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Showing content with the highest reputation on 04/11/22 in all areas
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Hi, I don't usually write here (sorry for my horrible english) but I just discover that group today and I want to share my gear here. That's my Sandberg Enigma 5, with Dr Black beauties, is one of my main basses and I couldn't be happier with it. At first sight could seem a very "hard rock" bass due to is the Chris Childs signature model (hard rock bass player) but nothing further from the reality. I play blues, soul, latin jazz with that incredible bass and sounds amazing in every situation, maybe the most versatile bass that I have. In styles that you could expect a Pbass or a jazz bass that bass fits very good in the mix and every musician I play they love its sound. The neck pick up has a very convincent P sound and turning to the bridge pick up you could get a "nasal" sound close to Jaco sound with punch and definition. Classy look, classic sound, well balance, incredible neck...perfect for me.9 points
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The Alternators opened the first night at the Teddington Beer Festival last night -2 x 45min sets. The venue - the Landmark Arts Centre - was our biggest yet (400 people) and a stunning setting ...... albeit, being a Church, the acoustics weren't brilliant for a loud band 🙂. I was really nervous although managed to relax into it by mid-way through the first set. I need to learn to relax, move about and enjoy the moment!! Pretty happy with my playing - notwithstanding a few frustrating mistakes - and the band sound. Our drummer was out of action so we had a dep who was really excellent although missed my mate and our usual connection. There was decent engagement from the crowd although they were mostly there to chat and try different beers, so split between some good engagement at the front and foot/finger tapping at the back. Everything was PA'd with clean floor monitors so my BF ST wasn't strictly needed but the LBT did a great job of holding the tone. Great end to they year which had 8 gigs in total and we pretty much doubled our playlist (I think we are at around 50+ songs at the moment) so we can now be a bit more versatile in our sounds. Bring it on 2023! I even got to smuggle a commemorative pint glass (or two 🙂) out!9 points
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Had a Bandeoke last night. Usual suspects getting up to sing with us, some actually quite good singers, some apparently unfamiliar with the song they'd chosen. Only a few songs I had to busk looking at the guitarist's hand for chord clues. Which wasn't the case at the previous Bandeoke where we played one song that no one in the band knew. Once you've successfully navigated that scenario nothing much can fase you.8 points
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Selling this to fund another cab set up. I’m using a pair of Vans with an LMII and there’s no complaints. I just fancy a pair of Markbass 12’s to try with the head, keeping the Vans of course. Anyway, as they say, reluctant sale. The bass is A1 and has a superb sound with flats. CIJ 2004-5 New hard guitar case I bought recently and Ive removed a tiny piece of foam padding for the body button for a snug fit. https://www.thomann.de/gb/gator_gcelecxl_guitar_pvc_case.htm7 points -
Earlier today I took delivery of this beauty! It's the second P bass I've owned. The first I never got along with and sold, but from a few hours playing this afternoon I'm really enjoying this. I took a risk ordering online without trying in a shop but I was keen to give P basses another shot. It's a comfortable weight (can't tell you exactly how much), balances well on the knee and strap, and the neck dimensions feel nice in the hand. The neck finish is glossy, which is quite different of course to the satin finish I've been playing, but feels nice to get around and not sticky at all. I've only played unplugged and through headphones so far, so a rehearsal next week will be the real test. So far so good though, it sounds good and the tone knob offers a decent range. It came pretty much set up and ready straight out of the box which was nice. Just a minor truss rod tweak needed, but otherwise the intonation is spot on and the saddle heights work for me. Pictures of course! There's some rather nice grain on the fretboard, and I'm a big fan of the black and gold with blocks look. Edd6 points
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Blind panic learning songs the night before a band rehearsal sums up my practice "routine". It is routine in the sense that it always happens6 points
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The passive TT4 has a very traditional tone. The Umbo is Sandberg's "passive only" design. I have a VS4 that I put an EMG Geezer Butler in and it sounds like a good Precision. Here's my basses (again). All passive. All traditional sounding. I've also owned a VM4, a TM4 and an active TT4 previously.5 points
