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Showing content with the highest reputation on 23/09/22 in all areas
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Well, this is going to hurt a bit. I try to avoid hyperbole in ads, and for this one, the images should do most of the talking. However, I would say this is possibly the most beautiful bass that I have owned (and there have been many). To illustrate the point, on viewing this instrument, my wife, who genuinely could not be any less interested in basses, exclaimed 'WOW!' Now she's seen a few very nice instruments but none have elicited any remark whatsoever. So to business. A US Stuart Spector signed NS2 in Ultra Amber finish - it took me ages to source this one. It has the (unusual) solid 5A quilted maple wings - from what I read, this implied a significant upcharge - around £1000 in 2017, the year of build. I'm also told that the neck is around 2mm shallower than is normal (at the request of the commissioning purchaser). Nut width is 1.64" and the scale is 34". Abalone inlays on the Pau Ferro board. I can't find any blemishes or imperfections anywhere - I'd say that the bass could pretty much pass for as new. The amber burst is vibrant and beautiful and the timbers used throughout are outstanding - even the ebony head cap is subtly gorgeous. EMG X PJ pickups and the 9v Haz pre. It sounds like a Spector. I have the action extremely low - probably too low for most - and the bass is strung with D'Addario 40-95 nickel rounds as far as I can remember. Playability is superb, though the bass is simply too big for me. I started to play short-scale pretty much exclusively around 4 years ago and moving back to long-scale is now a struggle. The bass just isn't getting any use. In terms of history, I believe that the bass was supplied to a dealer in Canada in early 2018 (build date is December 2017). I think that the bass sold in North America, then found its way to Switzerland, from where I purchased it around 18 months ago. I can't see any evidence of play from either of the previous owners - I suspect that the bass has been noodled and then returned to its case. Really, I doubt you'd find a Spector in better condition. I have the Spector branded hard-case but apparently, this wasn't original to the bass. The case has a knock/crack in the rear surface (not obvious or visible, though it's there) and the internal foam has minor damage where the upper horn sits. I also have a Gator hard case of the type that Spector now supplies for its basses, though mine isn't Spector branded and has some minor signs of wear. If any prospective buyer wishes to arrange their own courier, I suggest that it is shipped in the Gator case for added protection. Collection in Manchester is great, of course, though if a purchaser requires shipment and can arrange this, I can print labels, find a strong carton and pack well. As far as I can see, a bass like this commissioned today would cost somewhere significantly north of £6k. I'm taking quite a substantial hit on the instrument (as noted above, I imported from Switzerland with all the tax and shipping costs that this involves) so I'm not looking for any offers or trades thanks. Any questions, please just ask. The images were taken on a dark and wet afternoon in the North. I'll try to get something far better in place by tomorrow - any specific images, again please just ask.8 points
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This has just landed from Sandberg with Mark at Classic & Cool and will be with me next week...7 points
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6 points
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Anyone seen these yet? in a world of fender shaped objects I love that body shape! https://www.instagram.com/pheral_ai/?igshid=YmMyMTA2M2Y%3D6 points
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2021 EBMM Stingray Special 5H in Smoked Chrome. Immaculate condition including original hard case and case. I would love to keep on looks alone but can't justify such an expensive fiver when I can barely play fours! Only things of note are playing marks to pickguard, two tiny grazes to headstock, and a pinhead impression to rear of headstock (all very minor). These do suffer from the G string slipping off, I believe due to the proximity of the string to the edge of the fretboard and the lovely tapered fret edges. I found it needed some adjustment to technique but if you haven't played one, worth mentioning. £1800, no trades thanks. Would much prefer collection in Orpington BR6 or I'm happy to drive up to an hour away to meet. I can also get it to family in Meppershall, Beds, but no amp to try there. If no local interest will consider postage.6 points
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6 points
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Phoenix is going to be a 5 string, fretless, headless, shortscale self build bass. She will be a celebration of life after I survived a fire in my flat. Design Goals Not look too out of place in a Ukulele band (Hence short scale and with a general ukulele look to her) Lightweight (I've a bad back) Affordable as the fire has left me with a lot of expenses; I need to take as frugal an approach as I can, without compromising Phoenix from a playability or sound perspective. So far Wood - A chap at my makerspace has offered me some Sweet Chestnut and I'm exploring this as an option, it would likely require a thru neck with wings approach due to the size available. I'm also considering if I can afford a replacement block of Maple. Tuners - After building my own for Twiggy, I've decided to 'go pro' this time and have ordered a set from @Andre_Passini of NovaGuitarParts; these are B Stock (Slight cosmetic blemishes) to reduce the cost. They should arrive by the end of Sept. Strings - I intend on using Rotosound tru bass tape wounds, I had a set on