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Showing content with the highest reputation on 04/11/21 in all areas

  1. Cough…look over here…
    9 points
  2. Some great skills on display by the youngsters here. Fortunately most are too young to be able to give the drummer a lift, so my job’s secure for a bit longer.
    8 points
  3. All astounding players for sure but I wonder, if they are so busy practicing, that they are perhaps missing out on the rich tapestry of experience that makes up a life well lived? After all, if you are so busy on bass you’ll have no time to stagger up to the graveyard, get pished on Buckfast and stage a sock puppet play about the Chinese occupation of Tibet then something is wrong. Unless you amass a rich smorgasbord of experience what will these empty prodigies write songs about?
    8 points
  4. Be nice guys! So. Yes we could get our own hardware made. We've looked into it for sure. But we'd have to make LOADS of it to make it economical - tying up capital (which is stretched because of covid and brexit). So it's just not practical. Or not economical. And by all means we'll be looking at local woods where we can. Yes - the goal is to make as MUCH in the UK as possible. Some things are easy (strings) and some things are hard (pickups not in a standard jazz/soapbar housing for example) But to try do that all in one go is just not practical. One step at a time.
    7 points
  5. 9 year-old on a short-scale. Yes, her dad's a music teacher and he's mates with Victor Wooten but still...
    6 points
  6. I have a Sage Green NYC Sadowsky PJ5 in a Jazz shaped body. https://www.sadowsky.com/past/view/5325.html. As you can see from the pics, the original plate is tort, but I had a white one made. Obv, both will ship with it. It has the Sadowsky case and gubbins. The zip is not quite attached for about an inch around the far back end of it. However, I have always carried it in a gig bag so I have not thought twice about that. I think that the picture with the white guard is the best representation of the colour. The plastic cover is still on the control plate so you can pretend it is brand new and peel it off. There is also a kind of plastic square on the back, presumably for buckle protection. It was there when I got it. I am not one for peeling protective plastic off! There is a tiny ding by the jack socket - close to the Bass and Treble dual concentric. I had forgotten it, but it is there. The rest is peachy. It is very lovely but I am not reaching for it. In an attempt to downsize my excessive collection of basses I am selling some. It is all you would expect a Sadowsky to be. Given that I have more basses than I need, I am not looking for trades - but thanks for thinking about it. Price is shipped with full insurance.
    6 points
  7. Speaking as the OP who titled the thread 'OK you can all give up the bass and go home now' I would like to confirm that this was intended as a joke, a plaisenterie, or, in a sense, a gag. Had I thought that anyone might take this suggestion seriously I might have entitled the thread 'They handed an 9-year old a bass and you'll never guess what happened next' but then again, I'd probably have left it as it is. I think I speak for many when I say I do not feel 'defeated' by displays of precocious talent though I allow that excessively sensitive people might view these vids, hoist the white flag and sell off all their gear, but that's for them to deal with.
    6 points
  8. Vim Fuego : I could play "Stairway To Heaven" when I was 12. Jimmy Page didn't actually write it until he was 22. I think that says quite a lot.
    6 points
  9. I started a new design, that has some features I’ve never done before, like magnetic battery cover and wood pickup covers. I had an awesome piece of camphor burl that I thought would make a great fingerboard. And I did test before using to make sure it was solid enough to hold frets. The body is ash with a cottonwood burl top. The ash has a rear cap , also in ash. And the reason for this is I wanted to cut the control and battery covers before glueing on, as I wanted the grain pattern to match. Same principal with the front. I cut the pickup shapes and then glued the top on. The fingerboard is bound, with EVO frets. Matching headstock.
    5 points
  10. @marleaux62we’re no longer friends.
