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Showing content with the highest reputation on 18/09/20 in all areas
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Updates! It's finished! It's taken 6 weeks but I'm done! I've called this design Aberffraw after mine and my missus' favorite beach. I got the bass all setup last night, new Elixir strings, intonation spot on, and final fret tweaks and polishing done. Back to the "what do Carbon Fibre rods do...?" question, I can say that the neck on this bass hasn't moved a mm throughout, straight as a straight straight thing. Downside is I haven't plugged this in to play yet because of work, but I'll be doing this tonight to hear, I'm happy to post some sound samples when I get some. Had a slight nightmare at the end thinking I'd done something disastrous with my pickup wiring as I had no output at all... but it turned out to be some copper shielding shorting the circuit! So that was quickly sorted out. "When did you do the pickup covers?!..." Well! An actual disastrous occurrence did happen... I had to route my pickup channels 4mm deeper as the pickups were bottoming out too soon. Of course the router decided this was a perfect time to ruin things by catching on some timber and taking a chunk out of my routed pocket, of course it was the top wood... cue launching the router across the garage and lots of swearing. What this did mean was I could make some pickup covers, and I'd have to route new housings for those and because they're bigger than the pickup the problem would go away... luckily they look much better than the bare pickup so this was a blessing in a very frustrating disguise. Seriously though... Routers... bastards. I also have my headstock logo finished having this produced as a metallic brass transfer but just need to wait for that to come! It's my surname signature. So spec wise the bass is as follows; 35" Scale 5 String 24 Medium Jumbo Silver Nickel Frets 7 Piece laminated neck through of Wenge & Ovangkol 3 Piece Body laminates of Swamp Ash, Wenge, Spalted Sycamore Maple top Wenge Headstock Laminate Tung Oil with Wax Finish EMG Active J5 Pickups with passive VVT electronics Magnetic cavity cover and truss rod cover Dual Action Truss Rod 2x Carbon Fibre Rods Warwick Tuners 3+2 Warwick JANIII Nut Schaller 3D5B Roller Bridge Harley Benton Strap Locks Harley Benton Black Dome Knobs Switchcraft Barrel Jack Elixir Nanoweb Strings MOP Side dot inlays Thank you for everyone for feedback, comments and support, you're all a credit to this forum. B12 points
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A few months ago I was in an accident and my insurance just paid out. I have "pulled the trigger" on this duo. There is no logic to these purchases WHATSOEVER beyond the fact that after 53wks solid without a week off, the whole lockdown thing and then the accident, I just thought life's too short. Hopefully it should all be with me by early next week. Two weeks ago I was frantically trying to raise money for some impending studio costs and (momentarily) I am tripping over cash. 😻8 points
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Here we have my Flea bass in immaculate condition, i'm the second owner the first being a friend. Athritis has got the better of my left hand so struggle with a larger neck...i picked up a CIJ Geddy last week and some difference neck wise easier for me so it is...anyway i'm firm on the price & UK only please. Plenty info online about these & the specs..saves me typing it all..lazy i know. Willing to meet up half way anywhere in the UK or if you organise a courier thats fine by me..cheers for having a nose5 points
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5 points
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PLEASE NOTE - The last four pics were taken last weekend (the rain finally stopped for a bit...) - as you can see, excellent condition, mellowing nicely. For sale is my New Standard Cleveland double bass. I had this bass built for me in 2008 in the USA, and imported it to the UK. I asked Wil DeSola & Arnold Schnitzer to shade the bass lighter than standard, & to fit a Fishman Full Circle pickup & mixed guts & steels. This is an amazing bass, absolutely THE bass for bluegrass, jazz, old-time…indeed any style that is plucked. Unfortunately for me, rheumatoid arthritis has robbed me of finger strength, & so after 12 years I find myself having to part with it. The bass is currently strung with Spirocores (E & A) and Gut-a-Like deluxe synthetics (D & G - which I prefer over plain guts). Supplied with soft case, and many strings in good order (full plain Lenzner guts, various steels & synthetics). If wanted, I’ll include K&K fingerboard pickup and pre-amp - no extra. I’ve attached 5 pics taken when I first got the bass - the bass has been well cared for, and looks essentially the same, bar some patina on the tuners, and a few small edge marks. Overall, this bass is in excellent condition. I’ve also attached a couple of links - one is a thread I started in Talkbass just after receiving the bass, and the other a link to the New Standard site. Below is the text from my 1st TB post. Reading these will give a good perspective on this bass - this is a bass held in very high regard in the States (there are many pages of posts on the NS Cleveland) - you won’t find many in the UK, as it is a lengthy & costly process to have made and imported. Today, including shipping, import/customs charges and vat, you’d be looking at just over £6K. At £3,500 this bass is a little over half price, without all the aggravation! All questions welcome. This bass will not be freighted, so collection only, or can meet half-way, depending on distance. Thank you for viewing this advert. https://www.talkbass.com/threads/new-standard-cleveland.476241/ https://newstandardbass.com/cleveland.htm Hi all, I posted a while back on Bluegrass Bass Place asking for advice on just what sort of New Standard I should get (ply/hybrid/carved/cleveland/la scala). Based partly (but probably mostly) on their good advice I ordered a ply Cleveland. The crate arrived in the UK early August - being October now, I guess I'm qualified to pass comment - I LOVE THIS BASS (and I'm English, so I don't say this sort of thing lightly). Where do I start...just over a year ago I imported a Upton Bass/Swingmaster ('cos I couldn't find a decent DB at a reasonable price in the UK). This was my first encounter with a 'real' Double Bass (Brief player history - bass guitar: 37 years / EUB:1 year / Double Bass:1 year). When I opened the (Upton Bass/Swingmaster) crate, I thought "this plays fine, but it doesn't sound much like a musical instrument"...I was not aware of how much the tone of a double bass is affected by just playing it - one year on, and the Englehardt had developed a nice round tone. I've owned many new electric basses, but the effect of playing-in has been nowhere so pronounced - quite an eye opener. Don't get me wrong - the Swingmaster was (eventually) a good bass - but by way of comparison, straight out of the crate, the New Standard was just wonderful - I'd heard all these tales on the boards & they were all true - what a fine instrument this is! I had the bass strung with Pirastro Evah's on the bottom, and Lenzner plain guts on the top - this seems to be a good combination (for me anyway) - warm & balanced. So. how can I describe the sound of the Cleveland? - big, warm, sweet, mellow, tight, crisp - every adjective I'd use to describe the best bass I've heard in my 38 years of playing experience. I can't recommend this bass highly enough - the same goes for the guys that make these wonderful instruments - thank you Wil & Arnold - you will not deal with better people. I'm attempting to post some pics of this beautiful bass (I said to Wil "make it look like a piece of washed-up driftwood" - and he did). All in all, a fine, fine bass.4 points
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Hey guys, Since lockdown I've been doing different jobs as a way of making money and have been doing a couple of bespoke courier service jobs for musicians who are willing to help out a musician who lost everything since we went into lockdown. So I'm doing more of it. Prices are on an individual bases, they're a little bit more than normal but you get same day delivery (within England and South Scotland) and a bespoke service where I video call on pickup to ensure it's exactly what's ordered and that the client is happy with it before I take it for delivery. I'm not a big company, it's me and my van! So if you would like your instrument picked up and brought straight to you, please contact me! I currently have a job next week (just waiting on the date) Maidenhead-Newport (wales) and next Thursday Birmingham to Stirling (scotland). I basically run it as a bespoke service. You'll be supporting a musician and his family! I have shipping boxes, hard cases and flight cases to put the instruments in, commercial insurance and a LOT of coffee! BigJim4 points
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Having had repeated warnings from Mark at Classic & Cool Guitars about the unreliability of post during Covid, it actually touched down safely inside of 24hrs of sending payment. Immaculate, light, and cool as. Strung with quality flatwounds (unsure of brand but they feel great) it has that classic woody thump when played finger style and with a pick it reminded me of that 60s tone on Scott Walker records. The head won't be with me until next week but this was a sure fire hit!4 points
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I don't bother with a tuner, I made sure the shop tuned the bass before I bought it...sorted.4 points
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NEW PRICE Playing zero nowadays, hence FOR SALE ONLY, thinning the herd here. Beautiful vintage Music Man STINGRAY, April 1989, black / maple, original hardshell case (with keys). Unmistakable 2-band, classic Stingray sound, from smooth fingerstyle to snappy slap. One from the golden era of EBMM, still with the finished neck, bullet trussrod and skunk stripe on the back of the neck. Some birdseye on fingerboard and neck. Chrome battery cover. Already featuring the screws-through-saddles design bridge, allowing lower action. Currently set with very little relief and low action. Strung with 45-105 Daddario ProSteels with only a few hours of bedroom playing on. A little patina on the control plate and pegs, small dings on the body and some buckle rash on the back, the kind of signs to be expected on a 31 year old instrument, but neck and fingerboard are absolutely fine. To be completely honest upfront, I am not sure about the originality of the pickguard, although I may be wrong. Weight is 4.3 Kg. NEW PRICE £1250 + shipping, payment through bank transfer only, please. IF YOU BOUGHT IT FROM A VINTAGE INSTRUMENTS DEALER IT WOULD COST YOU WAAAY MORE, SO DO YOUR MATHS.... Trade proposals will not be considered. Established, reputable BCers from the EU can contact me with their address for a shipping quote. Thanks for looking.3 points
