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Showing content with the highest reputation on 17/06/22 in all areas
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Probably not HEADLINE news but for us married folk - this is BIG NEWS !! i think the heat is getting to her just wanted to tell someone17 points
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Hi, The time has come for me to part ways with some of my collection of lovely Warwick basses. These instruments get occasionally played/cleaned and waxed/returned to their classes, and deserve to go to someone who will give them the play time they deserve. After owning a few other thumbs (limited 03 & 06, 98nt) I finally got the “one” I was looking for. This bass is the lightest thumb I have played with the thinnest/fastest neck which plays and sounds great. I bought this bass from the original owner on eBay.de, and the instrument is in excellent original condition except for some blemishing of the paint on the bridge which does not affect its function or the playability. A couple of years ago I had the frets crowned/levelled and the bass set up by Chris Eccleshall guitars, and there is plenty of life left on the frets. Everything else on the bass works as expected. I wrote to Warwick about the spec for the bass and had a prompt reply from H.P. Wilfer, see below. Bass Thumb Bass NT 4 string Serial Number E xxx 87 Year 1987 Month May Number 852 Neck Wood Wenge Wood with Bubinga Strips Fingerboard Wenge Wood, with Mother of Peal Inlays Frets Bronce Warwick Frets Nut Just a Nut Brass Version Neck construction NeckThrough hidden neck construction Body 3 pcs. solid Bubinga Wood Surface Oil Finish / Beewax Pickups active EMG JJ Pickups Electronic 2 Band Electronic by MEC Hardware Schaller Hardware made for Warwick Made in Germany / Pretzfeld (West Germany) Included is a Warwick heavy duty flight case (black), and strap locks £1650 GBP collected, or worldwide shipping at buyers expense. No Trades10 points
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With a new Ritter incoming, I decided that one of my old Fenders had to go. As this is the only original finish one I have, I thought it deserved a new home with someone who would play and cherish it. It’s a truly lovely thing and in amazing condition for a ‘68 original finish. It’s been played but, I think, it’s been well looked after during its 55 year life! Currently for sale at BassBross where people can visit, try and talk about PX deals etc. I don’t want to betray any trust with Will so it’s only available for sale direct with him. The description from BassBross is: ”This 1968 Fender Jazz Bass has all the looks and mojo you would expect! Featuring blocks/binding, lollypop tuners, pickup covers, original hardcase. This really is a classic mid-late 60’s look! Everything is original apart from the addition of the some extra screw holes that brings the bridge cover further forward, these can be seen in the photos. This bass has had a life and has quite rightly been played extensively, there are plenty of dings and areas of wear to show this, we think this just adds to making this bass so classic. Please get in touch for any more info/photos. Serial number suggests early 68 Neck dated 7 Feb 68 Pots serial is 6631 = 1966 Pickups dated 3-8-68 = March 68 – Part Exchange Welcome – SPEC Serial Number – 218045 Year – 1968 Colour – Three Tone Sunburst Body Finish – Gloss Body Wood – Alder Neck Finish – Gloss Neck Wood – Maple Fretboard – Rosewood Frets – 20 Scale Length – 34’ Weight – 9lbs8oz/4.3kgs Electronics – Passive Pickups – Orignal Fender Gigbag/Hardcase – Original Hardcase Lots more pics here: https://bassbros.co.uk/product/1968-fender-jazz-bass/7 points
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7 points
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'The mod' is happy to oblige. Jimmy: "Have you seen the price of Vespas these days?"6 points
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Good morning dear Leduc community, today is a good day, a very good day💥 Finally after more than 20 years my MP 524 fretless got her fretted pair. Now I need to get back to play6 points
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6 points
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I love my ABM to bits. I bought this EvoII Rc 5 years ago, it's a 2008 model. After gigging it with a cheap furry Chinese case that I got for about 20€ I bought a Gator case for it in 2020. The weight is more of course but it has fallen two times with no damage and I think it looks good as hell. Having bought the 3 space tack version, I managed to mount a small power strip to power the head, the pedalboard and the Mooer Radar with a single socket, I also store all the cables I need for it in the remaining room on top of the head. I play with my P basses and a Gallien Krueger CX 210 cab, at times I also use it combined with the CX 410 cab.5 points
