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Showing content with the highest reputation on 10/08/22 in all areas
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Fender Mustang Bass made in 1972 in an original and well used condition, with plenty of bumps, bruises, dings, paint checking and discolouration. The blue finish has turned to a petrol green colour but the original colour can be seen under the bridge, neck pocket and pickguard. A previous owner had used glue under the pickguard to try and prevent warping and shrinkage (not the first time I have heard of this being done!) but thankfully most of the original paint remains, albeit somewhat messy. There are two areas where the top layer of the pickguard has split around two screws but it is still secure and does not go through the other 2 plys. The ink stamps date the bass to 1972 and the pots to 6th week, also 1972. The frets are in good shape, the fingerboard has some very nice grain and the truss rod turns freely in both directions. The tuners work well but have some tarnishing as expected, likewise the bridge which still has the facility to add foam mutes if required. The tug bar has a split and only one screw but is the original reddish coloured version. I have always liked the red shadow these leave on light coloured pickguards! It has a new set of La Bella MUS flatwounds which really do suit the bass and ensure a decent low end thump! The bass weighs in at a mere 3.25kgs or 7 and a bit pounds. Sadly I have discovered that short scale basses are just not for me and will stick to long scale but no doubt in a few years when I am even more decrepit, I’ll regret letting this go! To ensure any prospective buyer is happy, I would much prefer this to be a collection only. I would also much prefer a straight sale but would be willing to consider a lower priced Precision or Jazz as a part exchange. Please feel free to ask for any further information!14 points
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9 points
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I am new to short scale basses but about a year ago my curiosity got the better of me and I bought an Epiphone EB0 s/h from a guy in Brighton so I could find out what a short scale was like to play. Well, I loved playing my EB0 sitting down, I didn't find the short scale at all difficult to adjust to, in fact quite the opposite, but when I played it standing up it was so heavy, and it always wanted to tip away from me so I could not see the frets. I managed just two short gigs with it, and one of those was sitting down. During this year I have used the EB0 at home sometimes to rehearse or learn new songs, but it I decided that if I was ever going to play short scale at a gig, it would have to be much lighter. I have now found the answer to the weight problem, without radically departing from the SG shape of the EB0. It is a Mike Watt signature Wattplower, made by Reverend . It weighs just over 3 kgs. and although passive, the tone control offers a huge range of sounds from muddy thud to outrageous twang, with lots of usable tones in between the two extremes. I am not ready to give up my 34" basses yet, but I am looking forward to finding out where this bass will fit in to the range of music I play.8 points
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As the title suggests, this should probably be in feedback, but it's too nice and life affirming a story so here goes..... I sold a couple of items to one of our long-standing elder statesmen @Oldman a while back. We haggled over prices a little and money went back and forth. Eventually we agreed things and I mentioned to him that I was taking my young 'uns Ella and Katie into town to spend the cash he'd sent. All done Today a card arrived addressed to me. The girls had their birthdays recently and I assumed that it was a late card and that I knew who it was from, so I passed it to them and said "This is for you girls". They both ripped apart the envelop and showed me two gift vouchers with their names on and I said "Is it from .....?" to which they replied "It's got something to do with an old man Daddy". We read the card together and given we were having a bit of a crap morning (it's a very first world problem we're currently dealing with BTW but nonetheless a crap morning), as a family we all sat down and said 'Wow, that has made our month" The internet's a funny place, we build sometimes good and sometimes problematic relationships with people we've never met (I've done both), but all too often it's at arm's length and lacks real emotional clout. Brian @Oldman, thank you so much for this, it made us smile and reaffirmed our faith that the world is a great place, and reminded my daughters that kindness is a really important thing 👍 Chris7 points
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Thread resurrection time 🧟♂️ I decided I wanted a Stingray T shirt, but a web search didn’t reveal anything close to what I was after, so I had my own printed. I’m rather pleased with the result.7 points
