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Showing content with the highest reputation on 20/06/21 in all areas
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To inset the jackplate I first attached it and then scribed round the outside and marked the jack centre-point: Next, I tapped some curved incisions around the marked periphery with a couple of sizes of chisel and mallet: Then drilled the 20mm hole with a forstner and started very carefully chiselling a 1.5mm depth within the marked periphery. It takes care and very sharp chisels. The mallet is essential. I still managed to take a chip out around the hole but happily nowhere that mattered (phew): And done:10 points
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These instruments were made in Japan alongside the legendary JV range and to the same high standard. They didn’t have the vintage features of the JV models but are well respected instruments nonetheless. Don’t confuse the SQ models with the ‘beginners market’ Squiers of later years, these are up there with the best US made instruments and are becoming sought after now JV models have started to attract big money. The necks are particularly wonderful. This one is in excellent condition, only a few minor marks and scuffs. The neck is immaculate, the hardware and pickups are like new. It sounds like a Precision ought to! All original and weighs 4kgs. New Rotos 40-100s great balance. An excellent vintage bass at an affordable price. A recent purchase but I need to raise some cash fairly urgently, last in first out. It comes with a heavy, rather tatty but functional aluminium flight case. No trades, sorry. I’d prefer pickup in person as I only have the case to post it in, however if you want it posting in the U.K. I can look into it at your cost. If you want Fender flats on it rather than Rotos I can restring it. Thanks!4 points
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For sale only: Squier Classic Vibe 60s Precision Bass £275 posted. Update: now sold All the specs are here: https://shop.fender.com/en-GB/squier-electric-basses/precision-bass/classic-vibe-60s-precision-bass/0374510500.html?rl=en_US Body: Poplar Fingerboard: Indian Laurel Nut width: 1.685" (42.8mm) Weight: about 3.5kg (7lb 12oz). The bridge is a replacement. The tuners have been replaced with Hipshot Licensed Ultralites (worth £64). Photos show only three strings, but bass has since been restrung with a new set of Adagio flats.4 points
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Up for sale is my 1979 Kramer DMZ4001 aluminium necked bass in really good condition for its year with just a few bits of surface lacquer wear in the usual places. These have a reputation for 2 things; clean, pure tones and being a boat anchor. Mine weighs in at a very reasonable 4.8kg and has no neck dive, partly because the badass 1 bridge (now a rarity in itself), helps the balance so part 2 of their reputation isn’t really true. However the other is true. It has the cleanest, deepest, most resonant and ringing E tone I think I’ve ever heard. It beats the modulus and status basses I owned for ringing, clear tone all the way up the neck. It sounds fantastic and plays really well too with a reasonably low action, no buzz and certainly no dead spots from the aluminium neck / Ebanol board. This model is passive, has the famed Dimarzio Dual Coil P bass pickup on board with volume / tone and a single switch for coil tapping (I think). The switch effectively is a bass cut / boost and when boosted it sounds amazing. Worth adding that the neck is a svelte 39mm at the nut and I just noticed it’s got a zero fret! It really has very little fret wear having had just one owner prior to me who played it for 4 years in a country band and then, due to musical differences, gave up and stored it. As ever, I’m hankering after something else so last in first out unfortunately. If anyone wants to trade a Mesa Boogie 400 / 400+ or an Ampeg SVT 2 / 2 pro then that’s what I’d be after in trade otherwise it’s a straight sale. It has a “vintage” case which is tatty but does protect it - not that it needs protecting. It’s that tough that even ParcelForce couldn’t harm it....... Im on the Wirral but will post it or can meet up or deliver within a reasonable distance (up to 75 miles ish....) Thanks for looking.4 points
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4 points
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No contest. The Keith Moon, man falling down a lift shaft with a drum kit, break in "Substitute" by the Who. Priceless.4 points
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Don’t waste money on a short scale bass, just move further away from your regular sized one.4 points
