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Showing content with the highest reputation on 22/06/22 in all areas

  1. I simply cannot understand the appeal of these. I'd also bet that the majority of these are completely staged. Coming up next !!! ... watch this old woman's reaction to price of groceries at Tescos .................
    11 points
  2. Some neck progress:
    7 points
  3. New to the forum. I'm not a real bassist - I've come from The Fretboard to attempt to sell my big guitar. Mid 90s. Some cosmetic damage, one large paint flake on rear edge and a crack at the neck joint (not structural). Plays amazing, really nice neck. Upgraded bridge. I really need to sell this as I broke the one in, one out rule. Comes with a decent quality gig bag. £700 Happy to meet/deliver within reason, would prefer not to post due to only having a gig bag. Based in Holmfirth, West Yorkshire. Can send more photos via email/whatsapp. Thanks, Josh
    5 points
  4. So this evening is the first chance since the weekend that I have had to do a few little jobs including bringing an old flame back into the fold. I will say I have owned this bass since 2006 but since I was in my early 20s and living at home it really hasn't been used I even made the choice to leave it at my parents home when I moved out many moons ago. I have over the last couple of years purchased far to many basses,sold far to many basses but in doing so I came across the old receipt for when I purchased this bass (again a while ago but it started the itch) which has led to this point. On Sunday I removed the bass from my old bedroom and we made the journey home. The Bass in question is a Gibson EBO that has had John Birch convert it to EB3 type specs but with his pickup and bridge and although it's been a while it is very similar condition to when I last used it in anger with crazing the faded colour to a orangy gold rather than the cherry and all the knocks and marks expected with a bass from the 60s. Today was finally time to show some TLC with new strings a gentle clean and then a really good oil of the board (not the best area to work but needs must sometimes) The bass is now looking and playing great although I have yet to play through the amp as I ran out of time but I forgot how loud the bass is acoustic the vibrations through the body is totally surprising even more so when you consider the small body. I love it can't wait to get it cranked up as I remember the Birch pickup being very hot.
    4 points
  5. 4 points
  6. Just back from Queen at the O2, really surprised myself at how emotional I felt - they played a few snatches of Freddie's vocal which really caught me off guard. I've always been very sniffy of them carrying on without Freddie and John but I have to say I was completely wrong - Adam Lambert was excellent vocally and very respectful of the legacy generally. Neil Fairclough was fantastic, both bass and vocally. Overall a really top night. Damn I hate it when my sanctimonious self is wrong...!
    4 points
  7. Great bass, massive modern tones, loads of tone shaping options with the preamp and switches. Pretty much every combo of coils and pup combo you can think off. Largely unused and sat on a stand at home. Still has tags on it. I can deliver to UK well packaged for £20.
    3 points
  8. My needs have changed entirely since I bought this, so time to offer it to the Basschat collective. This is NOT vintage and rare. It's better than that. This is unusual and rare. And aluminium. Unless you're American, in which case it's aluminum. And the wiring uses sodder. Some would argue that this ^ is their good side, but actually I prefer Specs? You want specs? https://www.alusonic.com/aluminium-cabinets.php The reason they are so stylish is because they're Italian, made in Italy by Italians. They were already appallingly expensive before Brexit. Now they're even more appallingly expensive. But because I'm such a friend of Basschatters, I'm listing the one with the tweeter at the same price I paid. Note that this only really helps you if you're a British Basschatter. Can I offer my condolences to all the Basschatters who are forced to live in warm, sunny countries which aren't governed by Boris Johnson? ***EDIT *** SOMETHING SEEMS TO HAVE CHANGED. The carry-handles are a nice touch. Those Italian designers clearly know a thing or two. That nasty nick in the back of the tweeter cab was already there when I bought it. It's still there. Do I really need to use cliches about not affecting playability? In a nutshell, these things are cool as. You know you want it. Photos: @Silvia Bluejay
    3 points
  9. This was on earlier today and I thought it might interest some of the Basschat members. It's just under 30 minutes long... The Documentary - Carol Kaye: Queen of the bass - BBC Sounds
    3 points
  10. I feel very happy and fortunate in my very mature age to be with a band who all get on really well, are really accomplished musicians with a top singer, play great soul/Motown music, have our own small but powerful PA which our sax player owns and likes to set up himself and we go out regularly twice a month, 3 times at a push. I have a rig which is light weight and a lovely collection of basses I can choose from. We play gigs that are a maximum of an hour from home and I'm usually back in for 1.00am nursing a beer or a single malt. Life is good but I have to admit, the only downside is I'm walking about like Tin Man for a couple of hours next morning.....small price to pay though.
