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Showing content with the highest reputation on 28/09/20 in all areas
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Last day and then it’ll be withdrawn REDUCED TO £1150 until NYE and then I’ll just keep it. OPEN TO TRADES OF SADOWSKY PJ OR J, AMPEG SVT CL/VR ALL VALVE HEAD, STINGRAY BASS, BAREFACED CABS FRFR ETC... TRY ME TRADE UP OR DOWN TOO Up for grabs a build that was discussed on here when I had the neck up for sale, so I thought I would build it and see how it went. We have a Fender Jazz roasted maple neck, actually a 40mm nut so the same as the Nate Mendel model of P basses. Tuners are GOTOH reverse wind. The body is black walnut, made by me and finished in Shoreline Gold pained by the incredible Dave Wilson. Its absolutely flawless. Picknups are Fender Custom Shop '62 one of my faves. Kiogon loom with CTS pots Badass II Bridge Off white 3 ply scratch plate. Weight 4.1KG Nut 38mm Comes with a generic hard case and includes UK delivery. More pics/build pics are available too. Collection and test drive welcome anytime.7 points
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Up for sale is my lovely stingray 4......the bass has been fitted with a status graphite neck which in my opinion improves the tone, harmonics sound better along with much improved sustain, also tuning stability seems better than a wood neck......the fit of the neck is excellent, there is a nice tight neck pocket with no gaps The bass is in very good condition, bar a few dents here and there. You can see and hear the same type of bass here: https://www.youtube.com/watch?v=kfW-Z8Nz-s0 Many people think the two boost only band pre is better than the three band...i would agree. Shipping is included (uk only) with the asking price.....musicman case included (with keys)6 points
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Got the CTM300 from @la bam today. Won’t have a chance to try it out until later tonight but can’t wait to!6 points
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@Edenburgh wow, looks belting. In other news @ead and @bagsieblue sent a little bag of bits each and managed to source an appropriate nut and washer. Very helpful and a sign of the great people among us. Need to get in the back to realign the switch - my ocd can’t cope with a jaunty angle.5 points
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I bought a Quad amp in 1971 and still have it. I also had a pair of Tannoy Chatsworths at the same time but sold them ten years ago for £1k, replacing them with a smaller, but not quite as good, pair of Tannoys. I originally had a good collection of vinyl kept in mint condition but unwisely threw them all out when we moved two houses ago. The CD player came along a bit later. So the amp has been with me for nearly fifty years and is still going strong. Edit: And thank you to all those kind people who reacted so favourably towards this post. I should add that in all those 50 years the amp/preamp haven't been revalved. I presume they’ve got valves.5 points
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4 points
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It was. The difference between the test piece and the bass was night and day. No idea what caused the difference. Maybe, that would partially explain the blotchy finish but I feel like the worst of it was just my inability to apply it correctly. Anyway, I made the trip to Halfords and picked up 3 spray cans along with the baby car seat; grey primer, my colour of choice and some clear lacquer. My makeshift spray booth was, shall we say "rustic". Close to the airbricks that ventilate the cellar and with an old guitar box to catch the paint where I missed the body. First up, the grey primer. Coat 1! Leave for 15 minutes, and.... Coat 2! Taken left handed, hence the blur. Pretty even finish for a newbie. A few drips here and there but mostly OK. It's just a case of balancing distance from the body with the speed of the pass to get a decent coverage without flooding it. I'll leave it 24 hours, sand it lightly with some 320 grit and then see how it looks. If it needs another coat of primer, it'll get one. If not, then onto the colour. Which is a surprise for now. Baby is due on Thursday so we'll see if the bass is done before he arrives.4 points
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You’re very welcome. I tried my best to get along with earlier versions of Lemmy’s basses. Closest I got was a nice 4001 Mapleglo which I considered adding some bits to. Then one of these came up and I couldn’t resist. 1 of 60 and the first couple were Lemmy’s own basses. The hand carved wing sections are unique to each bass. There are also some with different pick-up placements.4 points
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Neck shaping pretty much done now, apart from final sanding.4 points
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Audience of less than 6 - check No dancing - check No singing - check I think we'll qualify for 80% of our regular gigs :-)3 points
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Up for grabs goes a pearl-white slim-necked beauty from Ibanez - PL 5050. You don't ask ladies their age but the serial number doesn't lie - she's from 1986 and is still in a great shape for her age. Ebony fretboard with 3-ply white-black-white binding looks great and feels smooth, neck is factory oil-finished maple, very fast and nice to the touch. Neck is straight, truss rod works fine, frets are in a great shape. You can get wide array of sounds, from modern slap bells to classic punchy tones. Sending within Europe possible, ask me for cost estimate.3 points