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Hi Folks, Over the last year or so, I've pretty much settled on using Mesa Boogie amps for my live work, and am using my Handbox R400 for recording. Which means that this lovely all-valve Ashdown CTM100 is just not being used, so I've decided to put it up here for sale at £525 or near offer. Currently, they're about £1200/£1300 new at places like PMT.. And they seem go for around the £800 mark on FleaBay, so I'm hoping this is a fair price for the Basschat community. So, to the amp itself... Bought s/h 2 years ago just after the first Lockdown, it's in very good working order, good external condition, sounds fantastic and is so tonally versatile that it puts a lot of solid-state amps I've used over the years to shame.. Sound It literally goes from that old-school Motown thump to out and out punchy, punky distortion with the twist of a few dials. And in terms of volume for gigging, IMO, it's 100 valve watts are more than capable of holding their own for pub gigs. It also runs happily at either 2, 4 or 8 ohms btw which means you can run a number of different cab combinations to suit your needs and your available gear. Tech spec etc Here's a link to the Ashdown website which has all the info you would need about the CTM100 and it's big brother, the CTM300: https://ashdownmusic.com/products/copy-of-ctm-300-head Weighs in at about 18kg which is a pretty easy carry for an all-valve head. I've included a screenshot of the tech spec in with the photos, but for any valve fetishists out there, just to sat that it has 3 pre-amp valves and two very nice KT88 output valves that light up and look pretty at night during gigs... 😁 Trades The only things I'd be interested in as far as trades go would be either: a) a decent quality 2x12, 4 ohm cab, or b) similar quality pair of 1x12, 8 ohm cabs. (with price adjustments where necessary of course). Being a valve amp, I'd prefer not to ship this for obvious reasons. So, it's collection only or a meet up within 50 miles of Potton, Central Bedfordshire. Very happy for anyone interested to come and check it out in person of course, where it can be tried through the Vanderkley 1156 cab that is shown in the pictures. Obligatory tea/coffee /biscuits supplied as per Basschat t&cs... I'll post some more pictures of the amp later. Any questions, please ask here or send me a PM. Thanks for looking... 👍😊 Cheers Nik6 points
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6 points
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After a range of wood bashing activities I am making some progress. The neck is almost to it's final shape and the wings are cut, although the top one will be cut a little shorter. I have assembled the core with bridge etc and briefly put strings on it, no problems with strength or alignment appeared. I am actually very happy with the shape that is emerging, probably proof that beauty is in the eye of the beholder! To be honest I have made some silly mistakes on this build. So far none are critical, but if I decide I like the end result I will almost certainly built another with better timbers. The Rose Gum (or red Grandis) is OK for prototyping. The grain is straight and it cuts well, but it tends to break out strands more easily than conventional timber. (I have not built many guitars yet, but I have some woodworking experience)6 points
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Hallo! For sale rarely seen Kawai F2B. It is 40 years old bass so it has some dings, scratches and milky discolorations but nothing serious. It's really slap machine and sounds great. The pickup selector has been changed for more convenient but I also have an original one (I hope it works fine.) Weight : 4,4 kg Price: 1100£ , 1300€ If you have some questions, please write a private message to me.4 points
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4 points
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When the music is good, I don't have a problem. My neighbour across the street occasionally plays her music loud but she's got great taste in music. I had a neighbour who played sax and he was excellent, so I didn't have a problem with it. My neighbours came up to me, a few months ago, and asked if it was me playing the electric guitar the other night? I said 'Was it any good?' and she said it was great. I replied, 'It couldn't have been me then....'. 😊4 points
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Does it matter? There are plenty of instruments capable of producing low notes. Bass guitar is just one of them.4 points
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Difficult one, going by current chart music people might assume the bass is history but we could look at the chart music of the early 80s and think synths were pushing guitars out of the way. Music seems to go in cycles so another punk/Brit Pop type genre with guitars must be on its way soon.4 points
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Nothing to do with noise, but in the mid 80s when I was living with my parents, a neighbour accosted me as I was leaving for work to complain that our cat had been 'going' in her garden. I didn't know how to respond to this so I said I would "have a word with her." The neighbour seemed to be happy with this response and never mentioned it again, even though I never actually discussed the matter with the cat.4 points
