Leaderboard
Popular Content
Showing content with the highest reputation on 05/07/20 in Posts
-
Thank you all for taking the time to reply, I would love to reply to every single response because you took the time, but I will be here for hours if I do. I have found the whole thing very uplifting but more on that in a minute. I should have said that I have two young kids, a 3 year old and an 8 month old, and a year ago I started a much more taxing job than I had done previously. As a by-product of these things I started to scale back my playing because with my wife working unpredictable shifts with the NHS, I was not reliable enough to commit to regular rehearsals or gigs and didnt want to be ‘that guy’ that lets people down. In all honesty I already had feelings of not wanting to play with the band I had been with, so all these things gave me a good excuse. My Bass is great, plays amazing and I do love stingrays (this is my third) but I bought it as it was a good price and all I had to spend rather than being blown away by the finish etc and ‘having to have it’ if you get what I mean? I think everyone is right, a new bass may help in the short term but there are other issues. I should mention I only own this and an old squier 5 string jazz but rarely play that, and I haven’t bought a new bass in nearly 4 years which is why I pondered a change. I do have acoustic guitars as well, but like bass they have barely been touched despite being given a nice Martin by a family member. I am going to take all the suggestions on board about trying new genres, setting some goals and personal challenges. I have played the same material is so many bands for so long, but whilst I was out walking today I started to compile a mental list of songs I would just like to be able to play and I will work on from there. My mental state is not that sound at the moment like so many others. I have been on furlough since April and have struggled with just being at home with the kids 24/7. Thankfully listening to music still has the power to lift me out of darker periods and days so I take some comfort in that. I do struggle to find pleasure/enjoyment out of situations at the moment and even just re-reading my post and your comments has made me realise that, and I will need to start addressing some of that. Playing Bass was my identity for so long and it was all about playing live and the ‘buzz’ rather than anything else. I never quite got the satisfaction from playing at home but I do like a challenge, so I am going to compile my list and try and get a buzz in a different way. So just a thanks to everyone, combined with the replies here and a lovely walk in the sun, I feel happier and inspired enough to pull the bass out for a clean at least and see how we get on. Your a good bunch!6 points
-
I can't believe I'm going to say this but I don't think a new bass will help. It will for a bit until the novelty wears off and then you'll be back where you are now. A decent Stingray shouldn't be holding you back. Maybe try playing a completely different style of music and follow it back to its roots and see where that leads, I quite like playing along to hip hop and really getting a groove going, but then find out where the samples came from and play along with those songs, then if I'm enjoying that I'll hunt out more songs by that artist or others in a similar style, I end up playing music I would never have thought of and discovering new stuff. You say new songs on take minutes to figure out so either you're phenomenally good or you aren't taxing yourself enough. Try learning something completely out of your comfort zone. But ultimately, I don't think a new bass will get your head and heart back into it, only you can do that. 🙂6 points
-
Price drop: £1800 A Serek Midwestern short scale (30.5 inch) with Dunlop flats and Jake's B90 pickup (passive). The bass weighs 3.2kg (7.05 lbs), balances well and is a ton of fun to play. The body is made of African mahogany (Khaya spp.) I'm selling it to fund my next Serek build. Current new price as specced is £2490. More details here: https://www.serekbasses.com/basses/midwestern/ In Jake's words: "The Midwestern is a short-scale powerhouse that is compact in size, but does not lack in tone. Think P-bass meets EB-0. The Midwestern is made up of a lightweight Mahogany body and a 30.5″ scale Mahogany set neck making it effortless to play, and easy to travel with. Inspired by vintage Midwest-bred designs, this is our simplest and most utilitarian offering. However, updated with modern hardware and electronics as well as effortless playability, you won’t believe this is just a humble short scale bass!" Nut Width: 1 5/8″ Nut Type: Bone Scale Length: 30.5″ Frets: 20 Med/Wide Nickel Fingerboard Radius: 12-14″ Compound Body Thickness: 1 3/8″ Overall Length: 40 5/8″ Weight: 7 lbs Tuners: Hipshot Ultralite Bridge: Hipshot 2 Point Supertone Finish: Nitro Lacquer ORIENTATION: Righty FRETS: Fretted FINGERBOARD WOOD: Jatoba PICKUP: Serek B90 BODY FINISH (SEE SPECS SECTION FOR COLOR CHART): Solid Color Satin TV Yellow PICKGUARD (HEAD BADGE WILL MATCH UNLESS OTHERWISE SPECIFIED): Brown Tortoise TUNING KEYS: Lollipop STRINGS: Dunlop Flatwound GIG BAG: Standard Gig Bag5 points
