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Mine arrived today from Thomann. Out of the box it was very nice, after a quick set up (allen keys and truss-rod bar included), it was lovely. Will probably replace those strings with a set of Fat Beams though. I second the very helpful review from @BassAgent above. Thank you for your encouragement to go ahead with this. It plays well, no sharp frets,well finished and crucially no noise ! Thepickups and preamp are really quiet on all settings, in fact it was quieter than the one that I tried in Guitarguitar recently, so possibly a newer one. He told there's was a later model and they all sound like that. Hmmm! Slight negatives are the hardware does have a bit of a "Far Eastern" feel, (well it is) and there is a big drop in gain from active to passive. To be expected I suppose, however I can't see me using passive much unless the battery dies. Rehearsal tonight so I'll give it a proper test.

COUNTDOWN NOTICE, WEDNESDAY 15TH Here is Mrs. Scrumpy's menu to get the tastebuds going for Sunday. As usual, much of the content is good for vegetarians and there will also be vegan content. We think we remember who you are but, just in case, could our vegan friends and anyone else with special dietary requirement please make yourselves known to me - either on topic or via PM. Mrs Scrumpys menu.docx

This was posted on the Dutch bass forum I frequently attend, and was apparently made for the bass player of a Macca tribute band to cover both his Höfner and his Rickenbacker era. As much as I appreciate the attention to detail on this, I think it looks ugly as all hell!

Power has now been hooked up. Blimey ... IT'S BRIGHT !!

These threads always make for interesting reading. A swing band wanting a bass player at all their rehearsals. Doesn't sound that unreasonable to me. Hardly a cult. And setting out expectations from start. I'd say they sound like a straight up, decent lot.

I'm currently involved with five (yes, 5) bands. Two are frontline commercial gigging bands (I have eight consecutive double-header weekends coming up, starting this Friday), two are active side projects which would be interested in gigging maybe 1/2 times a month, and one is a new side project in formation which would never get weekend gigs because it will be insufficiently commercial. Over the last five years I have been rejected by at least 20 bands - it wouldn't surprise me to find that it was actually twice as many! By far the most common reason given has been that they're unhappy with me playing in other bands, and that's really not an issue for me ... much of the time they're probably right, and it would turn out to be a problem for the band. I'm able to make five bands work because: ALL gigs for the two busy commercial bands are brought in by @Silvia Bluejay and myself, which rules out any chance of diary clashes on Fri/Sat nights. Neither frontline band wants to play more than 3/4 gigs a month, whereas I'm happy to play a dozen if they're available. I'm always scrupulously honest with side projects, from first response onwards. I make it absolutely clear that their band will be a side project for me - most immediately say 'YUK' but occasionally the response is "Great, that's exactly how we feel too". I choose side projects that play music I'd really love to be playing, but which I don't get to play in my commercial bands. There have been times when playing with my Classic Soul side project has been like juggling with soup, but I'm compensated for that by the opportunity to play some of my favourite songs with a decent bunch of musicians. A further side benefit of playing in all these outfits, many of them short-term, is that when the next project comes along and it turns out they're missing a guitarist or a drummer or whatever, I always have a pool (or at least a puddle) of musos who I've actually played with that I can trawl to make up any gaps.

Tonika:

First gig since December 2019, and a last minute addition to the HRH Goth line-up for Sunday's Leeds gig. Two mega 6-hour rehearsals to get up to speed after having not played as a band for 18 months. Nice big stage, great sound and a decent-sized audience considering that we were on at two in the afternoon and main attraction for the weekend (Fields Of The Nephilim) were on the previous night. Here's a few photos...

Hi all, New member here, but just though I’d share my new (to me) BBP34. It sounds great and was exactly what I was after in a PJ setup and the neck feels amazing. Looks to have been well loved before, got some light buckle wear on the back and a fair bit of scratching on the pickguard. Many thanks, Will

Getting closer! Ditched the brown stain for black, and much prefer it.