    5 points
  11. The latest addition to the family.
    5 points
  12. Up for sale is a rather lovely P bass I bought from the excellent @bigthumba while back. I decided I ought to have a P even though I mainly play jazzes and I just don't play it enough to keep it. I'm going to use Mr Thumb's words to describe it. This is a 1995 bass and just wonderful in my humble opinion. The body is nicely off white and the fingerboard lovely and dark. The scratch plate is a replacement red tort that looks so much better than the white one it came with. The pups are stock but the loom has been replaced with a top KiOgon one. It's strung with a newish set of Labella flats. It has small chips, scratches but most notably the dink on the front just above the scratch plate. But apart from that its in nice nick for a 26 yo bass. Weight is roughly 9 lbs 4oz but thats according to the kitchen scales so it may be + - a bit. The nut is 40mm. The bass comes with the Fender tweed case as pictured. I'd prefer collection from London (EC2) or Somerset (TA11 7DT), but can arrange a couier (or you can) at buyer's cost.
    5 points
  13. At the age of 67, I can confidently say I'll never be able to play like that, no matter what I do. It warms the cockles of my crusty old heart to see them do it, but I am a realist. Related to that, I see there have been a couple of comments along the lines of "those youngsters are technically brilliant, but robotic/have no soul", which seems a defensive reaction. It's as if some feel threatened by their ability. The obvious response is that, yes, they may be mainly about technique at the age of 15, but by the time they're 21 or so and have learned and listened more, they're going to be outstanding in every respect. Sometimes, we have to accept that life isn't fair and that ability is inherent as well as worked for. Some people are just better equipped for certain things than others. They have to put the effort in, of course, but their mix of physical and intellectual attributes gives them a head start and means they can take it further.
    5 points
  14. You know how, after a show, amateur players love to tell the performers what they ought to be doing?
    5 points
  15. I disagree with the 'i could never play like that' sentiment. If you were willing to practice 6 hours a day, and knew what to practice, in a year's time you'd be pretty close (figures may vary for the individual).
    5 points
  16. Jackson?? Are you making Nuclear fusion in your bedroom again? I told you to stop that. Can't you go out and play with your friends? And take that stupid hard hat off right now!
    5 points
  17. For sale : Fender Jazz Bass 50th Anniversary, excellent condition, candy red, with original Fender / G&G hard case and all original case candy & tools. Everything works including the truss rod. Fender set out to incorporate all of the 'greatest hits' features in the J-bass's history with these models, full spec below. But if you know your J-basses you'll already know all about this model... The only defects I can find are a couple of tiny chips in the paint on the back, a little wear in the pickguard slot where the truss rod tool goes in, and some lacquer discoloration where the neck meets the headstock (perhaps from a hangar) - I have tried to photo these as best I can. "Celebrate 50 years of solid bass performance with the 50th Anniversary Jazz Bass! Bringing together the best elements of Jazz Basses from previous incarnations, this is the ultimate bass for J Bass fans. The alder body offers up traditional Fender bass tones, which are amplified by the pair of '75 Vintage Jazz Bass pickups. The J Bass has always been favored by players seeking a faster neck, and 50th Anniversary Jazz Bass certainly delivers. The feel of the familiar C-shaped neck is enhanced by the rolled fingerboard edges, and classy pearloid block inlays run the length of the rosewood