more black.6 points
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Here is my pretty much mint Fender P/J '75 reissue, made in Japan with the usual high quality finish. Aged (like me) Candy Apple red finish, has a Badass II upgraded bridge and comes with a Fender Tweed deluxe case. Fender Jazz Bass 75, Alder body, maple neck with rosewood fret board. pearl inlays with white binding on the neck Bullet truss rod, vintage p bass and vintage jazz pickups Leo Quan Badass II Bridge vintage tuners parchment scratch plate Fender vintage tweed deluxe fitted case. Aged candy apple red finish. Limited Edition 1 of 78 made in the Dyna Gakki factory Japan. The bass is setup so it plays wonderfully well, and is around 7 years old. Weight is around 9.5 lbs. My digital scales are not working. Price is delivered to UK.6 points -
Rare Ken Smith BT6 from 1987 vintage 6 string bass, a beast of a bass punchy and big sustain. It's a true specimen of Mr Smiths abilities as one of the best bass makers of all time. Rare Three stack knobs and intricate wood combinations make this one part of a small batch of basses Ken made in the 80's that are very saught after and renown for their sound and simplicity. the bass is in perfect playing condition4 points -
It's with great sadness that I've decided to sell this fantastic 1965 Jazz bass, refinished in Olympic White by Joseph Kaye Guitars. I'm looking for £4000 for the bass. Ideally, buyer to collect from London NW3, but happy to package for courier collection if buyer arranges. Unfortunately, I will not ship outside of the UK at present. Trade-wise, I'm interested in Wal, US Lakland, US Spector, nice precision-type basses, or those basses that start with R which no-one mentions around here... Hopefully the photos will demonstrate its beauty, but the low-down on what's non-original/original below: Non-original Olympic white nitro body and headstock refinish, nicely checked with mild relicing Reproduction headstock decal Replacement bone nut Refret - frets are in great shape! A couple of screws here and there... Original Body Neck Tuners Bridge Pots, dating to 1965 Grey bottom pickups with original winds Tort guard with some repairs to cracks, highlighted in photos below Pickup covers/ashtrays Everything else that I've failed to remember/mention! Also comes with a slightly battered but fully-functional case, which I believe is by Hagstrom, as the bass was imported from Sweden at some point. Sounds absolutely killer! Really acoustically loud, and strong, thick, balanced amplified sound with a beautiful tone. Will confirm on weight asap, but it's very light, i.e. less than 4kg. Any other questions, just ask!4 points -
HyperBall, from Teebs, meaning massive beach ball.4 points
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Put a hinge by the neck pocket and make a door knocker. It should produce a satisfying thud.4 points
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CONKLIN Groove Tools GT6, originally a GT7 that became a GT8 and now is a GT6, the missing link. Would prefer selling it, hence the low price, but trades are always welcome, especially for a fretless bass : 4, 6 or 8 (no octave strings) strings unlined are my preferences. If you want a wide strings spacing bass, this one is for you. Sounds like a full Bartolini fitted bass, with loads of bass and precise highs. Also has SIMS Custom Led's installed. Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £850 GBP !!! In fully working condition and in excellent overall condition. Here are the specifications : Body : 2 pieces swamp ash with a bookmatched flamed maple top Neck : bolt on 7 pieces of wenge and purpleheart Fingerboard : purpleheart with side (and also front) Led dots Frets : 24 (no wear at all) Headstock : 3 + 3 shape (angled) with butterfly and cross inlay back lit by a Led Pickups : 2 active Bartolini P4 Preamp : Conklin/Bartolini 2 bands Controls : volume, blend, bass, treble, switch for the Led's Tuners : Gotoh Bridge : brass Warwick two pieces Strings spacing at bridge : 20 mm Nut : bone Strings spacing at nut : 11 mm Knobs : metal Scale : 34 inches Hardware colour : black Truss rods : 2 (fully working) Output jack : locking Neutrik Finish : gloss Land of craftsmanship : Korea Serial number : none Year : discontinued in 2005 is all I can say Weight : 5.4 kilos Action : from 1.5 mm under the C string to 2 mm under the B string at 12th fret (can go lower, but was perfect for me) Will come with a brand new semi-rigid case modified to accommodate the very long bass side horn. Non-smoking environment as usual. I'm only selling this bass because I don't need it anymore being a fretless player and it's too heavy for my broken back. Here is the long story short : I got it as a GT8, but the strings spacing was too narrow, and as I like wide strings spacing I decided to have it converted to a non existing GT6 aka the missing link, removing the two extra tuners, cutting