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As others have said, definitely a mid-90s bass, and none the worse for that! I have the twin of your Passion (pic from the ad I bought it from). Beautiful instrument, if a little Citroen DS in its controls…:-)5 points -
I am reducing part of my bass collection. This time it's his turn to come out after years this beauty the pictures don't do it justice. Vigier Arpege 5 Yeard from 86. It is an active 18v. The used wood tops are awesome. This model has a pre-recorded selector switch with 5 sound and tone settings. Price 1900 euros Description Type : Solid body Number of strings : 5 Neck Wood : Maple naturally dried for 3 years Shape : D Finish : Glossy Fingerboard Wood : Phenowood Radius : 300mm/11.81'' Type of frets : Medium Number of frets : 22 Scale length : 860mm / 33.8'' Inlay : Dots Body Wood : Flamed maple / alder / flamed maple naturally aged Finish : Varnish dries for 5 weeks minimum Accessories Machine heads brand name : Schaller Type of bridge : One bridge per string End pin : Brass casing that inserts deep into the body and locks the strap button in place. Finish : Chrome Electronic Pickup brand name : Vigier Type of pickup : Single, twin coil in line Switch : Balance Controls : Volume Balance Bass Medium Treble Weight : 3,9Kg / 8.6lbs Delivered with case : Damaged Case Made in : France Any questions I will answer by private Only sale I am not interested in any kind of trades thanks.4 points
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I see that there hasn't been a lot of activity on this thread lately so I thought I'd post a NBD here. I opened up another thread a few weeks ago about trying a Precision as I thought my BB424 could have been a little smoother, particularly when using the neck pickup. Then, at a rehearsal on Monday night, I was getting some really odd booming sounds when using the E string which I need to investigate further. So, as the Bass Gallery isn't too far from where I work, I dropped in to have a look at a BB1024 that they had advertised. Long story short, I came home with it. I already have a BB1025x but find that a little heavy for long rehearsal. So I had an idea of what this might sound like but I was really impressed nonetheless. The sound from this thing has weight and authority but also effortless smoothness. I do like my 424, honestly, but even after a half hour noodle at home, I'm already in love with the 1024. It just plays and sounds on another level. I did try the 2024 they had in, which was lovely, but the 1024 seems like the sweet spot for me. The shop set it up for me with Thomastik flats, and an incredibly low string height, but it still plays and sounds beautifully. Anyway, here's a quick picture.4 points
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Update of the neck And I decided to matte out th ebass. The see through finish showed too much of the black grounding in my opinion. And to be honest the "frosted" matte look, looks classier and less as a gimmick. Hope you all like the progress.4 points
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I hate this sort of discussion. Charles Berthoud is an incredibly talented musician (who can most definitely play 'regular' bass), and him and his ilk aren't out to steal your gig. If that's not what you want to do, fair enough, you do you, but don't knock others who do enjoy that sort of thing, and who have put in the practice to be able to pull it off well. Remember, as a member of a band, you're the entertainment - lots of people like slap and find it entertaining. Like anything musical, don't over-egg the pudding, but don't discount it just because you can't do it!4 points
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Its very necessary, that is what provides him with an income. Isn't that the point of being a professional musician? He also does lessons on various places (scotts bass lessons etc). he has a few albums and yes, he can play in a normal band where it isn't about him. Olympic runners - whats the point huh? you can go faster in a car and can they even go for a walk like normal people?4 points
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Here is my main gigging rig. Alembic preamps, Synq power amp and barefaced cabs of which I have a choice of three. BTII, BBII and DubsterII but the BTII is the main one.4 points
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Because it's fun?4 points
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If the "necessity" of musical skill was limited to only what we individually like to play then everything beyond Grade 3 or 4 on any instrument would be unnecessary. And that is clearly dilettantism, and frankly, bollocks.4 points
