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Showing content with the highest reputation on 14/09/20 in all areas
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Reluctant and circumstantial sale during this current climate Ziricota top Alder body Bords eye maple fingerboard and maple neck 34" scale Brass nut set neck and matching headstock front and rear seymour duncan pick up and pre amp 3 band active tone circuit 18mm string spacing weighs around 9lbs nice and light Lovely condition active passive switch plus a kill switch controls are passive tone control, stacked bass/treble, mid, balance and volume comes with branded Hiscox hard case £1400 plus shipping absolute bargain for one of jons high end basses no offers this is a giveaway NO TRADES My feedback https://www.basschat.co.uk/topic/137382-feedback-for-harry/page/5/#comments IMG_0803.HEIC12 points
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Hot on the heels on the Ken Smith I've just sold is something very different. A Limelight vintage jazz replica with one of the best 'heavy' relic jobs I've seen, right down to the marks where a bridge ashtray might have sat & peeled the top coat away when removed and cracks in the guard from 'years' of wear and abuse! Bought this about 2 years ago and only used at home for most of that time. Then I took it to rehearsal so see if I could 'fool' my band members as I know the guitarists are a sucker for vintage Fender. Of course both of them assumed it was the real thing and were in awe of my 'pre CBS' jazz and particularly liked how it sounded through my Helix & RCF monitor. It worked especially well on rock and punky stuff and sounded great with a pick - in fact I loved the pick sound so much that I spent the rest of the evening using it this way. The band genuinely said it was the best I'd ever sounded when playing with them & we've been together for 7 years! However, the neck profile is a shade too chunky for me. It's far from being the clubbiest neck I've ever played but it's quite a rounded shape and I tend to prefer really skinny necks - basically because I'm a wimp & this is a bit of a 'man's bass' 🤣. Were it not for this, I'd be happily gigging this bass & not at all worried about the relic'd nature or that fact it isn't a real Fender. My scales say it weighs 9.25 lbs but it feels a bit heavier to me, I'd say it closer to 9.5/9.6lbs but that's just an estimate. It's far from being overweight and comfortable on a strap. It didn't come with a case but I might be able to find a basic gig bag and I'm happy to ship within the UK or EU at cost. Payment by bank transfer or PayPal friends only please. FOR THE AVOIDANCE OF DOUBT: THIS IS NOT A FENDER GUITAR, MERELY A REPLICA (and I wasn't the person who added the logo)11 points
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The one thing with big heavy blocks of valve amps is that they are fine to carry in an empty space, in a straight line, from A to B. The damage (to yourself) comes when it's the awkward carry. The twist to get it up and out of the car. The shuffling in through small doorways. The getting past people who wont move. The having to carry the amp and open the door at the same time. The double doors where only one is unlocked and you have to tilt to fit through. Smokers on the door. Band members who leave gear everywhere. Band members helping who dont lift it right when helping, putting even more strain on you. Climbing steps. If you are going to use one, do everything you can to eliminate these. Get a hand truck. Work out how to stack. If not, if people are in the way shout at them politely to move. Dont stop moving. Stopping, twisting, moving out of their way will injure you.7 points
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Hi, I'm selling my amazing Sadowsky 2018 NYC Bass Satin Finish. So it looks like I won't be playing for a while therefore I've decided too raise some cash. This is a fantastic sounding and playing instrument weighing in around 7.7lbs The Bass comes with a certificate from Sadowsky and it's original Sadowsky case with case candy included. The Bass is in perfect condition with no dings etc and is lovely and light. These Basses are retailing for over £3600 now and I think they're worth every penny.. Cheers....6 points
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5 points
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Whenever this topic comes up, I read it with interest but in a detached sort of way. I invariably find myself thinking, "These guys must play some bloody LOUD gigs". I appreciate that there's much more to gig-life than the pubs and social clubs that I play, but I'm also aware that at the really big gigs all that backline is essentially there for personal monitoring ... the real action is the great stacks of Powersoft S/S amps driving the house PA. I continue to struggle (and I don't doubt that it's a failure of imagination on my part) to understand how any modern Class D head can't deliver what's needed. I have an utterly beautiful Matamp valve amp in perfect working order sitting on a shelving unit in my studio. It's been sitting there for several years because I can't bring myself to sell it, and I keep telling myself that one day I'll find a gig that will really benefit from me carrying an enormous and heavy lump of amplifier rather than a 4lb Class D head. I'll be sure to tell you all if it ever happens.5 points