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New (to me) old fretless bass day here at JPJ Towers thanks to our own @rockdog Fender Tony Franklin Fretless Precision in 3 colour sunburst with tort scratch plate. Only arrived an hour ago and I’m posting this between Zoom meetings so only had a quick noodle but boy does she sing! Looking forward to getting more acquainted this evening 😎3 points
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I think he plays great. Musically, he quite easily keeps my attention throughout his videos. Plus, he keeps them at a sensible length.3 points
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3 points
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Well, the neck seems to have taken ages... ...but definitely on the home straight. This last couple of days has been the fret levelling, re-crowning and polishing. For levelling - after adjusting the truss rod so that we are starting off with a straight neck - I start with my length of aluminium bar with emery cloth stuck to it: The filings (seen here above as grey patches) are the guide to whether all frets are being touched by the beam, and thus all fret tops are level with each other. But, of course, now all the frets have flat tops to a greater or lesser extent. So then you need to re-crown them and polish them. This is what I use: I use the little Chris Alsop diamond crowning file, first to round the ends and the rough crown along the length. Then I wrap emery grades, then finer and finer grades of micro-mesh round the crowning file to round any remaining flat points and to progressively take out the scratches. I use 240/400/800 emery, followed by 3200/4000/6000/8000/12000 grit micro-mesh. I find it easier to do one fret at a time and walk the couple of strips of masking tape up the board as I go. Here is 1 done and 19 to go : And all done: So that just leaves the filling of the fretboard side slots, cutting the nut and fitting the tuners. All being well, that will be all complete by the end of tomorrow3 points
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Reading all these stories here has reminded me of our horrible old neighbour back where we used to live. She really was a caricature of a grumpy old lady: constantly complaining about parking, shouting through the wall when our baby was crying, lopping branches of trees & throwing them back over the fence, but also capable of a complete volte face and endlessly keeping my other half talking over the fence when she was trying to garden etc. I had bought a drum kit (it may even have still been one of those Arbiter Flats kits at this point) and tended to have a bit of a practice in the upstairs spare room when I got home from work - no more than 20mins at most at around 6pm or so. One day after comig back downstairs, I noticed that her TV/radio was at blisteringly high volume and I felt a bit bad that I'd forced her to turn up so loud. This kept happening and the length of time the volume stayed up became longer and longer - eventually lasting several hours after I'd finished playing. One day I realized that what I could hear was Buzzcocks playing at full pelt through the wall - very much not her sort of music at all. A bit of detective work revealed that she was putting Radio 2 on maximum volume in the living room and decamping elsewhere in the house. After several days of this I brought my little FM sender thing in from the car (the sort of thing that allowed you to tune a car radio into an MP3 player), tuned it into the Radio 2's frequency and spent many happy hours pumping horror movie soundtracks, weird Youtube finds and late period Scott Walker into her house. If I'd had access to the old War of the Worlds broadcast I'd probably have beamed that through as well. I suspect I'm an awful person. But nowhere near as awful as she was.3 points
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The future if the bass guitar as an instrument is, of course, the 'iBass 4'. With model variations such as 'iJazz', 'iPrecision' and 'iHeadless'. But as with all such things, the strings will stop working after a year and will not be user replaceable, so you'll have to get the upgrade to the 'iBass 5', slightly larger and with a camera. 😀3 points
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This is a lovely short clip of Gail playing acoustic guitar, but her singing is so clear and pitch perfect3 points
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3 points
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We were recently contacted by a friend and neighbour, a fellow Brit in our little Bulgarian village, who runs the local village community Facebook group. He had been contacted by the daughter of an elderly village resident, complaining that her Mum, who has "sensitive ears" was being disturbed by the noisy English musicians in the village playing at all Godforsaken hours, and as he knows the other English in the village, would he mind having a word before they get the police involved. Given that we only practice one day a week, for about 3 hours in the afternoon, and my drummer and guitarist live about 30km away, I was rather perplexed by this. So I told him it wasn't us, and if they were hearing anything on a night the only thing I could think of was my home cinema system up in the barn, and I would endeavor to keep