The non-reverse Thunderbird is a thing of cruel deformity

The Parker Fly was a sight for sore eyes:

Speaking of amateurs, apologies for the multiple posts! 😂🙄

Got myself a nice new Markbass set up over the weekend and wanted to show it off to a crowd who might actually care! It is: - 600W Little Mark III head - Traveller 102P cab on top - Traveller 115P cab below All in a custom made "trifibre" case. The Little Mark Vintage underneath the LMIII is mine too - I've basically just got a spare / back-up now. Only played a little bit with it solo so far, but good things to report already. Sounds excellent with the P, and really enjoying the differences the VLE / VPF can make. I've tried both the LMII and the LMV, and I have to say inital reports I might actually prefer the sound of the LMIII! Will have to wait for band context to see how it goes. Flight case super useful for all the upcoming gigs (fingers crossed). Who else is using this / a similar set up? How are you finding it?

I've got flats on my P bass (and had them on all my P's) I keep trying flats on my jazz, even recently had EB cobalts which are very bright. I just can't get on with that sound on a jazz! To me a jazz should have that zingy hollow snap with both pickups on or that burpy punch on the back. I also love the slap sound on a jazz, and I haven't found any flats I like for slap. That being said Joe Osborne and John Paul Jones always sounded fantastic with the jazz/flats combo.

and don't even try to keep up with what Andy Travis actually owns...

I have honestly never been into the idea that for a certain sound a certain bass is required. I've just wanted something that sounds like a "bass guitar" and besides IME most of the sound comes from how you play it and how you treat the electronic signal it produces rather than the actual instrument itself. Also I've been told that most of the "P-Bass sound" comes from the type and position of the pickup, so anything with the appropriate pickup in the right pace should get you close enough in the band mix.

I've got an Abarth 500; the size of the boot is more suited to a singer with no more than 2 mics and a very small notebook of lyrics. With the seats down I can just about squeeze a bass amp and Markbass 4x10 in, but there's not much rear vision. However, it's such fun that: a) I don't care b) I've scared the other members of the band sufficiently that I don't need to worry about carrying a passenger as well...

Here's my family, and the bonus inclusion of Betty on the couch asleep!

A bit like the old Classic 60 Jazz in Nitro (I bought one new in 2013 and still have it)? I suspect they will do that with the Vintera range soon. I've spent a long time looking for a suitable partner for my classic 60s and just bought a Vintera 60s this morning - so the cellulose Vintera Jazz will be announced by the end of the month!

If you mean the AFR, the bridge fits perfectly. It's the lever of the D-tuner you're seeing (also designed by Rolf Spuler) Here's a similar one on an SR3000:

Before a Player gets to be a Performer, they need to be a Practiser, and later, before they're a Pro they're just a Part-timer. I would like to see the specs for the American Past-it Precision.

Latest (and last, for now) upgrade to my wee board. Just picked up the tiny Swiff tuner from @jrixn1 this afternoon, so my trusty old Korg DT-7 is now retired. I might do some cable-tidying work at some point, but for now it will do fine. Yes, I know the Zoom has a tuner in it, but I prefer a separate one.

Dirty loops don’t always hit a bullseye with their stuff (but I can’t name a single act I like that does) but when they do I think the results are glorious. I have listened to the new stuff and wasn’t immediately struck by thriller, but the instrumental funk song above and turn on the light just leave me in awe! If I played in a band even 1/10 as good as them I would be permanently grinning like a Cheshire Cat, playing good music just does that to me. I played in a 12 piece soul band and when we got it right I basically laughed and smiled song after song and was permanently looking at and bouncing off my band mates. I don’t know why having fun comes off as being smug.

Ah. Fear and revulsion triggered by the unfamiliar. It's fine,a nice, safe Precision will be along soon, to make you feel all better. Yes - I do own an Ibanez EDA900.

Floor is now down. Went down reasonably easy and had two planks left over when everything was done. Skirting board going on at the weekend.

As if we aren't all just repeating exactly the same stuff every five or six pages

Not a single chance 😂 Thank you!

You have to start at the beginning, and no skipping posts. 😁 Lovely bass BTW. 🙂👍

I would agree as well, having been double jabbed for some time I’ve always been cautious about taking risks, but if you had negative results beforehand I can’t see an issue. However, as always the decision has to be right for you and I would be respectful of your choice.

This page might help narrow it down: https://www.ridc.org.uk/features-reviews/out-and-about/choosing-car/car Go to the 'Boot' section and play around with the width filters e.g. 'Width of boot floor at narrowest point' should be at least the length of your bass case.

A band i was in used to open with the Thundercats theme tune. I used to do all the shooty laser gun sounds.