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Ahhhh - I’ve been so unsure about this, however since purchasing a few months ago, all of my musical ventures have collapsed and it’s a luxury I can’t really justify keeping. I’m sure if you’re considering one of these you will know all about them and will have heard how very awesome they are. There are some great videos posted on YouTube from WoT of this forum. It’s not left the house, not been gigged (obviously), so it’s all mint apart from some scuffs on one of the securing clips for the lid which were actually present when I received the amp. I have all the original boxing and packaging so it can be sent safely. Price includes UK delivery or collect in Cardiff and I’ll knock off £15.3 points
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Let's look at selling some vintage loveliness today. . . This '74 P is all original as far as I know. I can take it all apart and get pictures if required. The only reason I haven't done so is that I'm selling a batch of things at the moment and if other things sell then I'll probably hang on to this one as I play it a lot! Previously owned by Michael (Wateroftyne) and played on a quite a few gigs by him as far as I understand. It's a lightweight 3.9Kg / 8.6lbs. I've only gigged it twice but it's a 'perfect' weight for a long evening on stage It has a nicely proportioned jazz type neck profile. Not quite as slinky as a 60's J but definitely similar to some 70's J's I've played. There's some wear marking on the rear of the neck but it's not bothered me in playing and frets seem fine to me. Action is set medium/low and I've never had to touch the neck, holds tuning really well from week to week. Obviously the body is worn & nicely faded, metalwork is tarnished and the pickguard is a bit 'warpy' in places but it's all 'real' wear and not artificially relic'd. I particularly like the upper body where there's both red paint & wood showing through - you'd have to pay extra on a new heavy relic Fender Custom Shop for something like this & the price would quickly go over £3K! Has a really nice growl and sounds great if you wind the tone right back & jack the volume right up 😎 Sits in a band mix just like a good old P bass should and reacts nicely to player dynamics or tone/volume twiddling. Comes with a, period correct, aftermarket hard case made out of some sort of hard dark grey plastic - no idea what this is called but it seems to have done the job for many years. Happy to ship in UK or EU at cost. Estimate approx £30 UK & £45 EU (I've allowed a little extra here for insurance). Payment via bank transfer or Paypal friends & family.3 points
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For sale, my Fender Nate Mendel P Bass. No trades please. Currently strung with La Bella flats. I've replaced the Seymour Duncan SPB-3 with Fender Original P Bass pickup. Both pickups are included. Comes with a gig bag, double neck plate, the whole shebang. This has been my main bass for years and I've taken good care of it. I doubt there's even a scratch on it that wasn't there when I bought it My broken scale thinks this bass has 8.8 lbs, which I doubt, but it's definitely not particularly heavy. I'm happy to ship within the EU at cost. Payment by bank transfer please. Thanks for looking! Srdjan3 points
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3 points
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3 points
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Body lacquer finished. I did a couple of tinted coats to get to a suitable amber colour. Same for neck. My buddy didn’t want the flames super accentuated, else I would have stained dark and sanded back.3 points
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You are absolutely right. The thing is that I absolutely want at least some eye candy with my instruments. I saw that Forte on BD as well and I would have immediately bought it if the top had some flame going on. Now I was offered this beauty here and it is very hard for me to resist buying it3 points
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I have an acoustic gig tomorrow night in Fond Du Lac at The Thelma Performing Arts Center. It's an hour and a half gig . It should be nice if we have decent weather. Blue3 points
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3 points
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Do I see a market for gold plated horse manure?3 points