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A late report on Tuesday’s gig in Coulson at the Tuesday Night Blues Club. This was a Del Bromham and Friends rather than a Stray gig. It didn’t get off to a great start when I belted my left hand pinkie loading my cab into a car. I immediately iced it and added some cocodamol to my man bag! A nice jam free drive to the venue and quick set up and sound check. We had Simon Taylor doing the sound so a decent result in that department was a given! I used my old AVRI Jazz procured from Old Horse Murphy of this parish into my Bugera and Schroeder 2 x 12. We had a great night, decent crowd and went down a storm. Finger was painful but I soldiered on! Happy Daze! Ouch! Of course the electrics are fine! the changing cupboard! Job done!4 points
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It's a bit rough round the edges but gives a good example of what we sound like live - which is the whole point 😁 ( obviously it's not a live video )3 points
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Dettol Be The Day ～ The Crickets3 points
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The T-16s from Tuesday’s release have already started arriving! Happy days! It’s even better than I remembered. It tracks extremely well, it’s super subby and the new finish looks great! Tom makes some of (many of, to be honest) my favourite pedals. I’m glad he’s doing okay and I’m glad he’s building again. Long may both of those things continue!3 points
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I see @chris_b has already engaged his agent to negotiate the price 🤣3 points
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All relative isn't it. Back in the day, Hendrix was seen as showboating... yet, his playing can be duplicated by many now. Same for people like Van Halen. Showboating is built out of innovation. Even if the innovator doesn't know what to do with it... somebody will take and develop it. And to a certain extent, music is art... you dont have to like everything.3 points
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Perhaps all displays of skill should be outlawed? So if we're talking footy, if a player should be so show-offy as to score with a bicycle kick he/she should be instantly sent off and flogged on the by-line? Or if an artist has the temerity to produce a picture that rivals the Mona Lisa, they should be tarred and feathered, then forced to do the pic again in a way that in no way exceeds the abilities of yer average geezer dahn the boozer? Or if a guitar player manages to wring a solo out of their instrument that's so achingly beautiful that even the tour manager bursts into tears, then they should be made to wear boxing gloves for any future gigs? Or is it only bass players who should be neither seen nor heard, apart from eighth notes on the root and the occasional flourish of a third or (eek!) a fifth?3 points
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Rabbit ～ Chas 'n' Dave3 points
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I tried the Sonicake briefly at a rehearsal last night and my initial impression was very good. It was easy to slip into Dalek noises if the octave knobs were two high, but for a more subtle, and in the context of the stuff we were playing, more usable sound I had it set somewhere like this attached. First time I’ve used an octaver but seems a good deal for 27 quid and looks well made enough.3 points
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2013 Ernie Ball Music Man Sabre Classic Reissue. Absolute beauty and in excellent condition. Only things to note are some play marks to the pickguard and a minor scuff/ding on the neck edge by the 2nd fret E string side. Just been restrung with new Super Slinky 45-100 (2834). Complete with original hard case and candy. Specs: Bridge: Music Man top loading chrome plated, hardened steel bridge plate with “Classic” stainless steel saddles and adjustable mute pads Pickguard: black Scale Length: 34" (86.4cm) Neck Radius: 11" (27.9cm) Headstock Size: Only 8.25" (21cm) long Frets: 21 – High profile, wide Neck Width: 1.625" (41.3mm) at nut 2.5" (63.5mm) at last fret Neck Wood: Birdseye maple Fingerboard: Fretted – maple Neck Finish: High gloss polyester Neck Colors: Natural aged yellow finish Tuning Machines: Schaller BM, with tapered string posts Truss Rod: Adjustable – no component or string removal Neck Attachment: 6 bolts – perfect alignment with no shifting Controls: 2-band active preamp; vol, treble, bass Switching: 5-way lever pickup selector Pickups: Standard – neck pickup – 16 pole humbucker with Alnico magnets and solid black cover, bridge – 8 pole humbucker with Alnico magnets and solid black cover, with patented Music Man “Silent Circuit”, which reduces hum and retains true single coil sound Left Handed: No Strings: 45w-65w-80w-100w (Super Slinky Bass #2834) Looking for £1600. No trades thanks. Would prefer collection from Orpington BR6 or meetup within an hours drive. Can post at buyer's cost and risk. Photos from chap I bought it from (it's in identical condition and these are much better than I can take): https://photos.app.goo.gl/Xr7a5EP25k5e69L66 Let me know if any questions!3 points -
