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Showing content with the highest reputation on 26/04/21 in all areas
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Well, there's only so much pondering and prevaricating a bass can take. Time to get the glue and clamps out:8 points
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I fancied another Jazz bass, so headed over to Promenade Music today. I tried a number of basses in my price range, including a Marco N1 TFL, a Markbass MB JP Black Chrome and an Ex Demo, Fender American Pro Jazz. Each one of them shone, in it's own way but the bass that came home with me was a MIJ Fender Limited Traditional 61, Jazz Bass. Yes, it is a very conventional Jazz bass but when done well, that is a very good thing. I particularly liked the 4 knob (2 x dual concentric) controls, with a volume and tone for either pickup. The C profile neck is a pleasure to play and the vintage style pickups sound full and smooth, with a nice growl. The quality of build and finish are excellent and the overall, traditional feel, sound and aesthetic make this a great, passive bass.7 points
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Very chuffed this week! I've wanted one of these for over a year. They allegedly only did 200 in this colour as a special run then discontinued them. So, when this came up I was very lucky. Took a chance and it arrived in unused immaculate condition, still with the plastic coverings on. The colour is stunning. Not obnoxious green, but not subtle! I have a fender player in sunburst so I knew what to expect, but the maple neck is lovely and bright and the whole bass is fantastically balanced and plays superb.6 points
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I missed out on one on ebay by a few quid years ago and never saw another. I can't justify the cost of the real thing direct from Status sadly, but this popped up on Facebook marketplace yesterday, good comms with the seller, and today she's mine. Need to work through til 5 now though so can't really get hands on with it, but I'm chuffed so far!6 points
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I finished it today. It still needs a little more tweaking though. First impressions, it roars! Those custom Tom Brantley tapped PU’s are powerful! And the PU locations are very distinctive. FULL bassey gobness! And treble crunch snd punch for days. With both PU’s on in stereo a very separated sound field. I still got minor problems, I have to expand the output jack route a bit...the stereo output jack is just crammed in there. Wire and connections are shorting. And...I did put in the stereo/mono switch. Very useful so far. Pics will come eventually... Union Break, sit in the sun, and maybe an adult beverage...where have I heard that before? Did I say it ROARS?! It’s just what I wanted!6 points
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Maruszczyk Elwood 5P 2018 with Maruszczyk gigbag Here is my pristine hand made passive 5 string in Blueburst finish. These are so well made and the maple neck is so smooth. The action is a joy to play. I'm so impressed with the build of these basses. Unfortunately, I can’t get on with 5 strings. Comes with Maruszczyk strong gig bag and Maruszczyk strap. plus paperwork, brochure and adjustment tools Weight is 9.7lbs You will not be disappointed with this lovely instrument. I'm in Malvern, Worcestershire and happy to meet up half way within reason. Or I could post for £35 if needed5 points -
There are definitely many high-fliers in all genres. I would propose Django Reinhardt as one, certainly -- quite incredible playing, and all despite the fact that he could barely use two of his left hand fingers. But 'greatest'? No such thing. All the 'greatest' this and 'top ten' that and 'best' the other, it's complete cobblers IMO. Music is a way of life, not a bloody competition.5 points
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Now, I know the phrase, 'he spoke too soon' very well, but nevertheless... ... Certainly, 'So far, so good!' I find the same with any acoustic guitar or bass - you sense the enormity of the string tension much more than with a solid body. And so those last few semitones to bring it to pitch... But it's there. And so far it's lasted at least 20 minutes. And, while I've not plugged it in yet, it plays and sounds GREAT Just one buzzy fret position out of 87, which will be easily filed fixed. No fret levelling or re-crowning to do And so - assuming it holds itself under tension for the rest of the day it should be just a case of tidying it up. I'm probably not going to completely re-finish the neck - I think it's stained and getting the heel and headstock to match would be a bit of a nightmare on a glued in neck. So, while that remains the fall-back position, I'm going to start off trying an 'as invisible as possible given the limitations of materials and the bloke using them' mend for the fretboard join and either the same, or even a 'if you can't hide it, then flaunt it' jobbee for the scarf joint mend. But all of that will have to wait a bit because, with some more bits on the way, a certain single-cut beckons5 points
