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Showing content with the highest reputation on 02/07/20 in all areas

  1. 8 points
  2. So that shuker I bought recently isn't right for me, the neck and the string spacing is too big for my hands, and the number of strings is just confusing to me, but one thing I realised is how the quality of the build was. So with quite a bit of talking to Jon, selling my stick and a few other things, and a longing that has been with me since the LBGS in 17, I present something that pretty well everyone who went to the LBGS in 2017 will probably remember. Shuker Uberhorn, 33" neck, 17mm spacing, delano pickups and john east pre. Weighs about nothing!
    6 points
  3. I’ve not sold a bass in a month. I know, I know. Pre-tty Im-pressive...
    5 points
  4. Visited Happy Jack yesterday and came away with less money and a Variax 705. I'd wanted one for a while, on and off, but as I've decided to get serious about doing some home recording, I thought I should actually bite the bullet and buy one instead of deciding not to and then regretting it (again). Also had a play on assorted other Happy Jack basses, which was fun. It's in very decent nick for a generation one and a half Variax. Firmware was as up to date as it will ever get. The neck is a little chunkier than my ideal neck but it's comfortable enough. More experimentation coming up, plus the combination of that and my HD500 which should be fun. And it was nice to meet Happy Jack and Bluejay too.
    5 points
  5. I read that the Damian Erskine book is brilliant and it seemed to be structured in a way that I meant would actually read it. I did a Google to order one and upon seeing a picture of the cover I thought, "hmmm, that rings a bell." Went over to my music shelf and there it was! 3 years old, unopened and rather dusty! 😂
    5 points
  6. I know exactly how you feel. I love my current basses and rig, yet it doesn't stop me looking a new shiny gear that I see on here and you tube basically every day. However I have decided to try and focus my spare time on playing rather than researching. To hold myself to account I have signed up for Skype lessons with Phil Mann. I'm sure that will keep me busy!
    4 points
  7. Hi from Finland Heres my BT 6 from 1990 with macassar ebony top. - Mikko
    4 points
  8. Am I allowed to turn this into a "why I hate relic'd instruments" Topic? No? Thought not. As you were.
    4 points
  9. Steve Harris Precision, the current one. It ticks many boxes for me but just couldn’t have an instrument with another teams badge on it -and to be honest I wouldn’t want my own teams badge on an instrument either.
    4 points
  10. Bought on this forum in April for £2200 and basically the same condition etc, bar changed strings for 'old school' style Pyramid flatwounds (has tweed hard case, candy etc etc). Obviously not left the house in that time ... Original FS ad link here: I adore the looks and the history but - having given it a couple of months 'crack of the whip' - I just am not comfortable with the chunky neck over extended periods of playing (I prefer short/medium scale and my other Precision has a skinny 70's neck). I broke my left hand a decade ago and I cannot cope with clubbier necks, unfortunately, despite how lovely this bass is. Socially-distanced handover in SW13 (south of Hammersmith) or post for £30 on top within UK (£60 to EU). Pics below including two different 'tug bars', original maple and black dyed maple one courtesy of Rick's Fine '52 PS, no trades thanks. Kind of need the money given COVID impact on finances
    3 points
  11. Hey folks, Does anyone else get to that point where they're totally happy with their gear and thinks "yep, that's me, I'm done. Shouldn't need to change anything for a long time, if ever"...... And then feel like they're just waiting in anticipation for their tastes to change /GAS to kick in /a new 'need' to arise, etc, etc.? Or is it just me?! 😂 I'm totally happy at the mo by the way, shouldn't need to buy anything else ever..... 🤔
    3 points
  12. Hello! Great workhorse basses, these. Details below: : Weight: 9.7 lbs / 4.4 kg on the bathroom scales Scale: 34” Bridge: 19mm 21 frets Nut: 1 11/16” Radius: 10” Body: Alder Neck: Maple Fingerboard: Rosewood Bolt-on neck Hardware: Gold Pickups: 2 alnico single coil (stacked hum cancelling) Electronics: volume, blend, 3 band EQ (+/- treble / bass and two mids presets - the mid control is a 3-way rotary selector switch to select between flat and the two presets) Mother of Pearl and Abalone inlays, gloss finish It's a really nice active super-jazz. Without the offset body. An example of this model demo'd very expertly here: ...by the redoubtable Jeff Andrews (RIP); and this actual bass demo'd significantly less effectively here, by me: Happy to answer any questions here on the thread or by PM. Shipping: obvs better for you to come and try out here in Elephant & Castle (I'll provide some socially-distanced biscuits and a cuppa), but if that's not possible, I can ship to you via your choice of courier at your additional expense, or, if it's reasonable, deliver to you in my car for a contribution to the fuel money, whichever is cheaper for you. Trades: thank you, no. Many thanks for checking out the ad!