This is basschat good advice is what we do.

When I used to live closer to most of our gigs, when I got home I'd have a candle lit bath with bath salts, beef jerky, scotch, listen to post-rock and read my book. That really helped, now we have an en-suite I might resurrect that for local gigs again.

Am I right in thinking this is the one that is partially made from my stairs? very much looking forward to seeing it.

I'll be there! Having a rummage for raffle goodies. Probably some parts from the spares box, a surplus tuner, and other bits. Rich - Westone Thunder 1A (tarted about a bit), Sire V7 fiver, Tanglewood acoustic 4 - all basses strung with nickels, D'Adds on the Thunder and Elixirs on the Sire and ABG. Zoom 509 h'phone amp and cans. FOR SALE: Boss CE-5 chorus stomp wrinkleygit - Jabba’s Semi Hollow Fretless, 112 cab with a lightweight head, possible new addition to the family. Bass strung with Labella flats scrumpymike - FOR SALE: Eden WT550 Traveler; Fender Rumble 800. 'Keepers': my no. 1 gig bass 'Rascal Mervyn-Lyte; 'Rascal Lyte Mkll; Sandberg Cali lV s-s; Mesa Subway TT-800; HandBox R-400; a pair of BF SC3 cabs; a Gillett Contour or two (or maybe even 3) - one of which will prolly be FS. Pea Turgh - My Frankenstein Jazzguarman(!) strung with D’Addario XL Chrome flats. My black bitsa (same strings). Probably my Peterson combo which I’ll flit between selling and not selling (still). Stevie - Ibanex SR1200-VNF, Ashdown RM500, BCbass 112, plus some other bass cab developments (probably) yorks5stringer - Warwick Star Bass Proline (4 string), Status GP Artist (again 4 string), Marcus Miller Micro 101, 1972 Telecaster Bass (poss.), Shuker Course 5 String (poss.) stewblack - Trace Elliot Rig of Death. Ric inspired 'tributes' various amps and basses for sale unless they shift here first. A hernia (probably). basstone - For Sale refurbished Marshall DBS200 combo fitted with beyma 12" speaker. BC v3 cab with G&K MB500 amp. '78 Fender fretless jazz bass with rotosound nylon coated strings. Probably plus one other bass TBD Woodinblack - Ibanez EHB1505, Shuker Uberhorn, Chapman Stick, PositiveGrid Spark amp. olipaulo - Fender Elite Jazz, Status Empathy 5 and PRS SE Kestrel. Markbass CMD 151P, SWR LA15, GK MB112-ii and GK MB212-ii (the last three are for sale so they may be missing from the bash). Helix LT & IEMs Richard Jinman - tbc Stub Mandrel - Fender Performer, Deathburger (sublime to the ridiculous) maybe another bass, GR AT212 slim and Bass Terror. Norm - I'll bring my '98 Stingray 4 (could be for sale/trade), Squier VM Jazz 5, Squier VM Precision 5, Trace Elliot v4 head & Barefaced Vintage 2x15, Roland Microbass & headphones, earplugs & my wallet, looking at what peeps are bringing with FS tags on!!!! Jimrs2k2 - all the normal stuff, some of which maybe for sale. PhilStarr - BC 112 Mk1, BC110T, BC Easybuild 12, maybe some other self build designs. Peavey MiniMax, Burny Thunderbird (Japanese Matsumoku copy JabbaTheGut - 27" short scale basses, short scale telebass, probably something else, TC amp and cab(s) Pinball - Amplification: GB 2x12 and streamliner, Burnes Marquee bass, G&L Fallout, Supro Huntington 1, Fender Jazz Bass Special/boxer, Peerless Jack Casady. (Revelation Dub King maybe)

I've been using the swiff tuner for over a year both for recording and more recently, live work. It does exactly what it's supposed to do, and there have been no extraneous noises when switching.

hahaha... indeed... your bang on! Maybe those Soviet Luthiers were longing for the lone-star state themselves.

It makes me think of texas. It just looks like a badly drawn state map!

And if The Munsters were ever to form a band:

There would be no such void. They would have used something else, it probably would have sounded bassy and we would be having this conversation about something else as we wouldn't have known anything different. A parallel universe where Gibson got there first? Sign me up, there might not have been a 9/11 or Covid either