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Showing content with the highest reputation on 14/04/20 in all areas

  1. Hi Basschatters, Up for sale my Yamaha PB400 built in Japan in 1977, according to its serial number (001313). The overall condition is quite good for its age (42 years). It has a few chips on the side between the bridge and the jack, but it doesn't affect playability or the looks. The bass is all original, except for the knobs (new quality ones I bought a few months ago). The body is ash and the neck is maple. It plays nicely, with a good low action with hardly no buzzing. The neck is comfy, smooth and straight. The truss rod works perfectly, as do the electronics and all the hardware, including the tuning pegs. It weights exactly 4kg, a tad below 9lb. In my opinion, it's as good as any Japanese Fender copy in the 70s - I'd dare say that they are even better, according to my experience with Squier JV. It's a really solid, trustworthy bass, which growls and grunts like a true P bass. These Yamahas are really amazing instruments. It has loads more personality than present Fender P to me. You won't be disappointed.
    9 points
  2. WITHDRAWN ....,,For sale or trade my rather lovely Shuker custom jazz 2019. Cheers John
    8 points
  3. cable arrived this morning! sounds great! now to practice 😄
    6 points
  4. That's a great first bass. Goodness me how times have changed since I started out. I would have killed for this level of quality back then.
    6 points
  5. It's all back together and almost set up. I've used a threaded saddle type fender bridge fixed in the old holes and it has intonated just fine, so I'm not sure why the previous owner said it wouldn't. I've used a threaded saddle type so that I can pop the strings over a touch to give a more suitable spacing, but as I thought, that tends to pull the saddles outwards when playing. I have plenty of height adjustment so I'll cut a groove in the saddles where the strings need to be and then make a groove in the base plate (some have this anyway) for the height adjustment screws to sit in to stop the sideways movement. It's not a huge amount but it's annoying. The trussrod was out of adjustment but a washer behind the adjuster nut fixed that and has pulled the neck back nicely. The nut which was a righty, then cut for a lefty, now being used as righty again, is now sitting higher due to the coats of paint on the neck so the slots will need filing down which means I can file to the correct size and not have to replace the nut, again it's not a lot but will bring the strings down and hold them in place again. The action is pretty good at the moment and once the nut slots are sorted it will play nicely. The tone pot does practically nothing so will be replaced at a later stage. All in all I'm quite happy as, although it needs a little fettling, it is going to intonate properly and play decently with a nice low action. I've also picked up a suitably cheap looking strap which fits with the look.
    5 points
  6. If you think the cable sound great, try playing the bass, that will sound amazing! Very difficult to get the tension needed on a cable.
    4 points
  7. Unless it's something I want, then I should be able to dictate whatever I like
    4 points
  8. Little by little. This is my hobby and usually is interspersed with a lot more 'life' stuff. With the lockdown and building a guitar on a bit more 'doing something everyday' basis probably makes me realise how much work there is involved in one! But - in actual terms - decent progress. This morning I have tapered the fretboard to it's final size and rough-tapered the neck: Next job is probably putting the frets in the fretboard. Nowadays, I do that before gluing to the neck - easier to handle, easier to keep stable for hammering and clamping the frets and MUCH easier for getting the fret ends square and straight with the fretboard edge.
    4 points
  9. Eddie Jackson with his Spector NS2 and a Gallien Krueger GK800RB amp being driven to hit the rails. The 'holy grail' of bass tone imho. Listen to that growl on the low D..... 😍 😍 😍 And here..... the punch and growl! Mmmmmmmm........ 'Nuff said.......
    4 points
  10. Just so people know I LOVE Andy!!!! He's an absolute legend. Oh and yes its mine!!!
    3 points
  11. OK, so we’re all going stir crazy... here’s a little quiz I saw somewhere else to pass the time and channel all those pent up creative urges... Post up a recreation of a famous album cover using just bits and bobs found around your (locked down) house. First person to guess can then post their own and so on... I’ll start us off...
    3 points
  12. Hi Everyone, Just thought I’d stop by and say hi! Lockdown is forcing me to evaluate what I spend my time doing and consequently, I’m spending loads of time in the shed (not a bad thing as I love to play and keep myself bass-fit 😁) but with that comes the inevitable casual browsing of anything bass related! Been playing for 16 years (I’m 31) and currently rocking several Jazzes, a Precision, a Lakland DJ5 and a Stingray. Can’t wait to jump into the community!