it down. So for the next couple of weeks, I wore headphones when watching the cinema so there was absolutely zero noise. Then one morning when we were out shopping, the local plod turned up at the gate, which was answered by my 75 year old mum who's currently battling cancer and undergoing chemo every three weeks. Who did her best to explain we weren't in. I actually really, really wish we had been, because the sh!t would have seriously hit the fan right then and there. A couple of weeks later, my friend received another complaint about the noise we were making, except this time we were 40km away playing a gig in another town. My friend informed them as much, and told them there was no way that it could be us making the noise she was hearing. Since then, I've played as loud as I want, whenever I want, and will happily watch my home cinema in the wee small hours with the sound on full blast. Until I get an apology for sending the police round and disturbing my seriously ill mother, they can quite frankly kiss my @rse!3 points
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Here's my little rig. Gallien Krueger Legacy 500 into a couple of Barefaced One10s.3 points
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I finally got my Schmidt Array XDM350 board on Thursday and I've been working on it ever since. It's still not quite finished, the cable runs are very long, I think I've used some 25 feet so far! Only one more to go for the Jive and I'm fully operational!! I also have a Noble Preamp on order, it should make it onto the board in November.3 points
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It's beautiful and I can only recommend pimping it black. I love my black volume knobs, black schallers, and I replaced the pickguard with a matt single ply too, who needs that white edge! In time, I'll get a black bridge too, the problematic part on my talman is the metallic plate around the output, these are shaped uniquely... it's "embedded" or "sunken", not even sure what's the right word for this jack output:3 points
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Arguably! I had a "neighbour" (he's 400m away, on the other side of the valley!) complain about band rehearsals we were doing in our garage - it was once a week from 630pm - 8-30pm. So I told him I'd sound proof the garage and could he let me know if it was any better. So we built a box in there, he wasn't happy, so we moved into our garden room - this is double glazed, brick-built and insulated. We also moved rehearsals to Sunday afternoon, 3-5pm which coincided with his incessant chain-sawing. Didn't hear anything, assumed all was fine (it was audible 20 yards outside the house but by no means loud). Then we got a letter from the council detailing the noise complaint. I told them the story so far - but it appeared we'd been noisy again for 1/2 an hour, I think we'd had to open a window due to it being boiling. I told the council we wouldn't open the window again, and that we'd stick to those hours. And also I told them TW@ttyBollox had a name for being a whinger; he'd complained about his next-door neighbours "burning noxious rubbish" - turned out it was a kids bonfire party on 5th November. So we got three more letters saying that they were setting up monitoring equipment. Then Covid and lockdown came along; during one of the breaks our then reduced band (drummer had left) recorded a couple of on-line charity gigs using EZ drummer. Lockdown started again, I noticed one of the bass tracks could do with re-recording, so I played back the band through the PA and re-recorded my bass parts - this had to be at decent volume as bass had to match. Imagine my surprise when the police turned up to investigate an alleged breach of covid regulations, and their surprise to find me on my own playing along to a backing. How we laughed! After all the lockdowns had ended we starting rehearsing again. Just as we'd finished 2 chaps turned up, said they were from the council and that monitoring was finished, and they'd just listened from the other side of the valley. They explained that while it was faintly audible, it was by no means a nuisance ( a lot quieter than the b road below) and that Complain-Man had been told he was being deeply unreasonable, and that we had shown ourselves to be just the opposite. Council said that "unless something changed substantially" they wouldn't act on any more of his complaints. About anything. So it goes to show, there's miserable gits everywhere!3 points
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Fender Marcus Miller 5 String For Sale Making way for a new purchase is my treasured 2013 USA Marcus miller bass Upgraded with John East Retro 01 pre amp and Nordstrand NJ5FS pups giving it a lovely deep rich tone. I have kept the original pre amp and pick ups for anyone who wanted to swap back to original. Comes with Fender Hard case. One tiny ding on strap horn as shown in photo. These are becoming super rare now.2 points
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I've got mine done. All the parts are monophonic (that was my own challenge). The majority of parts are played on keys (not programmed in) & the big dirty bass that plays the melody was my bass popped through isotopes Trash 2. All aboard the train to here.....2 points