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Haha - Wish I'd have known we could have combined postage!!!, given @ead only lives a Dingwall Scale distance away from me!3 points
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Personally I have always liked LP records. I never really connected with CD in the same way and I find CD was only ever really good for the car. Vinyl has of course become fashionable now but I'm just old! I have about 800 of my LPs in the living room and love my Hi-Fi set up which is a Richer Sounds purchase from around 12 years ago. I'd always planned to upgrade but the stuff I have is so much better than any other system I have owned it doesn't seem worth doing.3 points
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Andy, are proverbial busses little tiny ones?3 points
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one that corrects wrong notes and sloppy timing3 points
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History of Goodfellow basses OK, I'll attempt to answer as much as I can. Bernie was one of the first electric bass luthiers in the country (Wal, Status, Overwater being the others). Bernie started building basses in his shed at the bottom of his garden. Out of the small beginings of a hobby turned business, Bernie partnered Mike Freston (Managing Director) and Phil Harris (of Star Guitars, regular contributor for a guitar magazine and owner of a sizeable collection of vintage guitars) to form what would would become Goodfellow. Following a run of prototypes (I believe 10-15 basses), the first Goodfellow basses (with serial numbers) were marketed. The prototypes were all slightly different in design as Bernie was still finalising what would become the Goodfellow shape, the selection being a mixture of passive and then later, active basses. The whereabouts of these original pre serial basses are unknown, they may still be with either Mike or Phil. If they were to surface, although they are without serial number, they do bear Bernie's signature. The marketed basses (i.e. the ones with serial numbers) were of two designs; the Player and the Classic. The Classic is a Goodfellow that has pretty facings, usually quilted maple, elm burr, poplar burr which were all bookmatched to give the bass it's attractive front. This facing was flanked by another 2mm veneer before being glued to the main core body. There are a few rare examples out there that have both front and rear facings. The Player was a series of Goodfellows that had unusual veneers and finishes. I'm sure anybody following the Goodfellows that have surfaced on here will realise that they belong to this range - the Harlequin has a multi-coloured wafer thing laminated top, with a subtle burst around the edges. Other finishes in this range include the Herringbone laminate, as seen on #003 above. Some of you may have seen the zebra burst, a grey white and black burst Player. All of the basses in this range have a mahogany core with front and back laminates. I believe Lowden stopped producing the Player series when they ran out of vaneers - but they may have kept calling the basses they were producing Players anyway. The necks of both guitars are 5 core laminated necks, bolted on to the body. When the Lowden era came, Bernie was employed for 18 months to 2 years but was out come 1989. That makes the start of the Lowden era to be 1987/8. So, what's the difference between the Lowden era basses and the original "Bernie era" (for lack of a better phase)? Well, there are a few telltale signs. What you have to remember is that these basses went from a small handmade operation to a more mechanised/automated assembly. When Goodfellow was initially taken over, there were numerous components that were inherited - such as pickups, half finished necks and bodies, facias, circuits etc. There are numerous tell tale signs however that give a clue to whether a Goodfellow is a "Bernie era" or a Lowden era. The obvious one is a low serial number. The lower the number, the greater the chance of a bass being a Bernie bass. It's estimated that Bernie made approximately 150 under the original Goodfellow company in Wandswood and Deptford before production was overseen by Lowden. It's not clear what happened to the serial numbers during the transition period. Looking at the headstock, the original logos were the big G logo with the Handcrafted England footer. When the production moved to Lowden, this footer was removed - however, due to the stock of parts that came as part of the Lowden deal, there is a chance that a Handcrafted England neck made it onto a Lowden era bass. With regards to a "sandwich layer", it depends if it is a new stock or old stock neck. On the rear of the headstock, the original Goodfellows have Schaller M4 tuners with the G insignia on the rear of the casing. Of course, the originals have the handmade wooden buttons - these have become a bit of a Bernie signature what with them being common place on the modern GB Rumour. Again, as stocks depleted, these were changed to cheaper metal buttons. In fact, I believe that the hardware, including the bridge were sourced elsewhere (Far East?) later in the later period of production due to lack of original stock and a bid to cut cost. The milled bridge (with the Goodfellow wording across the rear of the unit) was a Bernie original design, but Bernie sought permission from Helmut Schaller and Rene Schaller to make use of Schaller saddles on those bridges and also use the alternative buttons on the M4 tuners. The keener eyed of you out there, may have recognised the Schaller saddle design. Like other pieces of hardware, alternatives were sought when stocks ran