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Local Band Throws Down Gauntlet Ziggy Pip: Fake encores 'bigger threat than climate change and fascism ' Lancaster, England: Indie combo The Lovely Eggs have issued a trenchant manifesto railing against the heinous tradition of fake encores. Lovely Eggs front-man Ziggy Pip made his case in a sometimes impassioned paean to the virtue of authenticity: 'Look at us!' said the indie rock wild man. 'We're iconoclasts and we're smashing the fake encore system and look at us doing it'. Mr Pip added: 'Twenty years from now we'll moaning about the price of mackerel fillets in Tesco and we'll still be using that eye-catching font and doing the 'upper-case in the wrong place' thing so that you'll look at us'. Ziggy Pip's solo album DoN't lOok at tHem look aT mE is drops next month.4 points
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OPEN TO OFFERS !! Decided to see if anyone would be interested in my Tokai Hard Puncher. It’s been played a lot !! So signs of wear and tear but still has plenty of life left in it, Frets in very good shape. Plays and sounds as good as It looks, it really does sound huge !! Nice chunky neck as well Unfortunately the decal has worn off which is a shame but obviously doesn’t effect the playability or sound in anyway. Based in Peterborough3 points
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New Bass Day - kind of - its actually a present for the OH. She plays the cello to ~grade 7, so its only natural that she ought to learn the bass too! Copious mentions of Tina Weymouth and her music, and a couple of informal lessons, has revealed a bunch of enthusiasm but that she really doesn't like the weight and bulkiness of my (long scale, obvs) Fender Jazz. And.....I own 3x Fender Jazzes so even the one I can lend her is the same. So.....after a bit of searching round and some disappointments in various music shops, we came across this: Its a Squier Mini. Scale length is 28.5" compared to 34" for the long scale (and I think short scale is about 30" normally?). It plays really well! I tried it in the music shop and was impressed immediately - it really doesn't feel "cheap" at all, it just feels very natural and easier to play. I think the string tension is a little lower too, which probably helps. The sound is quite cutting and it can do a good "twang" sound but it still has a decent bass thump. I think it will calm down once the strings aren't brand new. Oh, and its my first Precision.3 points
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The guys in the band I love playing with most are drummers. I'm lucky, I haven't played with a bad drummer in the last 25 years and many of them have been excellent players. I've been thinking about my favourite drum breaks. I always love to hear this from Ritchie Hayward. A perfect drum break to bring the song in. . . from 20 secs in. What's your favourite drum break?3 points
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Lakland Skyline 55-01 Deluxe 5 string,really good condition with just 1 ding near the front pick up,plays great with no issues,ideally I’d like to trade it for a 4 string fender,precision or jazz,and anything In between,with cash either way,comes with a new hiscox case as well,can post for £15,or meet up in Manchester full spec Lakland Skyline 55-01 Deluxe Natural Spalt Rosewood Fingerboard 5-String Bass Guitar General You can tell by its beautiful Spalted Natural finish that the Lakland Skyline 55-01 is undoubtedly a Deluxe version of an electric bass. Mounted with two Bartolini MK-1 soap bar pickups, this forceful model has all the modern, versatile and dynamic-rich sound to match its looks and is great for both slap and fingerpicking styles. The 55-01 Deluxe has a P-style ash body and comes equipped with a Bartolini MK-1 preamp to help you make easy adjustments to the mid-range frequencies. Weight: (incl. packaging) 10.0 kg Dimensions: (incl. packaging) 80.0 x 110.0 x 20.0 cm Number frets 22 Number of strings 5 Active tone control yes Pickup configuration HH Pickup type humbucker (passive) Neck connection bolt on Fretboard wood type rosewood Includes cover no Includes case no Colour wood/natural Country of origin USA Body material ash Model P-model bass guitar Bass guitar scale length extra long scale (> 35 inches) Set no String-thru-body yes Body type solid Product specifications Lakland electric bass model: Skyline 55-01 series: Skyline colour: Natural Spalt made in Chicago, USA body material: ash finish: high-gloss polyurethane form: P-style top: ash neck binding: bolt-on material: maple finish: high-gloss polyurethane scale length: 35 inch (889 mm) fretboard: rosewood fretboard radius: 10-13 inch (254-330 mm) number of frets: 20 string nut material: synthetic string nut width: 46mm (1.81 in) hardware bridge: Lakland Dual Access hardware finish: chrome-plated (black) machine heads: Hipshot Ultralites electronics: bridge pickup: Bartolini MK-1 split coil soap bar middle pickup: Bartolini MK-1 split coil soap bar preamp: Bartolini MK-1 controls: 1x volume (pull/push), 1x pickup blend control, 1x cut and boost (bass, midrange, treble)3 points