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5 points
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4 points
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-Got this one for bass drivers (KT 120 outputs) and one of these for mid/top Now all I need is a road crew and forklift........... 😎4 points
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Scott was far more accommodating and diplomatic than I would have been, given the utterly crass behaviour of some in that particular thread4 points
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All a bit deja vu this conversation. A couple (?) of years ago a similar topic was opened and Scott came on and posted a detailed and clear video explanation as to the reasons why he has to resort to the type of notifications and clickbait that may annoy/irritate some people. He said that basically unless he did it, his posts and content would be lost due to the way the YT algorithm works. He even showed how his hits had declined and what he had to do to bring them back up again. So, if you don't like his stuff, either unsubscribe or don't open them as they pop up. ( and yes, I do get a bit irritated when he has a closing date for a deal which then gets extended due to possibly spurious reasons!)4 points
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Finally finished, several weeks later than I expected. But very very happy with result. Plays and sounds great. 🙂 Rotosound flats, Kent Armstrong Hot Vintage P pup. Classic sounds, i could not be happier.4 points
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Now Sold Fender US Deluxe Active Precision Bass, 2015 model. Condition is Used. In good condition, a couple of very minor knocks to the finish as per photos. Features include hi-mass bridge, thru bridge or body stringing, graphite strengthening rods in the neck for greater stability. Can be used in either passive or active modes: Passive mode - volume, pickup blend and tone. Active mode - volume, pickup blend, bass, middle, treble. Comes with Fender hard case. Will only ship within UK, at buyers expense.3 points
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3 points
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Bought recently because I’ve always wanted one. It came coated in dust and standing dirt with mucky strings. Took 2 hours of full disassembly and fret polish/oiled fingerboard/polish/clean... Just came at the wrong time and I absolutely don’t want to do it. I listed my Sadowsky and got a b*llocking off Everyone...the sale of that would’ve cleared everything. But that’s my baby. so I have to shift other stuff... Fuming...I might change my mind on this as I’ve never been so chuffed with a “budget” purchase...apart from my orange BB (yes, that one). Anyhow - mid 1990’s Korean - possibly a prototype but that’s conjecture from a US Aria distributor. Aria branded pickups, vol/tone/selector switch. Ash Body, maple 3 piece 24 fret neck with rosewood fingerboard. Nice angled headstock. Condition for age is mental - really clean, just a couple of light marks. Still has the plastic sheets on the back of the machine heads. Decent weight - is just under 9lbs. mad tort pickguard. Low action. Really playable...writing this and already thinking I’m stupid for this... Anyhow, a choice of 2 ratty gigbags - whichever suits. can ship, probably £35 insured in the UK. Collection Manchester (Swinton) would be best.3 points
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For the next lockdown, i plan to order this instrument to be able to telework and practice at the same time3 points
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3 points
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Just bought the Mk II that I posted photos of previously, absolutely immaculate, OHSC, two new batteries as well, very pleased!!!!3 points
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3 points
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3 points
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3 points
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TRADED Continuing my 'last in first out' policy. . . Another bass I traded for earlier this year. It's a lot of fun to play and looks really cool - I've taken loads of different basses to band rehearsals over the years and my guys are used to me turning up with something different each week. However, it's rare that anything gets more than a cursory glance from the two guitarists. The week I took this one they both came over to have a look and asked for a quick play (with a pick of course, lol). There's just something about the tru oil finish & gorgeous neck that looks a bit special & different to all the high gloss finishes you tend to see. I already have a couple of 'go to' J basses that I'm used to using so hanging on to this one is a luxury I can't afford at the moment. Original description & pics from previous owner: Custom Jazz Bass comprising a Pau Ferro / Ebony (f/board) handmade by Alpher Instruments.This neck was handmade to fit the Warmoth (USA) Alder Jazz bass body This has an added flame maple laminate top and finished in tru oil. "In excellent condition (just a couple of minor marks/dings which may show in photos). Fitted with Fender Custom Shop 60’s Pick ups and brand new John East Deluxe Pre which works both passive and active. The chrome hardware is high-quality Hipshot (USA) plus J. East original knobs (3 std. Plus one stacked). This bass has been totally overhauled and upgraded and is a killer Jazz! Comes in a generic hard case" Happy to ship anywhere in UK or EU at cost. Payment via bank transfer or Paypal friends & family only.2 points
