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I have four basses, all bitsas (Precision, P/J/ FL. Jazz and Jazz FL). All are quality albeit mongrel instruments that I've put together from decent parts. For a while I've wanted to get down to two and have been waiting for the right fretted PJ to come along. Anyway, it has, and oddly enough not only did I know it was the right one the moment I saw it, but I also already own the original body (long story). So, they're are up for grabs. I have got to the point where sentiment loses out to cold hard cash so I will also part out these basses. I will price stuff individually later today. I have posted holding photos for now, these are old and some of the bridges have been changed (I'm a tinkerer). Collection from Canterbury is great, otherwise courier it is. No trades thanks Bass number 1: £450 Warmoth Jazz Body (£200 fully loaded) Musikraft Neck, maple board £250 with tuners) 80's Dimarzio PAF PUPs Kiogon circuit with series/paralell push/pull pot Badass bridge (shown in photo with BBOT) Gotoh vintage tuners A great jazz, solid as a rock, fast and full. Beautifully engineered body by Warmoth, clearly it's been modified at some stage in its life. The neck is one of those that has broken a few hearts, apparently if you're a Jazzer (I'm not) you pick up this bass and think to yourself "why doesn't my Jazz bass neck feel like that?". At this price I defy anyone to show me a better Jazz bass. Bass number 2: £350 Noname body Wizard '64 PUPs Warmoth fretless neck, Macassar (tiger-striped) ebony board Gotoh vintage tuners Badass bridge Kiogon circuit This is NOT a a bass for those of you with delicate backs, it is however a powerful sounding and articulate instrument. It's been the go-to fretless in my studio for a long time. Bass number 3: £350 Noname 3tsb reliced ash body £200 fully loaded Warmoth fretted Precision neck, ebony board (£150 with Schaller tuners) Schaller tuners SD QP PUP Unknown circuit BBOT bridge (shown in photo with Badass) Bit of a mystery body bought from St Petersburg, Russia. Lovely lovely feel and looks, the wear is either a VERY good relic job or authentic, my guess is the latter. There is VERY slight sign of the neck pocket being sanded perhaps to accommodate a larger heel at some point, but if compared with standard heel/pocket fare from Fendre in the 70's it's about as snug as you'll get! I've tried to photo this below. I don't normally use SD PUPS but with this bass and flatwounds it just works. Can supply a full pickguard for the purists out there. Warmoth Precision neck with ebony board, what more is there to say11 points
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Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. ACG Finn R Type Fretless 5 Custom Spec Level, November 2014. ONLY POSSIBLE TRADE : LEDUC U-BASSE FRETLESS 6 ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £1895 GBP !!! (new price is way more than £3000 GBP and some time to have it finished..) Fully working and in excellent condition. Here are the specifications : Body : black limba Top and back : thick flamed redwood with two black accent veneers Neck : set in with a small tone block of Macassar ebony, 5 pieces of, from center to external side, Macassar ebony, ash and wenge (asymmetrical profile and fast neck, think JP Basses or MTD) Fingerboard : thick (7 mm) flat radius acrylic impregnated Birdseye maple with a black accent veneer Positions : 26 with partial fret lines and Luminlay side dots (Luminlay torch delivered with) Headstock : angled 3 + 2 shape with flamed redwood top and back and two black accent veneers Pickups : 2 x ACG FB humbuckers Preamp : ACG EQ-02 with 2 passive tones (47 nF TAD Mustard capacitors) Controls : volume + blend (stacked), low pass filter with frequency + cut/boost (stacked), high pass filter with frequency + cut/boost (stacked), passive neck pickup tone, passive bridge pickup tone and red battery control LED (the other small circuit inside the cavity) Tuners : Gotoh Res-O-Lite GB-350 Bridge : Hipshot "A" Style Strings spacing at bridge : 19 mm Nut : ebony Strings spacing at nut : 9 mm Knobs : ACG-East Scale : 35 inches Hardware colour : black Truss rod : one double action Finish : satin finish that has become shiny over the years Land of craftsmanship : United Kingdom (Scotland) Serial number : 0172 Year : November 2014 Weight : 4.535 kilos Action : from 1.5 mm under the G string to 2 mm under the B string at 12th position (can go lower, but was perfect for me) Will come with the original Hiscox hard case (2 keys inside), a set of Dunlop black Straplok (used) and the Luminlay torch. Non-smoking environment as usual. The bass has been fully set up professionally. It