Twiggy and they looked, felt and sounded fantastic! Pickup - I had an EMG MMCS on Twiggy and loved it! I hope to use an EMG MM5TW or 40TWX for Phoenix, the double coil will give me some sonic options. Thing is they are proving almost impossible to source! Neck - Fretless. Headless. Zero Nut. With Twiggy I basically free formed the profile, and ended up with a shape that felt really great! Some time later I stumbled across the .strandberg* brand and realised that I had almost formed an Endurneck type profile; this time I will do so mindfully (With some tweaks), leaving enough thickness to accomodate the truss rod and twin 4x4mm carbon rods I intend to install using a rear groove with skunk stripe approach; the neck is to be a one piece. Body - Shape to be decided. I love the shape of the .strandberg, with their double scallop in the bottom edge for comfortable knee placement ... but it may be a bit too 'unique' to blend in with the Ukes in the band. More to come... S'manth x5 points
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OMG This looks fantastic (Thanks @Silvia Bluejayfor sharing details of previous events) ... and the stars have aligned ... I'm not scheduled to work that day and it's only an hours drive! It would be downright rude of me not to attend (And I am not rude) In my diary! , Bringing ... Me, weird sense of humour, Stompz, Kala UBASS, As much of the Phoenix Rig as I can including Quinn (Harley Benton 5 String fretless long scale) ... depending on how I progress with Phoenix I may bring her. S'manth x5 points
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4 points
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Really not sure I should be selling this, as it was part of the plan to future-proof my playing, as it is just so lightweight and easy on the shoulder and left hand joints. It weighs only around 3.2 or 3.3kg (I'll double check later). It has active electronics and sounds lovely. You can get typical P tones from it, but add a bit of Jazz "burble". The neck is also very slim (slimmer than some Fender J's) and very easy on the left hand. As for construction quality, it is a usual top drawer Fender Japan instrument. This bass has obviously been gigged quite a bit, and has quite a number of swirls & dings, chips etc - which I will photograph later. On the rear, there's an area of buckle-rash / paint chipping, and I decided to fill this area with modellers filler, to protect the wood and help prevent further chips to the edges of the finish. It looks a bit rough, but it's on the back and is doing its' job. Again, photos later. After purchase, I had the bass set up, with a fret level, dress & polish, professionally (I'll send Luthier details if you need them - chap called Ben in Penarth). Bags of life left in the frets. I had planned to mainly use this bass for gigging (hence not being worried about it being mint) - but now I always reach for my Classic 50's Fiesta Red Fender P, whether at home, rehearsals or gigging - it has become my "go-to" and all-time favouite bass every time. I'm thinking I might possibly go for something rather different to my usual choice of bass - so am reluctantly putting this up for sale. (Never thought I'd sell, but I've been on something of a clear-out lately - as I may be taking early retirement from full-time work next year). I don't want to post this bass - so Collection only (or may be able to meet somewhere half-way). Absolutely NO TRADES - I'm only selling to thin the herd.... and to maybe await that "different bass" - but take my time over it. I promised Mrs S I wouldn't buy before selling another. More pics later. These have rocketed in second-hand value in recent years, but I think the price reflects the chips & dings etc EDIT: Just putting this out there - I may be tempted by a trade, for a Mustang bass - but I'm specifically after one with P/J pickups. Not bothered whether it's a Fender or a Squier as long as it's a P/J. Cash either way or straight swap, depending on value of the Mustang EDIT2 - I'm possibly going to see a Mustang midweek.4 points
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My Stunning 1973/74 Sunburst Mustang in very good condition Pots are dated 1973 ------- ( 1377329 and 1337748 ) Pickup 1974 ( 14 74 ) Serial No. 537252 Neck --- 04-00-14-14 LaBella " Mustang " Flatwounds Has been fitted with a correct replacement pick guard but comes with the Original plate Also fitted with Schaller strap lock buttons but comes with original strap buttons Its in a solid vintage short scale bass case No trades as I am downsizing and need funds for house move. Any trial more than welcome -- Collect only from me in Leeds LS15 Very close to motorways and A14 points
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I've done loads of CDs both for the various bands I've been in over the last 30 years and as part of a service I used to offer along with my graphic design skills to bands who wanted to get their music out cheaply and with the least amount of hassle to themselves. When it comes to CDs the important words to look for a "Duplication" and "Replication". Duplication means CDRs and used to be the cost-effective option for runs under 300 copies. However it comes with all the standard down-sides of CDRs in that your CD probably won't be playable in 15 years time. Replication is "proper" CD manufacturing with glass mastering etc and therefore a longer-lasting end product, but you used to need to order at least 500 to make it worth while. You'll need to look at the exact current figures but last time I looked once you got to about 300 copies on duplicated CDRs it was then cheaper to go for a run of 500 replicated CDs. I've used the following in the past: Disc Wizards used be by far the cheapest option for CDs but all their packaging templates were completely different to every other manufacturer, so if you'd already created the Sleeve/Inlay/Wallet/J-Card/Digipak