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Fender Jazz Bass Marcus Miller made in USA, like new and completely original. The bass is from 2007 but it has never been played, as can be seen in the pictures. Perfect paint, perfect keys, perfect electronics. Before putting it on sale it was perfectly set and checked by a specialized lutherie. It's hard to find such models in these conditions. Obviously the case is original, there are all the accessories and certificates and also the tools in the original Fender pouch, that is still sealed. I don't trade with anything.4 points -
The discussions are fun but unresolvable. I love Al DiMeola, Ralph Towner, John Abercrombie, Pat Metheny, John Scofield, Stephanie Jones, some of the new guys are monsters. Are they the best? I don't think there is such a thing. Who speaks to you? That's the only question.4 points
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I clamped the above and second wing down on a sheet of toughened glass (a glass chopping board from Dunelm) before applying the sash clamps to glue the second wing to ensure that total surface is flat. There will be quite a bit of carving on the back: There is one area I might have to revisit. I have fitted quite a thick demarcation layer of purpleheart to the top - it is strips of fretboard inner splices - and this was, again, bonded on glass, holding it flat while it dried. But, even though purpleheart is tough stuff - much tougher than walnut, there is, at the moment, a significant warp. When the edges are in place: This is where the top currently sits at the neck joint...and that's supposed to be completely flush with the top of the neck! What I will do, it give it a medium soaking and clamp it flat overnight and see if it holds flatness. If not, I think I will need to remove the purpleheart from the walnut, add it to the oak and then add the walnut at the very end. There are, therefore a few options so it's fixable, but I'm surprised the purpleheart allowed or caused such a severe warp - it is one of those woods that generally 'ain't going nowhere!'.4 points
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We should realise that our basses only have an interest for us and no one else. Everyone else is only interested in what we play. I could get by with a £50 bass, but I don't have to. Instead I have bought 2 basses that are amongst the best I have played. None of my bands care a jot about that. They do appreciate the lightweight cabs though. I've been complimented on those many times at 1 am.4 points
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If you enjoy Jazz and have an hour to spare, check this out.4 points
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"So, you play in a band, do you ?" "Yes, but I'm no lead singer or guitarist" "Drummer ?" "No" "Keyboards ?" "No" "So you must be the roadie, then ?" 🥺4 points
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5 hrs drive but worth it. My first ever Yamaha product. A TRB JP1. Fixed action and intonation first then played it some. It needs new strings but sounds great already, very articulate. Neck profile is nice and thin. So far I am really impressed with it.3 points
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3 points
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Hello folks, I am selling here an insanely good fretless from Fbass. This is a custom-made version of the Alain Caron bass: AC4. Every imaginable option has been built into this bass. The bass plays and sounds fantastic, sings and growls like you would imagine in your dreams. This beuty is in excellent condition. If you are looking for the ultimate fretless, you should give this instrument a try. Comes with the original gig bag and an extra set of FBass-strings. A custom flight case can be supplied on request. Also, I have a new set of black FBbass hardware for a 5-string if you don't like the gold hardware. Purchased directly from FBass via Marcel. Of course, such a serious piece of art has a serious price. But it is worth it. Asking Price is 6000 Euro. A trade-in is negotiable. The location of the bass is the Netherlands and shipping can be organised via DHL, GLS or UPS. Custom built in 2009 with the following options: AC-4 string fretless $ 6600 Custom one piece spalted body Custom maple top + $ 2650 upgrade 34,5 neck Satin finish 19 mm string spacing (bridge) Ebony bridge with Piezo PU 2nd magnetic PU + $1000 upgrade Bolt on maple neck Ebony fretless finger board Flushmount strap locks $ 150 upgrade Custom control knobs $ 150 upgrade 3,9 kg Original softcase Total price destijds10.710 dollar excl. taxes and import taxes3 points -
A pleasant surprise today in that Jon sent some more photos from Shuker HQ....3 points