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WITHDRAWN; apologies - Here is a stunning example of Stuart Spector's work, this CODA is adorned with a superb piece of high grade buckeye burl and has a Pau Ferro fingerboard fitted with quality abalone Spector crown inlays. Neck NECK CONSTRUCTION: 1-Piece Rock Maple, SPECTOR® 1962 Neck Shape™ FINGERBOARD: Pau Ferro NECK INLAYS: Abalone Spector inlays NUMBER OF FRETS: 20 SCALE LENGTH: 34" RADIUS: 7.25" WIDTH AT NUT: 1.5" STRING SPACING AT BRIDGE: 0.75" Hardware BRIDGE HEX KEY SIZE: 2mm TRUSS HEX KEY SIZE: 5mm COLOR: Chrome BRIDGE: Hipshot A style TUNERS: Schaller® STRAP BUTTONS: Dunlop® Dual Design™ Electronics TONE CIRCUIT: Aguilar® OBP-2™ with passive tone and active/passive switching CIRCUIT TYPE: 9-Volt Active BRIDGE PICKUP: Aguilar® J™ NECK PICKUP: Aguilar® J™ PICKUP TYPE: Passive - Single Coil, This bass is Active or Passive via Push-Pull Pot Body SPECTOR® Original Coda™ Body Shape BODY CONSTRUCTION: Lightweight Alder PICK GUARD: None Top: Buckeye Burl top - £400 option FINISH OPTIONS: High Gloss Weight: 4kg/9lb 2oz Condition is excellent/unmarked other than a single ding on the body top inside edge; shown circled in one photo. Comes with a Spector Hardcase with key (made in Canada by TKL), a Spector Deluxe padded gig bag, a pair of Dunlop strap locks and the truss rod and bridge allen keys. Price is £2,200 by cash/bank transfer collected or local delivery/meet up close(ish) to Hertford. Thanks for looking. More info and review below the photos. Please PM me for more info/photos. ABOUT THE CODA 4™ It is no joke that Stuart Spector is always thinking about new ways to bring new avenues to improve player experience and offer new soundscapes for musicians to explore. The Coda™ Bass is the perfect example of how Stuart looks to take classic ideas and put a decidedly SPECTOR® twist on them. Part homage to the great bass sounds and styles of the past and yet new and refreshing because of the attention to detail and hand-crafted construction, the Coda™ is nothing short of a new SPECTOR® Classic. "But why do something that's been done before?" Do not let the familiar and more traditional styling deceive you. This bass is a thoroughbred SPECTOR® through and through. All of the things that make our NS-Bass™ models so popular are present in the Coda™. It's these little details and the fact that these basses are hand-made by Stuart Spector and his master craftsmen in our Woodstock Workshop that sets the Coda™ apart from the rest. SPECTOR® players are always first to point out how the necks of their guitars and basses are notably better than any instrument they've ever played. We invite you to try a Coda™ and see if you don't agree with us. "We feel we've created something new and special honouring those classic designs of years past. " ~ Stuart Spector Spector Coda Review 2011 Stuart Spector is a legend in the bass world. His instruments have provided the backbone to bands like Metallica and Living Colour, and have often been imitated. Spector’s Coda series is made by hand by the man himself and his small team in the USA, and unlike his more sleek models like the NS, which still looks futuristic over 30 years after its debut, the Coda pays tribute to an altogether more vintage aesthetic. THE LOWDOWN I reviewed both the Coda 4 (four string) and Coda 5 (five string) basses. Each features: a one-piece rock-maple neck with a 20-fret Pau Ferro (Bolivian rose¬wood) fretboard carved into Spector’s 1962 neck shape; a lightweight alder body; Aguilar OBP-2 active tone circuits; passive Aguilar J single coils; Schaller tuners; Dunlop Dual Design strap pins; and 34-inch scale lengths. The fret radius on each instrument is a curvy and comfortable 7.25 inches. Lined or unlined fretless fretboards are available at no additional charge. The Coda is available in four colours: creme, solid black, candy tangerine and metallic blue. I reviewed the Coda 4 in Candy Tangerine and the Coda 5 in solid black. The workmanship of both basses was absolutely flawless. The crucial neck joint area is unbelievably tight, ensuring unfettered energy transfer between the wood grains of the neck and body. The finish is perfectly applied – something you really appreciate on a jet-black instrument like the Coda 5 on review – and the fretwork is incredible. Bass players often aren’t as picky about the condition of their frets as guitarists, since there’s less bending involved, so I’ve played some basses with pretty woeful frets. The Codas leave them all in the dust. The sheer smoothness of the fret ends encouraged me to get more adventurous in my arrangements, throwing in more slides and grace