Leaderboard
Popular Content
Showing content with the highest reputation on 04/04/21 in all areas
-
CLICK HERE to find out how I turned a cheap £1 bag of flour into a pro wedding cake 🍰11 points
-
How different people choose to upgrade their instruments could be an interesting topic, but your posts are against the spirit of a forum, which is to discuss and share ideas and information openly. You use it only a place to spam your YouTube channel.11 points
-
This is like that "Are YOU A Boring Bass Player?" guy all over again. Looks like the OP's been a member here for 12 years - surprising then, that it hasn't clicked that we're largely a bunch of middle-aged, highly experienced, frequently pro/semi-pro musicians, many of whom will have been knocking up bitsa basses for the last three or four decades! Oh, and here's one I made earlier.8 points
-
7 points
-
We're getting closer to the end now! The neck is now fully fretted with EVO gold fretwire, the cavities are all finsished, and all control holes drilled. the 4 holes for the frequency/resonance controls ive recessed around the knobs in the redwood top (PRS style), the plan is to aim for a nice smooth satin finish, and so i think this will add some nice highlights on the body and allow the rest of the top to be a bit thicker and sturdier the plan is to have the 2 filter mode switches just below the bottom of the bottom pickup, next to eachother, which should make for a nicely spaced set of controls. the neck is now to the profile i wanted, so im getting the side dots put in: these are going to be the same as my last bass, brass 4mm tubs with abalone dots. this is a pretty easy detail to add, makes the dots very easy to see even in dark conditions and looks lovely and here's where we're upto, with all the shaping pretty much finished: im very pleased with the overall shape and the curves of the body now. its very comfortable, pretty lightweight, feels nice to hold and the neck feels nice in the hand, the swirl of the woods on the upper scroll carve came out really nicely, so im extremely excited to move onto the finishing. that will really bring out the contrast in the veneers that run down the middle of the S shape in the top, as well as the rope pattern on the neck!7 points
-
7 points
-
NOW SOLD For sale is an early GB Spitfire 5-string. As lovely as it is, I find myself gravitating back to my Laklands, so I’ve decided to put it up for grabs. It’s 35” scale, 19mm spacing at the bridge, and weighs in at a very comfy 4.1kg. Let me start by saying that this is still, in the main, a lovely bass. I bought it on here a little while ago, and it came to me with a recently re-finished neck, but the body was still in need of a little work, showing a few dings, chips and cracks in the lacquer commensurate with its age, as well as some fading in the finish. As all of us will know, there’s a long-standing tradition with musicians the world over to tinker with their instruments. I like to work on my basses, mainly by doing my own set-ups, or to experiment by installing new pickups, preamps etc., usually with reasonable success. I rarely go much further, as that generally requires specialist equipment and a level of skill and patience that I lack! However, Bernie’s pickups and preamp have a very particular tone, so I thought, “I could fit some new pickups and a different preamp if I route the cavities a smidge - what’s the worst that can happen?” and got my Dremel out. The result is a bass that now has much greater tonal variety IMHO, but now has some additional cosmetic issues with the body, thanks to the routing bit working free of the drill on two separate occasions and causing a bit of damage, which I've tried to show in the photos. The accuracy of the pickup routing leaves a bit to be desired as well, if I’m honest. I've fitted a new pair of Nordstrand Big Singles, and a second-hand John East Uni-pre 3-band preamp with a passive tone control and a low battery indicator, which came out of another bass I bought a while back. The original GB pickups and preamp are also included in the sale. The various issues are reflected in the price I’m asking, and as the body was in need of a refinish anyway, perhaps it’s not too much of a disaster - a relatively small investment could bring it back to its former glory in the hands of someone who actually knows what they’re doing! If you're not unduly concerned about the cosmetics, it's a playing great bass as it stands, of course. I’ll put up a YouTube video shortly so you can see how it plays and sounds. There’s no case included, but as the neck is a snug fit, and attached with threaded allen bolts making it a breeze to remove and re-fit, I can ship it with the neck off packed with lots of bubble wrap. UK shipping is included in the price. Sorry, but no trade offers please.6 points
-
I watched it. You WON'T BELIEVE what happened next!6 points
-