has received a new battery and has been fitted with a brand new set of La Bella White Nylon Tape Wound 750T-B-XL strings (50 - 65 - 85 - 105 - 135T). Certainly one of the best fiver fretless around. Top luthier build quality (Alan Cringean is in the top ten, for sure) and a sound to die for. The neck is a pleasure to play and the sound has tons of mwah. The original preamp was an ACG EQ-01 (there's a mistake on the website confirmed by Alan himself), then @Bass Wielder put a John East Uni-Pre and I removed it to put an ACG EQ-02 so I had the opportunity to put two (2) passive tones with oiled paper capacitors that are softening a bit the very fast attack, but maintaining the long decay. And you still can use the two filters to tailor your sound. The La Bella White Nylons are simply perfect for this bass (and any fretless, by the way) as they allow you to make very fast slides and also small accents with dramatic effect. There is absolutely no neck diving. I'm only selling it due to my health problems as it's really too heavy for my broken back. Link to this very ACG page : http://www.acguitars.co.uk/project/0172-finn-r-type-fretless-5/ Link to the ACG EQ-02 : http://www.acguitars.co.uk/wp-content/uploads/2019/12/ACG_EQ02_4k_2019.pdf Link to the La Bella strings fitted : https://www.labella.com/strings/category/5-string-white-nylon-tape-bass/ What you see is what you get ! Look at the photos taken under different angles and light to see the excellent condition of this bass. Some very minor scratches and very small dings impossible to photograph. Here is the link to the 40 photos in high resolution, plus some of the work in progress : https://drive.google.com/drive/folders/1qhK_Y1nDnNGNQTiiCOhmMB4VhU6qbk_l?usp=sharing Don't hesitate to ask for more.10 points
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...but not as we know it. With apologies for purloining Mr Spock's iconic phrase in the process, @Jus Lukin and I have just finished a few months kicking around thoughts in what should be a very interesting project and - to keep the theme by stealing another programme's punchline - 'all systems are go!' It's going to be a mix of trad and modern. And maybe a world first...? The basic spec starts fairly conventionally: - Mahogany back; figured walnut top - Multi-laminate (prob 9 ) neck - Neck through - hints of EB-0; essence of Alembic then is starts pulling into the middle lane: - headless, single ball - chambered - 30" scale and then we are truly in the fast lane: - three - YES THREE - SIMS Superquads!!! And, we think, this might be the world first ...and don't worry, @Jus Lukin and I are both fully aware there might be a reason for that I'm still gathering the bits and pieces. I have a headless system arriving today from Brazil (and quite excited by this, too) and I have the top walnut from my shed stash. The first stages will be probably in parallel with a rebody project I'm currently on with. It means I can order the timbers at the same time and, in that my small cellar space means that I have to pull out all of the bigger equipment to use it, I can save set up time by doing the machining stuff for both projects with each piece of equipment needed. So, early days but we have a shape that @Jus Lukin is happy with: The rear end is a straight copy of an EB-0. The front end is a modified take of some of the early Alembics The walnut I had in my shed will darken when the finish has been put on, but I think is going to look just right with the general vibe. Bear in mind, of course that most of the middle section is going to be bridge and pickups: More about the headless system when it arrives later today And the SIMS Superquads. Well, apparently Martin Sims doesn't know of anyone who has fitted three but can't see why it shouldn't work. And, having fitted a pair of them to @TheGreek 's Silk Bass - well, they are pretty special! There's a thread somewhere on all the gory details of the save and refit, but this is what it (and they) looked like: And here's a video from one of the Basschat Bassbashes with Nick Smith demo-ing them and, mid way through the session playing Mick's Silk bass. They are pretty special pickups So, both with the rebody I mentioned earlier and this, I'm in for a real fun time. And the timing is pretty much perfect: I think I'm going to be down in the cellar for some time9 points