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I've made another purchase so looking for a quicker sale and have reduced the price. Still liable to change my mind if other things sell ... Wounded paw v4 blender which basically allows you to run multiple effects loops blended with your original signal (or not). There's some neat stuff here with a high pass filter and multiple options on how each loop works (including quickly being to switch the way C & D feed into each other). I've debated letting it go or not but I'm not using effects as much at the moment and trying to rationalise so it's up for sale. That said I won't be too upset if it ends up staying! I haven't seen many of these over here in the UK. More info here - https://www.woundedpawaudio.ca/fx/index.php?main_page=product_info&cPath=2&products_id=13&zenid=cv6in8pqe8eqjn51f7eimkau90 As always - feel free to make me an offer on this as I've got my eye on something else and no offence will be taken 😉2 points
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Do bass amps come any better than this? Genuinely never thought I'd sell this but I'm using modelling amps these days and I have a few big bills to pay . . . NOTE THAT THIS WAS PREVIOUSLY ADVERTISED WITH A DEMETER POWER AMP BUT THIS HAS NOW BEEN SOLD SEPARATELY. There are pages & pages of personal reviews of Jule Potter's marvellous Monique, both here and over on Talkbass. It's simply one of the best valve/tube pre-amps ever made. Note that this particular one has the pull/push option on both line level and sensitivity. It's a fairly expensive job to work on these over here in the UK so it's much better to have one that already has this functionality. Works equally well on-stage or in a studio environment. I've used this set-up 2-3 times live and twice in a studio for recording. In fact the last time I recorded anything the studio engineer couldn't stop raving about how lovely Monique sounded. Normally he insists on using his own house DI system but was intrigued by Monique and made an exception for me As mentioned above they've only been gigged a few times and in the studio twice. The rest of time it's nestled in the little gig bag or sitting on top of my Bergantino 2x10 for home practice. It's immaculate and everything works without a single scratchy pot. From what i can see Monique is currently priced at over £1,600 and the gig bag adds another £150 making a total new price of £1,750. In all honesty, nothing in the world of bass amplification looks quite as funky as the Monique in Dove Cage format! I am happy to ship to UK or EU at cost provided that payment is made in advance - either by Bank Transfer or PayPal friends & family. First pic below is the actual unit & other pics are stock shots simply because they are better than I can take: Note: Minnie 800D is NOT included in this sale!2 points
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Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. KRAMER 450 B original fretless from 1979 with original latte macchiato hard case. NOW OPENED (past participle) TO TRADES ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £999 GBP !!! In fully working condition, fully original (except for the new tuners as the original ones were dead and the two strap buttons) and in very good overall condition. Here are the specifications : Body : walnut and maple Neck : aluminium with walnut inserts Fingerboard : ebonol (bakelite, in fact) Positions : 20 original lined fretless (not a defretted model) Headstock : 2 + 2 shape (angled) Pickups : 2 original Kramer with their original wood surroundings (pickups are adjustable ONLY at the back) Preamp : passive Controls : 2 volumes, 2 tones, 3 positions switch with the original aluminium drop Tuners : new Schaller M4 180 Light (to avoid neck diving) Bridge : original Kramer Strings spacing at bridge : 18.5 mm Nut : aluminium with zero fret Strings spacing at nut : 11 mm Knobs : 4 new identical to the original knurled type ones (original well worn and partly broken do come with the bass) Scale : 33 3/4" Hardware colour : chrome and aluminium Truss rod : none and perfect very slight relief whatever strings gauge you may put Finish : high gloss Land of craftsmanship : USA Serial number : 22168 Year : 1979 Weight : 4.505 kilos Action : from a bit under 1.5 mm under the G string to a bit under 2 mm under the E string at 12th position (can go lower, but was perfect for me) Will come with the original Kramer rare latte macchiato hard case and 1 NOS spare set of Alembic CX3-45L strings that suit this fretless at the perfection, even if they have a bad habit to rust in places even when new !?! Non-smoking environment as usual. The bass has been fully set up professionally by Christophe LEDUC who did a fingerboard dressing and changed the tuners. It has been fitted with a brand new set of Alembic CX3-45L nickel pressure wound strings (45 - 65 - 80 - 105). This bass is, despite its age, still very modern sounding and dead silent. No neck diving with the new tuners. Link to the Kramer vintage aluminium page : http://www.vintagekramer.com/alum.htm Link to the Schaller tuners fitted : https://www.emma-music.com/-schaller,us,4,SCH-503172.cfm Link to the Alembic strings : http://www.alembic.com/prod/strings.html What you see is what you get ! Look at the photos taken under different angles to see the very good condition for a 41 years old bass ! Pay attention to the neck fitting where you can hide lots of things : it's the way they were assembled, sometimes very tight, sometimes not at all, but it has no incidence on the sound. All the photos are here : https://drive.google.com/drive/folders/1ENOsU_o_tTfLEu2doDGyeCVE-xYls0Vr?usp=sharing Don't hesitate to ask for more.2 points
