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Showing content with the highest reputation on 26/06/20 in all areas
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So my delivery arrived from @Ashdown Engineering today, the eagerly anticipated Nate Mendel CTM300 and the matching 610 I had commissioned to match. What a beautiful pair! They sound bloody lovely and arrived just in time for a live stream gig we have tomorrow. Can’t wait to crank it up! Oh, the little box is an ABM600, not tried that yet! Huge thanks to Mark, Lee and @AndyTravis for hooking me up and getting me front of the queue. A few pics for you to look at 😁8 points
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Warwick Thumb 1985 'JD' bass That time of the decade for me to have a clear out. I've cribbed some of Luke's info re. this bass (it was previously for sale on here and I did a deal with a Sadowsky for this) It's a pretty much all original 1985 JD Thumb bass, one of the first 150 ever made. This is the second revision with the classic body shape, with the early shorter horn. Back in the days when Warwick was all about small scale handbuilt production. Why only pretty much all original? The german session musician that Luke bought it from had it refretted with period correct steel frets (back in 85 these didn't have the bronze alloy frets). It's got that thin, skinny neck common of this era. Weight is 8lb 15oz... under that elusive 9lb mark! It doesn't state JD on the truss rod cover but back then all Thumb basses were "JD". The truss rod cover is quite special - it's made of solid Mother of Pearl! According to an email conversation with HP Wilfer of Warwick this was quite an expensive feature and used in the early days to designate any "custom shop" models built to a particular spec. In this case the active SD active pickups and the brass saddles on a black bridge are slightly different to what you would expect. Luke asked and he couldn't remember who it would have been built for. You won't find many Warwicks with one of these truss rod covers. Jack Bruce had one on his 1985 fretless. Plays great, and has a nice low action all down the 26 frets, it sounds great with the classic thumb bass sound (piano like?) but comparing it to some later thumbs which had more of a middy compressed tone this is slightly more open sounding with a big fat bottom end. Apart from a small chip to the corner of the truss rod cover it's in great condition for a 35 year old bass, actually it would probably be in a pretty good condition for a 3 year old bass. Comes in a Bass Centre branded '90's Warwick gig bag in usable condition but with the cable pocket zip broken. If it needs to be posted could add a generic hard case for an extra £20.7 points
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6 points
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It's technically neither a Stage I or II bass and pretty unique in the Warwick range due to the construction and pup choice. Bartolini Soap Bar pups matched to an MEC preamp... a LOT of headroom with this pup/pre set up. Birds Eye Maple body, centre joined with walnut slice with more Birds Eye Maple on the reverse... essentially an all Birds Eye Maple body which accounts for the weight and tone. 3 piece Maple neck with an Ebony fingerboard. Condition is generally very good but it does have player wear as in discolouration. No cracks or major dings and no truss rod/neck problems. Some of the hardware was badly tarnished and has been replaced (inc whole bridge which is not cheap). Comes with a Warwick gig bag or can upgrade for delivery to a Hiscox hard case for +£30 I might be interested in trade for a Zon USA bass.4 points
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4 points
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From the Lakland golden era, 2007 USA Lakland Decade with the original Fred Hammon hand-made Darkstar pickups. Amazing, one of a kind tone. Incredible playability. Naturally worn, honey coloured neck. You will not see many like this one for sale. Birdseye maple fingerboard, mahogany body. The bass has been professionaly refinished in Nitrocellulose, Olympic white with matching headstock. Electronics are 2 stacked knobs (tone and volume, one per PU) and a 3-way switch (mid-boost, neutral and bass boost). Tonal possibilities are endless, especially for a passive bass. Confortable weight at 4,2 kg, OHSC included. Price is 2500 Eur. No trades, Thanks.3 points
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Warwick Streamer Stage I (SSI) - 1990 That time of the decade for me to have a clear out. Lightly flamed solid Maple body and neck with a wenge fingerboard. Body is in good condition for 30 years old; a small ding to the underside of the bottom horn (visible in the last pic) and the usual grubby thumb mark above the pups from use/resting. Slim neck with abalone dot inlays. Hardware has the usual bit of tarnishing from 30 years of use. Just over 9lb 2oz in weight. MEC pups and pre, all original inc JAN I. No neck break, no truss rod faults, no electrical issues. The bass would benefit from a good clean possibly a rub down and waxing but only because it is a well gigged and loved bass; if you want a uber-clean bass I can do that work at extra cost. Comes with a Warwick gigbag Extras - can swap gigbag to a Hiscox case for £30. Will strip, sand and wax the bass for £150.3 points
