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Showing content with the highest reputation on 05/07/20 in all areas

  1. Thank you all for taking the time to reply, I would love to reply to every single response because you took the time, but I will be here for hours if I do. I have found the whole thing very uplifting but more on that in a minute. I should have said that I have two young kids, a 3 year old and an 8 month old, and a year ago I started a much more taxing job than I had done previously. As a by-product of these things I started to scale back my playing because with my wife working unpredictable shifts with the NHS, I was not reliable enough to commit to regular rehearsals or gigs and didnt want to be ‘that guy’ that lets people down. In all honesty I already had feelings of not wanting to play with the band I had been with, so all these things gave me a good excuse. My Bass is great, plays amazing and I do love stingrays (this is my third) but I bought it as it was a good price and all I had to spend rather than being blown away by the finish etc and ‘having to have it’ if you get what I mean? I think everyone is right, a new bass may help in the short term but there are other issues. I should mention I only own this and an old squier 5 string jazz but rarely play that, and I haven’t bought a new bass in nearly 4 years which is why I pondered a change. I do have acoustic guitars as well, but like bass they have barely been touched despite being given a nice Martin by a family member. I am going to take all the suggestions on board about trying new genres, setting some goals and personal challenges. I have played the same material is so many bands for so long, but whilst I was out walking today I started to compile a mental list of songs I would just like to be able to play and I will work on from there. My mental state is not that sound at the moment like so many others. I have been on furlough since April and have struggled with just being at home with the kids 24/7. Thankfully listening to music still has the power to lift me out of darker periods and days so I take some comfort in that. I do struggle to find pleasure/enjoyment out of situations at the moment and even just re-reading my post and your comments has made me realise that, and I will need to start addressing some of that. Playing Bass was my identity for so long and it was all about playing live and the ‘buzz’ rather than anything else. I never quite got the satisfaction from playing at home but I do like a challenge, so I am going to compile my list and try and get a buzz in a different way. So just a thanks to everyone, combined with the replies here and a lovely walk in the sun, I feel happier and inspired enough to pull the bass out for a clean at least and see how we get on. Your a good bunch!
    6 points
  2. I can't believe I'm going to say this but I don't think a new bass will help. It will for a bit until the novelty wears off and then you'll be back where you are now. A decent Stingray shouldn't be holding you back. Maybe try playing a completely different style of music and follow it back to its roots and see where that leads, I quite like playing along to hip hop and really getting a groove going, but then find out where the samples came from and play along with those songs, then if I'm enjoying that I'll hunt out more songs by that artist or others in a similar style, I end up playing music I would never have thought of and discovering new stuff. You say new songs on take minutes to figure out so either you're phenomenally good or you aren't taxing yourself enough. Try learning something completely out of your comfort zone. But ultimately, I don't think a new bass will get your head and heart back into it, only you can do that. 🙂
    6 points
  3. Price drop: £1800 A Serek Midwestern short scale (30.5 inch) with Dunlop flats and Jake's B90 pickup (passive). The bass weighs 3.2kg (7.05 lbs), balances well and is a ton of fun to play. The body is made of African mahogany (Khaya spp.) I'm selling it to fund my next Serek build. Current new price as specced is £2490. More details here: https://www.serekbasses.com/basses/midwestern/ In Jake's words: "The Midwestern is a short-scale powerhouse that is compact in size, but does not lack in tone. Think P-bass meets EB-0. The Midwestern is made up of a lightweight Mahogany body and a 30.5″ scale Mahogany set neck making it effortless to play, and easy to travel with. Inspired by vintage Midwest-bred designs, this is our simplest and most utilitarian offering. However, updated with modern hardware and electronics as well as effortless playability, you won’t believe this is just a humble short scale bass!" Nut Width: 1 5/8″ Nut Type: Bone Scale Length: 30.5″ Frets: 20 Med/Wide Nickel Fingerboard Radius: 12-14″ Compound Body Thickness: 1 3/8″ Overall Length: 40 5/8″ Weight: 7 lbs Tuners: Hipshot Ultralite Bridge: Hipshot 2 Point Supertone Finish: Nitro Lacquer ORIENTATION: Righty FRETS: Fretted FINGERBOARD WOOD: Jatoba PICKUP: Serek B90 BODY FINISH (SEE SPECS SECTION FOR COLOR CHART): Solid Color Satin TV Yellow PICKGUARD (HEAD BADGE WILL MATCH UNLESS OTHERWISE SPECIFIED): Brown Tortoise TUNING KEYS: Lollipop STRINGS: Dunlop Flatwound GIG BAG: Standard Gig Bag
    5 points