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This pedal was one of those "wish I hadn't sold it" things. After I bought my Multiamp I had a complete pedal clearout, with the plan being that since the multiamp had everything in one box I wouldn't need anything else. Nice idea, but I've already gone back to having a small pedal board as well and the Blower Box was always my favrourite full on distortion pedal. It still stands up even with the latest multi band distortion pedals I think. I should have kept the one I had, it was nice limited edition one as well. It's not like I can even use it for much that I do, I just want one for fun - every now and then it's nice to make a noise like the world is ending . It came from a place called "Joe's Pedals" that I hadn't heard of before, but I was impressed that they had this one in stock. I may do some sound clips when I'm feeling iditoic.2 points
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As referenced above, matching head stocks on Precisions were extremely rare but I was leafing through the Geddy Lee bass book today and found this entry. It’s a ‘59 Precision with a matching headstock and interesting story. Hopefully the pics do it justice!2 points
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2 points
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He is working that seam and working it well. I wish him nothing but the best. There are many worse things out there.2 points
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FWIW, several years ago I built a rack mounted Class D amp as a DIY project and took it down to the local ace repair shop to try out an EUB they had for sale. The owner was quite convinced it was a tube amp, which I found hilarious -- it surely must have been down to the visual cues. I'd put money on the tube one I'm doing right now being able to pass for a modern solid state build in an unsighted test right now too, although I'm probably going to take it in a more traditional direction since that was my raison d'etre for doing this build in the first place. But as I've said many times, play feel is quite another thing and I always looked at that as a very important aspect of my tech work when I was still doing that for my livelihood. Arguing with people about what they feel seems like a real fool's errand to me. 😎2 points
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B&O sold out their share in ICEPower in 2016, FWIW. Beyond that, popcorn. The market has voted and most people apparently actually prefer the new direction, for sound quality as well as convenience. Plenty of old gear around for those who prefer that play feel, and that gear is getting cheaper all the time IME.2 points
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It must be a word that rhymes with "excellent" and has many letters in common. What could that be...? Inclement, er, Increment, er, ex-Clement...?2 points
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And it's true that these really are an excellent boost in any 3-piece band, once you've got the guitarist on side. There's only so many really busy basslines you can play underneath all those extended guitar solos. Sooner or later, you're going to want to hear some rhythm guitar and/or power chords. Hint #1: Never let the band hear the effect solo'd, only in the mix when you're playing live. Don't ask me how I know. Hint #2: You can make the FX far more convincing by turning the onboard Overdrive control to zero and routing the signal through of those cheap'n'cheerful distortion pedals that are everywhere these days ... I've had excellent results with the Harley Benton / JOYO British Sound but my favourite is the JOYO Orange Juice. NB: This is NOT essential, the onboard thing works fine, but it doesn't sound as good as these new pedals.2 points
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The article in the OP has been updated with a clarification from Facebook. Selected highlights: Doesn't sound too different from Twitch, YouTube etc, at least for band purposes. I'd like to see a statement about soundtracking a video with recorded music that you own the rights to, but I'm guessing that doesn't apply to the majority that they're going after..2 points
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There are far more irksome pop-up ads on YT than Scott's. Also it's a business and you have to maintain a constant presence on YT to ensure regular income from ads. I haven't signed up to his academy as he's put out a lot of good free material, which is enough for my needs being that now I'm just a hobby player. So fair play to him to find ways of guaranteeing himself a decent income for his family.2 points