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2 points
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I found this too late, I also been scammed by him for the sun of £80, he’s using the same PayPal and boing by Micky drips. Looking at this someone referring to him as mason and a pub he attendeds. Would you be happy to share the pub? I wouldn’t mind having a chat with this man.2 points
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Most people already have a computer and some sort of headphones or speakers. GarageBand is free if you have a Mac, and Logic is only £199 which has all the plug-instruments and effects you'll ever need. If you work entirely "in the box" you'll only need the most basic of interfaces in order to record vocals, and if your doing instrumental music you won't even need that.2 points
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2 points
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"The music industry is weighted against artists, with even successful pop stars seeing "pitiful returns" from streaming, a committee of MPs has said. They are calling for a "complete reset" of the market, with musicians given a "fair share" of the £736.5 million that UK record labels earn from streaming. In a report, they said royalties should be split 50/50, instead of the current rate, where artists receive about 16%. The findings came after a six-month inquiry into music streaming. "While streaming has brought significant profits to the recorded music industry, the talent behind it - performers, songwriters and composers - are losing out," said Julian Knight, MP, who chairs parliament's Digital, Culture, Media and Sport (DCMS) committee. "Only a complete reset of streaming that enshrines in law their rights to a fair share of the earnings will do." full bbc report here https://www.bbc.co.uk/news/entertainment-arts-578384732 points
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Slips 50/50 between between who? There are at least 3 parties involved - the streaming service, the record label and the artist, so straight away this doesn't work. If the MPs mean a 50/50 split between record labels and artists, I think they will find that difficult to enforce as there will already be contracts in place which set the royalty rate for an artist for streaming revenue. It should be up to the artist to negotiate a better rate when they sign. If they haven't they are either stupid or badly advised. MPs with good intentions that clearly have no idea how things work in practice.2 points
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I've been round the US factory, and to be honest, your US Fenders are mainly made by Mexicans anyway. I don't see any issue with a greater shift to Mexican production, the factories aren't even that far apart in the grand scheme of things, few hours drive down the coast. So they can easily keep management from America, with a cheaper Mexican based workforce.2 points
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Thanks for using that word - it means a lot.2 points
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Reminds me of a guy I used to work with, Brian. A new couple moved next door to him, and were doing up the house, hammering/drilling etc til well past 11pm. after a bit he knocked on the door and asked them if they would be mindful of the sound & time, he got a mouthful of abuse & threats in response. Now Brian wasn`t scared of anyone, he was ex military and a boxing coach, but he just smiled, left and thought "you`ll get yours". A couple of years later the couple had a baby, whose bedroom was next to Brians house. In the evenings when he got home from work, every hour on the hour he would place a piece of wood onto the adjoining wall and hit it with a hammer until 11pm/midnight. For some reason this woke up the baby who started crying loudly every time. When the man of the house (and chief responder/hurler of previously mentioned abuse & threats) asked him to stop he replied as per the response he had received years before.2 points
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Many years ago I lived with my band in a back to back terrace in Harlesden... We stuck carpets to the walls, covered the window and did everything we could to damp down the noise, but it was still pretty loud outside... But one day I was out in the back yard, waved at a couple of our neighbours and they both came over for a chat - basically they said how much they enjoyed the band playing cos it brought life to the place. They also requested some reggae; but not being a reggae band we wrote a song for 'em based on a funky sleng teng riff. Here it is!2 points
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Finally decided to take the plunge and get a Justin Chancellor Wah pedal and got to on the board today. Can’t wait to let this loose in a band practise. Hopefully it’s worth the extra weight carrying it around2 points
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I have posted this pic before on BC. I just had to buy the shirt when I discovered it online and here I am posing with "Marilyn", my blonde double bass. I always get comments when I wear the shirt, especially if I'm playing "Marilyn".2 points