notes than I would otherwise attempt, simply because the instruments felt so damn agreeable to such techniques. FACE THE BASS The Coda’s tones are very punchy, powerful, dynamic and balanced. The low end is deep and tight, the treble is present and raspy (in a good way) and the midrange is very musical, placed smack bang in the middle of the midrange spectrum rather than being an overly boomy low-mid or overly honky upper-mid voice. The bass’ unplugged tone is noticeably piano-like in tone, attack and sustain, and I quite happily spent about an hour and a half playing the Coda 5 unplugged before it dawned upon me that I should plug it in and hear what it could do through an amp. The Coda’s “plugged in” tone is similar to it’s unplugged voice: balanced, sustaining and with great dynamics. Because the pickups are passive and only the pre¬amp is active, you can switch the preamp off and use the bass with a more vintage tone, which is great for straight-ahead rock and old-school soul and R&B. The ability to boost the treble and bass via the active pre-amp maintains the balanced tone and sustain characteristics while building upon them for a percussive, snappy slap-and-pop tone, and dipping out the treble and keeping the bass up high creates a killer dub voice. I also liked using the bass pot to reduce the low frequency a little, to allow the instrument to sit more neatly within a recording that featured double-tracked seven-string electric guitars. IN A CLASS OF THEIR OWN The Codas are world-class basses that are built with a discriminating touch to create, dare I say it, champagne tones. The workmanship really is second to none, and the only reason I’m not immediately wiring money to the distributor so I can keep the basses instead of returning them after the review is because my bank manager would kill me. By Peter Hodgson Price: RRP $4199.99 (Coda 4); $4399.99 (Coda 5)5 points
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I don’t normally post these, and I never thought I’d even own a Squier, let alone get excited about it. After years of mostly owning Mexican and American Fenders, I’ve somehow ended up with this: 2013 Squier Vintage Modified PJ from @hooky_lowdown A recent peek into the world of short scale in the form of a Squier VM Jaguar, has made me think about looking after my back and opened my eyes to the fact that there are lighter basses out there outside of Alder bodies. For some time I’ve been wanting to try one of the Fender American Special P basses, made from circa 2011-2014 (Highway One update I think), after hearing that they have slimmer necks, and lighter, slimmer bodies than standard Ps. Well apart from the fact that mine says Squier on the headstock, I think the VM PJ offers the same, if not more, than the American Specials, from what I can see: P width at nut, but a slim jazz like front to back thickness at 1st fret of 0.792 (virtually the same as the Am Specials) as opposed to the 0.839 of the 2008 USA P bass I have. Whilst that’s not a baseball bat by any means, the slimmer PJ one feels more comfy to me. The weight (advertised by seller as 7.6lbs) comes in at 7.2lbs / 3.2 Kg (exact same as my SS Jaguar) on my own digital luggage scale and it’s so nice to strap on. Perhaps they missed a trick with not mentioning the slimmer neck on the online specs as they show ‘Modern C neck’ implying it’s the same as a Mexican / American P neck when the reality is it’s a fair bit slimmer front to back. So, this has the slim neck of the American Specials, an even lighter weight (I believe they are around 8-8.5lbs), is less than half the used price of one, and has a hi-mass bridge and the bonus of the extra J pickup. I think this is a great bass for the money. I’ve never been crazy about side jacks, probably because the only one I had before (MIM Deluxe active jazz) always felt in the way during sit down practice and it was before I discovered right angled leads. But with the right angle jack looped over the strap, I actually really like the clean look of not seeing the jack when looking down at the bass. Even thought it sounds great already, I’ll be putting in a Kiogon solderless wiring loom, changing it from VVT to VBT, and giving option to easily change out pickups if I choose to. The Candy Apple Red is a delight to behold. Photos really don’t do it justice. I had a Chrome Red for years and that was quite bright and almost looked a bit pink in certain lighting conditions, this is a more deep red and has a copper / orange tinge to it that is a lot more noticeable in person. It’s a really nice colour and it’s so great to be back to a red bass with black plate. Never thought I’d find a nice lightweight P bass with slimmer neck. I’ve never had a PJ bass before and now I have two! Freshly strung with Roto Swing bass 66 steel rounds, fancied a change as I normally use the Nickel played version of those, a bit harsh on the fingers but sounds so good with just a bit of J blended in.5 points