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Looks just like one I used to own. The 2 band EQ sounds great. I always described it's sound, as like a bass guitar with a kick drum behind it, it has a real punch. I'm sure you'll be very happy with it when it arrives.3 points
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A google search found me someone opining that Alexander 'Sacha' Schneider of the Budapest String Quartet deserves that title:3 points
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Isn't it a Status Board 100 ? Vol, Pan, Treble cut/boost. On full boost My S1 Classic is very bright http://status-graphite.com/status/image/parts/board100.jpg3 points
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If you turn up for an audition with an American Fender (for example), it sends out a certain message. The band leader can see that you are using a bass that many pros use and has the comfort of knowing that you are working with a tried and tested reference sound and image. Of course, it makes no difference what bass you bring if you can’t play, but it makes a good first impression. Similarly, a Dacia does not have the badass image that a black BMW does if you are intending to break into the extreme entrepreneurial world of selling drugs. What kind of cr*ppy drug dealer am I buying gear from who drives a Dacia?? It just screams disrespect me, invade my territory and rip me off. Of course, after you have cut half a dozen rivals and knocked a few reluctant punters around, then the message might get through that you are indeed a badass – but if you had the beemer you probably wouldn’t need to…!3 points
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Best or favourite? Best at what? My favourite guitarists, in no particular order: Jimmy Page Jeff Beck Robin Trower Peter Green Wilko Johnson Jimi Hendrix Eddie Van Halen What does it mean? Sod all. Enjoy what you like and don't try to establish absolutes3 points
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Is this a quote from my NHS patient records? 🤣3 points
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Malcolm Young & James Hetfield, along with Izzy Stradlin are exceptional guitarists and often overlooked as they don’t do the widdly stuff.3 points
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Other than instrumentals, this is the bread and butter, meat and potatoes, guts (pick metaphor of your choosing) of what guitarists do most of the time. Pete Townshend is a great rhythm player but when he tries to be Joe Satriani, I think he sucks. Johnny Marr’s playing is always interesting (shame about the singer). But the two players who really shine for me in the rhythm dept, but can also bring it when it comes to lead playing (er, so, er, all rounders then), are Andy Summers and Alex Lifeson. Not just great rhythmically, but also in terms of the textures they bring. The Edge cites Summers as one of his biggest influences in this regard and you can also hear him in Lifeson’s playing in the ‘80s.3 points
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Woke up in a great mood today. The sun was shining and I'd had a lovely hour's walk with the dog and my youngest daughter. So I thought I'd set about my fretless with a drill and a Dremel. Replaced the EMG PAX pickup that was in there with a Wilkinson PJ set, stacked V/T V/T pots and a phase switch on the bridge pickup. Used a 10mm bit to remove most of the wood, then the Dremel with a routing bit. No template, just some markings on some tape. Took my time and stayed calm. I had a moment of panic when both V/T controls acted as masters, I'd forgotten the two resistors to isolate the controls . Added those and all is good. It sounds much bigger than with the EMG, even just this P on its own, and it now has those mids that a fretless really needs...3 points
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Condition is as new. I bought this brand new from Andertons in Guildford but with one thing and another I've only played it once at home. I can't justify keeping such a bass unplayed at home. Classic precision tone, it weighs 9lb 9oz and comes with the tweed case. No trade offers please, I'm open to reasonable offers of course. I will ship UK only, the cost of which will be added depending on destination and it will be fully insured. You will only pay exactly what it costs me to ship, or you can arrange your own courier. Here's the Fender description: The American Original 50s P bass pays tribute to the bass that changed the world. It's got a snappy-sounding maple neck with a stunning 58 Pure Vintage pickup that retains that low-end thump of the originals. The American Original Range The American Original range is focussed on decades rather specific years - which could get quite confusing at times. These basses have also got a Modern fretboard radius with a vintage-shaped neck to ensure they're as playable as possible. Nitro Finish One of the best things about the American Original guitars is