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Herb's fluid running round the kit on the intro to Primus' "Southbound Pachyderm", also the whole of the track 'Eleven", also by the above trio. 45" in on this one: And this whole track:3 points
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I've always liked that bit that kicks off the beginning of "Love like Blood" by Killing Joke..3 points
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I play nothing but metal. Mostly Maiden and Megadeth, which I use a pick for but lately I’ve been getting hung up on my wrist position and picking technique to the point of overthinking it and probably making it worse. Sometimes I have a crack at whatever metal track tab gets suggested on YT. Kreator tabs seem very hard to come by online, I find. I warm up to 80’s (guilty pleasure) rock like Whitesnake, Def Leppard etc which I play using finger picking. Am currently trying to develop my finger picking to three fingers so I can switch with the Maiden tunes but it’s going to take some time and practice to build up the finger strength (all things I am often short on). With the pick I've got the attack but with the fingers I've got the speed so it's a work in progress ... I bought the JS2 Spectra last summer but really, have no gear to speak of. I have a little practise amp and a second hand Boss tuning pedal. I do have a virtually soundproof room for practising in though. The background photo on my profile of the Jackson is a picture I took myself at a David Ellefson gig in London a couple of years ago. I went out for a drink with him afterwards.3 points
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Its very popular in modern progressive metal. Some Dingwall basses come with a Darkglass preamp built in. Check out a bassist called Adam "Nolly" Getgood for a fairly typical example of the sound you'll get from that setup.3 points
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3 points
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I've recently joined a metal band. I guess it's stoner metal but none of us are stoners! We've got a slightly unusual sound with baritone rhythm guitar and a 5 string bass both tuned to drop A#. I'm playing a SUB Ray 5 through a Trace Elliot GP12SMX with a 4x10 and 1x15 and usually a nice bit of overdrive from a Earthquaker Plumes or some fuzz from an Orange Fur Coat3 points
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Watched a set by Sophie Ellis-Bextor at Bath's Pub in the Park yesterday. At first I thought she might be lip-syncing, but it turns out she's just very good. Her band were on fire too. They did an excellent version of Madonna's 'Like A Prayer' and the bassist (her husband I think? She called him Richard at one point, seems like a coincidence) absolutely nailed Guy Pratt's sublime octaved part on the original.3 points
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The only thing that could top some of these is if someone like, I dunno, Charlie Drake made a record with Peter Gabriel, Sandy Denny, Robert Fripp, Phil Collins, Percy Jones and Keith Tippett. Oh, wait...3 points
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3 points
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I'm "on honeymoon" with my latest purchase, a MIJ boxer. A P/J hybred, which successfully manages to be a re-issue and an update worthy of a 2021 release. Choosing my bass! I spent around 3 hrs making a racket in Bass Direct, armed with my ears and and an open mind. They have a large collection of new and used kit so it look me a while to decide. The important criteria were the sound (tone/power) and playability, together with looks and cost. I was prepared to pay more if needed and It was a tough decision as there were some really nice basses. The Boxer came home with me because: 1. When soloing the neck pickup, it was one of the nicest sounding of the basses on offer. This alone narrowed the search from several down to one of 3 options. 2. It was really nice to play and the satin neck felt just right (search was now narrowed to 2). 