the unnecessary headstock and replacing the existing tuners with better quality real Gotoh. I ordered a made to measure Hipshot 20 mm strings spacing bridge that was never made after 3 months, so I opted for a Warwick 2 pieces bridge instead. This bass is really easy to play and really deserves the name wide neck. The bass has been fully set up professionally by Christophe LEDUC. It has two new batteries (one for the preamp and one for the Led's) and has been fitted with a brand new set of D'Orazio nickel-plated steel round wound strings (30 - 45 - 65 - 85 - 105 - 125), which fit the bass to perfection and will also be delivered with a spare set of these exact same strings fitted on another bass for less than one hour. Here's the link to the original ad : Here Billie Jean played by Johan when it was still a GT8. Hope you don't mind @therealting : Billie Jean - Conklin Custom 8 String Bass.mp3 What you see is what you get ! Look at the pictures taken under different angles to see the real condition : almost in new condition with no visible dings. Don't hesitate to ask for more.3 points -
Diddnt think it necessary to start a new thread about this, so I thaught the folks here might appreciate it. Custom 3D printed power supply brackets under my board for my recently acquired zuma. Previously my 2 power supplies were only just covering my needs. Some pedals were under supplied but worked so I ignored it. Now everything has pleanty and I can genuinely say is sounds way better! A revelation for me. Anyway pics.....3 points
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I'm a bit scared of inlaying, but I've kept it super simple and it's come out ok. The dots are just 6mm walnut plugs and the big one is a 6mm maple plug in a 10mm walnut one. The maple one was a bit undersized, it seems, and I managed to misalign the grain. I haven't decided if it's going to drive me mad yet. I can always drill it out and redo it if necessary. The problem is that I don't have a drill press. The walnut ones I just ended up buying from someone who happened to be selling some on ebay, but the maple one I made myself, using a plug cutter in a hand drill with a little jig to hold it in place - not ideal - and I'm probably not going to do it any better than this using that technique. Am I going into too much detail here? Short version: dots!3 points
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All covered here: https://www.youtube.com/watch?v=iDbyYGrswtg3 points
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3 points
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If you were like, Robocop - that is exactly what it would be like. 🤖3 points
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Me and Al, opposite sides of the country, squinting into the sun, chewing on a contemplative cigar, fingering 45s beneath our ponchos3 points -
I understand why people choose gear depending on their budget, but why would a more expensive (and presumably better sounding and playing) bass be "overkill" on any gig? If anything I'd consider an expensive bass just being played at home as "overkill". If you feel a bass is the best one you've found, why not play it. If I did any gig where I would be worried about my gear being damaged or stolen, I'd worry even more about my own safety!! IMO if you bought the bass you need to gig it.3 points
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The man who failed to earth?3 points
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Q. What game does a ska band play while waiting for a generator to arrive during a power cut? A. Ska-lectrics I’ll get my coat.3 points
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private messages, lets bury this thread,,,that's why the pros avoid this forum,,bloody shame, as the bass community deserve better,,good luck with your gig at the dog and duck,,3 points
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I just bought myself one of the Fender Vintera Mustang basses to add to my selection. It's the first short scale instrument I've owned, and it's fun to use. I find myself playing more "busily" than I would on a standard scale length bass. When I got the bass, the Pau Ferro fingerboard looked pretty dry and anaemic. So, Ioosened off the strings and set about dressing the fingerboard. I scraped the board with a single edged razor blade to smooth off any raised grain in the wood, then buffed the board with super fine steel wool. The next stage was to apply lemon oil. This was left on the wood overnight to really soak in to the pores. In the morning I wiped off any excess left over. The end result is a board which now looks dark and lustrous, and feels super smooth to the touch. I've also received a set of medium scale La Bella flatwound strings to use (I got medium scale as short scale strings would only be usable on top loading short scale basses. The Vintera has the traditional "through body" stringing, so needs a slightly longer string length to accommodate this). I've also got a Nordstrand NM4 to use if I want (I mat also fit a couple of solid shaft CTS pots too, and a switch craft jack - just because I have a few unused ones in my "bass bits" stash at home. Oh, and the Hipshot lollipop tuners that come with the Bass are very cool!! Fingerboard - before, and after.2 points