  4. Up for sale is a G&L SB1 from the late 80s and its original hard case. If I sound a bit vague on the date it's because it seems quite hard to date these precisely. The serial number is B017393. The G&L registery dates a similar number to 1984, but Gareth (the BassChatter I bought this from) says late 80s and he clearly knows his stuff. I bought the bass earlier this year and I do love it, but my modest talent and budget don't support a multiple bass habit so I'd like to sell and replace it with a US jazz with a rosewood neck (if you fancy a trade please let me know). I simply feel more at home with a jazz neck and a jazz sound. When I bought the bass I gave it to a local tech here in Somerset for a full set up. He polished the frets etc and fitted it with Dunlop flats which it's still wearing. I paid £975 for it which, on reflection, might have been a bit punchy, but I'd fallen in love with it so what's a man to do? You'll see from the pictures that it isn't in showroom condition as you might expect in a bass this age. It's got some good honest mojo from years of playing. There's a patch of buckle rash on the back, some dings on the edges of the body etc, but nothing that interferes with the gorgeous sound of the thing. The tech who set it up marvelled at how straight the neck was and it's the first instrument I've owned that made me understand what the term 'buttery' might mean. Something about it just feels right the moment you fret it. The electronics are simple - it has some rather cool radio knobs - but the sound (to my ears) is magnificent. The case looks like it has been through a few airports backwards - plenty of war wounds on the exterior, but the plush interior is in good condition. It's done its job in other words. It's probably a superficial thing, but I also loved this bass because it doesn't have the rather weird (IMO) jagged headstock of the modern G&Ls. I guess that's down to individual taste, but it felt important to me. Anyway, someone will either be on the look out for one of these or they won't, so I'll leave it in the lap of the BassChat gods and if it doesn't sell or trade I'll go right back to loving her. Bass is in Babcary, Somerset and inspection is welcome of course. As it's in its flight case I'm happy to courier at buyer's risk (or we insure). Thanks for taking a look. Been asked about weight. I only have access to bathroom scales, but using the Me plus bass minus Me approach it seems to weigh about 4kg. That's an approximate of course. It's certainly lighter than my BB1100s, but then most things are.
    5 points
  5. 5 points
  6. Firstly it’s great to read a post which sums up a lot of where I am in my own playing. I have only played bass as a side line up to last year when I decided to stop playing drums owing to escalating rsi issues in my arm, which I had been battling for six years. As a part time bassist I seemed to develop a reasonable facility on the instrument without really knowing what I was doing. This has continued over the last year but I have improved my fingerboard knowledge a little. I have also wrestled with SBL and whilst there is no doubting the educational content and sheer enormity of what Scott has achieved, the immersive format isn’t right for me as I simply can’t devote enough time to sitting in front of my computer. I work long hours in my own business and find that maybe an hour a day is the most I can manage during the week, (more at the week end although I have to watch my arm!). The point of the post is to really just say hello as I haven’t been on here too long and to say thanks for posting your stories as it’s encouraging to see more seasoned bass players getting ‘stuck’ in the same areas as myself. I sincerely hope you all find your own way of navigating through these issues as I will attempt to do. As a slight digression, to prevent the problem of being hounded by ads why don’t you try the new browser called Brave. It’s great. I use it in conjunction with the search engine ‘Duck,Duck,Go with none of the problems you describe. Plus it’s nice to get away from the big corporations who just seem to want to spy on us and relieve us of as much money as possible, whilst at the same time supporting smaller more ethical businesses. Cheers, Mark.
    5 points
  7. Hello Nash friends, unfortunately i have to sell my JB 63 in Burgundy Mist. Lollar Pickups Alder Body Rosewood Neck 4,1kg Shipping with the original case Burgundy Mist If anybody interested please contact me Shipping is inclusive.
    4 points
  8. Gary and Martin Kemp from Spandau Ballet have made a mockumentory. BB2 at 10pm tonight think. Made by the same guy who made the Brian Pern mocku. Might be worth a watch - I'm planning to anyway! We might even get a bass gag from or at Martin.
    4 points
  9. This discussion goes on forever. There’s no need for the string to be over the middle of the pickup poles and on most basses it doesn’t. It’s not a failure of the builder or a shifted neck.
    4 points
  10. I thought I had a nice barn to play in, but even I have barn envy at that.
    4 points
  11. Absolutely love this and a fantastic restoration - great to see it resurrected and what a very cool bass!
    4 points
  12. It is. I couldn't believe my eyes the first time I drove up there. Or, indeed, walked inside.
    4 points
  13. Had a first rehearsal with my blues/rock trio last week. Drummer is a farmer and has a wonderful old C12 thatched barn on site. Mahoosive space, 30ft ceilings etc. Shame we didn't record it as the guitarist seemed to have 3 months of lockdown angst pouring out of his fingertips So nice to be making music again.