artwork the chances are you'd have to do it all over again, which could be problematic depending on the design. However, last time I looked they weren't very much cheaper than the competition. Media Hut good quality, much the same price as everyone else but they had the advantage for me of being local (well their office was). Mobineko I've not used them for CDs but their vinyl production has been excellent. However I believe that they offer proper CD replication even on short production runs, so if not having CDRs is important to you then they are definitely worth looking at. A word of warning. All of the above used to be able to offer good quality and low prices by farming out production to various companies elsewhere in the EU. Since the UK's exit from this they may not be as cheap as they used to be. Certainly pre 2019 any company who did all their CD production in the UK were considerably more expensive. Regarding copyright, you'll need an MCPS (not PRS) licence if you are including any copyright material on your CD. Whoever is producing the CDs should be able to sort this out for you. IIRC you pay up front depending on the number of copyright songs and the production run of the CD. If the music is all out of copyright, or the producer of the CD owns the copyright then you normally just have to sign a waiver stating this when you pay to have the CDs produced. HTH.4 points
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Ready for the hatch magnets, I used a plug-cutter in some maple offcut: Then got the bandsaw to work: And next, readying it up for popping a couple of line-up strings on, the tuners back on and the neck temporarily fitted. This is also a good test to see how well the paulownia stands up to the crush of the fixing screws. There is a fallback if they aren't able to hold the tension - drill out and insert some hardwood plugs - but I don't want to do that unless I have to. I can hear it already: 'Were you standing on the cupboard??????!!!!!' : While these shots probably belie the progress - there is still a fair bit to do - I think we're getting to the final straights... Next job is positioning and fixing the bridge.4 points
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so, first coat of Tru-Oil went on today and I'm really chuffed with the result so far. A light darkening of the wood which results in a nice, healthy looking lump of timber and the grain is filling and showing nicely. One annoyance, the white / clear primer that is put on in the factory is so deeply embedded in the grain I have reached a point where I just cannot get rid of it. It is very subtle and if anything, adds a slight shimmer to areas of the grain so I can live with it. I cannot keep sanding and sanding as I have no idea how deep I will have to go. Ash has quite an open grain so I think I have to live with that one. A few more coats of tru-oil with wet and dry moving up through some grits and it will be ready for some wipe on poly! @Andyjr1515 I am hoping for a 'wipe on poly tutorial' to appear if you are able to! So it is going well, the new ash control cavity looks lovely as well although is quite a bit lighter than the guitar body - I will try and darken it a bit by keep adding some extra coats of tru oil (any advice welcome here) but if not, a little contrast never hurt did it!4 points
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4 points
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4 points
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"It's 2050 and the three former members of Primus entertain the other residents of their retirement home with their latest composition 'More Mashed Banana Please, Nurse.'"4 points
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What do you call Simon Rattle using the vacuum cleaner at night with the lights off? The answer is, of course, Orchestral Man Hoovers in the Dark.4 points
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4 points
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Panda Audio Future Impact, new condition, boxed, with Roland UM-ONE MK2 interface £190 Needs no introduction! I think it's on the most recent firmware, In excellent condition, the synth pedals haven't left the studio and have been carefully attached to my stand using ties (they've never even been stood on!). FI looks a bit dusty but all good otherwise. Cheers ped3 points
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Offering my Moollon P-Classic bass as thinning out my P bass collection (I mainly play jazz basses). These are usually going for over $4k in the US and have a 3-4 year waiting list for new orders. Considered by many to be the best substitutes for pre-CBS basses (together with Olinto) at a fraction of the price; used by players such as Tim Lefebvre, Michael League, Scott Divine, Richard Bona, and Jonathan Maron. Everything is hand made and in-house including the pickups, nitro finishing, hardware using the same 1960s alloy, etc. 3.8kg / 8.3lbs Full specs here http://www.moollon.com/front/product/product_list.php?code=003 Have had it since new. It's in very good condition and has not been played much. The ultra thin nitro finish is starting to check/crack in some places as expected, no scratches - same as in vintage nitro painted Fenders. I'm looking for a straight sale only / no trades. My feedback post below:3 points
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Just a thought but that E saddle looks a long way back for a BBOT bridge. Have you checked the intonation?3 points
