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Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. WARRIOR Dran Michael 7 (DM7) Custom NT Signature, top of the range model, early bird, 1996. ONLY POSSIBLE TRADE : LEDUC U-BASSE FRETLESS 6 ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £1800 GBP !!! (new price still is $8000 USD..) Fully working and in excellent condition. Here are the specifications : Body : two aged purpleheart wings Top : thick aged flamed maple Neckthrough : 3 pieces aged hard rock Canadian maple and aged purpleheart with two veneers of aged purpleheart and aged maple on each sides of the aged purpleheart core (quite thin and fast neck, think Leduc) Fretboard : thick (7 mm) 16" radius Amazon rosewood (Spruceana Dalbergia) fitted by Christophe LEDUC (his last piece of the very old stock) Frets : 24 (no wear at all as they are almost brand new and fitted by Christophe LEDUC when he put the new fretboard) Headstock : angled 4 + 3 shape with aged flamed maple thick veneer Pickups : 2 x Warrior-Bartolini humbuckers Preamp : Warrior-Bartolini NTMB-918 FL first version (18 Volts) with the "tone killer" Sparkle Circuit removed and replaced by a classic gain Controls : volume (push-push, yes push-push, active/passive), blend, stacked bass and treble, 3 way mid switch (250 Hz, 500 Hz, 800 Hz), mids Tuners : Warrior-Gotoh Bridge : Hipshot "A" Style with typical Warrior strings through for B, E and A (they can be fitted at the bridge too) Strings spacing at bridge : 16.5 mm Nut : bone (new one fitted by Christophe LEDUC when he put the new fretboard) Strings spacing at nut : 9 mm Knobs : gold metal Scale : 34 inches Hardware colour : gold Truss rod : one single action (fitted by Christophe LEDUC when he put the new fretboard) Finish : translucent anointed oil as Warrior calls Tung oil Land of craftsmanship : USA Serial number : 04886 Year : 1996 Weight : 5.493 kilos Action : from 1.5 mm under the F string to 2 mm under the B string at 12th position (can go lower, but was perfect for me) Will come with a brand new Fame fake brown snakeskin hard case (with one key as it was delivered like this), like the ones Warrior used. The bass also comes with a brand new set of Dunlop gold Straplok as it's fitted with the flush mount strap system. Non-smoking environment as usual. The bass has been fully set up professionally by Christophe LEDUC when he did the new fretboard fitting, which also received a differential dressing. It has received two new batteries and has been fitted with a brand new set of Pyramid SSSL strings (22 - 27 - 47 - 67 - 87 - 107 - 128). Long story short, this bass started its life as a fretted, then has been defretted, then refretted, then defretted again and received the last (too much) refretting leaving the fretboard almost non existent. So, I decided to give this bass its original design and it received a thick Amazon rosewood fretboard with classic silver-nickel frets and a new truss rod (4 mm Allen key) as the original had broken (a common known problem by old Warrior basses). I chose the Amazon rosewood because it's quite close to the Brazilian rosewood when it comes to tone with clear and powerful low mids, thick bass and silk highs, but is also close to purpleheart in terms of colour and tone too (more low mids and less scooped by Amazon rosewood). Couple this with the full Bartolini design and you get a very versatile bass that cuts through the mix. And then the bass started some kind of Tour de France to get back to me, but it's too heavy for me (now), even if it's really easy to play thanks to the quite thin neck with a 16" radius fretboard. Link to the Warrior Dran Michael basses : https://warriorbass.com/warrior-dranmichael.php Link to the Warrior-Bartolini page : https://bartolini.net/builder/warrior-instruments/ Link to the Bartolini NTMB-918 FL page : https://bartolini.net/wp-content/uploads/Docs/Electronics/EQs/ArchiveEQs/NTMB-918fl.pdf Link to the Pyramid strings fitted : https://www.thomann.de/gb/pyramid_7_string_bass_set_sssl_022_128.htm What you see is what you get ! Look at the photos taken under different angles and light to see the excellent condition of this bass. And yes, the hard case is brown, but it's hard to photograph. The mark at the back of the neck that you can see clearly on the 8th photo is the sugar of the maple that has burned when sanded. This also attests the high quality of the maple used. Here is the link to the 43 photos in high resolution : https://drive.google.com/drive/folders/1OHOI7lEQ6IfqoZj36R-oBoffBRi8__VS?usp=sharing Don't hesitate to ask for more.

