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Showing content with the highest reputation on 20/06/22 in all areas
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A great theatre gig at Wimborne Tivoli on Friday night with our 'big' production (lasers, pyro, video screens etc). By all accounts the sound was excellent and visually we nailed it. We got a fantastic audience response and the European agents who had flown in to see the show were suitably impressed. Everything crossed for a Belgium, Holland & Germany tour at some point next year! Woo!12 points
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Third sunday in a row at the same cocktail bar. Last week it was empty amd left us feeling flat. This time we did some social media and they put a board outside. We got a small but highly enthusiastic audience who had a fantastic time, and so did we. Lots of extended improv and several impromptu solos. Also I used my TE Elf to see how it would gig with the GR Bass AT212 and the Epiphone Embassy. The sound was immense and the Embassy incredibly versatile. So a good night.10 points
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Played in the Latch Lifter in Ilkeston for the first time on Saturday. I was a bit on edge, as I do a lot of ...community... work around there, and I REALLY didn't want to be recognised, however even though I was tense, I played well and the whole band sounded really quite tight. Set up was a doddle, and the stage there is excellent. The entire pub is exactly what playing in covers bands or tribute bands is about. The stage looks over a large dance floor and bar which was packed, and even the balcony on the first floor that circles above the dance floor was full by the end. Our friendly bands told us that its quite a tough bar to get moving, however we had people dancing and singing right from track 1 all the way through to the encore's encore. Things started to get interesting when we had a stage visitor take over the lead vocals for "Dakota" (you have to play it, right?). She was utterly terrible and barely knew the words but appeared to be a local hero as the crowd- they were loving it and were recording her. .. so there she stayed for the song. For the last few tracks, we had some younger ladies on stage trying to dance with me or the guitarist too. I kicked my pedals away from under their feet, and enjoyed the show, to be honest... Fun crowd. VID-20220619-WA0004.mp48 points
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Thanks to everyone for the interest shown in this. It’s now sold and gone to a happy new owner! I’m selling my 1982 Fender USA Precision Bass. It’s Olympic White with maple neck and fretboard and is in immaculate condition (see below for the reason why!). The bass has quite an unusual history. I bought it in 2015 from @darbiter who, when I picked it up, told me that his family used to have a music business in London and that this was a bass that his dad (or grandad, I can’t remember which) had taken to use with his band. I got the impression that this was a last-minute, need-a-bass-for-a-gig-tonight, spur-of-the-moment kind of thing. Whatever the reason, the bass didn’t do many gigs before it was put away (under a bed, apparently) and was forgotten about until they came to have a clear out, discovered it and put it up for sale. The bass still has the original factory packaging along with the thumb rest, pickup and bridge covers (which have never been fitted). I only gigged the bass a few times before I got the Jazz which became my main gigging bass and the P was then used exclusively at home. A couple of years ago I got hold of a heavily discounted set of Fender Vintage ’63 pickups. I fitted them to see what they sounded like and ended up leaving them on the bass because they sound really good. The original pickups are included of course so the bass can easily be returned to original factory condition. The bass weighs 10.2 lb on my digital scales, is nicely balanced and sounds phenomenal. I did a little research when I got back home and discovered that Dan’s family, the Arbiters, were significant figures in the UK music scene throughout the sixties and seventies and, in addition to owning the Sound City music store (amongst others), designing and selling their own range of guitars, fuzzboxes and amps (and designing the drop-T logo for the Beatles), were also the official distributors for CBS Fender products from the mid-seventies. So this is a Fullerton-era Precision bass that was the personal bass of by either Ivor or John Arbiter and which has remained unused for years until I bought it. I doubt the provenance makes any significant difference to the price but it’s part of the instrument’s history and should be recorded. It also explains why it’s in such good and original condition. (Dan’s original advert is still on the site, along with a helpful discussion about the serial number. Sadly, the pictures no longer load - apparently there were a few which showed the date stamp inside the neck pocket which dates this to 1982). I'd rather not take the bass to bits at this stage but if serious buyers want pictures of the neck pocket and wiring harness please PM me. As you can imagine, I’m reluctant to send this by post so would much prefer collection or a handover in person. The bass is available to try out here in leafy Lincolnshire or there’s a good chance I’ll be able to arrange to deliver/meet - please drop me a PM to discuss options. Please note: I'm struggling to know how to value this - given the condition and originality, I've tried to pitch it at what I think is a fair price for a Fullerton-era Precision but if I'm wildly out then I'm hoping that the BC collective will be able to help me get to a more informed valuation! Pictures below...7 points