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Interestingly, the poly finish on my 1990 jazz just sort of...fragmented and split. It’s really odd. There’s buckle marks on the back that are down to a particular belt I wore for years, but in other places, the finish just cracked into little jigsaw pieces and fell off. A recent crack has appeared by the control plate. No idea why but it looks cool and the bass is pretty dinged up anyway.3 points
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I drilled the pilot holes for the pickups. I measured and tried to get a good position for the pole pieces several times and when I was satisfied, I went for it. Measuring up after... nailed it! 295mm on the knob. Next task, shielding. As if there hasn't been 'nuff of that this year!!! I am still using some self adhesive tape that my late mum bought to keep slugs away from her plant pots. It's good stuff for shielding too. Doing it all now means I wont have to worry about it again. Pickup mounting springs and screws. I've restrung it and it's looking good. Pole pieces are aligned as best they can be and the copper shielding hides my chiselling marks. Controls and loom ready to fit tomorrow, all being well. I think it's one of @KiOgon's that a fellow member donated to me.3 points
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Happy new to me bass day! Due to hit the doorstep at 4pm today. (Im literally beside myself with excitement. which is a good thing because if it was just me there would be no work done. The fact ther is two of me today, is making things a little easier) Gonna be playing some sweet no latency squelchy Moog synths with this badboy by sundown! *edit* for those not in the know, this bass is capable of outputting midi data to controll actual synths. this is not audio to midi conversion but the notes are triggered by a clever system that tracks our playing through the fretts themselves.2 points
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Alembic Spoiler from 1989. Some specs: birds-eye maple top, mahogany body, 3 piece maple neck(through) with ebony board including OHSC. 32 inch, 2 truss rods, AXY pickups, Volume/Tone/Pickup selector, Alembic low pass filter with Q-switch, chrome Alembic GOTOH tuners, Brass bridge, just below 4kgs on my kitchen scale etc. This Spoiler has that unique Alembic sound: bright, full and dynamic, with a sweet flavour that comes with the years. I am the first owner (!) and chose this one over 3 other Alembics in the shop at the time and I played this bass from 1989 till about 1995. From then on it rested in it's case. It has been played but considering a 31 years old instrument it is in very, very good condition. Technically 100%.2 points
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Selling my 2006 Dennis Galuska Masterbuilt P-bass, based on a '68 'Telecaster' bass. I'm told that this was originally made for the bassist for Athlete, back in the day. I bought this on a bit of a whim but have realised its far, far too nice for me - I can't do it justice and feel like a bit of a fool playing on something so nice!! First thing to note is the weight - mostly due to the super premium ash, the whole bass weighs 7lbs 8oz, which is insane when you consider that it's a slab body! It strikes meevery time I pick it up; it's lovely and balanced and you can wear it for hours without getting tired (unlike most slab-bodied precisions). It's also incredibly resonant. This is the magic of Masterbuilt guitars - the base materials were hand-picked and matched by one of Fender's best and it shows. Neck is a great shape too. A very soft "V" at the lower frets, going into a "C" by 12 and onwards. It feels very natural, and has clearly been expertly hand-carved for comfort. Frets are in great condition and a very low action is achievable (although I wouldn't recommend it!). Custom "block" inlays were also specified as part of the original order, with Ron Thorn (the current head of Fender's custom shop) specifically requested to do them. The work is top-notch - no filler whatsoever and perfect in every way. Nice and subtle too - I'm not usually a fan of block inlays but these look awesome. Finish is a lovely white relic - the spec has this as "super heavy" and "extreme" and it shows on the body! Lots of checking, dings and wear - it feels and looks very played in. On the sound - it's bloody amazing. It's honestly the best sounding p-bass I've ever heard. Think of ANY recording with a full-on p-bass tone and this does it to a tee. Can go full-on snarly precsion growl, or laid-back Pino groove. And super resonance, sustain and clarity all over the neck. The tone on this has a centre detent and acts a bit like a tbx tone control giving enormous versatility. All original save for (i) the machineheads, which have been replaced with Fender-sourced new ones (the g-string head was at some point replaced with a smaller version, so there are four tiny holes under the metal); and (ii) the case, which is a replacement Fender case. All in all the best P-bass you'll ever play, hands-down. This is light-years ahead of regular Custom Shop pieces and it shows, from the feel to the sound. I need a quick sale on this because of another incoming, so I am pricing at £3200. Equivalent basses are up on Reverb etc. for £4-6k. Needs to be sold quickly, however, or I will take it down. I'm in NW London or can ship, fully insured, for £50. I will also take px if need be - just let me know what you've got!2 points