    3 points
  13. You freaking amateur ... honestly I’m just disgusted ....“radiused block”, clamp, titebond it’s all just so pathetic, this is your first build right ? you got all this jargon off YouTube didn’t you ?
    3 points
  14. I did alright. I played at Wembley Arena with it.
    3 points
  15. I cut the frets to length and detanged the fret-ends. Lucky break - the little bit at the bottom is all I had left off the coil... When I'm fretting, once I've run along each slot lightly with a triangular needle file, I run a small bead of Titebond along the tangs,then hammer them in (one side, other side, middle) and then pop a clamped radius block on while I'm preparing the next one. And, after the glue has fully cured, the fret-ends are snipped and edges sanded and we have a fretted fretboard Next job is the headstock while I wait for the trussrod to arrive
    3 points
  16. Returned to Rhythm Stick for my annual bash at it.
    3 points
  17. Ok I’ve taken a break and spent a lot of time and effort to recreated this iconic album cover: Don’t let your guitar weep over this, no matter how gently.
    3 points
  18. BC doesn’t strike me as the best choice to try and sell something for more than it’s worth... Everyone here is pretty knowledgeable about bass gear and how much it costs. A fair number of us spend a large part of the day looking at bass gear on the internet when we should be doing something else 😕
    3 points
  19. Meanwhile...I've been practicing on my two sires....and ignored my own advice and flattened all the batteries by leaving them plugged in! Doh!
    3 points
  20. Lol, it does t have to be Rush, or even Prog... here’s that big blue Ikea tray being put to use for a slice of 80s pop...
    3 points
  21. All done! Bit of a nightmare doing the wiring. Probably the fiddliest thing I’ve ever done! Had a couple of issues including wiring the jack socket up the wrong way round and I also managed to overheat the treble pot with my dodgy soldering iron. Once I moved to the garage and kept the tip super clean with a wire brush on my pillar drill it got a bit easier! I think I’ll order a spare treble pot. Contact cleaner has got it working ok but id rather be safe than sorry. after a quick set up it’s sounding as I’d hoped. Really nice to get some passive jazz tones out of my ray! The Ray pickup sounds pretty authentic to my ears too. I’ll see if I can post some recordings later.
    3 points
  22. You're describing a Fender Rumble 500.
    3 points
  23. Ken Smith Black Tiger 5 for trade against Ken Smith Elite 5 or 6 strings plus cash from me. NOT interested in other trades!
    2 points
  24. I weighed my sterling tonight if I’ve not played it for a while, when I pick it up it feels heavy, but on a strap it’s fine so I weighed it, 10lbs 🤪 that’s heavy for a smaller body bass! its sounds and plays great Tony
    2 points
  25. Yep. And if it wasn't for the always on tuner, how is the guitarist supposed to know what chord they are supposed to be playing?
    2 points
  26. It's almost as if Norman Watt-Roy is better than us. 😬
    2 points
  27. My latest Jazz
    2 points
  28. I'm going to get some 2000 grit, sand it flat put 2 light coats of laquor in sand that back a bit then apply, thank you
    2 points
  29. I have finally realised what the figuring on that body reminds me of. The vortex swirls you sometimes see behind the wings of aircraft, or the wake of a powerboat. As if the neck is passing though the fluid body at speed and leaving vortices in its wake.