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This is my second twelve string build. It took me quite a while to get this one done. Totally underestimated the lacquer process of the intended Mazda colour Soul Red Chrystal. But I'm quite happy that this red monster is finally ready to rock. - Mahogany body - Nine ply laminated Mahogany set neck. Glued in - Soul Red Chrystal 46k finish - Ebony fretboard - Red position dots - Jumbo frets - 34" scale - Buffalo horn nut - ETS twelve string brass bridge set - Two spoke-wheel double action truss-rods - Carbon reinforcement strip in the neck - Lace Alumitone Bass Bar in the neck position - Double Lace Alumitone Bass Bar in the bridge position - Two separate outputs. - Series parallel switch on the back - Gotoh GB 350 lightweight bass tuners - Gotoh Stealth ST 31 guitar tuners - d'Addario EXL 170 - 12 strings - Weight: 5.2 kg Electronics circuit by Bas Becu. Pics of the build process can be found here: https://www.enkoo.nl/brooks-exb-12-3p.html7 points
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Up for sale is my super rare, 1987 Kramer Ferrington Electro Acoustic Bass. The bass is in excellent condition for a 33 year old instrument with no chips or dings but just light scratches to the lacquer from playing. This bass is amazing. It has an electric bolt on neck which affords an incredibly low and playable action that I’ve never experienced on any other acoustic bass. It has has a new nut, new bridge saddle and piezo pickup and has been set up for my preference. The fingerboard has been cleaned and lemon oiled and the frets have been cleaned and polished. There is no case with the bass so collection only or I could meet you halfway for fuel costs. Any questions please ask. Thanks6 points
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Straight from @ped's dingy backstreet lockup to my bass! BC Grolsch button straplocks, unfortunately they didn't come attached to a BC brewed bottle of beer.5 points
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5 points
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And to the headless system. Now I may be wrong, but I'm sure someone has flagged this in the past. Maybe @Jabba_the_gut ? There are relatively few around that are single ball and (I think likewise) @Jus Lukin prefers this to double ball-end types. And that brings me to Nova Guitar Parts - Andre Passini in Brazil. He used to sell them on ebay, but to his surprise, the Chinese started 'selling them' - on ebay and complete with knock off graphics!!! I think if you wanted to describe the word 'blatant', it would be a good example. I noticed when I went searching them out that both his and the Chinese ones had gone. Presumably Andre complained to ebay and (there is hope yet) ebay took notice. So I contacted Andre through Facebook and got a very prompt reply. And just look at this, arrived from Brazil this lunchtime in less than a week from ordering: And - often the problem area of these types of tuner - look at this : Yes - ball-races. These are beautifully, beautifully made. Using the old engineering adage of 'if it looks right...' Very excited about this build5 points
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5 points
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SOLD! Jesus that was quick! In a beautiful turn of events the bass has been randomly bought by the same guy that bought the body that belonged to the neck a long time a go. It was meant to be, clearly. Couldn't wish it to go to a better home! Thank you all for your messages guys Live music will be back soon and it'll be wonderful. Let's hang in there folks!5 points
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I am selling this absolute peach of a bass, I have owned this since new in December 2017 purchased from GAK in Brighton(receipt attached ) This really is in as new mint condition including all of the original parts, strap, cable and paperwork all in unused condition. It is currently strung with Dunlop superbrights, there is also a set of new Fender flat wounds included. This has never left the home and been very well looked after, the actions is lovely and the neck plays well, I am only moving this on to fund another purchase. They no longer make this model and they are hard to come by. This is a great bass with that fender growl you would come to expect. I have more pictures if you want them DM me Any questions please get in touch Here is what Fender say The American Vintage Series The American Vintage series introduces an all-new lineup of original-era model year guitars and basses. Take a trip through Fender history and heritage with these incredibly authentic guitars. The American Vintage series has a range of different years, spanning the mid-50s to mid-60s, all boasting key features and pivotal design elements from their years. The American Vintage series instruments provides expert preservation of an innovative U.S. guitar-making legacy, showing how Fender not only knows where it's going, but also remembers where it came from. The new American