out. Circuit-wise, the preamp was only found in Goodfellow basses. The original circuits were all handmade, as they are with todays GBs. The original Goodfellow active circuits however, were much different to what we see now. They were small circuit boards that clicked into place to the loom that was connected to all the control pots and switches within the control cavity. A smart idea, but a very labour intensive process. The stock of boards may have made their way into Lowden Goodfellow basses, it's hard to say but these were later switched out for alternative preassembled circuits. It's worth noting that the Bernie era basses have the disk around the most forward placed pot. Maybe some Lowden era basses too whilst stock was available but from the Goodfellows I have seen, they seem to be without this disk. I believe that some of the prototype basses have a pickup selector switch as opposed to a pan pot. Finally, the pickups. The pickups are quite famous for having a thumb-rest indent on the top surface and having a wooden grainy appearance. Often mistaken for wooden pickup covers, they are in fact solid resin blocks with the pickup encased within. The reason they have a wooden grain appearance is the fact that they are cast from a mould that was made from a wooden master. The wooden master in question, was actually a piece of London Plane (Lacewood) that Bernie carved by hand in his shed in Forest Hill, SE London. Of course, the mix of parts depending upon availability can mask a Lowden bass but a Bernie built Goodfellow will have all the components present. Its estimated that 100-150 Lowden Goodfellow basses were built before Bernie left Lowden. As the process became more automated, Bernie's role there was removed and Bernie was left without work. Following Bernie's departure, the body shape did change somewhat, specifically with regard to shape of the horns. A five string was developed but again, was significantly different to the 5 string design in the plans that Bernie had drawn up. With regards to the "kit" Goodfellows, this is true. Parts, or rejected parts for that matter, were "leaked out" and assembled outside of the Goodfellow production line. The quality of these basses cannot be guaranteed as the pickup routing, neck joint routing and cavity routing would all have to be done to assemble a complete product. As shown through various parts and complete examples turning up on the used market and eBay, the quality of the final product can be pretty poor. After Lowden, Bernie set up Nightingale guitars with Neil McDonald and with a familiar Bernie designed shape, started producing basses. These basses notable included an early incarnation of the Bernie designed GB style circuit (comprehensive circuit board (for the time at least!) with PCB mounted pots) that would evolve into what we see in the GB guitars of today. Interestingly enough, the Lowden Goodfellow basses adopted this style of circuit. Whether this was coincidental or not, I wouldn't like to say. After Nightingale, came GB Guitars, Bernie's latest creations. The modern Rumour bass definitely shows a resemblance to the early Goodfellow design but they are two very different beasts. The electronics and pickups are unique to his GB instruments and help give the instruments a sound like no other. A Goodfellow bass is not a GB (Goodfellow Basses) guitar - buyer beware! His current basses are certainly a mile away from the humble beginnings of the shed builds but I think the Goodfellow history is an interesting story. A move from his Croydon GB workshop to Brighton followed and Bernie now has the chance to pursue both of his passions. His love of bass building... and his love of fishing. Originally sold via the Bass Centre, the Classic has a retail of around £1250 and the Player retailed at approx £950. The more interesting examples of the "Bernie" basses, (e.g. made by his own hands) still sell on the used market for anywhere between £750 to £1500 depending upon it's facias and condition (and whether it still has a Goodfellow branded Hiscox case. Check the GB porn thread for a look at some of the early Goodfellows that have popped up... and check out Graham Gouldman playing a genuine Bernie bass on his TOTP appearance with Wax (with Andrew Gold)... also the bass on stage with the Style Council at Live Aid is certainly worth a look... It's funny, there has been quite a lot of interest in the original Goodfellow basses in the last month. It seems they are pretty popular out in America! Hope that somebody has found this interesting!3 points
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But there's plenty off people who want that sort of thing. Think about the numerous Rickenbacker threads where it turns out that what most people want is not a Rickenbacker, but a P-Bass with a Rickenbacker holographically overlaid on it.3 points
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Posted this a while ago but always worth a second look - Harry Connick Jnr. sorting out how to make the audience clap on the 2 & 4. From around 35 secs in.......3 points
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3 points
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General Discussion. Being more than slightly OCD I start at the top of the list (with the sections I’m interested in) and work downwards.3 points