3. The extra tone options! Those pickups are hot and you get a lot of extra tones options. You have the J and P pups, 3 way pickup selector, each pup has it's own volume. Finally there is the "TBX tone knob", which has a split function. The first half turn functions as a normal tone and the 2nd half gives scoops and boost options. I can even hear it doing an active bass impression at times so it stood out when compared to the others. Check out the video below to hear the sound options. It was already winning my heart before even coming down to it's looks and won there too as I love it's RED colour. Other endearing features are that it is light weight and has solid MIJ build quality. So to sum up it is a re-issue, a great precision and bang up to date with more tone options, hot pickups and great neck. I wanted the P bass tone, power and simplicity. The boxer delivers. There are some things that I don't like. I would have preferred a beefier and less spiky bridge (I hate those screws poking up) and I don't like the sharp corners of the pickups. All that comes with the re-issue tag I guess. Overall it is a "bruiser" of a precision and a real players bass. I'm very happy and although it has Jazz in it's title I'll be using it as a P bass. This video sums it up well.3 points
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I saw Dave Allen in London, a long time ago. He had a stool and on a table next to it a glass of water (well, he claimed it was water as he'd stopped drinking). At the end of the show, he noted that he did not do encores, said goodnight and left the stage. After prolonged applause, he returned, slowly crossed the stage to the table, picked up the glass and left the stage again.3 points
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Not so much pub gigs but with “name” bands in theatres and the like, I’ve always taken it that while the house lights are down and there’s no music being played over the house PA, the band are going to come back on as soon as they’ve had a drink/done a line/yelled at each other*. Once the house lights go on and somebody starts playing Tina Turner or some other wildly inappropriate track from a Now That’s What I Call Music compilation then it’s over. *or whatever it is that they do3 points
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I find the band's choice of font in that message far more offensive than any fake encore.3 points
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PRICE LOWERED TO £ 1000 + shipment Up for sale my NS Design Cr4 Radius fretless bass. As many of you may certainly know, NS Design is the last creature born from Ned Steinberger's fertile mind. These instruments show many of the technical innovations that Steinberger introduced in his products since the 80's. Gone are the rectangular shaped plastic made basses of his early years, now all the Steinberger-designed instruments are made of lightweight woods but coupled with headless design, quick mount bridge/tuners, active electronics with EMG and piezo pickups. This particular model is the top of the range in the Electric Bass production of NS Design, and is built in the Czech Republic (whereas the cheaper WAV models are made in Korea). It was an early production model, with 2xx serial number, probably made around 2015. The active circuitry includes two especially designed EMG X pickups and a piezo into the bridge. The controls are Master Volume, EMG/Piezo balance, Treble and Bass EQ, with two 3-position switches for the EMG pickup selector (Neck / Both / Bridge) and the Piezo pickup equalization (Bass boost / Standard / Treble boost). The circuit is supplied by two 9V batteries. The body has a particular curved shape, which allows a perfect contact to the player's body on the back and an excellent ease of play on the front. It's made of maple with flame top. The colour is Charcoal Satin, which is a dark grey. The bolt-on neck is made of maple with carbon fibre core and an ebony fretboard. The newly designed bridge/tuning assembly allows for a very quick change of the strings. By the way, the bass uses standard (single ball end) strings. Dimensions (data taken from NS Design site) are: Overall Length 41.5", Body Length 20.8", Neck Scale 34", Neck Radius 15", Bridge Spacing 19mm, Nut Width 1.60", 12th Fret Width 2.19". The bass has been professionally defretted by the original owner, has a medium low action and is currently strung with roundwound strings (a set of little used flatwounds is supplied) with minimal fretboard wear. The truss rod works perfectly. The instrument is very light (just 3.6 Kg) and perfectly balanced. It's a pleasure to play, being very compact and well shaped. The average price of this model is over £2000, I'm selling it at a much lower price due to the fact that it has been defretted (but very easy to restore to the original fretted state if desired). I'm only selling it because I have far too many instruments and I stopped playing due to the pandemic and don't know if I'll start again. The instrument was bought from the original owner (I was the second owner) and only has some light marks and dents. The previous owner only used for home recordings, since I bought it