Vintage Series takes a cleared slate approach with new features, new specs and the most meticulous level of vintage accuracy yet - a complete and comprehensive re-imagination of the entire vintage-reissue concept that'll just astound you with its detail. Restoring original tooling dies, voicing new pickups, reformulating vintage colours and more. Their work based on actual vintage guitars and basses they tracked down. American Vintage '74 Jazz Bass, 3-Color Sunburst The American Vintage '74 Jazz Bass incorporates the significant changes that were brought to the Jazz Bass in 1974. Only the year before had the bridge pickup been moved about half an inch closer to the bridge. Furthermore, 1974 saw the last of the four-bolt necks for quite a while. The bass guitar's slim "C"-shaped maple neck was re-sculpted with a meatier U-shaped profile (and acquired a walnut "skunk" stripe). White fingerboard binding and pearl block inlays made their first appearance, the longstanding tortoiseshell predecessors were replaced by black pickguards. The American Vintage '74 Jazz Bass also has white binding, pearl block inlays and 20 vintage-style frets. This Jazz Bass comes in a 3-Colour Sunburst colour. Additional Features This bass's other authentic features include its urethane-finished alder body three-ply black/white/black pickguard (three-ply white/black/white on Black model), new American Vintage '74 Jazz Bass single-coil pickups, upper-mounted thumb rest, '70s-style "Fender"-stamped open-gear tuners, vintage-style bridge with single-groove steel "barrel" saddles, four-bolt "F"-stamped neck plate, chrome pickup and "F"-stamped bridge covers with vintage-accurate positioning, and more. Features Equipped with two American Vintage '74 Single-Coil Jazz Bass pickups for an authentic tone Alder body with a 3-colour sunburst finish Thicker neck with "U"-shaped profile for added comfort Maple and round-laminated rosewood fingerboards with white binding and pearl block inlays Specially voiced pickups with period-correct bridge pickup positioning Upper-mounted thumb rest for improved comfort Vintage-style "Fender"-stamped tuners and neck plate Chrome pickup and “F”-stamped bridge covers with period-correct positioning Includes Vintage Black hardcase with orange interior Real bone nut enhances resonance and sustain Specifications Body & Bridge: Body Shape: Jazz Bass Body Material: Alder Bridge: American Vintage Single-Groove Steel 'Barrel' Saddles Finish: Three Color Sunburst Neck & Fingerboard: Neck Shape: 'U'-Shape Neck Material: Maple Fingerboard: Round-Laminated Rosewood Fret size: Vintage-Style Radius: 7.25" Scale Length: 34" String Nut: Bone Nut Width: 1.475" Inlays: White Pearloid Truss Rod: Vintage-Style Heel Adjust Electronics & Hardware: Bridge Pickup: American Vintage Single-Coil '74 Jazz Bass Middle Pickup: American Vintage Single-Coil '74 Jazz Bass Controls:Volume 1 (Neck Pickup), Volume 2 (Bridge Pickup), Master Tone Control Knobs: Black Plastic Hardware: Nickel/Chrome Tuning Machines: American Vintage '70s Fender Stamped Open-Gear Strings: Fender USA 7250M, NPS, (.045, .065, .085, .105 Guages) Pickup and Bridge Covers: Mounted Chrome with Vintage Accurate Positioning4 points
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An illustrator chappy has put a comic book video to the entire album, with lyrics. Some really good visuals, eg on Fly on a Windshield and It. Worth a gander if, like me, you love the album4 points
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Sadowsky MV PJ5 - £1,700 (excl. condition) I bought this new in 2009. It's been my no.1 bass for over a decade and kept in stunning condition. It's a beautiful translucent white finish, so you can see the woodgrain really nicely. Just a few scratch marks on the scratch plate and natural slight wear to the back of the bass, but overall in excellent condition as you can see in the pictures. Happy to send any more pictures directly for anyone seriously interested. I don't have all the official measurements now, but it's got an ash wood body, maple neck, 5 string. I have kept it for so long as I was so happy with how the sound just found its place in the mix so effortlessly and never needed to dial in any frequencies to compensate. All the FOH engineers I worked with always commented on how they didn't need to do anything to the signal. I love this bass, but I feel it's time to move on, so happy for this to find a new home now.4 points
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Beautiful. Enjoy the enhanced bass playing skills that are included - you just need to swallow two straplocks with an evening meal. The other preorders will be arriving with buyers today or tomorrow, and they'll be on general sale to everyone in the next few days once I have the supplies ready. Cheers and enjoy!4 points