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Ive been looking for a Suhr Jazz for quite a while as they are quite rare and on my bucket list of Jazz basses to own. Some might know John Suhr predominantly makes guitars. He makes high end jazz basses in all sorts from his Classic Pro model Classic Antique to the Custom Classic J series. This instrument is a Custom Classic J. Its a swamp ash body with a honey burst high gloss finish. Abalone side dots, decal and fingerboard dots. Suhr (Humphrey) Jazz pickups in a 70,s spacing position, paired with a 2 band Suhr preamp. Ive played many high end jazz basses and this preamp is the clearest non coulered preamp ive ever heard. There is no preamp messing around with this basses clarity. It is also built beautifully. Amazing attention to detail. Ive got to say after playing many high end jazz basses from Celinder, Sadowsky, Nordstrand, Lull this Shur is up there.. The pickups on this bass are soooooooooooooooo good. !! These Suhr Humphrey pickups are just killer imo.. Im not sure how he winds them but these pickups make this bass sing. They are a dual coil that sounds very close to a single coil but are (I think) overwound to give a punch ive not heard on many jazz basses.Ive always had an issue with jazz basses sounding a little thin. I think John Suhr sells these pickups as Humphreys or a single coil. This bass retails at around £3500 which is a bargain when you look at Sadowsky NYC Alleva etc. Its all in the name I guess. One of the great Jazz basses does John Suhr make. thankyou Fatih.2 points
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HI , i got recently this beuty on my serching for a nice 5 strings but this one is not for me , pretty confortable , super light and way to powerfull preamp , really powerfull!!! 1990 sadoesky good conditions frets are really in great shape got a number 4 sticker and can be easily removed, this one got a transparent pickguard gotoh bridge seems to be original and normal , for sadowskys those days , apparently he uses also schaller before as well. Bridge got some Cracks on IT , sorry i found them Just now , only really small pieces seems to work anyway . I could Not getbit in the camera. gotoh tunners, ash body really light 3,7 kilo for a 5 strings quilted top, maple neck super streight and fast . emg pickups , sadowsky preamp no vtc , you need a good amp for this one . original soft case . for trade open to 5 strings basses , lakland f bass etc..... four strings maybe lakland please only passive ones , or fender p custom shop or some oder hi hend p basses . cheers alexis2 points
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I bought this little fella to tide me over until my CTM300 and ABM600 arrived as I became amp less! Man, it’s super good and kicks like a mule for 30w tube and all works perfectly. Bought from @jimmy23cricket on here a couple of months ago. Comes with cover and in cracking condition. Price is firm as I totally don’t mind it hanging around. Shipping will be £25 I reckon2 points
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I was a manager for Our Price Records for about 8 years back in the late 80's and those Quad amps were standard kit in all the stores. Fabulous amps and totally reliable - they were on for about 10 hours every day for 6 days a week and i never heard of one dying in any of the stores that i worked in.2 points
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2 points
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Pretty MOR album, but with one the finest examples of the Alembic roar. I always think they sound better with a bit of distortion. Absolute tonal majesty.2 points
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If anyone wants to use this as a basis for their graphic... The shadow is from the sun at about nine thirty this morning. No flash. Shot a day after the one above . Now it has knobs on, so to speak. Not much sunlight but at least it's not artificial.2 points
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I think if anything I’m heading towards the opposite. The tone is 99.9% of it, for me.2 points
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2 points
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They might as well ban live performances though. "Landlords and managers must take 'all reasonable measures' to stop singing on their premises by customers in groups of more than six, and dancing by anyone." No dancing? No point.2 points
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That I can see from doing neural network training. When a network is made it is completely open and capable of anything, after a while of training, it is not capable of learning some things because those neurons have been used for something else. This wasn't relating to the OPs point, this is from additional conversations where the topic has drifted, sorry. Thats fine, not trying to convince anyone! Just seems reasonable to me. I have met very few people with perfect pitch, but many people that claim to have it. BUt that has nothing to do with the OP, as I said.2 points
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I'm so glad you said that. I thought that it was the case, but after some internet research I got all caught up in series vs parallel and how it affects the impedance blah blah. Then I looked at some cabs that had two sockets on the back, but they both said 'input', but I couldn't figure out for the life of me why a cab would need two inputs. Then I couldn't figure out whether one has to be used as an input and another as an output etc... Basically I ended up really confused. So two 8 ohm cabs that have two sockets on the back and a total capacity of over 500 watts will do the trick, correct?2 points