    4 points
  14. I am having a clearout, so putting up a few basses tonight. This is an odd one, this is my 'wrongo', it is like an ali-express copy of a musicman bongo, but not really a copy, more a parody, by someone who has never actually seen a real bongo. I actually had to ask them to not put the proper bongo logos on it, although if they had, who knows where they would have been. So, its basswood, probably, its quite light. Has a thickish deep neck, so more musicman, but reasonably narrow spacing. The dimensions are all wrong, and when I got it, it went through batteries - although see those two 9v battery covers? One of them has nothing behind it! Turns out the bit that turns power off, the stereo jack socket, well , they had also gone for a 3 pin socket but it wasn't actually stereo so the battery was on permanently. That is now fixed with a new socket and is now functional. If you look at the detail, pretty well everything is wrong. The markers on the side don't even line up. That is all the bad, but in its defence, it actually plays very well, has a nice action and sounds pretty good. Presumably more by luck than judgement. I have even gigged it where someone actually asked me if it was a bongo. I mean, imagine someone in a pub audience noticing the bass and then knowing what a bongo was? And then being wrong It is actually a nice bass to play and it lived in my office as a sort of bash around bass. As such it has got a couple of scars on its actually not bad matte black silky surface. But, I need to reduce numbers and get rid of things, so it has to go. So here it is, can pick it up from my house for £125, or I can deliver or meet in a socially distanced way somewhere not to far (would be good for a drive), or I could probably ship it - can't cost too much as it isn't worth much so insurance isn't an issue.. Not going down below £125 because that is hardly worth the effort and I had to work on it. Can always hang on to it and sell it off at the SW bass bash when that happens. Don't want to trade as I am cutting down, although if there is something worth 125 that isn't a bass or amplifier related, I am all ears. Thing of beauty? I scratched it here on the side Look how well those line up. The machine heads aren't the best I have used, but it doesn't go out of tune. Two battery compartments - go on, which one is the real one, are you feeling lucky? Not too bad really Look at the masterful way the strings all bend slightly to the left. OK, so the pickguard was chewed away from the plastic by a small child and the fret side dots were applied by dats from a distance, but those frets aren't bad and the pickups work
    3 points
  15. Withdrawn now - have decided to keep neck for another project. Ash body was obtained from Edenhaus in the States and is lacquered with satin poly. Neck is from Status Graphite and is equipped with Hipshot Ultralite tuners. The neck has a “B” profile so halfway between a Jazz and a Precision neck with regard to nut width (41mm). Pickups are DiMarzio Ultra Jazz and bridge is a Badass 3 that allows for through body or more traditional attachment. Controls are dual concentric for bass and tone (passive). I got Martin Petersen at the Bass Gallery to put all the bits together and as you can see he did a great job. Bass is in great shape although I have pointed out in the photos a couple of dings (bloody cat 🤨). Strung with Status half grounds it does sound as good as it looks. Weight is 3.9kg. Comes with gig bag so would prefer collection or meeting up to hand over. Happy to ship but at buyers expense and risk. Could remove neck from body and box up well wrapped. Have tons of bubble wrap from house move. No trades I’m afraid as a house move means cash or a BACS bank transfer. I’m just off J23a of the M4 near Newport in South Wales
    3 points
  16. I’ve disabled them for now until monumetric get their stuff together.
    3 points
  17. No, it’s not.....but it’s not exactly the nicest customer email either IMHO. Of course if someone isn’t happy, that’s fine, and the onus is on the builder to remain calm and helpful, but I see both sides. To me, looks like a normal nitro finish. Foam in the truss rod cavity? Come on, it’s clearly just to plug it, take it out if you don’t like it lol. ‘Things in the fingerboard wood’? What things? You mean the kinda whitish stuff in the Rosewood pores? Welcome to open-pore wood....it’s completely normal. Scratches in the back, yeah not ideal, but welcome to nitro, nobody buys a nitro finished bass and gets annoyed and scratches and bumps. So absolutely bring up the fissure at the neck pocket, but to me, the initial customer email (with quite an attacking vibe quite frankly) was largely unwarranted. I wager that if the OP had led with only that as an issue (and not all the other unwarranted stuff), Adrian’s reply would have been more helpful. Basically, choose your battles. (Foam in the truss rod cavity 🙄 lol) Si