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I bought this a few years back after falling in love with the look and the heritage. I’ve never seen another! I did a lot of research before buying and there seems to be some evidence that these were genuinely made as test runs for the Fender Custom Shop. It’s certainly recorded that one of the very first P basses out of the CS was a ‘Mary Kaye’ model. From my experience as an ex-CS dealer, the build quality is certainly up there with the CS. Unfortunately my wimpy left wrist, damaged a few years back in a motorcycle accident, means I really struggle with the classic P bass neck profile so I decided to sell it. It’s currently for sale at BassBross in Leominster. This gives people the opportunity to give it a try in the relaxed atmosphere at his showroom. It is only for sale via BassBross (which also allows for various purchase or trade options). From Will’s text: ”This is a very rare bass indeed! Rumour has it that these were early builds for the US Custom Shop. They made a limited run of Stratocasters, Telecasters, Jazz basses and Precisions. The P-basses and Telecaster 6 strings are generally believed to be the rarest. Fender Custom Shop have recently revisited this model in bring out the 57 Mary Kaye Journeyman relic model. But this one here is the original version! This bass features the full size 13′ body width making it slightly chunkier than the modern day P basses. There are a couple of marks on the side of the body and pickguard, other than that is is in outstanding condition for its age. Serial Number – V034979 Year – 1987 Colour – Olympic White Body Finish – Gloss Body Wood – Alder Neck Finish – Gloss Neck Wood – Maple Fretboard – Maple Frets – 20 Scale Length – 34” Weight – 9lbs8oz/4.3kgs Electronics – Passive Pickups – Orignal Fender Gigbag/Hardcase – Hardcase Lots of pics here: https://bassbros.co.uk/product/1987-fender-mary-kaye-1957-reissue-precision-bass/4 points
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Oh it's a bass i've been looking at for a good long while now Sterling by Musicman Stingray “Ray 35 HH” didn't want to go toooo crazy - and it is a bass that's going to suit my needs very nicely4 points
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I remember that too! I looked it up a while back in the Waybackmachine when there was speculation about future models in the Statii Facebook Group. Here's the screenshot I took.4 points
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On R4 Extra at 2:30pm today, and here: https://www.bbc.co.uk/sounds/play/b01r5lms?partner=uk.co.bbc&origin=share-mobile4 points
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You have to remember that Bush and Gilmour would have been asked to participate in an event that they supported (The Secret Policeman's Ball) and put together one song. KB may have sung a duet with someone else (not sure if she did on this one or not). They would have thrown together a bunch of musos that they had been working / drinking with, to perform one song. Remember, this isn't a bunch of kids in a bedsit - it's a bunch of top players, some of whom are very well known. Time is money at this level and, more to the point, everyone is very busy. This is a cause they support, but it isn't vital to their careers and the point is to show their face They would have done one rehearsal, worked out what they were going to play and then, probably gone to the pub. They were never going to not feature DG playing guitar, as he was arguably the best known person worldwide on the stage (certainly the most successful). It was a throwaway, one off performance - a chance to play with friends and support a good cause. I thought that it was fine for what it was, although of course, it was never going to hit the artistic heights of BRX and his chums in their bedsit.4 points
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4 points
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If you're in Britain, just wait 5 minutes and it'll be overcast and drizzle again.4 points
