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Showing content with the highest reputation on 07/06/20 in all areas

  1. As a tribute to Dave Greenfield (kbd Stranglers) Laurence Mason has done a genius level mash up of old footage of the Dave Brubeck Quartet and an instrumental version of Golden Brown, which he created himself. He explains how he achieved this in the notes. Done to perfection ! Enjoy.
    11 points
  2. The truth is, that if the system costs a fortune, your cables have to match the other price tags, too. Otherwise the sound, no, the experience would be sacrificed. I have seen people raise their cables 2 - 4" from the floor, and "the sound has become more airy". Umm, I see... I can't laugh to them anymore. It is about religious experience, not the music.
    5 points
  3. @ambient, please tell me you got this! It's a stunning bass and Vic is VERY nice to sell it at the same price I sold it to him for! It is undoubtedly worth more.
    5 points
  4. I built this body and fitted an aftermarket neck, the four piece, single saddle bridge I bought was really poor quality and I'm now on the lookout for something more up market. I've also built a body and neck from scratch but I need to get some photos to upload
    5 points
  5. The trouble is that after five or ten minutes with these livestreamed performances, I start to get distracted and want to take a break to check on something else or get a beer or whatever (even if I like the band). I want to be in the same room, to share the experience with other people in the room (atmosphere or whatever) and for the musicians to feed off the energy of the audience. One thing that the lockdown has confirmed to me is that livestreamed online performances will never replace live concerts...
    5 points
  6. 1964 Epiphone Rivoli, all original, in gorgeous pink-ish cherry sunburst. I bought this around 18 years ago, and have rarely used it, as mainly on a P Bass now. If you like easy playability, great retro looks and bottom end, this is for you. Made in the Gibson factory in Kalamazoo in 1964. Has the centre block like a 335 so no feedback, just BASS. Excellent clean condition, some scuffs and dings but no damage or repairs, straight neck, good frets, nickel hardware, flatwounds and an original hard case. What's not to like? £2750.00 including shipping within the UK only, please. I am not going to get a CITES for the fingerboard, or risk this bass going anywhere else. Beat group heaven!
    4 points
  7. To be honest, I don't have the slightest interest in watching videos of bands or anything else. I was invited to join a Facebook 'watch party' last night, which seems to mean people sitting in front of their computers all watching the same thing and possibly commenting on it. The video last night was a gig we (Grateful Dudes) played in Camden last October. If there's one thing I like less than watching videos of bands, it's watching videos of bands I am playing in!
    4 points
  8. https://www.bbc.co.uk/news/uk-england-norfolk-52911102
    4 points
  9. I’m so utterly sick of all this competency crap... where are the mess-ups and the “so wish I hadn’t Started this” rants. Can’t you people do something really stupid or badly once in a while ? 🙄
    4 points
  10. I understand what you are saying, and I agree that a livestreamed gig is not a complete or perfect replacement for live gigs, and also with Ambient's point about it working better for some genres than others, but I also remember when videos first came out that people said it would never replace the experience of watching a film on a big screen amidst a large audience, and indeed it hasn't completely replaced it. However there is now a lot of money in the home cinema market, both with DVDs and streamed content, and I think that any musician wondering where their income is going to come from in a post-covid world would do well to consider whether they could use the new technology as a part of their work - not necessarily giving up live gigs altogether, but maybe using some combination of the two to enhance their profile and income.
    4 points
  11. Merged. Thread remains under Bass Guitars (a link remains under Gear Porn). My own naturals: Warwick Corvette Pros, originally 'twins', until I changed the fretted to black hardware. Bass Collection and Rockbass Corvette. I don't think anyone's managed to beat @blablas's collection yet! 😎👍
    3 points
  12. I hate to sound negative, but part of me feels that, in terms of going back to how things were before, the game's up. Much as I miss going to gigs, it's going to be a long time before I am confident enough to stand in a crowd, be it large or small, indoors or outdoors.
    3 points
  13. Fancied a quiet little job so decided to make a couple of truss rod covers. I've used mother-of-pearl and ebony again as it has such a nice contrast and looked good on my last build. First task, printout the logo, cut it out and stick it to the mother-of-pearl the cut it out using a jewellers saw (with a vacuum and a dust mask). Then stick another paper logo onto the ebony and cut the recess using a Dremel. The inlay pits into the recess and any gaps can be filled with ebony dust and glue. Once dried, the whole thing can be shaped and sanded.