it has never left my home, so it has virtually never gigged. The original gigbag is supplied along with the user's manual and Allen keys. You can find many videos around showing how these basses play. I'm sorry I can't supply any recordings. The bass is located in Italy. Shipped with courier to EU destinations, the price is around Eur.50 but ask for confirmation. I can also ship to UK buyers, but please notice that there will surely be customs charges for you to pay. GBP 1200 / EUR 1400 GBP 1100 / EUR 1280 LAST PRICE REDUCTION: GBP 1000 / EUR 1160 + shipment Payment with Bank transfer only, no Paypal. No trades, please. For any other information, please ask. My Basschat feedback: https://www.basschat.co.uk/topic/287342-feedback-for-italiancross/2 points
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The knot issue on its own would make me return it. I bought a Player Precision that had a slight (very slight) bulge around the third fret so I took it back. The guys at PMT were happy to take it back though they said they couldn’t notice it. As much of my playing at the time was based around that area of the neck there’s no way I could have kept it, and as such that’s possibly why I was able to notice it.2 points
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2 points
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On a £250 bass I wouldn't have much of a problem with much of that. Beyond that price its not acceptable. Yes, it can all be fixed, that is what separates cheap from expensive. If the knot annoys you now in the honeymoon period, it is going to drive you mad and stop you playing it later.2 points
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A problem you can feel in the neck is an instant fail in my book for a new bass, that would be an immediate return. The bridge is a wierd one. Is the intonation correct? It looks like the saddles are as far forward as they will go before dropping off the screws hence it is running out of spring length. (are those strings stock - looks like flats to me?) You could either get longer bridge springs or get a couple of bridge springs and cut them in half and add a half-length spring to each saddle. I'd not expect to have to do that on a new bass though.2 points
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Lovely bass....sorry to hear of your issues. If you can feel the problem in the neck, that alone would make me return it...or maybe negotiate a discount? My mark couldn't be felt - and my mind was put at rest with the help on the thread. We're in the same position....these things aren't cheap, and for 1k, it should be faultless. Reason for my post yesterday, was in the past I've always accepted all issues as one of those things. They aren't - and if it bothers you, address it.2 points
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Tbh I think your price is fair and about right 👍...there's some really stupidly priced stuff out there , and it's easy to get carried away with what people are asking on ebay, bearing in mind much of it will never sell for the money they're wanting ! I remember at the time these came out, some people were very disparaging and spouted all sorts of rubbish about how an aluminium neck was no good, blah blah, they were a "love it or hate it" thing certainly !... I thought they were great, and it's good to see one again, hopefully someone will grab it and give it a good home !2 points
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A good drummer told me he only did one exercise for his timekeeping, and it helped me a lot. It's a simple subdivision exercise. Similar to TheLowDown's. Put a metronome on very slow, maybe 20 bpm. Then count 1 with the click, then try to place 2 3 4 evenly before the next click on 1. Each time, you will be early or late - adjust your spacing until you land on 1 with the metronome consistently. Then do the same but counting in 3/4 - 1 2 3 1, dividing the metronome into 3 beats. The important thing is to count aloud. If you count in your head, you can 'fool' yourself that you were closer than you actually were. Counting aloud is the key. This builds up you internal sense of time which I think is the main issue with timing. I did it for 10 minutes a day for a month, and it fixed a lot of my time problems and helped me to hear what else I needed to work on.2 points
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2 points
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Never buy new batteries for your active bass, borrow the new ones in your guitarist's distortion pedal.2 points
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I've been playing metal for a long time, among other things. Current favourites are this Blade B4 and Hamer Chaparral. The amp, since the early 2000's, has been an ABM with a compact 2x10 and 1x15.2 points