    3 points
  13. Be joining you next week ladies and gents.
    3 points
  14. I too am a labella LTF user, for many years I used deep talkin flats and then about a year ago I tried the LTF’s and liked the sound , tension and feel , I’ve now got 4 jazzes and 1 P bass with them .
    3 points
  15. This may come as a surprise to most on here but I actually think Im sorted and 100% Happy with my lot. Only thing Im looking at is that bloody Noble Pre but I don't 'need it'! I have a REDDI coming in so that should ease the gas🤣
    3 points
  16. Boring for everyone I'm sure, but was just thinking back through all the Sandbergs I've had over the past 10 or so years, since I fell in love with them. It's been a voyage of discovery to figure out exactly what makes my perfect sandberg. Disclaimer: first few pics are off the Internet, mine are probably on an old laptop somewhere! Used Sandberg Basic 4 Natural Used Sandberg California PM4 Used Sandberg Basic 4 Greenburst (which I later made a trans pickguard for) Used Sandberg Basic Ken Taylor 5 Custom order Sandberg Basic Ken Taylor 5 Custom order Sandberg Classic Booster 5 Custom order Sandberg California VM5 Custom order Sandberg california TT5 passive
    3 points
  17. Good grief, @Billy Apple, did you have advance knowledge of Covid-19? I think we should be told ...
    3 points
  18. Real wear = absolutely fine. Fake wear done well = pretty much pointless, but can work under some circumstances. Fake wear badly done (i.e. what we're normally offered) = utterly pointless and frankly a bit embarrassing all round. Spending five minutes with an orbital sander does absolutely nothing to improve any instrument, and will only fool a passing 9-year-old.
    3 points
  19. Pretty much all Fenders. The headstock makes me want to barf. The whole Ibanez Soundgear range. Lovely basses, but the SDGR logo makes them look like a child's toy. Single cut high end basses like Fodera. I'd love to try one, but there's absolutely no need for the top of the body to go half way up the neck. It just looks crap.
    3 points
  20. What a ridiculous idea! Only getting a bass when you know "what for" 😂
    3 points
  21. What a load of old tosh. There's no racism on here. We're all far too busy being sexist. 😘
    3 points
  22. So, a change of strings - weight and type - can completely change the feel and sound of a bass -we know this. What may not be appreciated is how some strings can be so much louder than others. I've just taken an old set of 45-105 Olympus flats off my PJ as they were getting increasingly 'grabby' I've put on Ernie Ball Hybrid Slinky cobalt flats, same weights. Without changing any settings on my headphone amp they're about 20% - 30% quieter than the old Olympus - the greatest volume change I can ever remember experiencing with a change of strings. I won't comment on their sound as all new strings sound wonderful, but the volume thing is a bit weird. There's always something new to learn about strings! But it is an expensive journey. 😕