    3 points
  11. 3 points
  12. If anyone wants to watch my reaction to BT's latest excuse for us still not having broadband a week later after they accidentally ceased our line I'd be more than happy to film it. Strictly 18+ though.
    3 points
  13. Dissection - that's fine, I can happily watch Rick Beato or any one else with a good grasp of theory and recording techniques deconstruct something. Reaction videos are another matter. 😳
    3 points
  14. Reaction videos on youtube are one of my current irritations, Its getting hard to find actual things on youtube that aren't someones reaction to that thing! I am completely perplexed as to why someone would watch one of them. I avoided them for ages, then I thought I would watch one in case there was something non obvious I was missing. I watched about 30 seconds of it, and it turned out to be exactly what I thought it was, so I remain in total confusion as to the appeal. I know we all like different things, and if you get some enjoyment from it, I guess its good, but who cares what some random persons reaction is to something? I suppose some could say that channels like Rick Beato is just reactions to songs, but at least there is an analysis there as to how the songs are constructed, not just 'oh this bit is great'
    3 points
  15. Yep, at 15 I was wearing Dr Martens & Fred Perrys and playing bass in punk bands. Fast forward 40 years and there has been zero development/progression, still wearing DMs & Freds, still playing bass in punk bands.
    3 points
  16. Short version: Lovely Ibanez Roadster RS940 that's been fretted. Pickups are now Dimarzios. 4.4kg £400 now £350 ONO plus postage Longer Explaination after a few pics.... Long version, probably worth a read if you are interested: I have a real love of quality Japanese basses, not one that's matched with my having owned loads of them, but geeking out in early 80's catalogues... yeah that's me. And previously owned a Fujigen JV precision that I had really enjoyed... had a bit of GAS for a Blazer for a bit and then ended up buying this, and then trying to fix it... I'm going to tell you what it is, what I've done to it and then also point out the negatives... So what is it. It's a piece of magic from Japan from 1981 if I can read the serial number correctly. It weighs 4.4kg according to my kitchen scales. It has an ash or sen body, and a stiff 3 piece maple neck with maple fretboard. It's brown, but in a nice way. It's got all the original parts except the pickups, the knobs, the jack socket, a plastic ring that would have gone around the the pickup selector switch, battery snap, strap buttons, the screw on the battery cavity and one on the jack plate. The tuners are for some reason excellent and probably the best tuners I've tried on a bass, I have no idea why, but they are stable and easy to use and work really well. The neck is really stiff, much more than a Fender style, and doesn't have any dead spots I've noticed. Original preamp works lovely and does what it says it will and all the electronics work as they should. Typical super well built over designed early 80's Ibanez. It plays nice with a decent medium low action, it can go lower but my fingers hit the strings too hard for that to be a good idea. (1981 catalog image) So what's the story? It was on eBay, I bid more than I meant, I went and got it, previous owner passed away and his sister was selling. She said He had played it lots around London. So first thing to note - this has been played. When I got it it was filthy, with added stickers and EMG pickups. I tired to tell myself I should try EMG pickups and quickly realised again I hated EMG pickups... it had also been wired up by an idiot which meant It all worked until you switched the preamp off, and then any rolling off the volume would give a nice electrical buzz through your amp.... 😱 So out came the pickups and a new set of Dimarzio PJ was bought. The bridge is split coil so no buzz when soloed (unlike the original), a fairly pricy new DPDT jack was sourced that matched the original in a wiring diagram I found and I fixed the wiring back to the original wiring diagram. As I said the whole thing is over engineered, with the pots having their own silicone sleeves. Cleaning the crap off I noticed the bass had originally been fretless, and the old markers had been filled and new ones, and frets added. This has been done to a professional standard with only the old markers and what looks like a shim of card under the nut giving it away. The bass also had seemingly had every single screw loose. The neck, bridge and pickup adjustment screws were all removed, the holes plugged with the cocktail sticks and woodglue trick and rescrewed - they are now all tight and secure (and the bass sounds better because of it). The strap buttons had also been moved but I I left them. Knobs are not original. The big ones are the Ibanez knobs Thomann sell, the small ones are the closest I could find to the original, they look right but are a fraction too small. It currently wears some old sadowsky blue label strings, truss works, is easy to set up and play and plays well. The bad points? It's been played. The frets are good, they seem to have been levelled recently, which means they play pretty good, but are slightly lower at the nut end - If I were being picky they could have done with a better crowning. Feel free to tell me how low you have your action and I can check if I can match your setup but if you are one of those who has super super low action at 0.3mm a 41 year old bass may not be for you! Theres a fair bit of dinks and knocks to the body, and some on the headstock. The back of the neck is good but there is a gouge under the G string on the 12th fret. It's small enough that it doesn't effect anything but better