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Well, it was a long time ago when I did my Psychology degrees! Since then, I spent all of my working life as an Occupational Psychologist trying to understand and predict human behaviour in the workplace. Eventually, I gave up and retired. Took up bass playing instead. Off the top of my head, here are a few things may be innate in humans, but I'm not saying they definitely are; Blink reflex Disgust reaction , and an associated puckered-lipped expression. Garcia Effect, which is an innate predisposition to associate illness with taste on a one-trial basis. Wariness around snakes. The Five-Factor model of personality, sometimes referred to as the OCEAN model. Primacy and Recency effects in memory. - the tendency to remember the first and last things in messages. Eyebrow lift as a greeting. Miller's magic number 7 (Plus or minus 2) - how many "chunks" of information can humans comfortably process at any one time. Innate predisposition and ability to learn language. Chomsky was your main man there, I think The need for some sort of over-arching belief system. Doesn't matter what it is - Shamanism, Sun-worship, Communism, Belief in Spirits/Gods, whatever. It's long been argued that humans have an innate need to believe in something... Steve2 points
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Bloody "proper" work getting in the way of everything.... plus more pressing projects. Still no bench, but this weekend my brother and law and I did some work on the shed to insulate and board it out in OSB For insulation we used a mix of superquilt and left over rockwool (from the more pressing work we've been doing - setting up another outbuilding to be used as a music/art studio plus crash pad when the kids come back to visit) Had to kick the ceiling up a bit on the side where the window and door was, as line of the underside of the purlins once counterbattened took us too close to the window2 points
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I see Ashdown have added a number of ex rental ABM Amps on their B-Stock pages. Plus a couple of CTM-300's https://ashdownmusic.com/collections/b-stock?page=12 points
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I had a rehearsal yesterday with my BC112 MK3 designed by @stevie of this parish. It was designed to be a single lightweight cab that could do most gigs. I turned it up louder than I ever have yesterday (amp was a Bugera, the MOSFET one) and it was magnificent. Now I have used many of the cabinets above and they are all good but at 14Kg this is an easy one hand lift and as a DIY project, very good value. Cannot wait for the Mk IV .2 points
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2 points
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Very reluctantly putting my 1995 US Precision up for sale. Desperate times etc. But, should my Sandberg sell I'll be withdrawing this immediately. This is my perfect Precision, I absolutely love it. It's such a great player. The bass has a few dings and scratches, most notably on the front above the scratchplate. Nothing drastic for a 25yo used bass. Weight is around 4kg, I'll weigh it later and update the listing. The colour is cream/off white and the rosewood board is wonderfully dark. Frets, truss rod are fine and recently restrung with DR Pure Blues 45-105. A new KiOgon loom and pots fitted last month. The bass comes with a G&G Fender tweed case. Its seen better days but it dose the job and looks pretty cool. Price includes UK shipping2 points
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Which is what many people seem to want 🙂 🙂 🙂 I fiddled around for years trying to replicate the Wal electronics: buffer for each pickup, active low pass filter for each pickup and THEN an active blend (mixer) - It's not that hard really (though the Wal "pick attack" function is a bit more complicated ....). The buffering, separate filters and "mixer" effectively put the pickups in series as their filtered signals add, and they don't load each other the way the pickups in, say, a passive Jazz bass do. Also as the pickups don't conduct any current, they don't filter the signal themselves, so you get a very flat frequency response. Later on I bought some John East ACG-EQ-01 electronics which do what my own design did (only better and more reliably); they do the same as and far more than the Wal electronics as everything is adjustable (filter Q, pick attack filter etc). The bass with that setup now overlaps in sound with a Wal but sure as hell can't do all the things a Wal can. I eventually gave up and just bought a Wal... and there is no comparison really; the real thing just works "as a whole" and has a huge range of sounds (there is no "Wal sound" really). The electronics certainly play a part; they have a pleasingly organic fuzziness when driven hard - which the ACG-EQ-01 doesn't (it's clean until it clips). But I still think it isn't "just" the electronics. I think if you built a mahogany bass with a stiff and stable neck, added some Bass Culture "Wal Buckers" and John E's electronics, you would have something very like ... but still not quite the same as it wouldn't do that slight fuzziness the same way. This one for instance; which the maker (MPU) says wasn't 1:1, but close:2 points
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2 points
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I've been a full time musician since I left Uni 7 years ago. Did my last gig middle of March, got a temp job at tesco telling people to stay 2 metres apart etc. Got a permanent job last month as a delivery driver for sainsburys, which to be fair is about 85% the same as being a touring musician, sat in a van all day, desperate for a wee, listening to podcasts.2 points
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Definitely not. There are those who can discern pitch, notes, and melody. Then there are those who like jazz.2 points