    3 points
  14. After many questions and asking a couple fellow members for recordings/sound samples of the bass head I was after.(Thanks @Merton @stewblack) I’ve finally made a purchase, extra thanks to @Merton for selling me his head and putting up with one of my senior idiotic moments!! This place is such a wealth of help and it reinstates my faith that decent people still exist on this planet! Here is my new setup, I am beyond chuffed with it!! Enough of the talking, here’s a photo and a brief iPhone tone test.....enjoy!! (Excuse the sloppy playing, it’s been a long day) IMG_0016.mov
    3 points
  15. Ha ha I’ve got two basses and (whispers) a Stratocaster?!?!? Build on the go at the minute so will be adding to the build diaries with two topics when they’re all done...
    3 points
  16. Up for sale is my 1985 Fender Performer, the bass that Fender prefer to forget ever happened! This short-lived Fender Bass was Made In Japan in the 80s for only about a year at a time when theFender corporation was going through a lot of change. There were only a few hundred made and it was not a success but... I love it! The style is unique (you'll think it is cool or awful) and the neck, oh the neck! This is the thinnest neck you have ever seen and plays so fast. I loved it so much that when I had my custom bass built I had them use the exact same neck profile. So once I knew that the Fender Performer existed I had to have one, but I could not find one for sale anywhere in the UK. In the end I bought this one from a seller in the States who collected them. That was 2007 and it was my main gigging bass for the next 10 years. Any guitarist or bassist in the audience would always come up afterwards and say something along the lines of "Is that really a Fender?". Even the Fender logo was different for this bass! You can read more about the Fender Performer here. You can see that the condition is 'worn' 😉. All of this was done before I bought it and no cracks, chips or other damage has occurred in the last 13 years, and it is not really visible when playing anyway. Included is the owners manual, which fetches $25 on its own on ebay. It will come in the quality Hiscox hard case that is in the photos. I'm happy to ship at the buyers expense or meet if that is geographically possible. Everything is original on this and given their scarcity they come up for sale very rarely and I couldn't find another one for sale anywhere in the world at the moment! It has recently had a full professional set-up by Mansons Guitar Shop. I was previously selling this through them (and their price tag of £1100) is still attached, but took it back ahead of lockdown. I have sold on Basschat before but a long time ago (2007, to fund this very bass) so if I have got this listing wrong or omitted key information please excuse me and just ask!
    3 points
  17. Just picked up said ABM600 from Lozz, (socially distanced but good chat by the way!), and had a quick chance to put it through it's paces, (Barefaced BB2 & Yamaha ATT2) - Wow! some really great sounds right out of the box and the thing "pumps". Thanks Lozz, thoroughly nice chap, great amp in great condition
    3 points
  18. I love doing gigs, being a punter not so much.
    3 points
  19. Heres one I made from scratch, done as an exercise to identify the pitfalls, also done with basic hand tools, barring a router and an English pull saw for the fret slots
    3 points
  20. I get that, but to be fair, I get that at a live gig too!
    3 points
  21. Always thought Robert Sledge didn't get the credit he deserved as a bass player, I guess when you are in a band with a genius like Ben Folds your talent is likely to get over shadowed. Anyway this song has a great bass solo and a funny video. Enjoy...
    3 points
  22. I watched a few too. Although they were entertaining, they just didn't work for me. They don't have anything like the impact of a "live" gig. Going to see a band is as much about the atmosphere as it is the music. You just don't get that through a TV screen. (Well, I don't anyway)