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1977 Fender Precision P Bass Shell pink with original case Purchased this a few months back and it's been sat waiting to be played and I've not really had the time to give it. With no time due a new job and a house move coming up I need to thin the herd so unfortunately as the last one in it's gotta be the first one out. In amazing shape for its ages, the action is currently low and very comfortable. The frets are in great shape. It has a rosewood board with Pearl dot inlays. The back of neck has some wear off of the lacquer from being played but that is the most significant sign of use on the whole guitar. I'm pretty sure its a refin as the colour is super clean and the paint is perfect. The owner before had it in a studio. Weight of the bass is about 10lbs/4.5kg Photos are from previous owner and can take more if needed. Last photo is for reference for colour against my Flea Jazz Bass. Would prefer not to ship due to age and value. PM if necessary.2 points -
Hi all, I took this recently in a trade but have not bonded with it, probably due to my love affair with my short scale, sub-8lb '71 Mustang. Its a Fender-only logo'd JV Precision from 1984 in gloss black with very dark (almost ebony-looking) rosewood board. Weighs 9.2 pounds and I have added La Bella light flats for slick old school thump. Its in pretty amazing condition for a bass of ~35 years vintage with no buckle rash, no significant dings (you have to look carefully to spot anything) and just light surface scratches on the scratchplate. Demo new basses in music shops would be chuffed to be in this condition! Pickup preferred from London (I am near Hammersmith) *edit* but can also post as have large enough box now. The bass did not come with a gigbag but we could negotiate something as I bought a GruvGear semi-rigid case specifically (cost £110) for it. Fairly rubbish photos attached due to dismal Mordor-like day but I can add some more if it ever brightens up!2 points -
Teddy Swims. If you haven't heard of him yet, then check this out. Stunningly beautiful.2 points
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Hi everyone, I started playing bass when I was in my teens. I got a holiday job for the Easter school holiday and blew every penny I'd earned (£15!!) on a Framus Star Bass. I gave up after a short while - probably didn't help the joint between the neck and body was shot which made the Framus almost unplayable anywhere above the fourth fret! I then took it up again in my 30s, having mended the neck joint!! I play in a barn dance and ceilidh band called the Reel Hot Ceilidh Peppers. I've been using an Ibanez Soundgear bass for many years, but have just got a Fender Precision Lyte. I use a Hartke HA3500 amp with two Hartke Hydrive112 cabinets. I've also got a Vox White Shadow fretless with EMG pickups and a Hofner HAB-01E acoustic bass. I still have the Framus Star Bass which is currently having a re-fret and a few other repairs. Cheers, Peter2 points
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this, all day long If I didn't want to play my bass in front of people, there's no point having it. And if it picks up a dent or two over time, that's character. I've bought and sold a few over the years, but I've never bought one as an investment2 points
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on the topic of violent crowds, me and a drummer of my acquaintance were discussing an old band mate that played rhythm guitar with us, who despite being at the low end of very average on his best day, has had no problem in finding a succession of quite busy pub covers bands to play with. Lovely bloke, sometimes absolutely awful guitarist, but he's never been sacked (sometimes bands have broken up around him...including ours, though he wasn't at fault) The drummer's theory was that to the guitarist's advantage is the fact that he's built like a brick outhouse, which will make any trouble makers in the crowd think twice about starting anything, and he's more than capable of handling it if they do. This may also explain why he's never been sacked...2 points
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If your 'limb' weighed half a tonne, and was made of wood, iron and bits of wire, then that is exactly what it would be like!2 points
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mine too, not a fan of their pop stuff, whilst it bought them commercial success it did nothing for me personally.2 points
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Looking right back at you Mr Black.2 points