A big potential purchase has come up and sadly I need to move on a couple of basses to help pay for it So, as a result, here is my lovely Hartke XK4 active bass. I always wanted one of these as I had played one in a shop approx 15 years ago and had been blown away by the massive (almost Status/Modulus graphite-sounding) active tone, striking black/chrome and brushed aluminium looks... and easily playable neck that felt like it was short-medium scale! It didn't disappoint and I've hugely enjoyed owning and playing it. Indeed, soundwise, it's been a fave of many musicians I've ever played with as it cuts through with authority and ease. Here's the original sales blurb from Hartke: Designed to Larry Hartke's specifications and featuring high quality components throughout, the XK-4 represents a more accessibly priced option for professional bassists. This precision instrument features a Poplar body coupled to a Vaccaro double T-Bar aluminum component neck system with a rock maple neck shell that provides a familiar feel and easy playability. This unique neck system consists of a lightweight aluminum aircraft extrusion welded to an aluminum triple-plated chrome headstock. It not only ensures maximum resistance to atmospheric conditions and string tension, it provides exceptionally long sustain and tuning stability over the long run. A Rosewood fretboard with ultra fat action neck finish and Nickel-Silver frets further enhance playability while the XK-4's Zero-fret design provides flawless open string response.To best capture its extraordinary sustain, tone and presence, the XK-4 is equipped with high performance passive pickups and active electronics. Other features include dual volume controls; concentric bass/treble tone controls; a chrome bridge and tuning machines and a brushed aluminum finish pickguard. Like the XL-4, there is a lifetime guarantee on the neck assembly. Poplar body 34" scale length Vaccaro double T-Bar aluminium neck Chrome-plated headstock Rock maple neck shell Rosewood fretboard Nickel silver frets Zero fret for flawless open string response P-J passive pickups with active electronics Dual volume controls Concentric Active Bass/Treble controls Heavy Duty 'Hartke branded' Chrome bridge Gotoh Chrome tuners Easy access 9-volt battery compartment Brushed aluminium finish pickguard Sadly, less than 1000 of these were ever made when Vaccaro suddenly went out of business and production ceased in around 2002. Condition is excellent (especially for a 18 year old bass!) with just a couple of very light surface dings on the body edge. More pics available on request. These are high quality instruments and were priced at around $1000 / £800 new when they came out. I therefore feel I'm offering a bargain at just £SOLD! Happy to courier at your cost (prob around £50 for 24hr UPS via Interparcel). Payment by cash on collection (from Guildford/Woking area), Paypal (you pay all fees) or direct bank transfer. Please see my extensive positive feedback thread for assurance of a clean, honest transaction.

35" scale graphite through-neck. Drop A-tuner fitted to the B-string. Made for me in 2004 by Rob. A few small marks to lacquer here and there, and a small 1cm hair-line to lacquer by jack-socket. Plays like butter and is booked in later this month to be re-strung and intonation +set-up as necessary by https://www.southamptonguitarrepairs.com/. Will be supplied with original Status hardcase. Available for testing / trial in Hampshire, near Winchester - SO53. £1500