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Now sold For sale is my Overwater by Tanglewood Classic Jazz bass with P/J set of pickups. I bought it from new when they were first released in 2011. I am selling it as I rarely use it nowadays and I have a hankering for a short-scale. Condition is fair. The Classic J has a poplar body, maple neck, rosewood fretboard, deluxe J style machine heads. It is passive with volume, pickup balance and tone controls. Overwater Jazz style and Precision style pickups. Weight is 4.5kg. I have recently replaced the strings in July with a set of DR Pure Blues 45-100. This is a good quality bass eminently suitable for learning and taking the next steps. It has been used and maintained with new strings, lemon oiled fretboard at least annually. When I first got this bass from Promenade Music in Morecambe, the original fit P pickup is fine, but the J pickup seemed to have a weak output. I contacted Chris May at Overwater, who asked me to bring it up, and he replaced the J pickup to resolve the problem. The price is £150 for the bass. I would much prefer to arrange to meet up/deliver/have the bass collected I am content to travel for a meet up along the M6 in the North West between Charnock Richard MSA and Southwaite MSA. If you want it to be couriered then I will pack it up for you but you should arrange shipment at your convenience and risk. I am happy to answer any questions or for anybody to try the bass out. Here are a few pics, please let me know if you'd like to see anything in more detail and I'll do my best.3 points
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3 points
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This seems like more than a gambling addiction, there's compulsive risk taking, a total lack of remorse or empathy plus both shameless and cunning dishonesty. I don't think he's doing this because he needs to survive.3 points
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3 points
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Lots of sage things written above by people far better than I. Compression used correctly is there to preserve elements to let them stand out in a wonderfully folded mix pancake of song love. Compression on drums really changes songs for example - you can list everything and that is live and recorded. check this guy - just one of a myriad of videos my fave band released their first album in 14 years, you can bet their is compression going on, loads of overtones etc. my fave hit is at 1.49 where the Tom hit is obviously compressed appropriately to allow it to ring out. Ultimately you will make your own mind up, but if there are enough examples out there of compression done well not to lose overtones, surely it’s not compression, it’s ‘THAT’ compression you heard which was naff3 points
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In further news, a quest for investors got them going again (or, more accurately, enabled the MOD Devices team to start again as MOD Audio). Which is nice, because I've just bought a MOD Dwarf from Thomann. Apparently those who are waiting for Dwarfs won't be entirely let down but also won't be entirely happy, as in order to get one they'll need to pay another 150EU (which may reduce). As for the Duo X, who knows? https://forum.moddevices.com/t/mod-reboot-we-made-it/84843 points
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This 2013 Chinese made Squier with DiMarzio UltraJazz pickups and Hipshot Ultralite tuners is my #1. I have owned over the decades, US Fenders, Yamaha TRBs and BBNs, a Wal (hated it), a Pedulla Rapture (got stolen), a Manne, several Stingrays and a Bacchus, but this lowly old Squier just has a magic feel to it that only the Pedulla had.3 points
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3 points
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Danelectro Longhorn reissue - short-scale. Very nice butterscotch sunburst and pretty much as new - I can't find any playwear, dings, scratches or blemishes anywhere. Low action and currently strung with (Dunlop?) flats. I bought the bass from an extremely kind member here and I'm selling for exactly what I have in it (i.e., £295). Collection in central Manchester is good, but If any prospective buyer wishes to arrange their own courier, I can pack carefully in a brand new Gear4Music tweed case for an additional £50 (I also have a carton and can print shipping labels etc.). You. can see the case in one of the images - a very nice fit. If you've tried a Longhorn, you'll appreciate just how light these are - I'd estimate around 7lbs. I find them very easy to play too. I have an ongoing love affair with the Longhorn but this one just isn't getting any play time and I'm trying to be a little more tidy. Any questions, please just ask.3 points
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Providing the band have a big enough fan base then new single to start the encore sounds good to me.3 points
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3 points
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I’m amazed at the prevalence of gambling advertising. I think it ought to be treated the same as tobacco.3 points
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2 points
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What a lovely piece of wood. I like big, wide grain like that.2 points
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Since my last post here my Basslab L-Bow has been getting the most play. It's quite the instrument.2 points
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"We used to be really good, we played to huuge crowds.." "Yes Leslie, of course you did *pats hand* come along now, it's time for your afternoon nap."2 points
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2 points
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Alembic were definitely pioneers of the furniture bass, but in comparison the the increasingly large, increasingly amorphous blobs made in the decades since by the likes of Fodera, Mayones etc. I think the early symmetric Alembics are actually quite stylish.2 points
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I’m not sure what body woods to use yet, but I do want Birdseye maple with ellipse inlays!2 points