to mention it. The worst scratch is the one between neck and upper bout at rear- I've no idea how you'll do that, it's not pretty, it goes through the finish but no further. The wood underneath is fine. So I'll have missed something so ask questions.... Price and getting it to you... Sale price is £400 ONO plus delivery. Trade value £450-500 I can package it up in a bass shaped box I have and post at cost, (or if you would prefer I've a brand new Gator GPE-Bass-TSA case that could be sold) A nice thing about selling on Basschat is sometimes you get offered interesting basses in exchange. I'm not really looking for anything but feel free to offer but don't be offended if I'm not interested. I can do trade and ££ either way but, and while your Fodera is nice I will get castrated If I added more than a few hundred to any trade! Lets have some more pictures.... Note the small bit of card under nut. Note the hole where the strap button has been moved, Also can you see where the marker was originally a dot either side of the 12th fret . EQ knobs are a bit small. Controls are Vol, Tone, Preamp on/off, 3 way pickup switch , Active Bass +- Active treble +- And look a nice solid bridge and brand new lovely Dimazio pickups!! PS there's no shim in the neck, it fits really nicely to give a good setup really easily. For me I found it really odd how much more space there is between the body and the strings than a fender. but it's how it was designed! \ the odd scratch, not structural Well worn battery cover Another strap button moved, and a screw missing on the jack plate. Body end of the neck - you can see the filled in marker on the 24th fret. Actually its' how you can tell it's not a factory fret job as the RS924 have two dots at 24fret 12th fret with the little gouge under the G string. Not noticeable to touch when playing. How on earth do you do that though? Fret condition at this end of the neck. Lower than the other but good.
    2 points
  17. Note: I've seen something that I fancy so temporary price drop to £900 until one of my basses sells. Made in the US and a rarity due to its "Fender Special Run" tag, matching headstock & upgraded spec. It has been gigged and has a few battle scars but is in good condition considering the nitro finish. It has faded a little to a nice cream colour. Everything, including the S1 switch works fine and it still has its hard case (fender tag at the handle). Weight is estimated at just over 9lb (4.1KG) It was a special run of 250, in various colours Known as the Hot Rod 2006, Serial number results follow: Model No:0170038805 Description: FSR HOT ROD JAZZ BASS MTCHNG HDSTK OWT Date:01/2008 Overview A souped up version of a classic. This Fender Hot Rod Jazz Bass is a Factory Special Run. It is fitted with 2 Samarium Cobalt Noiseless Jazz Bass pickups, a 2-position push/push S-1 switch, and a Volume 1 (with S-1 switching) position, Volume 2 (bridge position), and master tone controls. It has a 4-ply turquoise pickguard, a Leo Quan Badass II bridge, an alder body, a C-shaped maple neck, rosewood fingerboard, chrome hardware, and a gloss nitrocellulose lacquer finish. The Hot Rod Jazz Bass is another example of the Fender craftsmanship that has kept them at the forefront of the bass guitar world. Features Alder body Maple, modern C-shaped neck Rosewood fingerboard (9.5" radius) 20 medium jumbo frets 34" scale length 1.50" width at nut Chrome hardware Standard machine heads Leo Quan Badass II bridge with 4 pre-grooved saddles 4-ply tortoise pickguard 2 Samarium Cobalt Noiseless Jazz Bass pickups 2-position push/push S-1 Switch Volume 1 (with S-1 switch) neck pickup controls Fender Super Bass 7250L strings Gloss nitrocellulose lacquer finish Deluxe hardshell case
    2 points
  18. Note: I've seen something that I fancy so temporary price drop to £750 until one of my basses sells. Here's a nice L2000 that I got in a recent trade. It sounds and feels great as you would expect. I was told it was made in 1992, although I can't see a way to be sure of this. I would have dated in then or earlier, maybe late 80's. Anyhow it is a lovely usable classic. This is a used bass so there ere are a couple of "dings" on the front but in general it is in great condition for its age. Trades? I would like a G&L L1000, SB2, LB1 or maybe a nice Fender Precision of Jazz Special/boxer. I have included some pictures from the previous owner as theirs were better than mine lol. Local pickup or trial welcome but can post at cost if need be. Weight is 4.3kg
    2 points
  19. My chances of getting into a gigging band again are so remote I have decided to sell my rig. This was bought new by me from Bass Direct in 2013 and gigged up until the end of 2019. Covid finished it all for me! I haven’t kept records but the bands I was in weren’t particularly busy so I’d say this rig has done about 50 gigs and no rehearsals as I always used my old TE for that. I have always taken very good care of my gear and never pushed it hard. Condition of head and cabs is excellent. All lights work (never had the missing blue leds you read about with some Streamliners) and all pots are noiseless. There is a light scratch on the underside of the head. Included are the Berg padded covers, the original Speakon and mains cables and even the Owners Manual. You are welcome to the custom made green dustcover and the trolley if you want them. The green dustcover is great and keeps the Berg covers pristine in my clean and tidy garage. The trolley is very strong and is great for moving stuff on dance floors etc. but tbh it’s not great over rough car park surfaces. Anyway, if you want it you are welcome. I don’t want to split the rig and I’m asking £900 for the lot. I am based in south Wales (NP23) and it would need to be collected from here. No trades thanks.