    2 points
  30. 01 Ever played a gig sitting down? Only for a school play! 02 Ever gigged on a different instrument? No 03 Ever shared a stage with a musical hero of yours? Yes - played WITH current/ex KISS members Peter Criss, Bruce Kulick, Mark St John & Eric Singer.... and played TO members of the Red Hot Chili Peppers, Def Leppard and Ace Frehley (ex KISS) 04 Any fan ever had a tattoo of your band's logo? No 05 Ever signed an autograph in a dressing room? Yes, many times 06 Ever cried on stage? No 07 Ever worn a hat on stage? All the time these days. It's part of my 'identity' in the show I play in.... 08 Ever gigged with a band you hadn't met before the gig? Yes. On MANY deps. 09 Ever been in a relationship with a fellow band member? No 10 Ever played in different bands on the same day? Yes, filled in with various bands on a multi-band showcase. 11 Ever had anything thrown at you while playing? Yes, knickers! 12 Ever crashed on the way to the gig? No, but came close on a motorway when the rooftop luggage carrier of the car in front exploded open at 70mph and a huge duvet and various items of clothing flew onto the windscreen of our van in the fast lane...! 13 Ever left a band over the choice of set list? Yep. If you don't like any of it - why would you play it? 14 Ever slept in the venue despite it not being a hotel? No 15 Ever been supported by a band clearly better than you? Who's to say what is 'better'? 16 Ever played a gig suffering from some debilitating medical condition? No, but shared the stage with various dickless wonders, singers with Lead Singer Disease etc! lol! 17 Ever been in a band where the guitarist was your favourite bandmate? Yes 18 Ever played in the grounds of a stately home? Yes 19 Ever injured yourself on stage? Yep, fell off my 7" platform heels onstage many times, burnt my mouth badly when firebreathing..... and fell off the front of the stage while doing my bass solo (ALL in KISS tribute)! 20 Ever been told that your bass isn't loud enough? Very seldomly! lol!
    2 points
  31. It’s builds like this that make me weep into my pots of variously coloured sanding dust....
    2 points
  32. Please nobody recreate the cover of Hemispheres.
    2 points
  33. Full Spec 34” scale 24 Fret nut 42mm 20.5mm 1st fret. 22.5 12th fret Gentle C Curve maple neck Ebony board 2 way truss rod carbon reinforcement Composite nut Satin polyurethane finish Blackburst flame Myrtle wood top Swamp ash body S. Duncan Quarterpounders weight approx...3.7 /3.8 kg Currently string with DR Black Beauties Cheers John
    2 points
  34. That's sort of what I do with a varnished neck. I, like you @Pea Turgh , do sand down to 240 and then apply a couple of coats. But I make those my sealing coats, not the first of the finish coats. I then sand down those coats back to the wood with 300ish grit and finer before starting to add the actual finish coats. So, maybe more by accident, you are actually on the right path, I reckon
    2 points
  35. In my experience, keep at it until it is second nature. If you can't play it smoothly straight off, it is simply because your chops are not there yet. Kepp playing it and it will get smoother and smoother.
    2 points
  36. Pretty sure I know what that is. Just not sure if I can recreate something in a rush to move the thread along. Sorry, I probably come across as a fly by night, but I’m supposed to be working from home.
    2 points
  37. Hrm, Where is it then? 😬 (asking for a friend )
    2 points
  38. No point, it sounds like you're beyond help. 😄
    2 points
  39. It'll only take me 8 years to save the dosh instead of 10 years
    2 points
  40. Nice little Podcast/interview with Bassist Mike Watson. During the interview he talks about his ABBA sessions. The Podcast is about halfway down the page. https://thestrangebrew.co.uk/abba-mike-watson/
    2 points
  41. So this is where my little stash of sanding dust comes in - mixed with epoxy to glue and gap fill at the same time: And sanded. While they take quite a bit of effort, nevertheless on a scale of 1 to 10, just how satisfying is that!
    2 points
  42. Cut with the scalpel then widened with a knife so the saw bites (but that's for another day) Whether I've been accurate enough for this thing to actually play in tune remains to be seen, but I'm pretty happy to have got this far!
    2 points
  43. I wanted this sort of colour all along, in a matt finish, but it was quite hard to find. I ended up taking a bit of a gamble and getting some graffiti paint! It's the Montana Black range, loads of colour options and it went on really nicely! It's a nitro-combination paint. Spayed a few coats on and then a few coats of matt polyurethane laquer to protect it. Seems to have worked pretty well!
    2 points
  44. Barefaced cabs are immense and weigh as much as a kitten holding a chaffinch!
    2 points
  45. Speaking of Ampeg, I've always really liked Krist Novoselic's tone on Teen Spirit – I’m pretty sure he was going through an Ampeg SVT400. Maybe why I've taken an instant shine to my VT Bass DI pedal - that tone was clearly already there in my subconscious!
    2 points
  46. 1972, all original Jazz bass, was Olympic white which has faded to a rather beautiful buttermilk colour, she’s had a tough old life but she’s been getting plenty of love from me over the last couple of years...
    2 points
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