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Here’s an example of one of my charts: https://drive.google.com/file/d/1JUv9mUwF_gYEeZ7vZVZNfaWeT7sbSmKl/view?usp=drivesdk Black Cow by Steely Dan I try to keep the form/structure/layout as neat as I can. Always favour new sections starting on the left, as opposed to mid-way through a line. A lot easier to find where you are if you get lost, as you can just scan the left side of the page as opposed to every bar. Double bar lines at the end of each ‘section’. Labels of Chorus/Verse/Bridge etc. I mean I definitely am not an authority on writing charts - I learnt the same way you have. But after doing it for a while you pick up on little tips and tricks that help you - thinking in the way described earlier (what you’d want to be presented with on a gig) is a big help. The aim of reading is to make it easy for the player to play a tune they may never have heard, with little/no rehearsal time. You need just the right amount of information on the page. Not too much to overwhelm the player, but not too little that the player is left in the dark with how to approach a song they’ve never heard. Feel free to PM me if I can be of any help!2 points
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They're a great all-rounder too. I use mine for the room on acoustic guitars, drums, percussion, sometimes electric guitars too2 points
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2 points
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SBL has certainly changed a lot since I first started following it (I think around 2014). When I first joined the academy it was quite a small operation. I stopped being as active with the bass for a while and tuned out for a few years. When I got back into it again his videos seemed to have taken a different focus. His gear collection has certainly grown a lot and he seems to wear a Panerai these days so he's clearly doing something right! I think the marketing is just a result of how successful his business has become. He has a team of people who manage a lot of that these days and they'll be marketing to get the most out of the different platforms he's on. The followup emails to campaigns are a bit much for me but that's easy enough to manage with email settings. I haven't met Scott but he seems like a genuinely nice guy and he's a great musician and educator. The amount of content he gives out for free is really great and my bass playing has definitely benefited a lot from being a member of his academy, though I definitely don't get the best I could out of it these days.2 points
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I find it amusing when people talk about body woods and the affect on the sound. The body wood has the smallest affect on one's sound, the neck, or the thickness of the neck has a greater affect than the body wood. Even the electrics have a greater affect than the body wood to the sound you get from your bass when amplified.2 points
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2 points
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THIS!! Layout etc is just as important as the rest of the info on the page.2 points
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I mentioned wanting to put two extra screws in the neck joint to pull the neck into the body towards the bridge. It's an easy mod to do if you get your angles right... gulp. Time to have a go; Our Dremel pedestal can be angled. This is how I planned to keep the drilling angle fixed in both the neck and body. For the clearance holes in the body, I could only drill to a certain depth before the Dremel itself fouled against the body. I used the Dremel's flexi-drive attachment to drill deeper. For this I had to follow the drill angle by hand. Not too easy without experience but fortunately it's a bodge I've done before. Once through I flipped the body and countersunk the holes to a depth suitable for the required depth of bite in the neck. Of course the heads need to be under-flush else you'll snag your strides and other bits on the back of the bass. Nasty. Using the angle set by the drill pedestal I drilled pilot holes in the neck. It's always worth putting a bit of candle wax on the screws. All done up, this is now a six bolt neck. The neck joint is as snug as a bug from the front. The assembly of body and neck feels secure. I can't wait to see how it sustains.2 points
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I’ve 2 pure tube Ashdown Heads the CTM100 and little bastard and a hybrid Ashdown Spyder. I just really like the sound of valves clean or driven but I can see how they might not be the most practical head in the world. To me the perfect combination is a valve preamp with an MOSFET A/B power section (not class D) so you get some of that valve tone and with heaps of power without breaking your back or bank . I reckon the ABM 600 is probably the ideal working mans amp.2 points
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70s disco/soul McFadden & Whitehead - Ain' t No Stoppin' Us Now | Bass Transcription | James Williams2 points
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Having seen the pics - @itu nailed it, it's a Musima! So, early/mid 80s, pre-unification East Germany. A slightly more interesting/cool P copy than I expected. Seen loads of these either unbranded or rebranded, but never seen one with a Musima logo before. Would have saved a bit of time & head-scratching if I had! Still have no idea why the Musima logo reads "WL" though...2 points