    3 points
  23. Hard to call but I think just about tops..
    3 points
  24. Hi all NOW SOLD - Custom built Overwater Progress 3 Deluxe 5 string. AAA birds eye maple top over walnut wood body (personally chose the wood for this build). Unmarked satin finish. 5 string through neck 36" scale (18mm string spacing at the bridge). New Overwater nickel light strings. Stunning build quality and has a gorgeous neck. No fret wear, rosewood fingerboard with mother of pearl dots. The neck has purple heart stringers around maple (5 piece neck) with rock stable tuners. Original OW soapbar pickups with vol, pickup pan, treble, mid and bass. 9vdc active circuit - original John East electronics. As well as a standard output it has a built-in XLR balanced out to go direct to the desk etc. Built for me by Chris and Martin in 2001. Has Chris May's signature inside the electronics cover. Some black paint is scuffed on the bottom edge of the bridge and the brass saddles are a bit tarnished (I'll polish them first) Original Overwater supplied hard case included (I think it's a Hiscocks case?). I'd rather not send via a courier - I can drive to deliver with in reason or meet half way. I've had this bass since new (never thought I'd sell it), I'm very careful with all my instruments and it's been pampered all its life. Thanks for looking
    2 points
  25. Fender American Elite Precision I took this bass in a trade with @karlfer a few months back but I’m on a bit of a mission to clear out kit that isn’t getting much use so I’m moving it on. It’s a great bass with a fabulous neck with its flatter radius as it nears the dusty end. Switchable active and passive with a wide range of tones from the rather impressive P and J pickups. In the brief time I’ve had it I’ve fitted a black/white/black plate from WD which to my eyes looks far, far better than the original pearl plate (obviously also included). I've included a couple of Karl's pics showing the bass with it's original plate and also the case candy (hope you don't mind fella)! Specifications · Model: Fender American Elite Precision · Year of Manufacture: 2017 · Country of Manufacture: USA BODY Body Material: Alder Body Finish: Gloss Polyurethane Colour: Ocean Turquoise Body Shape: Precision Bass NECK Neck Material: Maple Neck Finish: Satin Urethane with Gloss Urethane Headstock Face Neck Shape: Compound Back Shape, Modern "C" to "D" Scale Length: 34" (864 mm) Fingerboard Material: Maple Fingerboard Radius: 9.5"-14" Compound Radius (241 mm-355.6 mm) Number of Frets: 21 Fret Size: Medium Jumbo Nut Material: Bone Nut Width: 41.9mm Position Inlays: Black Dot Truss Rod: Dual-Action Truss Rod Nut: Heel-Mounted Spoke Wheel Adjustment ELECTRONICS Bridge Pickup: New 4th Generation Noiseless Middle Pickup: Elite Precision Bass Controls: Master Volume, Pan Pot (Pickup Selector), Treble Boost/Cut, Midrange Boost/Cut, Bass Boost/Cut, Active/Passive Mini Toggle Switching: 2-Way Mini Toggle Switch for Active/Passive Mode. In Passive Mode, Only the Volume, Pan and Passive Tone Controls Function. In Active Mode, All Controls Function. Configuration: PJ Special Electronics: 18V Preamp with Active 3-Band EQ HARDWARE Bridge 4-Saddle HiMass Vintage (String-Through-Body or Topload) Hardware Finish Nickel/Chrome Tuning Machines: Fender "F" Light-Weight Vintage-Paddle Keys with Tapered Shafts Pickguard: Black/White/Black Control Knobs: Knurled Flat-Top Neck Plate: 5-Bolt Asymmetrical · Weight 3.96kg / 8lb 12oz The bass is in beautiful condition with the only fault of note being an area of very light buckle rash which is only really noticeable when viewing the back of the bass at an angle to the light. Comes complete with the Elite case and case candy To me these basses are outstanding value and I’m selling it at what it owes me which is £1030. Ordinarily shipping wouldn’t be a problem but I don’t currently have any boxes/card nor am I in a position to go out and source some, so for now it is collection only* although this may change (*strictly observing social distancing measures of course). I am now able to ship to GB only at buyers cost. Please do not be offended but due to some previous less than perfect encounters, shipping is only offered to BC'ers with existing feedback threads.
    2 points
  26. The original 24-minute programme is on YouTube as a single file. Here it's been 'upgraded' but split into three ... play the first and it should link on automatically. Yes, this is Hemel Hempstead in 1971. Hemel Hempstead, this is Yes in 1971. https://youtu.be/Ztzx89NvzOM https://youtu.be/htqmstXBByo https://youtu.be/TzVjIOC5FhA
    2 points
  27. So, spent a few hours in my new “workshop”..... Body trimmed and rounded, and mocked up the cavity/neck/pickup etc. I am quite pleased with the result so far. If I am super-critical I wish the join between top and body was a bit more consistent, but I am really nitpicking. All the really scary stuff done, so neck pocket, pickup cavity, control cavity, arm and belly contour next.....
    2 points
  28. I surprise myself mate, if I could just apply this skill to something useful... Anyhow, sorry @bassfan I’m in...for now
    2 points
  29. Up for sale is a sadowsky on- board preamp...........lovely usable pre with a great tone, plus the vintage tone control works in both passive and active.....price includes shipping (uk).....NOTE.....can be removed from bell plate and arranged in diamond pattern as per M5
    2 points
  30. Agree with your comments there Dave, although I'm trying to remain hopeful that Covid-19 will eventually disappear (or an effective vaccine / drug treatment for it is found) so that we can all get back to playing gigs and doing rehearsals in enclosed spaces.