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So........Started with a slab of ash Did some shaping by hand with a spoke shave, Shinto saw and finished off with a router and orbital sander To 3000 grit (not even though) - belly cut and forearm contour to my spec for where I rest my hands - thanks to @Jabba_the_gut for telling me how to do a neck pocket. Dartfords black grain fill and sealed so when it naturally relics older looking wood will come through. Decided on doing a blood orange colour - again Dartfords have awesome nitro spray cans, I deliberately wanted some grain to show. Hipshot B style bridge, Seymour Duncan 51 P stack pick up (same as in fender dusty hill bass and their 51 P reissue Custom shop), tonestyler bass ten to be fitted. Pickguard is a normal white P one shaped to what I fancy, @Deedee kindly sent a black 51 pickguard which I may also use but I will have to shave back the neck pocket part (no hassle), or bare, I can choose depending on my outifit. Maple neck from same factory as Allparts get theirs, but cheaper and will be Hipshot ultralites (again thanks Deedee for the trade) Thats the latest parts bass - should pop it together this weekend hopefully!3 points
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Here is what was (arguably) the most versatile bass ever put into production. Combining an externally-powered pre-amp with a piezo pickup system and clever use of those capacitor thingies, the Variax allows a pretty close approximation of any of 24 different basses at the turn of a single knob. That includes Precision and Jazz, Stingray and Rickenbacker, Hofner and Thunderbird, etc. etc. etc. The styling (and the weight) are largely derived from a 70s Jazz, and Line 6 were clearly trying to play down just how radical this bass really was by keeping the looks traditional. That battery compartment on the back will take six 1.5v batteries, allegedly enough to power the bass for about an hour in the event of some sort of tragic meltdown of the mains power unit. The preamp on this beastie is so powerful that it really needs to have the mains unit mounted on your pedal board, where it does double-duty as a DI box. I'll include close-ups of the headstock because it would seem odd if I didn't, rather than because they're somehow 'interesting'. How does it work? A single, clearly-labelled knob switches between sounds. The labelling is pretty much self-evident ... see if you can guess which bass is being emulated when the knob is set to 'CLANG'. Yes yes yes, but how does it actually work? Well I'm glad you asked me that question. Did you notice the large scratchplate in the first few photos? You might foolishly have thought that these concealed a piece of timber with some unsightly cable routing. Au contraire, mon ami, c'est magnifique! What they said at the time: https://www.soundonsound.com/reviews/line-6-variax-bass-700 The bass is utterly complete, damned-near pristine, and unmolested. It comes with all the original stuff that it was sold with. That rather revolting instrument lead is simply a stereo cable, and any stereo cable will do. The bass is in Harrow (NW London) and is available for collection, or for meet-up by tube or car within a reasonable distance. I'm perfectly prepared to ship if you need, but my Lockdown experience of overseas shipping has been less than wonderful. If you want me to ship to Europe, and especially to the USA, then best contact me by PM for a discussion. This isn't a bass that I expect to sell quickly because most bassists know very little about them, even though it's a very canny piece of design both for a covers band and for studio work. I'm listing it now, not because I want it gone next week, but because I expect it to take a while and I can continue to enjoy playing it while waiting for it to sell!3 points
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No, nothing like this. We, or at least I, am talking about music production, what the heck has German politics got to do with it? Thats a ridiculous argument. Might as well say using loads of reverb and chorus is the same as Hilter invading Europe. Get a grip.3 points
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Finally done...small things still needs to be done (nut needs to be lowered etc...) but generally it’s finished 🙂 at some point I’ll refinish her, don’t know if I like colour. But for now I’m quite happy.3 points
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True, but there is the option to make an offer and haggle a bit. I know this because as I was window shopping on Sunday I saw a nice mij P bass that grabbed my attention, although it was priced a bit high. Just out of interest I made an offer just to see if the seller would come down on his price at all.. One quick click and I suddenly realised that my offer was instantly accepted and I'd committed to buying the sodding thing!! It's been posted.. In reality I should have been window shopping for a larger screened phone and new glasses! Can't afford them now because I've bought a new bass I don't need. From Japan. 🤪 I'm sure the import duty will be hilarious. 😶3 points
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But Shirley this is an aid until you can recognise each note independently?3 points
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Hi Frank Without wishing to promote my wares outside of the appropriate forum, I've just listed a Hitachi Music Centre for sale with hi-fi stereo speakers, and happily we're not too far apart. Happy to invite you and your friend for an inspection if you wish.3 points