****************PRICE UPDATE******************** NOW £1,000 SHIPPED (UK)***********************European Shipping at cost So this was my first foray into the world of P Bass and I absolutely love it - however, as a solely (up until then!) 5 string player, I have now seen a 5 string PJ I want, so this has to go. Serial number suggests a 2009 build, and is in excellent condition, recently re-strung with Rotosound flats. No marks, chips, scratches, in the gloss black body, just the usual little swirls etc on the pick guard. Small scuff to rear of headstock, which you can just see in the picture. Has active/passive switching and you can pan between the P or J pickups or of course a blend of the two. Sounds just like a "traditional" P bass in passive mode panned to the P pickup, but bring the Jazz pickup in adds that extra tonal qualities. - 3 band EQ and tone control when in passive mode. - 41mm at the nut. - 18/19mm string spacing at bridge (neck through body stringing or top-load, whichever you prefer). - weight around 4.1kg. Balances nicely on the strap. - Has all the original case candy, receipts, documents etc. Case is built like a tank. PM me if interested - I can ship.5 points
-
I can almost predict the way this thread will go. I've been on Basschat too long. 😀5 points
-
More windows , doors and walls up to full height. Got an electrician coming next week.5 points
-
you realise we have a whole forum dedicated to exactly what the video is about? https://www.basschat.co.uk/forum/15-build-diaries/5 points
-
Yamaha BB-734A in translucent matte black complete with its original Yamaha gig-bag. Great basses, but needs to be moved on to someone who'll use it as I have a Yamaha BBPH, which has many similar parts including the same active/passive preamp. Set up with 100-40 round-wounds if I recall. Great condition but with a few light marks on the scratchplate, as you'd expect from a bass that's been played. Happy to post free of charge, but don't worry......... not with Hermes 🙂 Having said that, I'd happily knock a few quid off for Covid friendly collection or a nearby handover. I'm working away until Fri 9 Apr, so should it sell before then there may be a few days delay in me being able to get it sent.4 points
-
4 points
-
Hmmm...I can't help thinking that this is a bit like the middle of "Grand Designs" just before the commercial break. Where things are all going tip top and falling into place and everybody is smiling...just before the announcement that dry rot, death watch beetle and japanese knotweed has been found everywhere in and around the property. Because, so far, this is going suspiciously well. I've just put the level on the neck again and: As I had hoped - but didn't dare to expect - the set in the neck, now it's had chance to fully normalise, has disappeared and it is completely straight Which means no carbon rods are needed So, back to the act, assess, act, assess, fix if feasible - we are now well in the realm of the fixable This will rapidly move into the 'make progress in between the more urgent stuff' (I have a birthday to hit with @Matt P 's build! ) but I now know this isn't going to be returned as a bag of bits. Over the rest of Easter, I will order a new modern trussrod and add some thickness and strength into bottom of the trussrod slot. While I'm doing that, I've lightly sprayed the top of the fretboard and clamped it upside down on the bench to allow the differentially expand and dry flat and straight:4 points
-
4 points
-
Well...that went better than I expected. If these kinds of things carry on working OK, then I might end up confident enough to start sorting out some of my own basses rather than just experimenting on other peoples Because this morning the clamps are off... I knew this side was going to be OK, because I could see it: But this was hidden by the carved block so I couldn't see if it was even aligned. I'm well chuffed with this! There's no step between the two sections at all : So this should now be strong enough - just the aesthetics to sort out. So next thing to look at is the neck straightness. I'm still thinking carbon rods but with all the shops shut today (oh yes... and for the past three months ) and @Matt P 's neck splices still not here, I'll give that a good ponder before doing anything rash4 points
-
Hey @greghagger there’s no rule currently against people coming here to advertise their YouTube channel although it does look a bit like spam when it’s the only thing you post. You’ll see that the demographic here is quite different from the sort of audience you might need to attract via YouTube itself.4 points
-
4 points
-
3 points
-
3 points
-
I'd say that a good starting point would be a Zoom B1 Four, think that they're around £65-ish new, £85-ish with the Expression (Wah) pedal. The only downside to the multi effects, is that most of the preset patches tend to highlight what the effects can do, rather than making your playing sound better. You need to approach them as if you have a new single pedal, and find a good setting with that first, then move on to the next effect you want to try out. IIRC, the Zoom B1 Four is also compatible with their patch edit software, so you can plug it in to the USB on your PC/Mac/Tablet/whatever, and be able to edit effects on there. Another added bonus with them though, is that you can set up and amp/cab simulation for practising with headphones. Individual pedals are somewhat less complex, but have a lot of trial and error before you find "the one", and that's before you start adding other pedals, pedal boards, power supplies, patch leads etc. I think the "simple" Zoom pedals would be the starting point.3 points
