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Showing content with the highest reputation on 19/02/20 in all areas

  1. As part of my astrophotography hobby, I have software that takes multiple images and averages them together to bring out faint details and hidden shapes. You can then apply techniques like deconvolution and contrast enhancement to achieve a striking but accurate image. I thought I'd try applying this technology here, so I've fed in all of your different favourite basses, and this is the result:
    11 points
  2. I'm enjoying it - an A-Z of everything I dislike in bass design 😂
    8 points
  3. I probably need to do this quickly so I don't regret it too much... (I will) Comes with an official Bergantino cover (that has signs of wear and some minor loose stitching, but that just shows that it has been doing it's job - protecting the CN212 within. No shipping currently UNLESS I can find a big enough box and essential packing. £660 please - I may entertain specific trades and will get a list together, depending on my needs. I'm not gigging at the moment and thus I only need one full bass rig, my Bergantino amp and a pair of matching Bergantino cabinets. So this one is on it's way out to pay a few bills. From one of the finest bass cabinet designers of the 21st Century comes a new range of lightweight cabinets using cutting edge Neodymium speaker technology coupled with advanced lightweight cabinet design. Using only the highest grade lightweight void free Baltic birch and precision built custom drivers, this new range of cabinets from Bergantino Audio are already another hugely popular addition from this established company. The Bergantino Audio Systems ‘Carbon Neo’ CN series of lightweight speaker cabinets nod their head to the traditional HD series but have a different function. These are the lightest speaker cabinets that we make. The precision tuned cabinet architecture and the enclosures are built with the finest lightweight Italian poplar plywood (with Baltic birch baffle boards) selected to our specifications. This lightweight cabinet material (along with the lightweight magnet material) helps reduce the overall cabinet weight. The lightweight carbon covering is used for cabinet cover material and is also lighter than the traditional tolex covering found on most speaker cabinets. A rigid black grille is added to protect the drivers from damage. The internal components used are extremely high quality and they are of Bergantino design. No ‘off-the-shelf’ parts are used. Woofers with Neodymium magnet material are used for the low frequency section of the CN series cabinets. The Neodymium drivers have a punchier low-end and a very sweet midrange that is placed a little more forward in the sound field when compared to the HD series. Fretless and upright players will often prefer the CN cabinets because of how the midrange ‘speaks’ with their instruments. The CN series cabinets have a high intelligibility tweeter mated to the woofers through a custom designed phase-coherent crossover with a tweeter control. Because of the increased cost of the Neodymium magnet material, imported wood for the cabinetry and the unique covering material, the CN series speakers cost more than the HD series, but may just be the right match for your playing style and weight needs. Model CN212 specifications: •2 x 12" Custom Neodymium drivers with 7 oz magnets •high intelligibility 1" tweeter •custom phase - coherent crossover with tweeter level control •Precision tuned 100% Baltic Birch cabinet •power handling - 700 watts rms •frequency response: tbc •sensitivity: tbc db @ 1 Watt/1 meter •2 x 1/4" and 2 x neutrik connectors •impedance: 4 ohms •dimensions: 31"H x 18-1/2"W x 15"D •79cm x 46cm x 38cm •weight: 46lbs/20 Kgs Image and text borrowed from Bass Direct's cached pages (Google search)
    6 points
  4. Surprised no-one has mentioned these yet. They were quite different when first appeared and very well made. Bit expensive but if i had the chance i would buy one. Alembic.
    6 points
  5. Reduced to £2200 plus postage. The eagle eyed among you may have noticed I've listed this bass before... It's a tough one to let go of, but at the end of the day, it's not getting the use it deserves. As I still absolutely love the bass, it will only be leaving me for either the price stated, or a suitable trade (UK only). *UPDATE- I may consider sensible offers This bass is fantastic. I’ve never owned such an amazingly well balanced and well crafted instrument. Each note, from the low B (big thumbs up) to the A at the 26th fret rings perfectly with sweet resounding loveliness. The neck is incredibly warm sounding for a composite, and it does not move. You could take this bass from sub zero to sub tropical and I seriously doubt the neck would move even a mm. Fancy changing the gauge of your strings? Bang whatever set you like on, you’ll not have to worry about the setup. All this makes this bass the perfect touring bass. It’s smooth, it cuts, it has punch, growl. It’s a great bass. And it would probably cost about twice as much to buy new. It’s in great condition aside from a couple of minor dings on the bottom (just scratches in the poly finish), that to be honest I totally forgot about, so I will try and photograph them too. Has a Bartolini NTMB preamp (which is a big improvement, in my opinion) fitted at present, but will be sold with the original preamp also. - Spalted Alder body with master grade Redwood Burl top - 26 fret Composite Neck with abalone inlays and matching headstock - Black hardware (Zon bridge, gotoh tuners) - Bartolini Soap Bars - Zon/Polyfusion preamp The only trades I’m really interested in are 34” 5 string MTDs, Elrick Evos, Ken Lawrences, Adamovics, Mattissons or perhaps maybe those ones with the purdy butterfly on the headstock Pics and sound clips at the link below (use headphones!). https://www.dropbox.com/sh/l31amla3z028usr/AABsCIFqWGMjpy4RRjxXnScfa?dl=0
    5 points
  6. Hi everyone A couple of interesting old Fenders turned up at today's rehearsal. #1: A 1963 Jazz, all original apart from a refret. This was used to record the ceilidh set on Mark Knopfler's Local Hero OST, and used in the performance in the film. #2: A 1972-ish Musicmaster, formerly owned by Lindisfarne's Alan Hull. Both wonderful to play. It was nice to spend a bit of time with them.