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Hi Guys, Not much going on with me. As you know I'm 68 and have been an amature type performer since 1965 I'm lucky in the sense that my whole summer is booked. That means I have gigs every weekend. Most are pretty decent gigs. Decent hours and respectable compensation. We landed another opening slot with Collective Soul next month. Just a couple of comments since I haven't posted in a while. I read allot of the " I Hate Gigging" thread. My take away was nobody actually hates gigging. Most hate certain aspects of gigging; 1. Bad gigs 2. Bad long hours 3. Bad band 4. Traveling 5. Low pay 6. Personality Issues We all have some degree of power to avoid the 6 bullet points above. While I gig allot my issue with gigging is a little different than most. I found myself in this position where I'm one of the few that needs the money. That in itself puts me in a bad spot. I would say I'm the only guy in my band who needs the money. The other member all have full time traditional careers. What do you think? What kind of questionable band circumstances are you dealing with and how you plan to change them. I guess at some point I'm going to simply say" I'm sick of it" that hasn't happened yet. Blue3 points
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I thought that was great. Gilmour was a bit squeally, but lots of guitarists were in the 80s. Nothing offended me at all. Not even Tony Franklin's "tribute to Nik Kershaw" hairdo. It was live and rawer than the original, studio recording, but to get to the level of pernicketty perfection of "The Hounds of Love" would have taken a long time. Like, a really long time. I'd take that version over Ms Bush singing over a backing track any date of the week/month/year.3 points
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5' 5" and playing a five-string Fender Jazz. Can get a little awkward down near the nut for extended periods of time, but I've never had any real problems. Apologies for the bass face.3 points
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3 points
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Half-assed. Ani diFranco (thinking this must translate as semi- colon)3 points
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3 points
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Ordered some more patch leads Should have this fired up properly end of the week3 points
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My bandmates often tell me something about a break wind - it all makes scents now . . .3 points
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In fairness to her, my wife has never objected to me buying anything bass-related (or anything else for that matter). This has resulted in me now owning 5 Zoot customs. I sometimes wish she would object.3 points
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3 points
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A simple beach shelter will keep the sun off your pedals. The lady can easily tell you whether they're on or not.3 points
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Credit where credit is due, David Gilmore's hair looks very good in this clip. Regarding Tony Franklin's bass playing, many watching this performance today may accuse him of overplaying. Not me, though. Everyone was trying to play like that in the '80s! It was the zeitgeist of the day. No bearded hipsters with flatwound strings in on a P Bass played through a valve- powered radiogram intent on lecturing you about "authenticity." I had a mullet for a good while during this era , and I'm not ashamed to admit it. Looking back now, I looked like an Australian car mechanic in the midst of some kind of a mental breakdown. I had a custom Jaydee too, and a Trace Eliot amp. Perhaps I could send some old pictures of myself to Tony Franklin and he could critique me?3 points
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I don't think this can be beaten. I absolutely *LOVE* the Wal paddle headstock.3 points
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I used to get Carol Kaye to bite my nails down to the quick for me, but when she put her prices up I had to do it myself. Shame, because she had a real flair for it. But I’m not flipping made of money.3 points
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And delightful fretless tone, appearing in 1987 with recently in vogue pop singer, and some bloke on guitar.2 points
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2 points
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2 points
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I think folks will pay what they can for things, much like cars. Things are worth what they're worth to their target market. I am surprised that Jaydee don't charge more though...2 points
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Many years ago, in my guitar playing days, the wife had just received a big bonus and she that I should buy myself a new guitar. I was so surprised that I almost panicked and felt I had to buy it straight away. Fortunately, I managed to get a really good Strat, but I could’ve ended up with something completely wrong. My point is, take your time and enjoy the process, not just the end result.2 points
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That’s cool, you got a good one there 👌, miss RB doesn’t object to anything I buy, she likes the different colours2 points