Hi there, I put on sale this active Fender Deluxe Jazz Bass 2009 from the American Deluxe series (2004-2009). The price is 1.250£. It is located in A Coruña (Spain) The Fender specifications are as follows: Metallic silver headstock logo Modern C-shaped, graphite reinforced neck. Contoured heel for more fret access 5 bolt neckplate with Corona California Fender logo stamped. Abalone dot fret markers. Rosewood rolled edge fretboard. Montego Black paint. Gold pickguard Through body or topload bridge. Hipshot USA made Deluxe Lite-Bass tuning machines. 3 Band Active EQ with 18 volt power supply. Samarium ™ Cobalt Noiseless Jazz Bass pickups. Schaller Style Strap Lock Buttons. Alder body and maple neck, with a 9.5 "radius rosewood fingerboard. The bass is light and really well balanced (3.8kg or less, approx.) Abalone inlays are just amazing. The pickups are Fender SCN (Samarium Cobalt Noiseless), with a classic sound without any noise. 3-band EQ and very quiet, with a punchy output. This pre-2010 Deluxe series has nothing to do with the later one. Only good things are said about its pickups, how balanced and comfortable it is. Depending on the EQ you use, you can have from the most classic and vintage sound to that powerful Marcus Miller sound, while maintaining that quality and sound so familiar from Fender. The frets have just been luthier to be leveled although the bass has little use, as I have other Passives and I hardly play it. It has not passed through other hands. In fact, he hasn't been out of the house more than a couple of times. It is the real reason why I decided to put it up for sale, even if it costs me to part with it. For that reason it's only for sale, but I'm looking for an Aguilar Tone Hammer 350 or 500. So maybe a trade for Aguilar + money would be possible. Apart from that I have enough equipment. As you can see in the images it is very well cared for and treated. The neck behaves perfectly and has a very comfortable action. It's a super versatile bass. Includes its Fender case. The only visible imperfect is a scratch on the pickguard (where you have access to the truss screw) that a luthier made when adjusting the neck and he seemed to find it too much work to unscrew the pickguard. The rest, natural marks of use. We will discuss and figure out the best way for shipping. No problem, indeed!! Any questions or doubts do not hesitate to ask me. Thanks for your time and interest. Héctor

A big potential purchase has come up and sadly I need to move on a couple of basses to help pay for it. *SOLD* Need to move this on....! So, as a result, and using the last in/first out rule.... here is my gorgeous Archer KS3 Kasim Sulton Signature Bass. Not a lot of these around.... but a lovely feeling/playing instrument - lightweight with classic offset Jazz meets Spector/Tune/Bass Collection style looks.... More pics available on request. Here's the official blurb: For over 30 years bassist/singer-songwriter Kasim Sulton has worked with artists as diverse as Todd Rundgren, Blue Öyster Cult, The New Cars, Meat Loaf, Joan Jett, Utopia, Celine Dion, Bon Jovi and Hall & Oates. He also played in the musical "Movin' Out on Broadway", Mike Portnoy's "Blue Matter Custard" and has his own increasingly successful solo career. The new Kasim Sulton Signature K S3 Archer Bass is a visually stunning and truly unique sounding instrument, equipped with a P-Bass/J-Bass pickup configuration and a bridge design built to Kasim's own specifications. This newly updated model features updated precision bridge adjustments, which provide a newly improved fretboard action for ease of playability on the road and in the studio. Overall, the K S3 Bass provides a rich, full-bodied tone and sustain. If you want great performance, undeniable style and affordability, look no further than the new v3 Kasim Sulton Signature Bass from Archer. "This latest version is the result of a continuing effort to improve the look, feel and technical aspects of my bass. This “Version 3” K Bass represent the positive changes I continue to make during my road tours and studio work. I feel this proactive approach helps to make this instrument what is has evolved into today since its inception of the original model produced 9 years ago. Whether I'm playing with Todd Rundgren, Meat Loaf, Blue Öyster Cult or solo, I rely on my K Bass for the performance I'm looking for in a road and studio-tested quality instrument." - Kasim Sulton Specifications: Body: Ash Translucent Polyurethane (Black) Finish Neck: Top Grade Canadian Hard Maple Neck: Set Neck Fingerboard: Rosewood Scale: 34” 24 Frets Adjustable Truss Rod 'Kasim Sulton' inlaid signature at 12th fret “K” inlay on headstock Width at Nut: 40mm Custom K Sulton Bridge String Spacing at Bridge: 20mm String-Through Body Bridge Design Electronics & Hardware Pickups: Custom “PSL” system pickups 2 volume, 2 tone controls The bass is in fantastic (almost mint) condition and comes in a custom shaped semi-solid guitar case (zip broken but can be easily rectified). At almost £700 new this bass is priced to sell at a bargain *SOLD* Payment by cash on collection (from Guildford/Woking area), Paypal (you pay all fees) or direct bank transfer. Please see my extensive positive feedback thread for assurance of a clean, honest transaction.

I honestly feel like this is the perfect iteration of the p bass. I know folks talk about the Sringray being Leo’s evolution of a p bass but if one were to reimagine the p in a modern context it’d hard to overlook the Dingwall interpretation much like how they did with the TBird. The sound is bang on, the neck feels wonderful and the fanned fret/multi scale makes a lot of sense. I know some question the need on a 4 string but it sets it up perfectly for BEAD. It’s in my favour colour too 😬