-
Up for sale is a G&L SB1 from the late 80s and its original hard case. If I sound a bit vague on the date it's because it seems quite hard to date these precisely. The serial number is B017393. The G&L registery dates a similar number to 1984, but Gareth (the BassChatter I bought this from) says late 80s and he clearly knows his stuff. I bought the bass earlier this year and I do love it, but my modest talent and budget don't support a multiple bass habit so I'd like to sell and replace it with a US jazz with a rosewood neck (if you fancy a trade please let me know). I simply feel more at home with a jazz neck and a jazz sound. When I bought the bass I gave it to a local tech here in Somerset for a full set up. He polished the frets etc and fitted it with Dunlop flats which it's still wearing. I paid £975 for it which, on reflection, might have been a bit punchy, but I'd fallen in love with it so what's a man to do? You'll see from the pictures that it isn't in showroom condition as you might expect in a bass this age. It's got some good honest mojo from years of playing. There's a patch of buckle rash on the back, some dings on the edges of the body etc, but nothing that interferes with the gorgeous sound of the thing. The tech who set it up marvelled at how straight the neck was and it's the first instrument I've owned that made me understand what the term 'buttery' might mean. Something about it just feels right the moment you fret it. The electronics are simple - it has some rather cool radio knobs - but the sound (to my ears) is magnificent. The case looks like it has been through a few airports backwards - plenty of war wounds on the exterior, but the plush interior is in good condition. It's done its job in other words. It's probably a superficial thing, but I also loved this bass because it doesn't have the rather weird (IMO) jagged headstock of the modern G&Ls. I guess that's down to individual taste, but it felt important to me. Anyway, someone will either be on the look out for one of these or they won't, so I'll leave it in the lap of the BassChat gods and if it doesn't sell or trade I'll go right back to loving her. Bass is in Babcary, Somerset and inspection is welcome of course. As it's in its flight case I'm happy to courier at buyer's risk (or we insure). Thanks for taking a look. Been asked about weight. I only have access to bathroom scales, but using the Me plus bass minus Me approach it seems to weigh about 4kg. That's an approximate of course. It's certainly lighter than my BB1100s, but then most things are.5 points
-
5 points
-
Firstly it’s great to read a post which sums up a lot of where I am in my own playing. I have only played bass as a side line up to last year when I decided to stop playing drums owing to escalating rsi issues in my arm, which I had been battling for six years. As a part time bassist I seemed to develop a reasonable facility on the instrument without really knowing what I was doing. This has continued over the last year but I have improved my fingerboard knowledge a little. I have also wrestled with SBL and whilst there is no doubting the educational content and sheer enormity of what Scott has achieved, the immersive format isn’t right for me as I simply can’t devote enough time to sitting in front of my computer. I work long hours in my own business and find that maybe an hour a day is the most I can manage during the week, (more at the week end although I have to watch my arm!). The point of the post is to really just say hello as I haven’t been on here too long and to say thanks for posting your stories as it’s encouraging to see more seasoned bass players getting ‘stuck’ in the same areas as myself. I sincerely hope you all find your own way of navigating through these issues as I will attempt to do. As a slight digression, to prevent the problem of being hounded by ads why don’t you try the new browser called Brave. It’s great. I use it in conjunction with the search engine ‘Duck,Duck,Go with none of the problems you describe. Plus it’s nice to get away from the big corporations who just seem to want to spy on us and relieve us of as much money as possible, whilst at the same time supporting smaller more ethical businesses. Cheers, Mark.5 points
-
4 points
-
Gary and Martin Kemp from Spandau Ballet have made a mockumentory. BB2 at 10pm tonight think. Made by the same guy who made the Brian Pern mocku. Might be worth a watch - I'm planning to anyway! We might even get a bass gag from or at Martin.4 points
-
This discussion goes on forever. There’s no need for the string to be over the middle of the pickup poles and on most basses it doesn’t. It’s not a failure of the builder or a shifted neck.4 points
-
I thought I had a nice barn to play in, but even I have barn envy at that.4 points
-
Absolutely love this and a fantastic restoration - great to see it resurrected and what a very cool bass!4 points
-
It is. I couldn't believe my eyes the first time I drove up there. Or, indeed, walked inside.4 points
-
Had a first rehearsal with my blues/rock trio last week. Drummer is a farmer and has a wonderful old C12 thatched barn on site. Mahoosive space, 30ft ceilings etc. Shame we didn't record it as the guitarist seemed to have 3 months of lockdown angst pouring out of his fingertips So nice to be making music again.4 points