their Nitro-Cellulose finish which is done to ensure that these instruments resonate like the Fender guitars of old. The Nitro finish is thinner than a modern gloss finish and this allows the wood to breathe and resonate. The nitro finish will also mean the guitar will age beautifully. So your instrument will grow old with you and simply sound better with age as the wood and finish settles. Key Features Alder body with lacquer finish Single Pure Vintage ‘58 split-coil P Bass pickup Thick “C”-shaped neck profile; 9.5”-radius fingerboard Vintage-style hardware; four-saddle bridge Includes vintage-style hard shell case Specifications Series: American Original Body Material: Alder (803), Ash (801) Body Finish: Gloss Nitrocellulose Lacquer Neck: Maple, Thick “C” Neck Finish: Gloss Nitrocellulose Lacquer Fingerboard: Maple, 9.5” (241 mm) Frets: 20, Vintage Tall Position Inlays: Black Dots Nut (Material/Width): Bone, 1.73” (44 mm) Tuning Machines: Pure Vintage Reverse Open-gear Scale Length: 34” (864 mm) Bridge: 4-Saddle Vintage Style with Threaded Steel Saddles Pickguard: Gold Anodized Aluminum Pickups: Pure Vintage ‘58 Split Single-Coil Precision Bass Controls: Master Volume, Master Tone Control Knobs: Knurled Dome Hardware Finish: Nickel/Chrome Strings: Fender® USA Bass 7250M, NPS (.045-.105 Gauges) Case/Gig Bag: Vintage Tweed Case2 points -
The instrument is from 1998 and is in excellent condition for an instrument of this age. The frets are excellent, the electronics work great, the neck and the truss rod are perfect. The fingerboard is of a very nice and compact rosewood and the back of the neck is painted in a faded satin color, for a better smoothness. Matched headstock. There are a couple of marks and the paint is a little cracked in one place, as shown in the photo. Nothing to worry about or compromise the instrument. Original hard case included2 points -
Hello, I’m a bass player living just outside of Manchester looking to chat/nose about bass so I don’t have to keep boring my partner! I mainly play jazz/soul/funk etc. but am comfortable playing anything really, and I’m a proper nerd about gear and am lucky enough to have some rather nice instruments Cheers for having me! Sully2 points
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So shallow. I would never do that. Well.........2 points
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The joys of making stuff - you plan, measure, use skill and experience only for the unexpected to intervene (often with hindsight it was obviously going to happen) You then get the satisfaction of 'fixing' issues whilst re-assuring yourself that I won't let that happen again. Sadly a new event will happen next time and the cycle goes on (at least it does for me).2 points
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I hope I don't live to regret this sale, but I have decided to sell another of my herd as another bass has come up which I have been looking for for a long time. I think I've priced this fairly as it cost me £2600 including the import duties. I spec'd this one with some extras over the standard build including maple body, satin black finish, Indian rosewood fingerboard and additional pickguard and truss rod cover. This is my Serek Lincoln which I got earlier this year. Comes with the Serek gig bag, brand new Serek t shirt, signed certificate of authenticity - and even a sticker!. Oh yes and and extra white pickguard and truss rod cover if you fancy a change. There is currently a 9 month waiting list on Serek basses so an opportunity to own one without the wait! I have only played this a few times at home and that's it. It is a superb bass and put together with the finest materials and craftsmanship. There are a few videos on the Lincoln on YouTube if you want to hear what it can do. The spec is below Indian rosewood fingerboard Maple body and neck(neck is constructed by putting 2 quarter sawn pieces together). dual truss rod operation 34" Scale Serek Single (side-by-side) 4-way rotary control with chicken head knob (neck pu, bridge pu, serial and parallel) Volume and tone controls Satin faded black finish Black pickguard and truss rod cover Lollipop tuning keys DR HI-Beams Serek Gig Bag Can ship at buyer's expense and risk - it will be shipped insured by UPS (UK only) No Trades - sorry!2 points -
Nope. I was still very much a metaller at the time. I used to get some evil looks due to my Anthrax or Suicidal Tendencies tees...2 points
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Yeh, that is what my other ones were, they were good for the money.2 points
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Same for me. I loved Nephs gigs.2 points
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Sadly never saw them live but did get to see The Mission and Fields of the Nephilim several times..2 points
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I think that's 90% right, but sound engineers may want you to turn up with a Fender P etc. simply 'cos it's what they're familiar with.2 points
