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Showing content with the highest reputation on 07/07/21 in all areas
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haha sorry guys, work has kept me busy and I pretty much crashed over the weekend. 🤣 It went really well. Considering we'd only had 5 practices and months in lockdown with my learning the songs from Spotify playlists I'm really happy with how it went. I even managed to sing backing without having a total mental breakdown 🤣 It wasn't perfect, but it was never going to be. The venue wasn't packed, with maybe 20 people there, so in my opinion it was the perfect first gig with a new band. No pressure but lots of fun.10 points
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So this started out life as a Ash Squire 54 Paranormal Jazz Bass Body and pickguard. The project was basically an idea to upgrade everything, neck, bridge, tuners electronics and pickups. So the specs are: Fender Roasted Maple Neck. Hipshot Nickel Tuners and Bridge nickel hardware all over. CTS pots and orange caps. Fralin Jazz pickups. I hope you like it!8 points
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Back up for sale - but please read again as there are significant changes (in blue) There is a whole thread about the genesis of this bass which I will attach to the bottom of this ad, but essentially I commissioned Mark to build this for me for a charity gig where we performed the Queen set from Live Aid. At that time, John Deacon had stripped one of his vintage P's to natural and it was used for the gig. He later painted it black as seen on the '86 Magic Tour. Please note that this Precision bass has a Jazz profile neck Other than some light playing at home, it has been used only for the rehearsals and subsequent charity gig. Commissioned 10/4/19 - Completed 6/7/19 - Received by me 10/7/19 - Gigged 23/11/19 The spec on this bass is: 1968 Precision in Natural Light Relic Alder body (upcharge for superior wood selection) Rosewood fretboard with clay dots Weight 8.46lbs J width neck Neck depth at 1st fret: 22.55mm Neck depth at 12th fret: 25.32mm Neck width at nut: 37.41mm Neck width at 12th fret: 55.36mm Neck radius: 10" Hand rolled finger board edges Aged nitro finish on the neck Tortoiseshell scratchplate Vintage reverse Gotoh tuners Aged finish in nitro-cellulose, very light relic Tarnished metal work (but not rusty - yeah right 😂) - This is the reason this bass was withdrawn. It had been sold pending payment and I happened to get it out of its case for a quick noodle. As it hadn't been played for a while, I plugged it into the tuner and noticed the intonation on the A string was slightly out. I attempted to adjust this and found that I couldn't as the intonation screws were solid. In fact, the whole bridge was unadjustable! I removed the bridge from the bass, during which the A string snapped at the tuning peg, which was bit odd as the bass has barely been played. Anyway, I tried everything from soaking the whole bridge in lubricant to brute force. Eventually, all the intonation screws relented, but the saddle height screws were having absolutely none of it. I binned them in the end and ordered some new ones. These ones are shiny as you can see from the photos and the rest of the bridge is as it was. If you would prefer, I can put all of the new bridge on to match the saddles, or you can have it as it is. I don't know what Limelight do to artificially age their parts, but they need to stop, or do it less at the very least. Apparently it's a known issue, but unfortunately, I didn't know or I would have specified 'new' hardware. As mentioned above, as a result of the bridge removal, the A string snapped at the tuning peg. This bass is now wearing a new set of Rotosound RS77LD 45-105 Monel Flatwounds as per John Deacon's preference. Yeah, they're not cheap, but it's not going to cost you extra and neither is the new bridge. If you really don't like flats, I can put a set of round wounds on it for you at no extra cost. Hootenanny button on the back of the headstock Thumb rest below G string Alnico pick ups Vintage wired CTS pots and Spraque cap Switchcraft Jack Period correct Fender Big TV logo (as per pictures) Comes in an old, but functional hard case. Shipping update - If you are within a reasonable distance, I'm sure we can work out a meet somewhere. I live in South Essex, but do travel up to relatives in Colchester. I'm also gigging in Derbyshire at the end of this month (July 2021). Failing that, for £50, you can take part in @walshy's 'man with a van' experience. I've tried it and it's great - a total peace of mind service at an affordable price. I would have to double check with him depending on your location, but he has done one long run for me at that price, so I'm hopeful. He's also done many trips for @walshy as well as a few other people I know on Basschat. This is the link for the bass on Limelight web site. Photos - all photos are representative of the bass as it is now apart from the new shiny saddles and the flat wound strings mentioned above. I have included one photo at the bottom of how the bridge is now. This is the link for the thread I started on Basschat about this bass. Apologies for the quality, but here is a short video of its one and only outing. It does exactly what it says on the headstock.4 points