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Knocking the headstock off a gibson isn't the end of the world - chap I know had his invisibly repaired for £65, and its almost expected for an old one to have a repair in its history. If fitting four pedals is such a pain in the ar$e for the manufacturer, he should probably try fitting them using his hands instead.2 points
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Arrived today2 points
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See, I don't see that as any different to a kid knocking the headstock of an old gibson. I mean, the value is different, but not the value to them, they both love it the same, but in her case the person who made it is still alive so it is just a question of buying another one. And the kid probably wouldn't have insurance. I am sure she can persuade him to fit a couple of other pedals, shes only got two feet anyway2 points
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Lol! Someone falling over and spilling beer over a bass / pups / EQ or expensive amp & cab is going to do a lot more lasting damage than beer on my cheap t-shirt and jeans. IMO any of my basses, immobile on a stand during set breaks, find it much harder to move out of the way of a falling drunk, than I do. Yours, of course, may be more nimble.2 points
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It's unique for several reasons - the early ones varied quite a lot as you know, with different pickup spacings, pickup types and construction. This is one of the earliest with the now traditional double near the bridge configuration and is unusual in that the bass has a dark bookmatched top. The BT shape remains to my mind the classic Smith design. As said above, I firmly believe such a great example of such a pivotal bass will grow in value over time, especially as Ken is changing his business setup and, although things have always been outsourced to some extent, I don't know what'll happen when Ken retires. So I'm in no rush to sell, and quite happy to keep it but if another player wants a unique piece of history and a thoroughly modern and fantastically constructed and sounding bass for less than a new one - let me know2 points -
Funny, I know plenty of pro players on this forum. Not that your statement has anything to do with the thread anyway... You may want to look at your communication skills (and your overuse of the 'comma')?2 points
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A nose ring.2 points
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It is indeed. However, they do need a bit of fettling. @Jabba_the_gut used them on one of his and did a great job of cleaning up the threads and lubricating. I actually used two (they are as cheap as chips) and made up one good one from the best components of the two. The resulting 'good one' was perfectly OK, though, and works great.2 points
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I remember my first audition. I set up and before I played a note I explained I was not hugely experienced and certainly not a flamboyant slap bass style of player but would always be on time, willing and ready to rehearse and would ensure I have learnt my parts since the last rehearsal. Apparently the drummer and sax player who were in the next room told me a month later at my first gig that on hearing this they had decided that they wanted me in the band before they had heard me play a note. Sometimes it pays to be humble and reliable. Was a great band and I had some fabulous times with them.2 points
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Buy what you like, can afford and what you enjoy. What matters most is that you make music with it.2 points
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I still think a toilet seat would be nice.2 points
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Everyone is likely suggest their own favourite brand here. My 2p on this would be to say I went through something similar after years of pick playing when I thought it was time to revisit fingerstyle again. I ended up with Dunlop Superbright Nickels in 45-105. Nickel wounds are much softer feeling anyway, and these particular ones are much more pliable too. They also come in 40-100 for even more pliability.. https://www.stringsdirect.co.uk/strings-c1/string-sets-c865/bass-guitar-c34/jim-dunlop-super-bright-nickel-4-string-45-105-bass-guitar-strings-p85752 points
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For me it's a no. My Shuker's were custom made for me, so when I play anything else it doesn't feel the same or as good. I bought them to play so I gig them regardless of the gig2 points
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Definitely some stick, you started off your thread with “so” 😀 That aside, I used to love by big old Peavey TNT combo’s back in the day.2 points