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I'm pretty chuffed with myself if I'm honest. I've never attempted anything like this before but I've ended up with a lovely bass: The bits: Warmoth P body in swamp ash Finished with Crimson's Penetrating Guitar Oil 2016 Am Std Jazz neck Gotoh 201 bridge EMG GZR PJ set Hipshot D-tuner I've wanted a PJ for quite a while and considered going down the Limelight route but this was, for me, more satisfying (plus I had the neck already). I had a couple of squeaky moments and if I was to do it again, I'd probably shield with copper tape rather than shielding paint but it plays great, sounds fantastic and I am in love with how it looks.3 points
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Sadly, due to both my bands calling it a day I’m selling off a fair bit of both bass and guitar equipment and this awesome Roquefort blue Sandberg is up for grabs along with my beautiful Ken Taylor (see other listing). It’s in original beat up condition with no modifications, Delano pick ups with I’m assuming a Glock pre that has the usual pull pot for passive/ active eq. It really is a wonderful bass, it plays and sounds wonderful, it balances great on a strap and weighs around 4kgs on our bathroom scales. It comes with a great condition Sandberg gig bag. If you need any more specific images just ask!3 points
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Hi all, thanks for all the interest/calls and lovely comments. The bass is now sold. Alembic Signature Deluxe MK with Balance K body - figured Cocobolo front and back Red and Amber LEDs 4 string 34" scale Gold plated bridge and nut (22k hard plate) - no need for endless polishing Maple and purple heart neck - ebony board with some quilting (extraordinary - I haven't seen it previously) Abalone inlays Sterling Silver Alembic logo Signature electronics Body is cocobolo facings, mahogany core and maple and purpleheart laminates Heart Omega cut Brass control and battery cover plates Weight is around 9lbs 12 ozs - I'll try to get an accurate weight 2011 build In extraordinary cosmetic condition with no blemishes or marks anywhere. The neck pickup logo was worn when I received the bass but the logo has been replaced and the minor wear to the cover has been polished back to matte. This could probably pass for a new bass. The only imperfection I can find is a tiny lifting of the lacquer adjacent to the nut retaining screw on the headstock (I'm being really picky here). The tone is pure Alembic - bell-like clarity and extraordinary sustain. I've had this set-up with a super-low action (probably too low for most players). The case is in pretty much perfect condition too. Comes with paperwork and strap locks. Pretty close to buying a new bass really. Any questions please just ask. I can provide any images you may need. Socially distanced collection in Manchester is possible. I can ship within the UK or to some overseas destinations but entirely at the buyer's risk and expense (I'd strongly advise insurance to full value). I have good shipping materials. Reason for sale is size. It's too big for me. I'm a short-scale player only and should stop pretending that I can play long-scale. I'm selling for less than I have in the bass. It came to me in near perfect condition then I spent a lot of money making it absolutely perfect. No offers and no trades thanks unless you have a high-end short-scale Alembic. Oops, just realised that some of the image files are HEICs - I'll convert and attach tomorrow. Some images also show the neck pickup prior to replacement of the logo3 points
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3 points
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Entry for November comp. It's a spoof of a 1960's American TV show theme. Back story in spoiler box.3 points
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A joke. Gosh, you Brits. An American can't even get a Canadian Joke in edge-wise.3 points
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It's been both sad and therapeutic to sell these bitsas, they're all lovely instruments that I put together slowly and after much trial and error (probably more error than trial if truth be told) over a few years. So, sentiment says keep them, but for a very long time I've realised that all I need is a decent P/J with frets and the same without, and having had the former for a fait while now, t looks like I've finally got the latter courtesy of the below (and oddly the neck from this bass belongs to the body of my fretless P/J). Thanks for all the positive comments and enquiries folks, much appreciated. Chris3 points