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7 points
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A genuine 1964 instrument. The bass was refinished to a very high standard a number of years ago. When I bought it the electrics were poor and the original pots already gone. I’ve had it rewired and fitted with 250k CTS pots, the pick ups are original. It’s strung with flat wounds. Comes with an Epiphone hard case that it’s fits very well.6 points
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Probably got GAS and wife has said 1 in 1 out5 points
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Note: I've seen something that I fancy so temporary price drop to £750 until one of my basses sells. Here's a nice L2000 that I got in a recent trade. It sounds and feels great as you would expect. I was told it was made in 1992, although I can't see a way to be sure of this. I would have dated in then or earlier, maybe late 80's. Anyhow it is a lovely usable classic. This is a used bass so there ere are a couple of "dings" on the front but in general it is in great condition for its age. Trades? I would like a G&L L1000, SB2, LB1 or maybe a nice Fender Precision of Jazz Special/boxer. I have included some pictures from the previous owner as theirs were better than mine lol. Local pickup or trial welcome but can post at cost if need be. Weight is 4.3kg4 points
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For sale is my USA Fender Precision Pro II in Miami blue. Only a couple of faint surface scratches to the body, otherwise immaculate. Comes with Fender hardcase, paperwork and tools. Weight is about 4.2kg I really need to keep my lightweight Roscoe due to my crap back so I withdrew it from sale but that dose mean I have to part with this which is a shame because this is a belter but hey-ho! I've owned a good few US Fenders over the years and this one dose stand out in build quality and finish. I found the neck profile much more pleasing than my other Pbasses, I believe it's based on early 60's dimensions, can't be certain but it really is nice. The reshaped neck joint with the 5 bolts works well should you venture up the dusty end of the fretboard. Its currently strung with newish DR Nickel Lo-Riders 45-105. I would obviously prefer collection or meet/deliver within reasonable distance but I do have a good box and packaging for shipping. I will only use UPS at £35. If you wish to arrange an alternative it's fine by me. No trades please, sale only. The price is firm, and a bit less than I paid for not too long ago.4 points
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4 points
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4 points
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In Chas Hodges (of Chas & Dave) book he wrote about this, and said that at their sound-checks they got the vocals right first, then added in everything else underneath it so that the vocals always stood out clearly. He did say that a few times they had to advise the sound people that pretty much no-one ever went home from a Chas & Dave gig complaining that they couldn`t hear the bass drum properly, but a few times people had complained they couldn`t hear the vocals, so from then on that was how they worked, they vocals/lyrics being more important than any of the accompanying/supporting instruments. Which is directly opposite to pretty much every sound check I`ve ever done, where probably more time was spent on the level of the kick drum than on (all of) the vocals. Ok, yes, it was punk, but even our vomit should be heard clearly!4 points
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Always liked this one... We have it on our garden centre playlist (along with loads of other dub, about 700 tracks, with hte rest being funk and jazz, with some classical...). And it entertains me no end when some old folks are browsing our pelargoniums, and suddenly, from nowhere, Duckie or Junior shout "Big Spliff"4 points
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apart from all the great recommendations listed so far, I'd recommend this too, with Adrian Sherwood at the console4 points
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When gigs like that happen with nobody, or nearly nobody there or paying attention, we treat it as a paid rehearsal.4 points
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Stingray 40th anniversary edition with paperwork and official hard case. Has been gigged and rehearsed with but is in excellent condition. Plays incredibly well and sounds immense. Build quality is exceptional. I have too many basses and I have a Status which does the same thing as this but also has fairy lights … More info here: https://www.music-man.com/instruments/basses/old-smoothie More photos on request, I’m currently down with covid so responses might be a bit slow or nonsensical 🤣4 points