    3 points
  18. Ezbass shuffles off to the ‘posting without reading’ thread.
    3 points
  19. I personally haven't found any regular class D mini amp that will hang with my loud rock covers band. Same as the OP, they sound great at home and have brilliant features on them and i love them until i take them to a noisy gig and they get buried by the drums and twin guitars. I can get by with them but i haven't found THE ONE yet. I always seem to go back to my Gallien RB700 and i've come to the conclusion that i'm just not a class D guy. I've tried loads of them and the only one that comes close to keeping the punch and slam and not just flattening out when you turn it up is a Quilter BB800 - i've had it for a few years whilst others come and go but you have to get used to its quirky layout. Had a Mesa D800 earlier in the year, got a Magellan 800 now that i've gigged about 4 times and will be moving on soon. I've had a Markbass Evo, GK Fusion500, a Genz Shuttle over the years. I'm thinking of giving it one last go and trying a Darkglass M900. The newer breed of class D are much better than the old ones to be fair. Maybe i'll just order a Handbox R400 and hope its not just a niche trend that new amps become on here sometimes - that's probably a more sensible option and sounds more likely to be the right thing for me but the Darkglass looks fun. If i had £1000 to spend and didn't want a Gallien i think i would grab an Ashdown series 4 ABM600 (a great rock amp with tons of slam and much more versatile than you may think) and a decent 2x12 or a couple of 1x12 cabs from the classifieds on here. Maybe a Barefaced or Bergantino cab for £400/700 or a Fender Rumble cab of some sort. Ashdown are selling hand made ABM600's for £550 direct at the moment or they come up fairly regularly on here for £400ish. They're a friendly mob on here, pretty wise in general and you wont lose your shirt if it turns out the gear doesn't quite work for you.
    3 points
  20. First thing first....protect your ears! Ringing ears after a rehearsal is not good. Save a bit of your budget for some quality ear plugs...if you do you'll probably hear yourself better for a start and your hearing will be saved, you really don't want tinnitus.
    3 points
  21. I feel this is also true, I wouldn't classify my feelings as depression, but if I am not playing music as often it is definitely an indication that I'm not feeling great. Ezbass is 100% right if I break the cycle and play I will start feeling better.
    3 points
  22. It might be more worthwhile to look at why you’re feeling the way you are and deal with that. Sure it could be a phase and we’re in quite unprecedented times! If having no free time isn’t the overriding issue then the next question would be why have you lost interest and does this lack of interest or drive extend to other hobbies or day to day activities. If it’s more of a mood thing and you’re beginning to experience anhedonia in other aspects of your life it’s time to talk to someone and figure out what might be going on. I don’t wanna make it sound all heavy but if this is the start of a change in mood go speak to someone and invest some time in yourself and your well being.
    3 points
  23. Exactly what @Maude says. Any boost will be very short lived. Have you ever played anything else? 6 string, keys? Might be worth switching around, noodling on something different to get your mojo back. Or mess around with some recording software. Just let music take you somewhere else for a while, hopefully you'll get back on track soon enough. Good luck!
    3 points
  24. I’m really glad I’m not in a band that is crying out for gigs at present, I think a good amount of time should be spent analysing the opening of non essential retail and pubs before freeing up gigs. Make sure it’s safe to move forwards before taking the first step so to speak.
    3 points
  25. I know what you mean. I opened the fridge earlier and he was in there, telling me all about this great new course...
    3 points
  26. 3 points
  27. Up for sale is my beautiful S Cut Mayones Caledonius. It is in immaculate condition, not one ding or mark on it. It plays beautifully and has a wide range of wonderful tones. It has a 34.25" scale neck and has fret markers added by the Bass Gallery in London. It is active/passive and when in active mode is powered at 18 volts. Aquilera Pick ups. The cut away neck provides incredible access to upper tones. Any questions please PM me.
    2 points
  28. 2018 Fender Custom Shop '72 Jazz Bass, Closet Classic. Beautiful light relic and super light for a Fender Jazz bass - only 3.75kg. The bass has never been gigged and only used at home - so like new. Comes with certificate, case candies and original hard case.
    2 points
  29. Hello Lakland friends, is anyone interested in this LOG 2010 5 string bass? I´m selling it because a don´t need a five string kind of Precision Bass. I´m the second owner. It has a few typical dings and dongs for a bass which was played. Shipping to all countries is no problem. It would come from Germany. Please message me if you are interested. I would ship it with a gigbag. The shipping is inklusive. Please ask me, if you got any questions.