fingerboard. As with any instrument, tone is a primary concern, and the high-mass vintage-style bridge bolsters both tone and sustain. Rounding out the classic touches on this very cool bass are chrome pickup covers and a bass-side thumb rest. Whether you've been rocking the Jazz Bass since its birth or you're a more recent convert, Fender has offered up a Jazz Bass for the ages with this amazing instrument! Fender 50th Anniversary Jazz Bass 4-string Electric Bass Features at a Glance: Alder Body Nitrocellulose Lacquer Finish, Candy Apple Red Maple "C" Shape Neck Rosewood Fingerboard 20 Medium Jumbo Frets 34.00" Scale Length 1.50" Nut Width Chrome hardware Fender/Hipshot Vintage Keys with Tapered Shafts Tuning Keys High-Mass Vintage Bridge, (Strings-Thru-Body), with Nickel Plated Brass Saddles Two '75 Vintage Jazz Bass Single-coil Pickups Volume 1 (Neck Pickup), Volume 2 (Bridge Pickup), Master Tone Accessories: Cable, Strap, Case Posiflex Graphite Neck Support Rods White Pearloid Block Position Markers '70s bridge pickup spacing Bass-side thumb rest Chrome Bridge and Pickup Covers Rolled Fingerboard Edges Collectable 50th Anniversary Jazz Bass Brochure Highly Detailed Nut and Fret Work" It looks gorgeously classy, plays fast and furious, and produces all the classic J-tones effortlessly. But I'm not truly a J-bass person, and so its time for it to find an owner who is ! Shipping at buyers expense, or pick up from South Gloucestershire
    4 points
  18. The heady rush of selling my P bass has inspired me to relist my Fender Japan '75 Reissue in Olympic White, with a bound and blocked neck and tort plate. I bought it from @Gareth Hughes on this forum for a very reasonable £700. Since then I’ve swapped (Tim Marten did the work) the Bill Lawrence J45 pups for Aguilar HCs (J45s will be included) and it’s wearing a new set of Thomasik jazz flats. Bass has a few battle scars and small mods - flush straplocks on the upper horn and on the back (in a Dingwall inspired move) and a Kiogon wiring loom with a push/pull series/parallel switch on the tone pot. Serial number is P046083, which puts it at either 1993-1994 or 1999-2002. It’s a lovely thing… looks great, sounds great. Selling because the old adage ‘you can’t have too many jazzes’ was disputed by my wife. Turns out you can have too many. Bass is in Somerset, but can be collected from London EC2 with a bit of notice. I’m asking £675 which seems good value given the pup upgrade. No hard case so postage (at buyer’s expense) would need to be gig bag inside bass box. Weight? Not sure. Will check, but it’s no twinkle toes.
    4 points
  19. A couple of weeks ago now but this was our first proper, paid, in a pub gig. It was epic!
    4 points
  20. So's our guitarist but at least she can play!
    4 points
  21. Hardware unfortunately still comes from Korea. And the USA. There just isn't an alternative. Yes we will try use UK sourced wood where we can. But things like Maple come from Canada/USA.
    4 points
  22. Coil closest to the neck = front Coil closest to the bridge = back. There are a minority of weirdos who claim the bridge is the front but they should be secured in a treatment centre next to those who put pineapple on pizza.
    4 points
  23. I see the sun is smiling on your morning mug of compassion today! Kid looked overjoyed and made me smile. If her talent makes her and her friends and family happy that’s doing plenty.
    4 points
  24. Back in the days of innocence and wealth I decided to ask the chaps at Bad Penny FX to make me a super duper bass fuzz with clean blend, boosts, tone shaping, effects loop and anything else they had space for. They readily agreed and began to draw up plans. Then plague settled on the land and everything went haywire. Anyway, today, the eagle has landed. Sound samples and review to follow, but of course no pics means it never happened, so here are some quick snaps.