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2 points
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SOLD I purchased this bass from most excellent Basschater @Osiris in January, for reference here's his original advert... 30.5" short scale Warwick Corvette. 24 frets, passive MEC pickups. The sale also includes the Warwick truss rod tool, not pictured. It has three small dings, all on the rear of the bass (see pics 6 and 7). It comes with it's original Warwick gigbag. The tone of this is what you'd expect from a full scale Warwick, it doesn't have that inherent short scale tubbiness, it sound like its bigger brothers. The controls are volume, blend and individual tone controls for each pickup. For sale only, no trades. Pickup from my gaff or I'm quite happy to deliver to you (dependent on distance obviously) or meet up halfway. Bank transfer preferred. Any questions or requests for more pics please message me.2 points
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Sounds like things will improve Steve . Your attitude and willing to learn is spot on,, and you seem to get on with the rest of the band members anyway . I've been the Anne Robinson of the band in most bands I've been in . In my situations ( and looking back in hindsight ) , it came down to me just not having the time due to constant work, different shifts , socialising , going to loads of gigs and buying new albums etc. That's the excuses out of the way .. I don't know if you play covers or not, but it helps imho Back in the day, there was no you tube and hot licks videos were expensive . Finding a music teacher and having the confidence to do so helps . Learning BEAD tuning is very helpful also incase you get band members who want to tune down in rehearsals and stops you feeling anxious and way out of your depth . It's not a big deal for me anymore . I suppose my last band that I was in ( I stopped playing now ) was possibly my biggest achievement . 4 of us met up to an ad which I placed in loot magazine . The singer was a nice guy who had grear notions about how we could become a regular pub covers band . The drummer was down to earth and laid back but was fed up of band politics and would walk if any started . The guitarist was very good , but his personality was strange . Nice guy but he used to play bass and never really had patience for me . Fair enough. Anyway, the singer kept cancelling rehearsals at short notice which annoyed us. We all went to see other bands in pubs often comparing them to what we could be . Our idea was to get to do our first gig, and take it from there . When we got to the first gig ( the grey horse in Kingston wow!😸) the drummer was late, the singer was awful. The guitarist was his usually good self and I was just " me" doing rock poses out of nervousness like I always did and kept time with everybody else . The guitarist told me I did the best . The next rehearsal we met up, and the drummmer told me I sounded much better ( I put in a shedload of practice in the xmas break ). The singer commented also about my improvement The singer then announced that ne couldn't make it to the next rehearsal ..the guitarist quit .He tried to take the drummer with him but surprisingly the drummer stuck with me and we changed the band name and found a friend of mine who was a singer plus 2 guitarists . That was fun , but most importantly proved with had work and the righ attitude I was co founder of a covers band which I thought nigh on impossible . Anyway ,I'm waffling but hope there's something above that helps2 points
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60s Teen Pop idol Scott Walker and sludge/drone masters Sunn O))) 6 time Snooker World Champion Steve Davis, Cardiacs and Gong guy Kavus Torabi and Coil member Michael York:2 points
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I think Cave was a friend of Michael Hutchins (INXS) and persuaded him to speak to Kylie about it. I believe he wrote it with Kylie in mind.2 points
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We had a brickie round to block in an old doorway and brick it up on the outside. As he was finishing up at the end of the day, the whole family came out and gave him a standing ovation... and by way of an encore, he fine tuned a few bits of pointing. That's made up obviously, except the first part. He's a good guy though. Lives up the road from me. Ex Royal Marines Commando.2 points
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An 11 minute film that plays like three. Just out perspective but check it out if you're curious or bored ...2 points
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It’s tradition - just a bit of theatre. The Wobbly Eggs should learn to relax a bit.2 points