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Looking at it another way round: I consider somebody to be hi-tech if they do all their apps on the phone rather than PC. I'm pretty slow to move the the phone versions of stuff.3 points
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I have so many pieces of old instruments lying around Stew, bridges, bodies, pickguards, PUPs, I really should sell them as I want to start playing and recording basses again as opposed to finding bits of wood and metal that work really well together only to sell them all and start again Re that body above, I bought a set of heavyweight brass hardware from Walshy (I think) - bridge, pickguard and thumbrest - polished them to a shine and put them on that body and they looked amazing, but it weighed in at about 7lbs without PUPs, circuit or neck Having said that, I like building really heavy basses, putting on a set of La Bella Deep Talkers, taking the action to about 12mm at the 12th, and taking it to rehearsal, because both our singer and guitarist fancy themselves as bassists, and trying to nail Sympathy for the Devil on such a bass whilst I'm taking a toilet break tends to dissuade them. As has been said many time, there's four of us in the band and three of them are better bassists than me, I have to get my wins where I can3 points
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Thanks for the above guys. I get that EC was both an innovator and a technician, but I never felt there was much soul in his playing, and I used to play a lot of old 60's blues and Cream covers so spent a lot of time listening (happy to be steered towards anything in the 70s I might have missed). I guess the contrast I'm making is with NY who is no technician, and quite possibly not an innovator, but who for me gets a hell of a lot of emotion out of his instrument, or at least, whatever he does on the instrument brings a lot of emotion to the song/recording overall. A good example being the intro to Alabama (which has always struck me as typical NY but is perhaps one of the session guys), that's got an edginess and even awkwardness that is really hard to replicate (and in my old band, we tried, how we tried). But for me, that line takes me somewhere that I suspect isn't too far form where NY was when he wrote the song, there's a powerful synergy of the emotion in the guitar playing with those in the lyrics3 points
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3 points
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Its a clever mechanism so you don't confuse the website with the straplock and end up wasting hours staring at the straplock3 points
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Yet another breathtaking co*k up by the establishment. Led by donkeys.3 points
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So on Gumtree he says, just started playing and was given this. On his Facebook add he says he's had it for years. This bloke couldn't lie straight in bed. Wouldn't touch it with a barge pole.3 points
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I never tire of watching this. For me, this is better version simply because it hasn't got that awful clunky rhyming of 'company' and 'Serengeti' in the original3 points
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Think this is the White Room clip people are talking about. He was a great bass player in my opinion.3 points
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This is exactly why I tell people to try Sandberg basses before buying. Especially if they are going for the P or J-style models and expect them to sound like a classic P or a J. Sandberg basses are superb instruments with excellent craftsmanship/QC and some of the best necks I've ever played but they will sound NOTHING like a classic, vintage P or J. Sandberg basses are designed for an bright 'modern' tone, and here's why: 1) An active eq will never get you that mid bump resonance when you roll of the highs like a passive tone control will. A lot of that 'woody' sound you're missing is right there in that mid bump. If you want the classic P-bass sound: Rip out the active electronics and go passive. It will leave an unused hole in your bass but you can move the jack output up front and leave the side hole unused instead. It will even LOOK more like a classic P-bass that way and the side hole will probably be easier to disguise (unless Sandberg can provide you with a 2 hole replacement control plate). 