-
3 points
-
3 points
-
3 points
-
3 points
-
3 points
-
My Aerodyne. the one on the left. It has had new machineheads, Gotoh Res-o-Lites and new pickups, Di Marzio 126 set. No matter what else I play. I always end up with it. Also my Peavey Milestone (P clone). It cost £50 and should be rubbish but it is not. Plywood body but it has a superb neck and plays and sounds great. Sorry no picture of that at the moment. The bass on the right is a Greg Bennet by Samick. I could live with just that but it does not speak to me like tye other two and os currentky for sale m3 points
-
Instead of being happy to concentrate on the transparent body and the pg-matched headstock, I find myself with three questions: what does the little switch do? is that a Di Marzio PAF? does anyone ever use tort for the block inlays on a maple fretboard?3 points
-
3 points
-
Custom ordered Maruszczyk Mr Tee 5 string in mint condition, basically has had about 1 hour play. There is a story behind this bass...I ended up ordering 3 5-string Mr Tees because after the first one I was hooked, and still am; these are easily the best basses I have played. I ordered a fretted, a fretless and then a fretted piccolo. However, shortly after I received the fretless, which I had specced up to the skies including expensive piezos and preamp, I bought a Firecreek fretless on Basschat and that gives me exactly the fretless sound I was looking for. It's so perfect for what I wanted in terms of a piezo sound that I found I wasn't using the fretless Mr Tee and that seemed like a waste. I then had a brainwave: I play a lot of piccolo and wondered if the piezo on the fretless would be better suited to the piccolo. Hence, I swapped the necks and... perfect! (Before and after pics attached, the one that's for sale is the fretless with the flame maple top) The only thing that's not quite right is that the wood on the face of the headstock doesn't match the body (body is flame maple, headstock facing is Eye Poplar as it was chosen to match the original bass) but it doesn't look bad, just unusual. The piezo sound is perfect for the piccolo. So now I have a solid bodied Mr Tee with a fretless neck for sale. This is an absolute beauty and sounds incredible, the magnetic pickup is perfectly suited to the Roto Tru Bass strings that are on there and it's remarkably flexible in terms of the sounds available. Body is mahogany with a flame maple top. Neck is flame maple in a matt finish with a Macassar ebony fretboard. Full specs below as well as lots of pics. Comes with original (excellent quality) gigbig, leather strap, unworn Maruszczyk t-shirt (size small) and paperwork although the latter will be a bit confused due to the neck swap. I'm happy to share pics of the paperwork for the other bass as well so the new owner can verify authenticity. Cost was over £1300 and nowadays there'd be import duty and VAT to pay too. Given the modified nature of the bass, I think £850 now £750 plus shipping is fair? Not really looking for a trade but I'd never say never, so by all means try me - definitely don't need an amp though. https://ibb.co/58XFSmX https://ibb.co/wMdZ730 https://ibb.co/17WmT2M https://ibb.co/ygPnYKg https://ibb.co/mzxgqP1 https://ibb.co/hdGWz9y https://ibb.co/k4H4J7F https://ibb.co/jrVK65f https://ibb.co/kX9mnmq https://ibb.co/Tvh3rs7 https://ibb.co/LpPjj5W https://ibb.co/wQ1c97z https://ibb.co/zb9XWqQ https://ibb.co/QKkbvhF https://ibb.co/2gmvhgz https://ibb.co/25QFxh7 https://ibb.co/Vxgc5dd https://ibb.co/ZXMWQjC https://ibb.co/rtj926n https://ibb.co/JkBzck2 https://ibb.co/ncL3GQL https://ibb.co/M72SxH3 Type Righthand Number of Strings 4-String Scale Length Short Scale 30" Number of Frets 20 Frets Body Construction Solidbody Body Wood Mahogany Top Wood Flamed Maple Veneer Without Veneer Color Type Natural Body Binding Without Binding Body Finish Gloss Pickguard 3ply Cream Neck Wood Flamed Maple Neck Finish Matt Neck Profile Modern C Nut Width 40mm Carbon Rods No Fingerboard Wood Macassar Ebony Fretted / Fretless Fretted Side Dots Side Dots Fingerboard Inlays Without Inlay Fingerboard Radius 14'' Headstock Type Flamed Maple Headstock Finish Gloss Headstock Logo Silver Nut Black Pickup Combination Single Coil (SSC) Manufacturer Bassculture Pickup Finish Black Neck Pickup Bassculture SSC 'Black' Closed Electronics Type Passive Passive volume, tone ToneStyler Without Hardware Color Chrome Bridge Spacing 19mm Bridge Type F-Style Knobs Type Dome-Style Tuner Type Standard Y-Style Security Locks Without Security Locks String Type Nickel Nickel Strings M4DN Gigbag/Suitcase Nylon Gigbags Nylon Gigbags Standard Your T-shirt Size S Additional Comments 5 string version, hollowbody-style pickguard2 points
-