    3 points
  23. Yeah. I nabbed it. Not sure how I'm gonna conceal that fact domestically, but it seemed too good to miss.
    3 points
  24. So after ordering 11months ago (almost to the day), my Moollon P-Classic IV has arrived. It got delayed by about a month due to Covid-related logistics issues, but other than that, it was a smooth ride from start to finish. I primarily went with Moollon because I don’t believe that there’s anyone hand-building instruments from scratch (Including hardware) to this level of ‘vintage Fender’ for this kinda price. Plus Tim Lefebvre and Kevin Scott rock my world lol. Had it strung with La Bella 760FS from factory, because that’s what will live on it for long-term I imagine. And with my 1971 Precision (because why not): Cheers Si
    2 points
  25. Never say never, but I reckon I'm done. My gig rig is a Sadowsky bass, an Aguilar amp and Barefaced cabs. My back-up rig is a Mike Lull bass, Thunderfunk amp and different Barefaced cabs. My home practice rig is either bass, a different Aguilar amp and yet more Barefaced cabs. I've spent more on lessons in the last few years than gear. That's where my GAS is.
    2 points
  26. I no longer gig I just record and play at home so here is my man cave rig an Ampeg PF20-T Amp and a Ampeg Micro SVT 210 Cabinet and it sounds great, very similar to a B-15 Head.
    2 points
  27. Sure Ped, I will reply to this thread when I compare them.
    2 points
  28. I just read a YT comment that "I put olive oil on my flatwounds because in a few days it will congeal and make them super smooth'.... So now you know what to do.
    2 points
  29. @Deeper and down Check out the feedback thread, if the buyer/seller has good positive feedback from others on the site, then you know you're in safe hands. Otherwise, if you're uncertain, then try and collect with cash or pay via PayPal good payments and know that the 4% is your payment for a safety net if things goes sideways. Also, check out the buyer/sellers profile, see if they are active members that contribute to threads regularly, if so, again you're probably in safe hands, if the buyer/seller is brand new to the site, maybe try and talk to them via PM, get a vibe for who they are and if they know the gear they're buying/selling. If ANYTHING smells fishy, abort! Or, at the VERY least, use PayPal goods and pay the 4% for that important safety net! Thems be my advice!
    2 points
  30. This is one of those threads that will come back to haunt people
    2 points
  31. Kim to Free World: 'Want join band. Can shred like motherfücker, play all Johnny Cash'
    2 points
  32. 2 points
  33. Thank you and all done. Soonest BigRedX gave me the tip above, I just typed in Royal Mail tracking, put in the US tracking code from my order eMail and the site took me right through to paying and setting the delivery time.
    2 points
  34. I believe it's for Himalayan Doom Djazz.
    2 points
  35. I wasn't even aware there was a humbucker with split coils option. Have to say i do like the humbucker solo'd on my VM4. Gorgeous punchy tone thru a loud Mesa Mpulse rig. Not my usual tone but i do love trying it at rehearsals. Normally i have it set mid point or slightly towards the P pick up depending on song. The volume balance between the P and MM is pretty close on my VM4. Ideal for what i play at the moment. 70's Glam Rock covers. Dave
    2 points
  36. Yep, thing of beauty - a little out of my range though And finally not!
    2 points
  37. Not much at all, by design. Moollon have their P-Classic, and their J-Classic, they have their specs based on the builder's old Fenders, and they don't deviate from them. They are meant to be vintage correct instruments, not a custom spec build. They have a full FAQ on their Facebook where they openly say 'if you're looking for a customisable spec, go to another fantastic builder like Sadowsky or Lull etc, but if you're looking for a vintage spec P or J, that's what Moollon do. However, they do let you chop them about, so if you wanted a J-Classic neck on a P-Classic, totally fine. Si
    2 points
  38. I have one of the older Ray34CA ones.Great bass and my own humble opinion is these are better than the regular Ray34. The EQ has a fat sounding bottom end with just enough treble/click/sizzle and to my ears always sounds warm and musical. The whole thing is put together extremely well too. I honestly have trouble finding fault with mine at all. Yes the neck could be a bit wider at the nut to help further the illusion and yes, while I would love a pre EB, a Classic StingRay or a regular 2EQ USA StingRay, this does the job I need it to do. If you’re at home on a Jazz then the neck will feel familiar. MusicMan for a while did the SLO Specials which had a J width nut and those were always highly sought after by players wanting the MM tone with a J width neck. I haven’t ever played the newer Ray24. I like the finish options and the price is lower but beyond that I don’t know anything about them other than what’s on YouTube videos of them. The Ray34CA basses don’t pop up too often, though are probably going for near what you can get a Ray24 new for.