    5 points
  7. Day three... we're starting to relax a bit. ha ha. One of the songs has a particularly complicated arrangement that we've had to pore over a bit, but apart from that we've been able to play through the rest of the set mostly without incident. Only one key change surprise, which I consider to be a lucky escape. Another day in the rehearsal hall, and then we're into the arena tomorrow night...
    5 points
  8. This is making the trousers twitch at the moment too...prefer the mk1 shape though...
    5 points
  9. Twerp Your missus will replace you with an anglepoise lamp - it's brighter than you and is prettier, SkinnyTwerp! Ps. Hi, Mrs Skinnyman
    5 points
  10. Oh dear. I do love SD very much. In fact my love of SD was the subject of the best man’s speech at our wedding do. In a Malaysian restaurant in Crouch End. I will not hear a word against them. This thread does not exist.
    5 points
  11. Not too keen on the colour...
    4 points
  12. Now sold pending the usual. I took this in trade towards the end of last year and it’s a fantastic instrument, every bit as good as the reviews say. But after years of trying I’ve finally come to accept that 5 strings are not for me and it’s way to nice a bass to sit unused in my back bedroom. Condition is fantastic - it still has the plastic guard in place that sits between the controls and tells you what they do. Comes with a really nice Yamaha gig bag and user manual. I don’t have the materials to safely ship this so I’d prefer collection or a meet somewhere - I’m up on the Lincs coast but can easily meet anywhere along the A1 corridor from Wetherby all the way down to Stevenage or Welwyn. PM me to see what we can arrange.
    4 points
  13. Just heard back from the lady selling this bass in Leeds, jamir15 is definitely duplicating listings and is a fraud, if you see a bass being sold by this seller beware!
    4 points
  14. I love an offset design and would love to own an Ovation magnum one day. All of the models are ace, but this is my favourite.... The Lakland Decade is gorgeous too
    4 points
  15. Well plenty of evidence here that... it's a matter of personal taste. Interesting to see a third version of what a volute is (clue the original word means snail's shell). I also quite like this which may have a 'P' pickup but manages not to look like one:
    4 points
  16. Breaking news.... man doesn't like something other people like.... 😂
    4 points
  17. Back in ~2006, Gibson made a limited run of SG basses in non-standard colours including pastel pink and TV yellow. I have long been a fan of TV yellow (Johnny Thunders, Buzzcocks etc) and so have been on the lookout for one for absolutely ages. This popped up a month or two back on Reverb and, after a decent price cut, I snaffled it. Its in superb 9.9/10 condition, weighs a shoulder-friendly 8.1 pounds, typical SG short scale ... and its minion coloured according to Mrs C 🙄. Great alternative to my 1971 Mustang. One happy bunny!
    3 points
  18. Has to be me of the nicest 1024x around in surf green with pearl white pickguard also has green lumilay dots and knobs.. totally immaculate condition!!
    3 points
  19. I used to listen to a lot of rap , and one of my favourite albums is , The Chronicle by Dre , I still have the battered original copy, well worth a listen
    3 points
  20. yeasssss. I admire mine daily.
    3 points
  21. As an aside, the first bass player I noticed was Kelly Groucutt. The first band I really got into was ELO and at some point I realised you could listen to a song focusing on different instruments and that's how I discovered basslines.
    3 points
  22. 3 points
  23. Well, I'm honestly surprised at how absolutely fecking good this sounds! I don't know why I'm surprised, but I am and it's glorious. When I die from spinal compression (8-10 days) have me buried with these...
    3 points
  24. And presenting: my 2006 5BSREG quilted maple top with walnut core. Not quite a NBD because I've had it a few weeks now. The tone and playability are exactly what I was after, and it sits so well in the lap or strap. Unfortunately I've only gigged it once, when the IEM mix failed and there was only a Marshall 10 inch guitar amp to monitor from! But I could certainly feel the low B-string notes in the venue . I'm looking forward to hearing it properly with the band next time, and it should just need the Radial JDI to FOH and maybe a bit of onboard preamp tweaking as necessary. It also sounds terrific for home practice through the DAW/headphones - no hiss, and very punchy. It came strung with Sadowsky Blue Labels, which sounded very fine indeed, but I noticed that they did not quite sit in the bridge notches. This was affecting the action, so I swapped them for the KS taper cores that were included in the case, and bingo - excellent action and 'that' tone. Super pleased with this, and with my trusty Bruce Thomas Profile as 4-string P bass I honestly think it's the end of GAS after 35 years. And yes, you can have that in writing.