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I've a feeling the Government will regret picking a Saturday for the reopening of pubs, a Monday would have been far more sensible, given everybody more time to get used to the guidelines before a busy weekend, and if it's a nice sunny day it'll be even worse3 points
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The thing is, and even though it might be annoying to us all, not having gigs at present is still minimising risk. Sure not by much given everything else happening, but it is still a reduction which might save lives.3 points
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Actually I think you SAW bashers are partly wrong here. We play, Never gonna give you up by Rick Astley, it goes down a storm. Rick is a great singer and some of the songs SAW wrote were good songs. Granted about Kylie, I don't like her voice but she can do it live as can Jason Donnovan. SAW production made it all sound too similar which I think was the real problem.3 points
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Well, the trend template bit arrived yesterday. I am not allowed to make any noise, so progress is slow. But under Frankie's supervision it all went well. I did a test cut with the new bit and the neck pocket template. Very satisfactory. I didn't relieve the pocket since I was not going all the way down, just used the cutter from the free edge of the wood. I am considering a book matched cap. Can anyone advise on a reliable source? BTW the butt of the neck is a slightly different shape and width from the template, so I will final shape the butt, and I will have to reposition the template for the cutaway side.3 points
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I guess its me you’re lookin for? I purchased this bass from ClassicandCoolguitars last year and im very pleased with it! Its a close match to my other 60’s custom shop in the same colour.3 points
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Hi. Just got given one of these in a house clearance? Never heard of them? And I play bass. What is intriguing is the class of the guitar it has 79 wrote in the neck pocket and has a beautiful neck. The body has a few dinks but nothing serious however the bridge is rusty as are the volume and tone knobs. Just stripped it down to renovate but want to keep it as original as I can, any info on them would be appreciated.2 points
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Redundancy sadly forces the sale of my pride and joy go to fender precision bass! bass is a 1972 fender precision. Super light weight with loads of punch from the original 1972 pickups! it has been lovingly refinished in lake placid blue over Olympic white it is all original except for the following 1) scratch plate/pic guard 2) brass nut and 3) Potts and Jack socket, although I have the original Pots and Jack socket and these will go with the bass. it will be shipped in a good quality repro Fender tweed hard case anywhere in the EU at buyers cost. viewing encouraged and welcome following social distancing rules of course. further photos available upon request. NO TRADES!2 points
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S'nothing to do with politics, nor '80s music, but it is to do with the notion, in whatever sphere, that 'popular' means 'it must be good'. I maintain that this ain't necessarily so, and used this as a striking example, s'all. I could have mentioned public hangings, bear-bating or tauromachy; maybe I should have. If it causes offense, strike it from public view; the notion remains valid, in my view.2 points
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I've sold about 20 items on Reverb over the last two months or so. Since I live in Belgium, it's an easy way to find a 'broader audience' than on a local 2nd hand website. I've encountered no problem at all, but might have been lucky of course. Each item (guitars, pedals, amps) sold within a couple of days or maybe a week at most. One nice feature when selling was the 'market price indicator' based on past transactions on the website.2 points
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So I have made a fair bit of progress with the build BUT I didn't take many photos. Sorry! Next step from the above point was to route a truss rod channel using a 6mm straight cut bit approx 9mm deep into the neck down the centre line. I used the guide that came with my router to keep it centred, and used a chisel to widen out a very small chunk of the channel as the rod was ever so slightly wider than 6mm where the adjustment nut was. Once done, I glued on a roughly cut fretboard blank and clamped it before leaving it to dry overnight. Once dried, I used the neck as a guide to route the edges of the fretboard nice and flush. The blank was very thick and I'm still sanding it down using a radiused sanding block weeks later with several mm left to go. There's got to be an easier way, so once I figure it out, I'll update the thread. Suggestions welcome! The headstock was thicknessed with multiple passes of a router using the same bit as you see in the picture above. Once done, I got to shaping the back of the neck. On the Shuker bass course, we used a roundover bit to take the majority