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Syncopate, to leave space for the solo, by playing the root on the 'one' for the first chord (assuming 4/4...), then the root on the 'three' of the following bar. the. Link up with the drummer, who also stops, except for a heavy beat along with your bass notes. Rinse and repeat. So : One ... ... ... |... ... Three ...| One ... ... ... | ... ... Three ... | etc. Plenty of attention given to the solist, and an intereting break from the rest of the song. Try it..?4 points
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I’ve had it a good few months now and I’m still loving it. Passive like my 63 P or cutlass I use the bass to around 11 o’clock and treble around 9 0’clock I keep the low cut switch off volume I keep to around 12 For active I use the cut switch and dime the bass, treble to suit it makes everything sound rich and creamy. It has enough output to drive my power amp from the 1/4” out but if I’m feeling a little cheeky I run it into the fx return of my Handbox wb100 and it’s just perfect.3 points
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3 points
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So after the failed 'Dip' i've sanded back and gone for Natural in Danish oil. Unfortunatly there is still a little white primer in the grain... but had enough of sanding... As the saying goes 'Close Enough For Jazz...' Jazz body with Kent Armstrong Hot Vintage Alnico P and J Pickups wired with a @KiOgon VBT loom... wearing Adagio flats...3 points
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He is actually a humble chap. He came to the dressing room (tent) of a friend of mine, Deke Leonard, to get a single signed - Man’s Sudden Life - that he’d bought as a teenager. Unusual for a bill-topper, I was impressed.3 points
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I can't believe it's been all these years since I posted this review.... Anyway, thought I'd share an update; I'm still playing the same set of strings, and they still sound fantastic. I've also saved a fortune not having to replace strings approximately every 3 months. I would definitely recommend these strings.3 points
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It’s funny isn’t it, as I went to see The Professionals last year and the sound was easily the best I’ve heard at any gig ever. So it’s not new technology/gear to blame, solely the ears of the people doing the sound. Maybe a lot of these bands as well as having sound-people should have some sort of road manager who can simply say “that sounds awful, sort it”.3 points
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I went to see a band called Mamas Gun, at Lafayette, in London, back in January. The band played to a packed house of 600 people and the sound was excellent and the PA looked pretty 'state of the art'. Fast forward to the beginning of this month and I saw them again, in a small club under a railway bridge in Glasgow, playing to about 50 people,through a not very 'state of the art' PA system. But the sound was equally as good, if not better, at the gig in Glasgow. Interestingly the bass drum did sound too loud for part of the first song but after that everything, including the 4 piece harmonies, sounded fantastic. Their sound engineer really needs a medal. Interestingly he was introduced halfway through the gig by the band, and took a bow.3 points
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I'd have to say NO to that venues request to store gear in their premises at my risk. Too much money in our gear to leave lying around. I dont even leave the car unattended when loading or unloading. My wife stays with the car at all times. If she's not with me the band members take turns staying with the vehicles while others load / unload etc. Dave3 points
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Maybe we as punters are partly to blame because we don't say anything, other than on forums like these. If every time the sound was crap we posted on the band in question's social media pages, and if we could find out who had been hired in to do the FoH post on their pages too, and if it's an in-house PA on the venue's pages as well. Then if enough people do it, then it might become obvious that a mix that is all boomy kick drum is not want the audience want.3 points
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1978 Fender Musicmaster Bass. All original except the pick up was upgraded to a Seymour Duncan SSL-1. This short scale bass has had a recent set up and new strings. Plays really well. Condition wise it’s great considering it’s 44 years old. No case or bag(apart from a well worn gig bag that came with it.) You’ll see these retail at far higher prices so grab this while you can. I was looking for one for ages and ended up with two hence moving this one on. I do have the original pick up which could be included by separate negotiation if you’re looking to have an all original instrument. Happy to meet up to exchange with in reason.3 points
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06/07/22: SOLD. PLEASE REMOVE. FOR SALE: Markbass rig - 600W Little Mark III head - Traveller 102P cab on top - Traveller 115P cab below It's all housed very satisfactorily in a trifibre hard case - so it's in pretty good nick. Case has wheels / castors so can easily move it around. I am selling for what I bought it for in Nov. last year, so not open to offers thank you. It's in Stroud, Glos set up at a rehearsal space. Bring your bass, have a play and I'll make the tea. Reason for selling is we can't fit the whole thing and our PA in our small van. Gutted. Trades? Well, I'd really like to try a Barefaced 4x10... *22/06/22 - Edit - After being asked, I am only selling this as a whole rig / unit and won't split as it's all housed in the custom made case. Please feel free to ask any questions. Also for sale is the LM Vintage Head. Separate ad for that here. Fender precision bass not for sale. Thanks for looking. Jack2 points