    2 points
  39. Hi all, Here's my 1983 JV Squier Jazz bass for sale. Lots of info on JVs at 21Frets if you're not familiar. The headstock decal Let's get the obvious thing out of the way first: the headstock has been refinished with Fender 'spaghetti' logo and the bridge has been replaced, long before I owned it. You can see it has the JV serial on the neck plate. I've also seen the neck stamp and pencilled "January '83" date on the base of the neck when it was being set up by Andy Gibson on Denmark Street. Apparently this modification was fairly common before JVs got their reputation, but nonetheless, I appreciate this puts it in the 'players' rather than 'collectors' category and have priced accordingly. I've checked with @ped that it's cool to sell here. Everything else On to the good stuff. It's in excellent condition for a 37 year old bass. There's some superficial dings and scratches on the body, neck and headstock, but nothing deep or severe. The frets are showing some wear. I've done my best to capture anything I can see in the pictures, but it's tricky as they're very light. Electrics all working and it plays and sounds fantastic. I've recorded and gigged with it many times, and loved it dearly. The neck is a particularly good - I found it very forgiving, and I've got small hands. It has vintage-style reverse wind tuners and includes an ashtray bridge and a modern Fender hard case. These were based on '62 Jazzes, and it has a lovely vintage vibe coupled with a reliable build. I played it on this EP if you want an idea of the sound. Second and third tunes probably feature the bass most prominently (it's not exactly Pastorius, but you'll get the idea). I'm selling as I'm a guitar player primarily, and no longer playing bass in bands, so it's been sat in a case for a year. Trying/buying Potential buyers welcome to view and try out in SE London (in as socially distanced a way as possible). I'll also ship to the UK, insured with UPS, for £25. I imagine postage to EU will be a bit more. Thanks for reading, and happy to answer any questions. Ben PS if someone has a telecaster to trade, I'd listen!
    2 points
  40. Lol! I'm suddenly feeling a lot less isolated in doing exactly the same with bass books and CDs! In this case it's clearly not 'wisdom' but 'age'.
    2 points
  41. Aye i wish you good luck with that one and it was nice knowing you. Just remember that Hospitals are dangerous places to be in at the moment Dave
    2 points
  42. There's only one way to find out.... I need to try both. I'll have to prep MrsT for TWO basses arriving. I may be some time. Thanks for the tips, I'm hoping to be among you soon.
    2 points
  43. Not a slab body nor particularly heavy. Owned 6 of them, none over 9.5 lb. Sorry @oldslapper never saw your post 👍
    2 points
  44. I have a Sandberg California and the relic job on it is faultless. When I first set eyes on it, I never knew about them and I was convinced it was a real relic.
    2 points
  45. Just put one in my “shopping basket”. Can’t do any harm there can it? It’s not like I’ve bought one or anything? Just in the basket, sitting there safe and sound from slappy’s grasp 😌
    2 points
  46. The thread is here. Some of the emoji's and bullet points are u/s in the thread but all the text and the photo links are still there: According to my thread text, I used a sanding block with 80 grit wrapped round (that would have been emery cloth - the red coloured stuff you can usually find in a roll in B&Q and Homebase, etc, decorating sections. Ditto the cork sanding blocks - cheap and cheerful). The reason for using cloth is that the fret ends tear through sandpaper too quickly. It doesn't take long, but you have to be careful always to be sanding from the fretboard side towards the back or along the neck edge, but again dead straight or, better, heading to the back of the neck so that the emery cloth is always pushing the frets into their slots and not out of them. I'll draw a picture if I can. I have also used a Shinto rasp in the past - Shinto' are great and work on metal as well as wood. But here again, you have to be paranoid in always filing the fret ends down into their slots and never up. Nevertheless, emery cloth works pretty quickly and is the safer option.
    2 points
  47. Me, playing the same Camco kit bought new in the early '70s...
    2 points
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