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You can hear mine from space.2 points
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I suppose the best comparison I can make is with P basses, having played and owned several at different price points, from £70 to £2000. The cheaper basses always sounded fine, or near enough fine with some basic tone shaping. The difference to me is mostly in two areas: - The feel. Somehow the better instruments felt like they were more complete, as a single item as opposed to some hardware screwed down. Mostly apparent in the neck, where the cheaper instruments often had sharper edges, frets and generally rougher/drier feel. This however doesn't mean the instruments weren't fun in a different way - playing a cheap bass can be a thrill of it's own. - The setup. A cheap bass that allows a super low/flat setup is possible, but luck of the draw - and it may shift and need constant adjustment. The better basses I tried (not necessarily the most expensive) were able to support a wider range of setup because of better fretwork and hardware. This is obviously personal taste because some people like a super high action and to be honest there' something quite rewarding and fun about spanking a plant with strings miles off the fretboard. So with regards to @DiMarco's point about switching to a super cheap bass and noticing the difference, my experience was that I didn't notice the incremental changes going UP in quality over a long period, but busting down to a £70 bass was definitely an eye opener, in that I was amazed the bass was even playable at that price and that I could probably make it more playable myself, but going back to my normal bass felt such a step up. In some ways it's amazing how much variation is possible with a relatively few components screwed together, but I think a vast amount of the money in expensive instruments does (or should) go into the final setup and being built in a way that means the instrument works as a whole. As a result you get less variation from one copy to the next and a better reputation for cranking out winners. If you don't, it can be the death knell of your brand. That's not to say that some companies use a higher price point to alter the perception of quality, as discussed here - but in such a specialised niche as this, mud sticks.2 points
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Give me an easily recognisable player anyday over these interchangeable hyper-technical plankspankers. Any lurve here for Billy Gibbons and Brian May fr'instance. Also don't know why Edge gets so much shyte, mostly it seems from nerdy teens holed up in their bedrooms judging from posts on YT and various guitar/music fora2 points
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Apart from those coming from your knees?2 points
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I'm in the crowd on this recording..! Neil Murray was, unsurprisingly, superb with them, but I always felt that Kenji Sano had the better image.2 points
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I once asked the 6 people in my office if any of them could name any bass players at all. None of them could, even though one of them was married to a drummer and regularly went to gigs. They couldn't name the bass player in any of the bands they professed to like. Some of them had heard of Lemmy, Suzie Quattro and Phil Lynott but had no idea that they played bass. They weren't even sure about Paul McCartney.2 points
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Lack of practice recently (no active project at the mo) means I'm no Adamg67 just at the moment.2 points
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Good one.... but due to his choice of name you'd have to contextualise it by mentioning bass. Otherwise they might think "I'm no Flea" means "Well, I can jump quite high" 😀2 points
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Mix Superglue and fine saw dust from a dark coloured wood. If you want some suitable, and not in a tearing rush let me know.2 points
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1985 was the year I discovered Hanoi Rocks, Motley Crue & WASP, up until then my musical choices had been strictly punk/new wave.2 points
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Thanks for all the input guys. This bad boy just popped up on Marketplace for £575 and is now on it's way to me. Looks like a clean example, and I think it ticks all the boxes.2 points
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Very happy that this rare, little bass found its way into my hands; an original 90s Ibanez Affirma Fretless 5 String. It is exceptionally ergonomic either standing or sitting and has a beautiful fretless tone and craftsmanship. Thanks to Tony aka Hellzero for opening my eyes to these very special basses.2 points
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