-
I am having a clearout, so putting up a few basses tonight. This is an odd one, this is my 'wrongo', it is like an ali-express copy of a musicman bongo, but not really a copy, more a parody, by someone who has never actually seen a real bongo. I actually had to ask them to not put the proper bongo logos on it, although if they had, who knows where they would have been. So, its basswood, probably, its quite light. Has a thickish deep neck, so more musicman, but reasonably narrow spacing. The dimensions are all wrong, and when I got it, it went through batteries - although see those two 9v battery covers? One of them has nothing behind it! Turns out the bit that turns power off, the stereo jack socket, well , they had also gone for a 3 pin socket but it wasn't actually stereo so the battery was on permanently. That is now fixed with a new socket and is now functional. If you look at the detail, pretty well everything is wrong. The markers on the side don't even line up. That is all the bad, but in its defence, it actually plays very well, has a nice action and sounds pretty good. Presumably more by luck than judgement. I have even gigged it where someone actually asked me if it was a bongo. I mean, imagine someone in a pub audience noticing the bass and then knowing what a bongo was? And then being wrong It is actually a nice bass to play and it lived in my office as a sort of bash around bass. As such it has got a couple of scars on its actually not bad matte black silky surface. But, I need to reduce numbers and get rid of things, so it has to go. So here it is, can pick it up from my house for £125, or I can deliver or meet in a socially distanced way somewhere not to far (would be good for a drive), or I could probably ship it - can't cost too much as it isn't worth much so insurance isn't an issue.. Not going down below £125 because that is hardly worth the effort and I had to work on it. Can always hang on to it and sell it off at the SW bass bash when that happens. Don't want to trade as I am cutting down, although if there is something worth 125 that isn't a bass or amplifier related, I am all ears. Thing of beauty? I scratched it here on the side Look how well those line up. The machine heads aren't the best I have used, but it doesn't go out of tune. Two battery compartments - go on, which one is the real one, are you feeling lucky? Not too bad really Look at the masterful way the strings all bend slightly to the left. OK, so the pickguard was chewed away from the plastic by a small child and the fret side dots were applied by dats from a distance, but those frets aren't bad and the pickups work3 points
-
Withdrawn now - have decided to keep neck for another project. Ash body was obtained from Edenhaus in the States and is lacquered with satin poly. Neck is from Status Graphite and is equipped with Hipshot Ultralite tuners. The neck has a “B” profile so halfway between a Jazz and a Precision neck with regard to nut width (41mm). Pickups are DiMarzio Ultra Jazz and bridge is a Badass 3 that allows for through body or more traditional attachment. Controls are dual concentric for bass and tone (passive). I got Martin Petersen at the Bass Gallery to put all the bits together and as you can see he did a great job. Bass is in great shape although I have pointed out in the photos a couple of dings (bloody cat 🤨). Strung with Status half grounds it does sound as good as it looks. Weight is 3.9kg. Comes with gig bag so would prefer collection or meeting up to hand over. Happy to ship but at buyers expense and risk. Could remove neck from body and box up well wrapped. Have tons of bubble wrap from house move. No trades I’m afraid as a house move means cash or a BACS bank transfer. I’m just off J23a of the M4 near Newport in South Wales3 points
-
3 points
-
No, it’s not.....but it’s not exactly the nicest customer email either IMHO. Of course if someone isn’t happy, that’s fine, and the onus is on the builder to remain calm and helpful, but I see both sides. To me, looks like a normal nitro finish. Foam in the truss rod cavity? Come on, it’s clearly just to plug it, take it out if you don’t like it lol. ‘Things in the fingerboard wood’? What things? You mean the kinda whitish stuff in the Rosewood pores? Welcome to open-pore wood....it’s completely normal. Scratches in the back, yeah not ideal, but welcome to nitro, nobody buys a nitro finished bass and gets annoyed and scratches and bumps. So absolutely bring up the fissure at the neck pocket, but to me, the initial customer email (with quite an attacking vibe quite frankly) was largely unwarranted. I wager that if the OP had led with only that as an issue (and not all the other unwarranted stuff), Adrian’s reply would have been more helpful. Basically, choose your battles. (Foam in the truss rod cavity 🙄 lol) Si3 points
-
3 points
-