Finally time to let go of my amazing Bergantino HT322. Its not been used much by me over the years i've had it but its a glorious cab. 1x12, 2x10's with adjustable horn. Has jacks and Speakon connectors. If you know anything about Bergantino you'll know how well built these cabs are. This cab is ideal for any style of music from Reggae to Rock this cab will do whatever is asked of it. Deep yet retaining its clarity. Fitted with 4 HD castors as this is quite a heavy cab at 43Kg. Comes with a custom made fleece lined cover in black with green edging. Cab is in great condition with no damage, marks or scratches. A few minor scuffs on the corners but hardly noticeable to be honest. Been kept in my bass cave in a non-smoking house. Bergantino HT322 Specs: • 2-10" cast frame woofers w/ 56oz. magnets, vented pole pieces and 2.5" voice coils • 1-12" cast frame woofer w/ 80oz. magnet, vented pole piece and 3" voice coil • high intelligibility tweeter with cast horn • power handling - 800 watts rms • custom phase - coherent crossover with tweeter level control • frequency response: 36hz - 18khz • sensitivity: 102db • anechoic: 2.83v/1m • impedance: 4 ohms • dimensions: 25-1/2"H x 22-3/4"W x 18"D • casters • weight: 95lbs / 43kg CASH ON COLLECTION ONLY Dave2 points
-
This just popped up on my FB feed and I thought I'd share it with the BC collective - Kinga is a MONSTER player, and is just having fun with this one. https://fb.watch/4Ezboos1xp/2 points
-
Warwick 5th Anniversary Streamer - It may look like any old Warwick Streamer but there is no Streamer with a thinner, rigid neck (count the laminates) or a thinner, lighter body AND the pup combo positively growls... even though I play it 90% just on the neck pup!2 points
-
That's a useful steer. A quality 1x12 could potentially get you there for most band needs without a second cab. I personally like to have 300W+ on tap from my rig to give me enough headroom. You'll pick up a used Barefaced Super Compact within your budget and it's exceptionally portable.2 points
-
Yes. By the looks of it, "OFC" (upper case) is oil finish colour in Warwick posts, and "ofc" (lower case) is "of course" used in all manner of posts. I still prefer words, but YMMV.2 points
-
Little switch is series/parallel, pickup is indeed a PAF-stickered DiM Model P, which I liberated from an old Satellite P copy which I paid £50 for, and then sold for £100. Them were the days... Never seen tort blocks but I'm pretty sure some of those Overwater J types had black MOTO scratchplate material inlays.2 points
-
I'd leave this topic where it is, as information for others asking the same questions. It's doing no harm, but could be useful.2 points
-
2 points
-
If I actually plugged my rig in I dare say the neighbourhood watch team would flip...2 points
-
IIRC the Encore E83 was made of ash blocks glued together, like the Sunn Mustang basses were. The E84 was either a 2 or 3 piece body which not only looked good, but the hardware was gold instead of chrome.2 points
-
2 points
-
Probably the easiest way in to effects is to buy a relatively inexpensive multi effects like a Zoom B3 or a Line 6 M5. They are good sounding units that are perfectly giggable, and they'll let you play around and find sounds you like. Alternatively, you can buy some good inexpensive pedals these days. TC Electronic make a good range of pedals that are under £50 each. It really depends if you have specific sounds that you know you want, or if you just want to play around and experiment. If you get in to effects, it can get expensive, as you keep looking for the next cool sound. Also, have a listen to guys like Tim Lefebvre, Doug Wimbish, Janek Gwizdala, Justin Meldal Johnsen, and Juan Alderete (amongst others) to hear how they work effects in to their playing.2 points
-
Bean,,, is,,, English ,,, your ,,, first ,,, language ,,,,,,, ???????? Asking,,,, for,,,,a,,,, friend,,,,2 points
-
2 points
-
I'm Vin, and I'm crap at bass! Live in Bristol, originally from Stoke. Into punk/hardcore/post-punk/post-hardcore and 90s alt rock. Technically been playing 20 years, but for most of that I didn't have a bass, so I don't think it counts. I only picked it up again a year or so ago. Hoping to do a band when it's safe. Never learned to play anyway. Just like making noise. I like short scale basses, cuz my back and my fingers are knackered. My rig consists of a Fender Mustang (PJ), a Portaflex, a Fender Rumble 210 Cab, and a minimalist pedalboard with an emphasis on grindy, nasty grit. Nice to be here, to be here...2 points
-
Good at intros, however. Welcome. You will find any number of self-deprecating bassists here who you somehow know could blow the back wall out. I'm not one of them -- I really do aspire to mediocrity.2 points
-
2 points
-
Sadly ours isn't even that. It's a methane fuelled, food dustbin with the ability to trample over everything breakable and snore like a Tajikistani tractor with a blown exhaust after he's done so.2 points
-
It's not the instrument, it's the pickups. Passives have a loss of highs when the instrument volume is turned down, actives don't. It's one of the downsides inherent to passives.2 points