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Not really much on the forum about these. Tried a Decision PJ model out yesterday - wow. For £800 you get a lot of bass. If you want something that looks a bit different and has a very solid range of tones I would definitely check them out. It's also really light, considering the body looks quite large it balanced nicely. I tried a seafoam green that has all roasted maple neck and this burgundy one that has roasted maple neck with Pau Ferro, both were really good, super smooth and easy to play. Didn't notice too much tonal different between the two. Tone wise it's pretty bright, can't get a lot of clank going, I found having the tone control just over 50% going through a Fender Rumble was about right. The shop does have bare concrete floors and not much else so probably contributed to it as well. Would love to try the Mercalli and the Triad to see how they differ and which I prefer.2 points
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There are a few or many more BCr,s who love this (Genre?) of music, me being one of them. When Bluey does other projects you know they are going to be good.. Francis Hylton on da bass.2 points
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2 points
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That came about purely by accident 🙂 A German YT fella (Corey ?) was reviewing loads of HBs and approached Thomann about a poll for colours. Poll went on a Harley Benton FB group. It was just guitars getting votes until a lefty Canadian (Nerkoids) suggested a lefty Surf Green PB-50, 2 changes for the price of one 😀 The pair of us posted on every bass forum we could think of asking folk to join the FB group and vote for Nerkoids 😁 Much to the disgust of guitar players wanting yet another colour of SC-450, Nerkoids suggestion came 3rd 👍 Shame Thomann reneged on the colour and went with red.2 points
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2 points
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2 points
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I had a Sandberg TT5 with a 'plain' maple board and playing it live I missed the markers as we put up an intense show and the small dots on the bass edge of the board were not enough visibility-wise. So I have applied pearloid block 'inlays' and was happy with them as they were useful but always had this feeling of them being out of place being stickers. So yes Russ, I understand you.2 points
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I made the mistake of editing my signature and have been hit by the new rules! Dam you @Ped and your good ideas! 🤣2 points
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Clicking the small arrow next to the offending sig is the quickest way.2 points
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2 points
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2 points
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OK I have set a limit of one image, 468x60. Two links and three lines of text. I'm not sure if it applies retrospectively but let me know - otherwise it'll be new members only...2 points
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Very nice - I think those pickup covers work better with this design rather than the standard EMG look. Every cloud has a silver lining!!2 points
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2 points
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I believe there’s a setting to limit signatures now so I’ll take a look. Any suggestions as to the maximum image size and number of lines? Images resize to fit the width I think so height is the most critical2 points
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(Now he is playing the next 200 hours in a row, so we need to wait for his response a bit...)2 points
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When people say that the bass sold for $384,000 it’s not really quite correct. The vintage 1969 Fender Mustang bass sold for $1,000. A thin layer of Bill Wyman’s sweat and dead skin cells sold for $383,000!2 points
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At the risk of sounding like Monty Python's 4 Yorkshiremen sketch. when I started there weren't even video tapes and I learned to play by picking up the record players arm and moving it back 1/4". Even cassette players weren't yet a thing. Kids nowadays don't know they're born!2 points
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☝️ Beg, borrow or steal a 4-input interface if you can. Not only can the playback speed vary, but that variation keeps changing over time. Trying to manually line up continually-shifting tracks is a massive pain in the derrière.2 points
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Seems to me that FX, pedals and the like are a bit like herbs, spices and seasoning. A chef who knows what to do with them will cook something wonderful using them. An idiot will ruin perfectly good food with them. The same applies to musicians and effects.2 points