2) Sandberg use 500k pots. These are far too bright sounding for the classic P-bass sound. Replace the pots with 250k. Personally I prefer audio taper for both pots in P-basses but that's just a matter of personal preference. The stock tone cap is probably .047 uF which is fine (and what most Fender P-basses use) but if you want a slightly darker/fatter sound when you roll off the tone you might consider .068 uF. Early Fender P-basses had .100 uF but I personally think that gets too dark&muddy too fast on the tone knob and I generally like warm/dark sounding basses. 3) Sandberg pickups are voiced for a bright/modern tone. Pretty much any standard P-bass split coil will get you closer to a classic P-bass tone. But you really need to go passive and replace the pots too if you want that classic 'woody' P-bass tone. You have already gotten some excellent advice in this thread and you are definitely moving in the right direction. Creamery pickups are superb and the '58 is an excellent choice! I've got a passive VS4 myself with a Kloppmann PB63 which is also a great pickup. After I replaced the 500k pots with 250k it certainly delivers that classic P-bass tone/feel (only mine is slightly 'faster&tighter' but I think that might be because I got it custom made with an ebony board). Finally, just to be clear: I'm not saying the bright tone in stock Sandberg basses is necessarily bad. I'm just saying they are a very poor choice if you're looking for a classic P/J tone. The way Sandberg are marketing their California series I think a lot of people expect them to sound like classic P/J-basses but they just won't. Not even close. Good luck!3 points
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You won't get far around here with liking Dylan, Oasis, or Little Mix - unfortunately.3 points
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Just launched my new clothing brand for bass players: https://bassthing.com/ free shipping with the code BASSCHAT20203 points
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I bought this new last year. It's only been used a handful of times because I'm playing bass a lot less now. Beautiful natural finish and solid tone with a nice bit of growl typical of Lakland basses. Collection is preferred, but I can ship at extra cost. Feel free to message me with any questions. See below for the official blurb. The 44-64 is modelled after the venerable workhorse '64 P bass. One custom-wound Lakland pickup provides a bruising punch and drive that nails the vintage split humbucker tone, sending it through the roof with full voicing and modern energy. The body and 34" scale maple neck have an excellent balance. Specification Nut Width: 1.5" Nut Type: Delrin Fret Size: .041/.085" Width at Final Fret: 2.48" 1st Fret Neck Depth: .76" 12th Fret Neck Depth: .94" Fingerboard Radius: 10" Scale Length: 34" Frets: 20 Bridge String Spacing: .78" Neck Wood: Flat-Sawn Rock Maple Body wood: Ash Fingerboard: Fretted Maple Tuners: Hipshot Lisc. Ultra-Lite's Truss Rod Access: Neck Heel: 4mm Hex Pickguard: Black Controls: Volume/Tone Bridge: Lakland Dual Access2 points
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These Ibanez SR900's are well known great basses and get a lot of love......apart from those bleddy Bart Mk1's pickups in my opinion, i hate them! I wanted a better jazz sound and found a great creative solution - fitted Seymour Quarter Pounders (£100) and with wood pickup covers to look the part - a vast improvement in sound and looks IMO. The original Bart Mk1's will be added to the sale should you wish to burn them. This bass has been professionally stripped to the natural wood and I'm sure you'll agree it looks really great. Plays superb, sounds great and looks damn sexy! Neck through, string through, mother of pearl inlays, lightweight, comfortable, fast jazz like neck, very low action, Bartolini pre, curved body....the best bass you'd get for under £300 i'd say. Can add a decent hard case for £35. SOLD 😊2 points
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Well I’ve decided that these are my future. I’ve recently got an ABM600 again and will pair it with two of the 210s. Just waiting on Black Friday or Xmas Sales to see if I can nab a bargain.2 points
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Not a Fender, not vintage. Looks like a bitsa to me, no idea what's under the covers (could be a P/J with that big Jazz ashtray), depending what the parts are it might be a decent deal for £155, especially if you could haggle down a bit. On the other hand if it's built from cheap tat bits (which the tuners suggest it might be), you'd be better off with something like a Harley Benton for the same sort of money. Also: "I just started playing and I was given this" says the seller, snapping pics of the bass in his room containing rackmounted mixers, flightcases, a Peavey 4x10 cab and another bass... Hmm.2 points