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I saw this on BC last Wednesday, paid Giovanni in Italy on Thursday and it arrived this afternoon (many thanks UPS) All I can say is 'WOW'. When I used to play guitar (many, many years ago), I always lusted after a stainless steel Stratocaster, but that being the early days of the internet, I couldn't find one, so I wasn't going to lose the opportunity to get this bass the second I saw it. It was built in late 2018, with an aircraft grade Aluminium alloy body, rear of body and scratchplate in carbon fibre, bolt on hard maple neck with graphite reinforcing rods and graphitex fretboard with 24 frets and luminlay side dots, Hipshot Ultralight tuners, Alusonic Hybrid Alnico5/Neodymium MM + J pickup with a 3-way selector for the bridge pickup, and preamp with volume, blend, bass, mid and treble, and weighs only 3.9 kg. The changes to the basic version are: - flatter radius. - block inlays instead of simple dots. - 3-way preamp instead of 2. - 3-way selector instead of 5, which acts only on the bridge pickup in series / parallel / single coil mode. - blend on the preamp instead of the 5 pre-selected combinations. It feels absolutely wonderful and sounds better than pretty much any other bass I've ever played. I think I'm going to have to keep my eye out for another one4 points
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4 points
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I would like to point out there is nothing recent about my hatred of Oasis!4 points
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Severe GAS attack... whilst I wait for my nice 4 string ACG to be built decided I'd have an experiment with 6 string basses. I play the viola da gamba aka viol which is a 6 string instrument. The bass viol is tuned DGCEAD, so 4ths with a weird 3rd thrown in in to confuse you. It's played with a bow and it's fretted - the frets are pieces of gut string that you tie to the neck and you have to move them to tune them... The bass is similar size to a cello. The violone is the ancestor of the double bass and is GCFADG - so the bottom G is a 3rd above the E of the double bass in pitch terms. I don't play that but the tenor viol, which is pitched an octave higher. Anyway, viols have 6 strings, tenor and bass use bass and alto (C3) clef, but you do get lyra viol repertoire that uses English/French lute tablature, which fries your brain. Anyway, the Spector is a Legend 6 Classic with burr walnut top and pau ferro fretboard. Standard tuning BEADGC at the moment. Included a pic of my tenor viol and some lute tablature just for fun 🤣4 points
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I think we have had some Bauhaus, but this is my fav. Nice fretless bass.4 points
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Having never played in a band before, I was invited to come try out for one. They asked me if I'd got my own amp and I was honest and said "yeah absolutely, I'll bring it." They didn't ask if I'd gotten my own bass but fear not: I borrowed my sister's bass guitar. I did have an amp and it DID seem loud at home, but alas when I turned up with my 25 watt peavey practice amp I think the band were rather underwhelmed. I plonked it down on the floor next to the guitarists Marshall stack which towered above it and that was the last we heard of the amp for the night.4 points
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Well that was interesting! The mains transformer I bought and installed is not the one I intended to get - it has a secondary of 300-0-300V at 200mA, whereas I meant to buy one that gives 360-0-360V at 400mA. I discovered my error when I checked the B+ voltages, which are about 10% down on what I expected. I used this online calculator to confirm that 200mA should be more than adequate for this amp with a 300V supply voltage - if it gets a bit squashy and saggy, no problem, this is for home use after all. Otherwise I'll have to drop another £120 on a PT that weighs 1.6kg more than the present one! Plate dissipation in each 6L6 is 20W, or 67% of max - that should be fine. With all valves fitted, there is a buzz at the output through my bench speaker but no signal is getting through. I noticed a bad solder joint at the 4ohm speaker output to which the NFB resistor is connected but fixing that made no difference. The 6SL7 preamp valves are the only ones I couldn't test, but I bought them as tested and working, the filaments light up, and swapping them round did not change anything, so I think there's still a wiring error in there for me to find. I've got a busy weekend of gigs and a rehearsal coming up and I need to do some practice, so I'll have to leave it for tonight. In the meantime, here's the mighty valve line-up:4 points