    2 points
  20. This is my number 1.
    2 points
  21. Thank you all for your input. Its now In the diary already. hopefully see some of you there Thanks again Daniel
    2 points
  22. Good Evening Everybody. Sorry to seem ignorant But i have never been to an event like this before, So, Can Anyone Please tell me What actually happens at one of these Events? as I have no idea. Are there guest appearances? is there a Concert? I can only assume there are Guitars on display and for sale possible Bass Expert Luthiers? Thank you for your time Daniel
    2 points
  23. Must admit, I don't know a great deal about this bass, but I took it in on a trade. I've gigged it once, and although its a very easy bass to play and sounds absolutely brilliant, I'm not a huge fan of the body shape so looking to move it on. I'm not desperate to sell though as it really is a cracking bass, but also happy to move it on if someone wants it, or if an interesting trade comes up. I was told this is an '06 model and I've no reason to disbelieve it. Has a few battle scars to the body but the neck and headstock seem in immaculate condition. Electronically completely sound. The pickups look a bit weird in the photos however I've packed the insides with a little electrician tape just to get the covers slightly closer to the strings - personal preference and easily reversed. Comes with leather strap fitted with the recessed strap locks. No case or bag. Happy to package up if buyer arranges courier. Trades: Fender aerodyne Jazz in candy apple red, or something with 2 humbucker size pickups.
    2 points
  24. Worst case scenario- Trampa has become sentient and taken over the CNC machine to create an army of killer instruments. S'manth has had to take on Sarah Connor's role and is fighting back with the mantra "There is no bass but what we make". Sorry, it's been a long day.
    2 points
  25. Margaret on the guillotine - Morrison's own brand.
    2 points
  26. It's finished... I think.. who am I kidding... it'll be changed before the week is out!
    2 points
  27. 2 points
  28. If you do, let me know and I'll do a reaction video.
    2 points
  29. I spend lots of time watching the reaction videos of someone seeing paint drying for the very first time. It really helps me to understand both my own reaction to having watched paint drying on a video, and more importantly, how I should react in future when seeing paint drying on a video.
    2 points
  30. And of the headstock, which I gather now has its logo - can't wait to see that!
    2 points
  31. You're not. I like them too. Particularly when the young'uns discover some old classics. A favourite of mine was a compilation of black listeners discovering that Bobby Caldwell and the Bee Gees were white.
    2 points
  32. I'm a little bit obsessed with The Charismatic Voice on YouTube. Of course it doesn't hurt that she's extremely attractive and has one of the most emotive and expressionate faces I've ever seen, and a voice like butter. Sometimes I'm not even sure what she's reacting to, and I'm not sure I even care. 😆
    2 points
  33. A lot of these are daft but you do find some really good ones. There’s a chap who is apparently a drummer who, in this video watched. Neil Peart live solo. He was dumbstruck for most of it. One I do like is The Charismatic Voice by the opera singer and vocal coach Elizabeth Zharoff. She dissects a lot of rock songs, explaining why some bits are more difficult to do than they sound etc. She was giddy at the odd time signatures and instrumental prowess of Tom Sawyer and Spirit of Radio, as well as giving feedback on the vocal warblings.
    2 points
  34. Unfortunately there's a big difference in building design between something that will suit orchestral and choral music which often need a bit of help projecting out in the auditorium, and something that suits loud amplified music, where that same projection will play havoc with the sound.