    3 points
  25. Just taken delivery of my new Ashdown ABM 600 evoIV & am very happy with so far,build quality seems spot on. However I'm stuck at work & won't get home until late,all week too so won't get to fire it up until Saturday morning 🙃 I have a gig on Saturday night too so straight into the deep end with it & looking forward too hearing it in a gig environment. Hoping I really like it after a few years from switching to class D due to an arthritic knee which has now been successfully replaced 😁 Bring on the "heft" 👍
    3 points
  26. NOW SOLD! For Sale - this Fabulous Overwater Custom J5 - complete with Certificate of Authenticity and Overwater Case. I purchased a few years ago because I wanted a really high quality "Jazz" - and this doesn't disappoint. I'm normally a "punchy-active-kind-of-a-guy", but fell in love with this bass sound which is classic and "unaggressive" (is that a sound??) but also surprisingly versatile. It has certainly fitted into all the musical situations I have played. The full and warm sound just always sits "nicely" in the mix. Previous owner had flats on it which actually sounded great although not for me. I've still got them if the buyer wants them. Currently strung with D'Addario round wounds. It's beautifully constructed with top notch hardware including Hipshot Ultra-Light tuners. And the Overwater "Noiseless J" pickups coupled with their own 'Flat Response' Buffer Pre-amp and Passive EQ are really lovely. Swamp Ash body and Maple neck (I think). Lots of spec detail on the OW website. (Plus prices - a new one would set you back £3.5k). I'm told it was born with a natural satin finish in December 2015, but swiftly went back to OW for the high gloss white finish that looks awesome. Condition is excellent. Only one significant blemish in the white paintwork which I have tried to photograph. A "dirty" mark rather than a proper ding/scratch. You need to look close to see it. Reason for sale is quite simply that GAS has really got a grip of me. I now own more basses than I can ever hope to play. And today, I scratched a lifetime itch and bought a Ken Smith from Bass Direct (that I can neither afford, nor justify!). Something has to go, and funds need raising. Holler with any questions - and you're welcome to try if ever in Stockport/Wilmslow area. Can post in that hard case, or meet part-way too if this helps a buyer. Cheers
    3 points
  27. Beautiful Fodera Emperor Deluxe from 2000 in great condition. Ebony fingerboard with dovetail, walnut top and ash body. It has Duncan pickups and Fodera active/passive preamp. Fantastic neck and perfectly balanced. Comes with original Fodera hardcase. All 100% original and working. Frets are in very good condition too. Price: €5750. I'll listen to partial trades. Feel free to send me a personal message if you want more information:)
    3 points
  28. Nice (and scarce) Japanese bb1600. Really don’t want to sell, but I can’t keep it just to say “oh I’ve got one of those…” Got to pay off some recent spending. Really lovely, high quality (like silly quality) passive p/j. Bass is very clean, played but loved - some tarnishing on got hardware but it’s 34/35 years old. Just a shade over 9lb will come in new high quality padded case, recently restrung with GHS boomers. Will come with a selection of gold yamaha spare bits (saddle springs/pickup surrounds). Plays perfectly, sounds wonderful. Listen to No Doubt’s “no doubt” and “tragic Kingdom” for how it sounds. Don't really want trades. Shipping’s an option at cost/risk. Rough guess £40/£50 insured in UK. Also selling a bb350f converted to fretted from the same era.
    3 points
  29. Best purchase of the year for me would be my Markbass rig - pic below. Really nice sounding rig, complete with touring case for shows with the band so very convenient. Cons - bit on the heavy side when cased, but band members don't seem to annoyed by it... Fortunately don't seem to have made a bad purchase this year
    3 points
  30. 3 points
  31. Ewww - wash your mouth out with that kind of language!
    3 points
  32. I can't stop looking at this, but I only bought a bass on saturday 😂 I keep thinking how nice it would look with a tort PG 😍
    3 points
  33. Yawn. Most of these so called wonder kids do nothing with their talent when it matters. Something else will come along and they move on.
    3 points
  34. Did you try the Jazz again after the break? It's more likely something getting hotter than it should in the amp. Turning it off for an hour would have let it all cool.
    3 points
  35. Okay, I see your black scratchplate and raise you..... Cream pickup covers!!! 😮😃🤯 (apologies, looks very yellow in my cellar /music room!)
    3 points
  36. Loving the look even more since I changed the white pick guard. Changed the stock Fender strings to a set of Addagio Flat wounds 45 to 100s for the price one cant go wrong.