I personally haven't found any regular class D mini amp that will hang with my loud rock covers band. Same as the OP, they sound great at home and have brilliant features on them and i love them until i take them to a noisy gig and they get buried by the drums and twin guitars. I can get by with them but i haven't found THE ONE yet. I always seem to go back to my Gallien RB700 and i've come to the conclusion that i'm just not a class D guy. I've tried loads of them and the only one that comes close to keeping the punch and slam and not just flattening out when you turn it up is a Quilter BB800 - i've had it for a few years whilst others come and go but you have to get used to its quirky layout. Had a Mesa D800 earlier in the year, got a Magellan 800 now that i've gigged about 4 times and will be moving on soon. I've had a Markbass Evo, GK Fusion500, a Genz Shuttle over the years. I'm thinking of giving it one last go and trying a Darkglass M900. The newer breed of class D are much better than the old ones to be fair. Maybe i'll just order a Handbox R400 and hope its not just a niche trend that new amps become on here sometimes - that's probably a more sensible option and sounds more likely to be the right thing for me but the Darkglass looks fun. If i had £1000 to spend and didn't want a Gallien i think i would grab an Ashdown series 4 ABM600 (a great rock amp with tons of slam and much more versatile than you may think) and a decent 2x12 or a couple of 1x12 cabs from the classifieds on here. Maybe a Barefaced or Bergantino cab for £400/700 or a Fender Rumble cab of some sort. Ashdown are selling hand made ABM600's for £550 direct at the moment or they come up fairly regularly on here for £400ish. They're a friendly mob on here, pretty wise in general and you wont lose your shirt if it turns out the gear doesn't quite work for you.3 points
-
First thing first....protect your ears! Ringing ears after a rehearsal is not good. Save a bit of your budget for some quality ear plugs...if you do you'll probably hear yourself better for a start and your hearing will be saved, you really don't want tinnitus.3 points
-
I feel this is also true, I wouldn't classify my feelings as depression, but if I am not playing music as often it is definitely an indication that I'm not feeling great. Ezbass is 100% right if I break the cycle and play I will start feeling better.3 points
-
It might be more worthwhile to look at why you’re feeling the way you are and deal with that. Sure it could be a phase and we’re in quite unprecedented times! If having no free time isn’t the overriding issue then the next question would be why have you lost interest and does this lack of interest or drive extend to other hobbies or day to day activities. If it’s more of a mood thing and you’re beginning to experience anhedonia in other aspects of your life it’s time to talk to someone and figure out what might be going on. I don’t wanna make it sound all heavy but if this is the start of a change in mood go speak to someone and invest some time in yourself and your well being.3 points
-
Exactly what @Maude says. Any boost will be very short lived. Have you ever played anything else? 6 string, keys? Might be worth switching around, noodling on something different to get your mojo back. Or mess around with some recording software. Just let music take you somewhere else for a while, hopefully you'll get back on track soon enough. Good luck!3 points
-
I’m really glad I’m not in a band that is crying out for gigs at present, I think a good amount of time should be spent analysing the opening of non essential retail and pubs before freeing up gigs. Make sure it’s safe to move forwards before taking the first step so to speak.3 points
-
I know what you mean. I opened the fridge earlier and he was in there, telling me all about this great new course...3 points
-
3 points
-
2 points
-
@NJE up here in Scotland we have a service called Breathing Space but I’m not sure what the equivalent service is in England but I’m sure there is one. You can still access things like Headspace app and there’s loads of apps/YouTube videos if that’s ever possible with two little ones! A wee bit of time daily spent on yourself is just as important as being there for the missus and the kids. If you can wrangle that into your day along with a bit of playing you’ll be grand. Stay well! 🙂👍🏽2 points
-
Bit of an odd choice, as it’s not a tutorial, but I love this guy’s playing. I think it’s a bass store in the Netherlands. The guy plays this same piece to demo a number of different basses, and I could (have!) watch all of them over and over. I love his playing, and actually find it really inspiring - I always want to pick up a bass after watching him. And yes, he does that little jump at the end on all of the demos!!2 points
-
Hey thanks for sharing that 'open and honest' post; in my books that's both brave and admirable. Please feel free to share your new set list - I think a bunch of us would love to see what you come up with and will no doubt then be unable to resist adding a few of our own!2 points
-
No but it could be an advert triggering the system, I think that’s happened before. Edit- just seem the screenshot. Yes that’s it. Monumetric host our external ads and that’s what’s triggering it (one of the ads they are serving). It’s nothing dangerous so can be dismissed. In the meantime I’ll pass it on to them. Thanks2 points
-