    2 points
  35. I am new to the forum and have used TALKBASS.COM for ages. Time to spread out a bit!! I was born and raised in Chicago, Illinois and was the staff bassist at a theater playing for all the major shows touring through Chicago. I made my living recording jingles and movie scores while playing shows at the theater in the evening. Toured for Andrew Lloyd Webber for 20 years on the road. (ALW concert tour, CATS, Phantom of the Opera and also Les Miserables- not a Webber show). Currently living in the Phoenix, Arizona area (hot as hell for the summers). I perform 5 shows a week at a dinner theater and play church gigs on Sundays. Also freelance for other projects on my days off. I look forward to chatting with others on this forum.
    2 points
  36. Some of my best playing experiences have been gigging. When the stars align, the room acoustics are good, the onstage mix allows everyone to hear each other, the crowd are appreciative and you're playing music you enjoy to the best...nothing beats it. But that was 15 years ago. I didn't like the 2am load in when I got home to my flat in London though but I was young enough then to not let a 2:30am bed time affect Sunday too much. It would affect me more now even though I'm much more skilled at cat napping than I was. I'd still love to gig if I could play music I liked and the crowd enjoyed but opportunities are few and far between where I am. It's hard to find musicians who are interested in the same kind of music, almost all the ones I know are into metal or cheesy C-pop acoustic ballads.
    2 points
  37. Pushin’ hard - Kingdom Come
    2 points
  38. Something a bit more basic than last month's kitchen sink production number. An admiring nod to Richard Gaughan and Peter Maxwell Davies. Lyrics ↓ Boring stuff
    2 points
  39. Would have loved this but its 4" wider than my Mesa cabs and might not sit on them. Checked out some youtube clips and it sounds fantastic with that typical Ampeg valve tone. GLWTS Dave
    2 points
  40. Yep one Bass... One for each day of the week!.. {2x Ibby GSR200, Ibby SR600, Harley Benton HBO Acoustic, Custom P Bitsa, Custom J 'PJ' Bitsa. Custom Rickenfaker}
    2 points
  41. Another snippet of the Jaydee in actions... sorry about the knee in the video frame
    2 points
  42. My first ever actual board! I have some better patch leads on the way which will help them sit a little tidier. I'm undecided on the CS-3 as it's noisy. The Digitech pedal bottom right is connected to my TCE combo with 2 Tone Prints so may just use a Spectracomp on there instead and then maybe pop an Ashdown Lomenzo Hyper Drive in place of the CS-3. Toying with a chorus for the other Tone Print. The expression pedal toggles 2 different setups on the Poly Blue Octave. I'd be interested in suggestions for the signal path - it's currently Q-Tron - Octave - CS-3 - Le Bass.
    2 points
  43. I'm finding this too. Now that i'm retired the additional income is coming in very handy especially with rising inflation and fuel cost over here. Now circa £2 / litre of fuel. That's £9 / gallon. We are going to increase our fee from start of 2023. Cant change already confirmed gigs. Dave
    2 points
  44. I really enjoy the whole live gigging experience. Playing with other musicians, actively working with a drummer and changing subtle little things as we play, adjusting amp stuff on the fly, working out how to cover when the singer comes in at the wrong point etc, etc. I can arrive & be completely set up in under 10 minutes & out the door about half an hour after we've finished. In between playing times I get to spend time nattering with a group of people that have become very close friends. Wouldn't change it for the world.
    2 points
  45. Always liked this one... We have it on our garden centre playlist (along with loads of other dub, about 700 tracks, with hte rest being funk and jazz, with some classical...). And it entertains me no end when some old folks are browsing our pelargoniums, and suddenly, from nowhere, Duckie or Junior shout "Big Spliff"
    2 points
  46. I'd have to say NO to that venues request to store gear in their premises at my risk. Too much money in our gear to leave lying around. I dont even leave the car unattended when loading or unloading. My wife stays with the car at all times. If she's not with me the band members take turns staying with the vehicles while others load / unload etc. Dave
    2 points
  47. very tempting. This bass is a part of bass folklore fullstop. Its an important part of both, the evolution of bass guitars and the great leo fenders own journey and his vision for the modern bass. (sorry, maybe too much weed, too early 😉😂)
    2 points
  48. Here is my contribution to the June 2022 Basschat Composition Challenge, inspired by a picture chosen by the previous winner: Skank Del Var. The yellowing sky gave me the impression ofa storm brewing. A bucolic scene, but could be deceptive.Some heavy raindrops, a brief shower..? Maybe it'll turn out fine after all... Another collage of bits'n'bobs, with a Superior Drummer 'Tracker' experiment which seems to have worked. No treatment, other than my standard Reaper NY Glue on the Master tracks, as usual. Thanks for listening, if you already have; if you're about to, enjoy.
    2 points
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