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I’m well pleased, I got a reply from Sean Hurley when I asked about his strings , when he gets a new set of labella’s he uses Vaseline to coat the strings first to age them and to make them sound broken in , great tip2 points
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2 points
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Their social media game is really weak compared to others. When others launch a new product there's often 10 youtubers revealing their demo vids on launch day. They are provided with units in advance so there's loads available at launch. They really need to be doing that sort of thing these days. I'm looking forward to the demo - I want to see if I can hear the fans!!2 points
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I just use standard nail clippers. If I do it in the garden the neighbours cat eats the bits. Not sure whether they can be digested, I'll check the turds in my veg plot.2 points
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Which would suggest that their new prices are justified and about right. It's capitalism, price is set by desirability/market/supply. If it's too high it won't sell, if it's too low they won't make as much as they should be. The other thing about capitalism is if you don't want to buy something, no one forces you too. If Jaydee were more popular and in demand they would cost more and have a longer wait time.2 points
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Yes, they made a few prototypes of the V-bass, a cross between an S2 Classic and a Jackson Warrior:2 points
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2 points
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Long term project, no rush, make the odd dent or scrape every now and again. It is a PB50-SB body I acquired unexpectedly. A HB jazz neck I always liked but found the body too heavy. Didn't like the remodel on the headstock done by previous owner. So I hacked the headstock even further, bunged the neck on, and voila! It was unplayable. I've heard talk of shimming, never been much of a shimmer myself, but in for a penny. So I shimmed. Can't recall what I used but when I threw it all back together it was perfect. Literally. Action, intonation, all of it. The gear gods were smiling down on me. Oh, it even sounded good. But the body was pristine. Spotless and shiny. I didn't want it that way. Never relic'd anything before so I was a little nervous as I raised the lump hammer for the first time, but it produced a very satisfying and above all believable dent. Once that was out of the way I felt happier proceeding. Anyway, here's the first pic. Headstock. Having already been altered I had little to play with, hence the shape isn't perfect. It was also too clean by a long way so once I'd applied and torn a fake decal I used a match and then a soldering iron. I also recommend a mismatched set of strings for that much used look. More pics to follow.2 points
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Assuming you’re in the UK, I’m going to give another shout for Brian / earlpillanz on ebay. He’s done 4 custom pickguards for me and they’ve all been good quality, inexpensive and a fast turnaround too. Whether or not he can do a 60’s tort exactly like you’d like it, I couldn’t say but it would be worth sending him a message via ebay. Recently I fancied some 60’s-ish tort on my cheapie jazz bass but all the really good looking guards were costing close to the price of my bass 😮 So I caved in and got one from a local seller on ebay for €10. Looks alright on the bass, but not super 60’s by any stretch. Oh and £100 for what looks like the cheap tort that’s all over Amazon and ebay for a tenner is really bad service. I’m sorry to hear you had to go through that. Is there no way to do a PayPal claim or something?2 points
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FWIW, I thought that the video was alright. Not as good as the original recorded track, but a decent live rock band version of a much loved song that was recorded with a completely different arrangement. Would people have preferred that she sang along with backing tracks?? Only on Basschat, eh...2 points
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2 points
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Meanwhile, I was going to dye the front. However, after I'd applied one coat of oil to the rear I realised that the ash had some nice grain, do I decided to oil the whole thing. 2 coats in with the slurry method and it's starting to feel smooth. I'll let it dry for a few days and then crack on with the 3rd, and repeat until it's 8 or 10 coats on there.2 points