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Trace Elliot V6 ALL VALVE 400W bass amp. The holy grail of bass amps!! Extremely rare!! Very, very few of these made. This dates from around 2000. Packed with all valve goodness and 6 valve output tubes / valves. It has a great gain control which helps keep the tone Valvey but clean right up to high levels. A 4 tone eq stack. Flat is 2-10-2. Post and pre DI and hi and low switches for endless tone shaping! The beauty of this amp is it is around 25kg, so it's a lot lot lighter than an Ampeg or similar valve amp. If owned SVT, ashdown ctm300, laney nexus tube - all the big valve amps, and this is hands down the best. In good condition seeing its 20 years old and sounds amazing!! Also, a current, and certainly future collectors item!! Comes with custom made hard flight case. Reluctant sale. I've had this a few weeks. I've not been able to work since the start of the pandemic, still cant sure to restrictions and now of all things I need ceiling repairs..... so I'm having a big clear out: x2 valve amps, 2 basses. What doesnt sell first, stays. Pick up Leyland, Lancashire.3 points
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Immaculate condition Sandberg 48 in pillar box red this 48 is passive, I don't think there's many around like this one. A member on here 3d printed 2 new covers for me as I wasn't that keen on the original pickups which were sealed inside the covers epoxy or something like that. I stuck 2 (paired) Nordstrand Big Singles in it then put the 3d printed covers back on. It sounds absolutely smashing....a brain wave kicked in & i decided to have a guard made up by the excellent Brian Pillanz so the pickups were exposed...I prefer it like that but changed it back for this add BUT its easy enough changing it over...the guard was stuck on with double sided tape so there's no holes. Pickups are centralised in the cavity just my crap photos. Balances no prob on the strap, I stuck new black Hipshots licensed m/heads on and a new Sandberg black bridge. Nut width 40mm according to my 6" rule. I do have the Sandberg 48 shaped bag that it came with but I'd really prefer a meet up half way distance anywhere in the UK. I do have some good feedback on here 😊 REDUCED 1000/trade .this 48 cost just over 2K3 points
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It lives! Having confirmed that there was continuity everywhere there should be, I turned my attention to finding it where it should not be. I quickly discovered that the wiper of the volume control was connected directly to earth - the culprit was a stray whisker of shielding. Although I had stripped back the shielding and clipped it away (but not completely it seems), the action of sliding some heat-shrink tubing over it had dragged it into contact with the grid stopper resistor feeding the phase inverter. The amp doesn't sound particularly loud through my test speaker (a 10in guitar speaker lying face-down on my work bench - I can't really give it much beans) but that's just to load the output and confirm that the amp is working - experience tells me it will be a different story through my BF One 10, but that will have to wait for now. There is a little bit of buzz that disappears when the volume control is maxed, but I can deal with that at my leisure. I think my transformer purchase goof may have been a happy accident. Running the amp at full wall voltage (249V today) the HT voltages are only 7-9% below the Heritage spec. If I had fitted a 360-0-360V PT they would have been way above spec. Plate dissipation is now 21.7W in each 6L6. This is 72% of maximum, and perfectly fine for a cathode biased amp. The 10W bias resistor gets pretty hot considering it's only burning off 3.7W! I have been lucky with my guess about the PT secondaries i.e. the NFB resistor is not creating scary positive feedback. I still have to fit the feet to the base plate and make sure they don't foul any of the electronics. I'll do this and fit the base plate before I sit it on my One 10. Watch this space!3 points
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We used to cover Don't Look Back In Anger, Roll With It and She's Electric. They were always well received by the civilians in the pubs. I don't care what anyone says about Oasis and by the way I agree, they are twatts, but they came up with some decent songs.3 points
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I have been totally and utterly swamped, finally found some time yesterday. Redid the pickguard, much happier with it. It is every so slightly bigger in certain places and trimmer in other. Also looks less handmade (picture is before final trim/shaping with scalpel). Also did the nutslot… I have decided to go for a brass nut (a la Malmsteen), often overlooked on guitars but I have an incling it will work well for what the future owner will use it for.3 points