    2 points
  31. If I'm not gigging and I'm going out for a beer with mates, we will generally look to see if there is a band playing and meet up there. I'm certainly a punter as well as a player... Don't get me wrong - I love watching videos of bands and spend quite a lot of time doing so. But a video of about ten minutes or so is the most I will do, even if I like the band.
    2 points
  32. First buyer fell through as he can't complete the payment. Will message the next on the list.
    2 points
  33. I've just ordered a SX Telecaster. Let's see if it is similar in quality to other SX guitars I've played (and the one I've got)...
    2 points
  34. Now we can look forward to a continuation thread from @donslow. Look at me being Mr Passive/Aggresive. Certainly not my intention - just hopeful.
    2 points
  35. Thinking a bit more about livestreamed gigs, what about having hybrid gigs, where a small, socially-distanced live audience is augmented by selling online tickets too? This could possibly make gigs in small venues financially viable where they wouldn't otherwise be with distancing regs, and give the online experience more atmosphere at the same time. Again, it's just a thought, and hopefully others will have other, better, thoughts - what's needed now is some imagination and some new approaches, rather than just waiting for things to return to "normal".
    2 points
  36. I used to use a 115 BW Peavey cab for years as my main cab. Always got great comments about my tone (once I removed the name badge from the cab!) 😀
    2 points
  37. 2 points
  38. What did the wood say to the glue? It feels clamped in here.....
    2 points
  39. Just don’t get the Lorde cover. I’m all for creativity but to these ears it just sounds like she’s close to vomiting.🤢 But I’m probably just being “boring and old-fashioned” so I’ll get my coat.😳
    2 points
  40. I’ve sold and bought a few things on Reverb. So so easy. Yeah a shop name is just your account really, like Chewies Bassment or something?
    2 points
  41. @CamdenRob the dark lake Placid is a killer.
    2 points
  42. 2 points
  43. Since the crisis began, I have seen some wonderful livestreamed gigs from several of my favourite artists. Such gigs offer advantages for both the audience and performers. As a virtual gig-goer, I did not need to travel (the gigs I watched were from Finland, but they could have been from almost anywhere in the world), I didn't have to deal with the idiocy of fellow gig-goers playing constantly with their mobile phones, I could watch them whenever and wherever I wanted, pause them for a loo-break or to put the kettle on, and the sound was excellent, and not at the mercy of room acoustics or dodgy PAs. Performers can play a gig to a virtually unlimited audience - it's just up to them how many people they can attract. No need for much of the heavy gear they usually have to lug around, or for anti-social levels of volume which have increasingly made small venues less viable in our overcrowded cities. No having to deal with drunken punters falling into their gear, asking for requests, or to be allowed to sing or otherwise making a nuisance of themselves. The gigs I have seen were free, or in one case with optional tickets for those wishing to support the artists financially, but they could be monetised fairly simply (much as online music lessons have been). Just as watching films at home is steadily replacing trips to the cinema, perhaps this could be the future trend for many gigs, and those bands that learn to exploit the new technology fastest could be ahead of the game. Just a thought.
    2 points
  44. Leland Sklar is who I've been watching. He's played on more tracks than anyone else and whilst not every episode has him playing, he knows virtually everyone and has an anecdote from almost every session he has done.
    2 points
  45. Agree 🥰 Got mine a few weeks ago, I am like a kid (ok technically, my 4th... made the mistake of selling the first 2, but definitely keeping mine now). I am a hardcore fan
    2 points
  46. A little bit of Ska in isolation recorded as a fundraiser and general feel good opportunity during this difficult time:
    2 points
  47. I've never taken a class (unless you count watching endless hours of youtube videos on the subject) but I can certainly recommend building your own bass. It's highly addictive though! I think the things I would check are: - The luthier's work. Do they have a website where you can check out the basses they build? Maybe a youtube channel where you can see them at work and take a look at their workshop? - What is provided in the cost of the course. Do they provide the wood, hardware, pickups etc, or are you expected to bring your own? If you need to pay for all that stuff on top of the cost of the course, it would be good to know beforehand, because it can add up. If they look like they know what they're doing and the price is right, I say do it!
    2 points
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