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I am new to the forum and have used TALKBASS.COM for ages. Time to spread out a bit!! I was born and raised in Chicago, Illinois and was the staff bassist at a theater playing for all the major shows touring through Chicago. I made my living recording jingles and movie scores while playing shows at the theater in the evening. Toured for Andrew Lloyd Webber for 20 years on the road. (ALW concert tour, CATS, Phantom of the Opera and also Les Miserables- not a Webber show). Currently living in the Phoenix, Arizona area (hot as hell for the summers). I perform 5 shows a week at a dinner theater and play church gigs on Sundays. Also freelance for other projects on my days off. I look forward to chatting with others on this forum.2 points
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2 points
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Rhythm & Sound (and Basic Channel) have produced some of my favorite music. This one especially:2 points
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2 points
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2 points
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I'm selling this incredible Bass Mods K6 because I just don't use it enough and I'd rather it went somewhere that might use it and love it as much as i do! A beautiful pastel blue with Kent Armstrong pickups, a 35" scale, through-body stringing and an 18V uprated John East J-Retro Deluxe preamp. This thing really sings and dual truss rods mean the neck is super stable! Just back from a service and set up from Joe White in Aldershot and strung with new D'addario XT strings, complete with documentation. Fitted with Diago Twistlock strap locks for extra security and I can throw in a hard case if you need one. I'm willing to ship at the buyers cost or can meet you somewhere between us to drop it off. One small mark on the back of the body and one by the jack socket (see photos). One of the battery compartment covers has lost a hinge but it doesn't affect the closure and is securely fastened. You know how good these instruments are and a new one will cost you around £1500 so pick up a real bargain!2 points
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Many years ago I saw Little Feat at the Shepherds Bush Empire and when they started the sound was wonderful. Just like the records. I was standing by the desk and noticed the sound guy never stopped twiddling!! The sound got progressively worse and ended up an indistinct mush and painfully loud. IMO the biggest part of the sound guys job is to know when to leave well alone. It seems many don't understand the concept of less is more.2 points
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Saw the Stereophonics live from Cardiff stadium on BBC2 last Saturday, and saw their bass player Richard Jones rocking a lovely black BBP34 the whole time. Looked awesome!2 points
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Does your father-in-law want a vintage lawnmower? I'm trying to imagine the look of bemused politeness if he actually expected a Joni Mitchell CD.2 points
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Bought recently from a fellow Basschatter. Apart from my fretless Corvette, not played anything else since.2 points
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I find active basses more trouble than they are worth. You don’t use one for ages, leave it unplugged and go back to it and the battery is flat. Over cooked sounds as well. I just prefer a naturally aspirated bass.2 points
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My headstock, inspired by the old double bass extended fret board headstocks.2 points
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2 points
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2 points
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Ours was good, it was a village pub ½ hr from here, outside in a tent (one of those big teepee ones). Easy enough setup as there was a stage for the drum and we could park next to the tent, although I threw a bit of a strop that I get all the PA stuff out while the rest of them were messing round with the banner, but it was an easy setup and the singers son was there and helped with the setup. Sound was great - I think it is easier to do sound outside without reflections and I brought the sub. It was a short 2 hour gig and also 7-9 rather than 9-12, so it was a nice thing. A bit cold though, considering I had been in the sea on the previous day trying to cool down, it was a bit of a change. But the audience were good, a lot of dancing in the first set, which is unusual, and then the more usual, not much until half 8 then "1 more song' from 9 until we finally did finish 20 minutes later2 points
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Massive attack vs The mad professor is a great album for the more contemporary minded.2 points