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One of my all time favourite tunes frank , check out the album Showcase if you haven’t already 👍3 points
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I was just sitting in traffic in Wanstead high street flicking through the radio stations, and I was so surprised to hear Robert Ayers playing this on Radio London , big respect3 points
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Add this to don't oil your fretboard for the most ridiculous thing I have read on here.3 points
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ON HOLD For sale is a lovely 70's Ovation Magnum 1, in excellent condition. I've wanted one of these for years, having been a fan of Howard Devoto and Magazine in my youth and the brilliant, gurgling basslines of Barry Adamson. I finally found this one not long ago, but quickly came to the realisation that I'm not really Barry Adamson, Jah Wobble, Kim Gordon or Ross Vallory for that matter! So slightly grudgingly, I've decided to part with it. All fully functional (including the string mute) and even the case is in great nick for a 45+ year old bass. Unlike some examples of this bass that can weigh several tons, this one comes in at a very reasonable 4.5kg and sits on the knee or a strap beautifully. £1500 + UK shipping. Sorry, but I'm not looking for any trades.2 points
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I saw this up for sale , and lusted after it . That looks really really nice . Sort of traditional , yet unique .2 points
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I sometimes go to Steampunk events suitably attired: frock coat, cravat, waistcoat, top hat... There are Steampunk bands around2 points
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Not just in the north, they are everywhere. My brother in law belongs to several within an hours travelling distance of Southend in Essex. Same format. You've never seen so many Hank Marvin Signature Strats. I went along once. Just the once. There are only so many times you can try to look enthusiastic about some old fella strumbling his way through Apache. That said, there are one or two players with a very good touch on the circuit.2 points
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The only person on here who is trying to understand the situation has been rushbo whereas everybody else: Woodinblack, rmorris, Rich, Ped, Supernaut have did nothing nothing but jab at the situation because they are hoping that it make me angry at what they are doing, which makes them all psychopaths. Psychopaths go around looking to annoy others because they get joy from seeing others suffer in whatever way they can, it is more satisfying when they are causing it but also enjoy to see people suffer to any degree when they are not the cause of it, they will band together supporting each other to help hurt the person and then claim innocence when pulled up on it. Just once from the gallery but that's all it's going to take, my other experiences have been from different "luthiers" from different countries including where I live so I have went to more than one "luthier" and have now come to the conclusion that they are all con men. If this was any other situation like car mechanic/builder/plumber/electrician I would be told "Why would yo go back to the same guy if he conned you the first time?" why would I change what way I would think about "repair" people just because they "repair" basses/guitars unless there are "luthiers" on here who are annoyed that I'm highlighting what they are like? I have went to multiple people and it is based on actual experience because I am not going to want to go around hating something without a reason, it just wouldn't be a good idea.2 points
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I've spent the last 3-4 months during COVID lockdowns being involved with a couple of new bands, a covers band and their originals side project. We've only been able to actually rehearse together for the last month due to COVID. and tonight is our first gig. I'm nervous but also crazy excited because I haven't played a live gig in about 10 years (the joys of raising children!). It's only a small venue, but considering the last 18 months I'll just be grateful to be out playing and out of the house lol! Feels nice to be going through my old pre-gig routines Wish me luck. 209366896_1127243734352282_7063458346893440239_n.mp42 points
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Well done. The box at the front seems to be thoroughly enjoying his evening.2 points
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This one is a very good free bass amp https://lostin70s.com/plugins/BassDeluxe2 points
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Just catching up, and viewing this on a phone, I thought the bit on the right was a Teddy bear with the top of its head cut off and its brains scooped out. Hoping to make this bash, I'll sort out things to bring when I'm back home in a week.2 points