of the material off before fine shaping with files and a saw rasp. In the absence of the correct bit, I went the tedious route and did the whole thing with just the saw rasp. It took a while and constant checking to make sure I was happy with the shape. It's quite a chunky neck compared to the average Jazz, I'd call it a phat C shape. But it feels fine to me! Shaping done, I sanded up through the grades, 80, 100, 120, 180, 240, then 320. After 320, I lightly wet the wood to raise the grain before a final sand with 400 grit paper. The stripes in the maple really started to pop at 180 grit. Once dry, I applied the first coat of Tru Oil and sanded it while still wet with 1000 grit paper to fill any small gaps. I then repeated this with subsequent coats, moving from 1000 grit up through 1200, 1500 and then 2000 before moving on to fine steel wool between each coat. I've lost count of how many coats have gone on there now, but I think we're up to 7? I'll do a few more and then finish it off with a matt furniture wax. Looking OK!2 points
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This is a trap. YOu need to learn how to recognise each note independently. If you have to start with 'All Cows Eat Grass' whenever you want to know what the note in the top gap on the stave is, you are putting is a delay in the process of recall. Imagine if every time you want to spell the word sky, you had to go Abcdefghijklmnopqrs, then Abcdefghijk and finally abcedeghijklmnopqrstuvwxy…...you would never get anywhere. Learn the names notes where they are. There are only 8 of them. Your mobile number has 11 digits, your address 5 lines long and is made up of numbers and letters and the lyrics to Bohemian Rhapsody are massive by comparison. you need to remember ABCDEFG. How hard can it be?2 points
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As a regular Reverb viewer, but never a purchaser, it always seems to me that prices are much higher on Reverb than elsewhere.2 points
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It's one of the funny things about guitar building that those jobs that are seen as impressive progress (such as carving a neck) are surprisingly quick to do. On the other hand, planning, scraping and sanding two sides down from 4mm to 2mm...hmmm. But it has to be done. And next time, I must try and remember what I have found to be the easiest way This time round I must have used most of the tools in my workshop! I started off with my No.5 Bailey plane: But that was too hard, especially for the other half that needed to be planed in the opposite direction Then I tried scapers - no - and my Stanley scraper plane - no - and even my spokeshave - better than expected but...er...no And then ended with a plane that is not supposed to be any good for this kind of job - my block plane. Perfect! Just have to remember again next time. Off and on - admittedly with multiple breaks due to the unusual heat - this took me most of the day. But at last, it was done and the pieces cut in line with the cartridge paper template: So next scary job - one for tomorrow - is to see how well this timber bends2 points
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Shame the OP seeks a one-box solution. There is some really good quality pre-owned kit on fleabay. https://www.ebay.co.uk/itm/ICONIC-CLASSIC-VINTAGE-THORENS-TD-150-Mk2-RECORD-PLAYER-TURNTABLE/174325441366?hash=item28969b2356:g:jjcAAOSwih5e8J9x I have two of these, and with a good amp and speakers and a decent cartridge they pull out a lot of detail from records. I think they are appreciating in value too - I only paid about £15 for mine from a car boot sale!2 points
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I'd concur with this; I've listened through studio monitors, AKG in-ears, over-ear phones. I would like to hear these cabinets driven at some point in these videos though...credit to Alex for demonstrating these with a flattish and clean tone, which if nothing is highlighting the nuances tonally between both the enclosures and the basses, but in my gigging circles nobody I met played with a flat/clean tone.2 points
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There is quite a dilemma for us here isn't there? the first is that we owe loyalty to other band members, and they to us. Two of mine depend upon their band income to pay their bills and support their families, tow of us don't. I'm the oldest band member but I've had the disease and the others haven't. We also have a responsibility to the audiences and the community as a whole. Government advice is confused and now based upon economic imperatives rather than primarily health concerns. I'd find it tough if I played at an event which triggered another localised outbreak. I'm going to talk to the band and see what they think and I'll almost certainly trust the majority decision but it isn't a simple one. It's tough to turn down a pub you play in regularly and have a relationship with. It's hard to fathom Govt thinking but how about quiet music? Two of our band members go out as a duo and I am part of a separate duo. I can see more work for acoustic acts over the next few moths and maybe for a while. Our current band set is designed to get people up and dancing. That's an interesting challenge, design a set to stop people dancing 😔2 points
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2 points