    3 points
  25. It could, as thermal power is limited mainly by the gauge of the coil. However, as you pointed out, to realize 126dB at 62Hz would require an xmax in the vicinity of 25mm with at least 96dB sensitvity. There's no such thing as a driver with 25mm xmax that has 96dB sensitivity. A 25mm xmax driver might have 86dB sensitivity, reducing maximum SPL by 10dB. Phil is being kind to say that they're trying to deceive. I'm more inclined to call them as I sees them. They're peddling a load of BS. The combination of 126dB continuous (dB SPL @ 1m) with frequency response: 62 Hz – 20 kHz (±3dB) from an eight inch woofer loaded cabinet of that size is impossible to realize, by a very wide margin.
    3 points
  26. Leo didn't get everything right the first time. This isn't 100% right either, but it's bloody good. I should know - owned 3, sold 2, regretted selling 2.
    3 points
  27. Just chiming in. At this stage in my life I just need to be making money to supplement my part time job and avoiding the need for childcare. It also allowed me to secure a mortgage as I could show a regular income. For this end the cover band/ wedding band role has been perfect. A regular income in the music business is hard to come across but a busy wedding band provides that. It depends on your life situation I guess.
    3 points
  28. Say you needed a new fridge for the practice room. Your drummer will be laughing all night long and maybe until the end of the week. Now you need to buy a full tube 1200 Watts head weighting another 70 kilos. Are the dampers of your car ok ? 🤣
    3 points
  29. This thread is quite interesting in what it tells me about P and J basses. Take them away and with a few obvious exceptions (Rics, T birds, semi acoustics ) most everything else looks hideous. * Not all, but most. So perhaps it becomes increasingly obvious why those ubiquitous fender shapes remain the start point for so many manufacturers. The Aria Proll SB for me is the exception to the rule. *personal opinion expressed as fact, not actually a provable proposition.
    3 points
  30. Fcuk 'em, he had every right to say them. Too many people complain about modern music having no depth and meaning but that was a brilliant, stirring performance with a real point to it.
    3 points
  31. Actually the other SB, the Aria, is a winner too
    3 points
  32. Traditionally speaking, the 'good bits' are Peg, Josie, and Deacon Blues. Whether or not you like any of those is, of course, another matter. It's worth bearing in mind that Aja is NOT the best album by Steely Dan, not by a long chalk. The easy winner is a late-period double album called (IIRC) The Best Of Steely Dan.
    3 points
  33. I've tried and tried with this album and I still I can't see what people rave about. Is there a backwards subliminal message saying 'mention this at dinner parties and other guests will think you're really good at music'. Please tell me.
    2 points
  34. I met Nile, what a f*****g lovely guy. I’d have him in my band any day. To date he hasn’t applied
    2 points
  35. Whenever any musician says that they are ‘like’ someone famous, I know that they will be nothing like them. 100% nothing like them
    2 points
  36. 2 points
  37. I far preferred the shape of the E-C tuned 5-string prototype Fly that Steve Swallow used for many years.
    2 points
  38. 2 points
  39. HAMER IMPACT SPECTOR NS SPECTOR T-BIRD (SPECTORBIRD)
    2 points
  40. That's why im looking at them, I need a budget 4ohm cab for my valve head. Theres 2 that fit the bill on my local Facebook place - the Marshall and an Ampeg. Ive tried the full fat version of the Ampeg i.e not the B series and found it a little boomy. The Marshall seems to have the same front shelf port that the B series Ampeg has so just wondering if they bring the same boom
    2 points
  41. I recall watching a luthier design new and exciting body shapes once. They had all the tools for doing the artwork and everything. What was interesting is that rather than starting from a blank canvass, it was more a case of slicing off or adjusting angles of templates they already had... and I wonder what the templates were? Hmm! With that in mind, you can lay the outline of many basses directly on top of said basses and much of the important angles tend to line up. I.e, the leg scoop, the chest cutaway and the length of the upper horn. Small details like a shallow lower horn can mean a bass won’t stay perched on the leg, or if the upper horn is too short, the bass will neck dive when strapped on.
    2 points
  42. Hi, I'm new here but would love to add my Alembic to the mix
    2 points
  43. Tell me, Clarky, if you were to buy a Ferrari, would you be one of those people who insists on buying a banana-yellow one? I ask in a spirit of pure enquiry ...
    2 points
  44. Any band you're in - covers or original - is what you make of it. I've been in many of both of the above and luckily had a decent level of success (e.g.main originals band had Euro/Jap CD release and played huge Euro festivals.... tribute band played all over Europe and Japan.... current covers band/show packs theatres), A band is only as good/rewarding as the effort you put in.... it makes no difference if it's originals or covers. It's all about doing 'what you do' WELL. Positive audience feedback, re-bookings and happy, smiling, faces at the end of the night... coupled with phrases along the lines of "you guys were fantastic"..... and hopefully a few quid in your pocket. Being anti-tribute, anti-covers or any other such nonsense just limits your playing and performing opportunities, networking angles and life /travel experiences...
    2 points
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