The problem is that customer service issues can escalate quickly if you don’t deal with them. It’s true in any business... Touchwood, I’ve never had an issue like this and I’m sure this was probably a bad day for the seller. If you go the boutique route you will meet some unique characters, but that’s why they’re in the funny business of making instruments.2 points
-
Glad to help. Now I think I’ve talked myself into buying yet another BF cab 😂2 points
-
brilliant and i think maybe that's the solution. We all sit down with a nice toasty and a wee cuppa.2 points
-
I have a 1000w Orange Terror head, super compact and midget. Never ever had the amp above about 3/10 at a gig. Wound it up to 7 or 8 to see what it could do an an outdoor event and our drummer could hear me half a mile away as he drove in. I have used the supercompact on its own several times at medium sized pubs/ clubs and never found it wanting.2 points
-
I use an AER amp one and it’s got a seriously full and punchy sound. I’ve also used a lot of the other competitors and used to own a Genz Benz 3.0 Shuttle combo which was also really nice. For giging ability The AER combos are, in my opinion, a cut above the rest.2 points
-
When you get a new instrument there is normally a Breville Sandwich Toaster effect, but if it’s a good fit for you then there can be an increase in use long term.2 points
-
There are a couple of Super 12 Cabs in the marketplace at the moment (forerunner of the Super Twin). Not much taller than a compact, 4ohms and will go as loud as you’ll probably ever need.2 points
-
My feeling is that the tonal differences with the tone all the way open is 80% strings tbh. I think once I put 3 years gigs onto these Moollon La Bella’s like the ‘71 ones have, it’s going to be even closer. That said, I hear the difference with the tone ‘off’ too, the Moollon is rounder/smoother, and a little more ‘muscular’ to my ears. Not better, just different. Probably just a capacitor difference though. Feel wise, the M has the 60’s ‘C’ neck over the Fenders ‘B’. So a bit more shallow (front to back) and a bit wider. While I really love the neck on my ‘71, the M’s neck is super comfortable to play to me! As someone mentioned, almost certainly the Moollon is just more consistent, as a ‘new’ instrument you’d expect that. But I think it’s going to age beautifully and just get better and better! As for what I use them both for, while I don’t get super worried about gigging my ‘71, I anticipate the M taking over the bulk of the gigs tbh, although I’ll probably interchange them a little. Ultimately they do the same job, a P with flats. The ‘71 has been with me for 7 years or so, and isn’t going anywhere...but the Moollon is ‘mine’ if that makes sense....all the wear and history will be from me 😊 Si2 points
-
2 points
-
2 points
-
2 points
-
Buy a new set of strings. Clean the instrument completely. Change the battery. Tune it. Take a good look at your instrument few feet away. Think about what could you do with your tool. Make a schedule on paper of your future wishes. In short: Clean your tools. Stop for a while to think. Start your mission. Revise from time to time by starting all over.2 points
-
Agree with Maude & Mykesbass, however, a new bass can't hurt can it? 😉😀👍2 points
-
Yes Lozz, all of the above. I had a conversation with our guitarist yesterday and we both agreed no hurry. However I do know some professional musicians, really talented guys who, like a lot of musos, scrape along at the best of times. It’s those I feel very sorry for and I hope they get back in work before too long. I’ve always felt that music is the best hobby but not the best way of earning a living. With a few exceptions, of course.2 points
-
I'm kind of on the other side of this (nothing unusual there). But then the band thing is very much just a hobby for me. My heart really goes out to those of you who work in the music industry and rely on it for a living. It's extremely difficult and worrying times indeed. For my part, I'm loving working at a relaxed pace with my new band, which are actually selective former members of my old band, and having plenty of time to come up with new and original material without the added pressure to "get out there gigging". The other former members of my old band played their first gig last night. Rattling out the same covers we were doing a year ago, with a new bass player and drummer. Rather than being envious of them gigging, at 7pm last night when they would have been setting up and getting ready to go on, I was cringing at the thought and breathing a sigh of relief. Perfectly content with my feet up in front of the telly, after working on recording a new track in my home studio in the afternoon. Horses for courses really. But I'm far happier in the rehearsal room or studio than I ever was on stage. Whereas the other ex members priority was gigging as much as possible. So breaking up the old band actually turned out to be a win win for everyone involved.2 points
-
2 points
-
I really like Bass Buzz, like here the explanation and practical applications for free are really, really awesome.. interesting banana!2 points
-
I'll spice it with some of my favourite riddim to get back on topic Fiddler on the roof 😳2 points
-
2 points