    3 points
  37. The way i do it, I can test all three options in the same bass. It hurts a bit to "sacrifice" a bass. But i have spares It won't be empirical evidence for the one and only truth, but it will finally end my curiosity! 😄
    3 points
  38. Fabulous 1971 P bass with the rare A width neck. Bought on this forum from the super helpful Yannick aka @Hoochand still in the same condition. All original bar refret, new nut and cavity shielding which Yannick had done. Very light bass (8.4 pounds) and plays slickly with LaBella 760 light flats. Selling as I am happier playing a Jazz bass these days (love my AVRI 62 RI). Was after essentially what I paid including import costs/VAT (it came to me from France) but will take a near 15% cut to get it moved on. Collection south of Hammersmith Bridge or post at cost. UK-only after some post-Brexit horror stories (2 of which I have been involved in - 1 of which was getting this very bass from Yannick in France!) Will come in a very rudimentary (but protective) non Fender hard case and will be very well packed. No trades, unless its an all-original early 1970s Jazz in 3TS/rosewood that weighs no more than 9 pounds (not many of them around, so highly unlikely ...) Previous FS link with loads of pics and history of the work Yannick had done on this
    2 points
  39. Here's my Westone Superheadless, bought by my wife as a surprise Christmas present back in 1985. It was very well used three and sometimes four nights a week around the social club circuit both here in the Northeast and well beyond, and although the original hard case is testament to those gigs, the bass has held up well. Like putting on an old pair of trainers, as someone once said 😝
    2 points
  40. I was thinking I'd not bought that much this year, but, well, umm, yeah. Bought a Hamer Cruisebass (below) that I'm in love with and while it's not strictly a purchase, I have an NS NXT 5-string EUB for my birthday in 26 days (and counting). I also bought three hardshell cases, a Fender Pugilist dirtbox, a GED2112-DI, an EMG GZR P/J pickup set and I have an Ibanez project arriving imminently. I think that's everything*. There's no bad purchases in there. (*Edit: I just bought an Ibanez Roadster RS-924 as a project.) Gratuitous Hamer glamour shot:
    2 points
  41. I've just watched a fantastic demo of the Jack Casady bass. It shows all the tones available really well and it sounds fabulous. 🙂👍
    2 points
  42. A (fretless) bass in short: A lovely instrument that has perfect setup. 10 % inspiration. 90 % perspiration.
    2 points
  43. Hey y’all! vbnd here, just browsing the internet and found this thread, i am very honoured by all the kind words you guys said! ill let you in on a little secret though, i play a fender squire bass, i think it’s an affinity series?? i’m not sure. but my strings, they’re rounds! i’m not sure what brand, i bought the bass from a friend 6 years ago and i’ve never changed them, not sure how long that friend had the bass either. you know what they say, the funk is in the gunk hahaha. anyways, thanks for checking out the band and our stuff! i look forward to maybe hearing back from some of y’all! cheers
    2 points
  44. Back up FS with price reduction to get this beauty moved on. Funds needed (and my AVRI 62 Jazz is getting no interest), so no trades thanks
    2 points
  45. What a ludicrous notion. That’s for your children to do once you are dead, surely? Nobody actually buys a vintage bass as an investment, it’s a convenient delusional justification.
    2 points
  46. There is a great deal of sense being spoken in this thread. IMO, You might generally make more by using the value of a fine vintage bass or three as the deposit for a buy to let property, which may pay for itself by the time you retire and give you an index linked income in perpetuity, as well as a legacy. On the other hand, moderate sums of money which would otherwise lie unproductive in an account or investment product, effectively diminishing in value and making some other bugger richer, are proving a better return, while also improving the quality of your life tied up in an item of pre-CBS eye/ear candy. Vintage basses are not currently subject to capital gains tax and I am not aware of any plans on the part of the chancellor in that direction. With houses, pensions and investment products, sadly you are a sitting duck for unwelcome HMRC fiscal pickpocketry, the tax laws changing with the wind. Of course, no guarantee of future value on anything you do with your money, but if you have a rack full of fine vintage basses and/or guitars, the feel-good factor might insulate you against a sizeable slice of fiscal vicissitude.
    2 points
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