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She really isn't going to get any kind of decent all in set up for £500, unfortunately. As vinyl is pretty niche these days, there are few mass produced players out there and consequently nothing cheap that's any good. Used is one option. However, if the partner has a large record collection, he surely must have some sort of music system already. I'd suggest she gets a turntable and phono preamp, so he can run it into one of the line level inputs of his system (assuming he has one). The Project tts referred to above are decent and I have to add Rega to the list, too.2 points
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Have to echo that, as we can all agree there is no wrong answer here, phenomenal cabs and the One10 still amazes me on what it can handle and do for its size. Of course there are preferences, but I’ve used them side by side personally, 12XN on its own is genius. Supertwin all the way for me - I think my standpoint is with correct EQ/Preamp etc you can get the 12XN on its own to sound like the other 2, but not vice versa.2 points
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The issue I have with 'the 80s label' has pretty much been summed in this thread. There was a huge diversity of popular music in the 80s and the changes which different genres went through and the speed at which those changes happened was immense and exciting. The 80s get remembered for the cheesy pop, but the alternative and indie scene was incredible. I'd love to see an 80s band that did an upbeat, danceable set of alternative classics, New Model Army's Get Me Out, Sisters of Mercy's This Corrosion, The The's Infected, etc. The 80s started with the last throws of punk and disco, punk led to post punk, new wave and the new romantics. From the disco scene there came rap which led to hip hop, then the acid house and rave scene, and the beginnings of the Manchester indie scene. Metal was huge with the NWOBHM and 'the big four' of the thrash scene were huge in the 80s. Goth and alternative was at its height, and we haven't even started on the 'pop' that the 80s gets remembered for. I'd say the 80s was quite possibly the most diverse decade for popular music with the biggest growth and change out of any decade. Music released today could've been released a decade ago and you wouldn't really know but most music from '89 could never be mistaken for music from' 79.2 points
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Will do, and I get what you are saying, but part of the last few posts were exploring trying to get people to play together safely, and the others about trying to predict when things could change and we could reliably decrease anxiety of playing out live whatever the gov say.2 points
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My usual answer to the oft-heard accusation that '80s music was all skill-less manufactured crap' is to tell the accuser to listen to Duran's 'Rio', Level 42's 'World Machine', Go West's 'Bangs & Crashes' (and any one of a million others), and then try telling me it was all skill-less manufactured crap.2 points
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Actually, it was because there were not any This is the case I used until I flogged my NS5 https://www.waterproof-cases.co.uk/product/explorer-cases-explorer-13513-case/2 points
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People are talking as if the only options are more of the same until a vaccination comes along or allowing a few more tens of thousands of deaths, mainly of the elderly, diabetics and BAME people. This just isn't true. Plenty of other countries with a short sharp lock down, sensible hygiene measures and aggressive test, track and trace have got infection rates down to well below other seasonal diseases and have had days, sometimes weeks with no Covid related deaths. If we did the things South Korea or New Zealand did then not only would more people be alive today but there would be nothing special to be frightened of, the economy could have restarted by now and we'd all be able to get out gigging. We didn't do those things, the governments own advisors are predicting a second wave of infection, no end is in sight and our excess deaths are amongst the worst in the world. Not a political point, we'll never know how a Corbyn government would have done but it didn't need to be like this. This is about competence. Apparently as rare as PPE.2 points
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Selling one of two Roadworn Fender Precision basses. This is for the Sunburst one, great basses and quite sought after. Great condition, besides the factory relic'ing! It has had the neck sanded very very lightly, just to lose some of the sticky lacquer feel. Based near Yeovil in Somerset. Looking for £775.2 points
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Well since you ask, how about one from 1982, one from 1985, and one from 1986? 😝 Presenting the forgetful Mr Happy Jack on bass...2 points
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The 80s was a great decade IMO. Yeah, there was some dross, but there was also crap in to 60s and 70s and the 90s is where, for the most part, music went to die (obviously IMO and YMMV). My 80s band do 4 of those in our set and you'll no doubt cover the rest as you go through the decade.2 points
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