    2 points
  30. Decided to go mint in the end. Bit of a story around the new scratchplate though. I ordered it from Thomann at the same time as getting the bass - it was only £13 so i thought i might as well. Went to fit it last week and there was about 1mm difference in size around the pickup and base of the neck so it wouldn't go on. I mailed Thomann with a few pictures and they think the Sire V2 is either slightly different from the V1 or the plate was faulty. They said to just keep it and they would refund it. Brilliant customer service from them. So today i thought i would get the Dremel out and cut some lumps out to see if i could fit it anyway and it worked out pretty well i reckon. I like it anyway.....😊
    2 points
  31. @NJE up here in Scotland we have a service called Breathing Space but I’m not sure what the equivalent service is in England but I’m sure there is one. You can still access things like Headspace app and there’s loads of apps/YouTube videos if that’s ever possible with two little ones! A wee bit of time daily spent on yourself is just as important as being there for the missus and the kids. If you can wrangle that into your day along with a bit of playing you’ll be grand. Stay well! 🙂👍🏽
    2 points
  32. Another vote for AER here - loud, punchy and a tone and fundamental that is a cut above anything else I have tried. I use an amp two. Lush!
    2 points
  33. This could trump the other gripes. If it is all from 8-10 as it looks, bass goes back, or they front cost for investigative work locally. Feel your pain here - clearly not turning into the NBD you’d looked forward to. Hopefully you’ll get it sorted.
    2 points
  34. Of course there’s nuance, but come on, I can write a polite email in French and Google Translate it. I don’t write a stark collection of short sentences just because that’s all my knowledge of the language permits lol. Si
    2 points
  35. The problem is that customer service issues can escalate quickly if you don’t deal with them. It’s true in any business... Touchwood, I’ve never had an issue like this and I’m sure this was probably a bad day for the seller. If you go the boutique route you will meet some unique characters, but that’s why they’re in the funny business of making instruments.
    2 points
  36. Glad to help. Now I think I’ve talked myself into buying yet another BF cab 😂
    2 points
  37. brilliant and i think maybe that's the solution. We all sit down with a nice toasty and a wee cuppa.
    2 points
  38. Damn you! I want a toasted cheese sandwich now. 🤤😂
    2 points
  39. I've re-read the OP, and yes I maybe missed the point a bit. sounds like OP is kind of objective-oriented in there playing at home e.g .will play to learn to new song or whatever, but not for intrinsic reasons. So perhaps new objectives, not a new bass. So as others have said, new genre, different instrument (e.g DB, guitar), or maybe writing basslines for online collaborations.
    2 points
  40. My SC is paired with a DG AO900 amp which puts out 450W at 8 ohm, so I can make full use of the SCs load capacity, if I need. But I've never really needed to push the amp too hard. 5 piece rock band (but very well behaved / controlled drummer). I find the SC has excellent dispersion and can handle a decent sized pub venue.
    2 points
  41. Any of the AER Bass range would do nicely - I have been using the AER Bass One for many years at all kinds of venues and I've never used it near to capacity.
    2 points
  42. A few years ago I lost interest in playing bass, guitar and the drums. This coincided my growing dislike of rock music and temporary loss of interest in funk. Instead I became far more interested in electronica. It was only listening to Squarepusher that reinvigorated my love of the bass. I generally still can't abide rock music but have discovered loads of other interesting electronica /dance where the bass is used such as Groove Armada.. So, maybe you also might have become bored with the music you're playing and listening to but just need to find something new to revive your interest in the bass . I'm with the others here saying buying a new bass isn't the answer.
    2 points
  43. Richard Whitely had a final Countdown
    2 points
  44. Lol yes I meant 100% I shall edit😂
    2 points
  45. I really like Bass Buzz, like here the explanation and practical applications for free are really, really awesome.. interesting banana!
    2 points
  46. Don't get me started about Sabbath. Many decades ago when I was a teenager living at home, I was sat on the loo one fine day, bored, and as I sat there, I wrote out the lyrics to Paranoid on a roll of toilet paper. My mum went ballistic when she found it, tried to send me to a psychiatrist and sh*t.
    2 points
  47. -*Headphones Needed*- Quick comparison between my 1971 Fender Precision (3yr old La Bella 760FL strings) and my 2020 Moollon P-Classic (new La Bella 760FS strings). '71 is first, goes through both sections (16bars), then starts again with the Moollon through both sections again (another 16 bars). Tone fully ON: Tone fully OFF: Cheers Si
    2 points
  48. Ah.. Your chord tones are the 1,3,5,7 of whichever scale you're looking at. The first inversion is just playing it 3,5,7,1 Second inversion is 5,7,1,3 Third inversion is 7,1,3,5 I know at first it all sounds high falutin but it's not at all. Inversions are great because it keeps you off just doing mainly the root thing and they make you harmonise in an easy way that sounds more clever than it really is! 😄
    2 points
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