A dep gig from hell last night. Playing with a late 50's - early 60's band - I've played with them before and they're pretty OK with the material they do. But last night they had a dep singer, and he was an elderly crooner, who told me proudly that he normally sung at care homes and used " a cassette player with backing tracks" It was appalling. I was already a bit concerned when we did a soundcheck (don't really know why they bothered) and played a bit of 'Blue Suede Shoes' and instead of singing the word 'one' on the first beat of the bar ("Well it's one for the money" etc) he tried to sing with the word "Well" on the first beat of the bar........... It didn't get any better. But in fairness, in some songs he started off in the same key as the band, so that was an occasional bonus. The crowd was fairly well oiled and there was some polite applause after every number, but maybe that was just with sheer relief that the singer had managed to get to the end of the song. At the end, the singer asked for my number as he "could sometimes do with a good bass player" Unfortunately I forgot to give it to him. 🙂 👍3 points
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Looks like a job for...3 points
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Doesn't look like the guy who did Graceland.....😉3 points
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Lovely 2016 USA Professional 5 string Precision bass in the relatively rare black/black/maple colour combination. The original Fender P Pickup has been replaced (included in the case) with a Seymour Duncan "Quarter Pounder". The bass has also had a SD Musicman Stingray Ceramic pickup professionally fitted in the bridge position making it a versatile instrument if you want more than the classic “P” sound (which it does brilliantly) The controls are volume/volume/tone. Bass is completely passive, so no battery worries in gigs!! Bass weighs in at a comfy 4.2kg on my scales, which is good for a 5 string Fender as many of you will know. Comes with original moulded hard-shell case and all the case candy including keys, truss rod tool, allen keys and info sheets. Collection from Essex or London or will arrange insured courier to you.2 points -
This is a great 2016 MIM precision. I was looking for a precision in a hurry and was lucky enough to snag this bass from Theyellowcab on here. It sounds great as either a passive of active bass and I used it as my main bass in the summer-don't believe me? Come and try it or listen to the video's in theyellowcab's post. Condition is great and it comes with a Fender hard case. Condition is great, nice colour and nice neck grain too. It is currently wearing flats but I'll put some rounds back on for the sale. Weight is around the 4.1/4.2 Kg mark on my scales so just over 9lb. "For players who find themselves alternating between a variety of musical styles at a moment’s notice, the Deluxe Precision Bass® Special is the perfect companion on stage and in the studio. Designed for powerful, flexible tone with smooth playing feel, this robust and rich-sounding bass combines the best features of Fender’s classic basses to create a "hybrid" model with sleek, authentic Fender style but is packed with new tones. There’s a wealth of useful tones hiding inside this bass’ pickups and electronics. Powered by a punchy vintage-style split-coil Precision Bass pickup in the middle position and a growling Vintage Noiseless Jazz Bass bridge pickup, this bass rises to any occasion. The robust control scheme includes a three-band active EQ with treble, mid and bass controls—each with boost and cut to accurately shape your tone—along with a pan pot for precision blending of the pickups’ potent sound. The active/passive switch makes it easy to access both vintage-styled and modern voices, further extending this instrument’s sonic flexibility. The Fender HiMass™ bridge improves every note’s sustain and resonance while enhancing the attack for lively tone that lets your sonic personality shine through. The "C"-shaped maple neck is comfortable for all playing styles and hosts a 1.5" synthetic bone nut and fast-playing 12"-radius fingerboard with 20 medium jumbo frets. The alder body bears a durable gloss polyester finish that looks great under the spotlight while being tough enough to shrug off the abuse of gigging and travelling. Classic Precision Bass appointments include knurled flat-top control knobs, nickel/chrome hardware, black pickup covers, pearloid dot inlays and a 3-ply B/W/B pickguard. A pure tone machine with classic Fender sound and style, the Deluxe Active Precision Bass Special is a true performer, equally at home on stage and in the studio." Body: Alder Body Finish: Gloss Polyester Neck: Maple Neck Shape: "C" Shape Scale Length: 34" (864 mm) Fingerboard Radius: 12" (305 mm) Number of Frets: 20 Fret Size: Medium Jumbo String Nut: Synthetic Bone Nut Width: 1.5" (38.1 mm) Truss Rod Nut: 3/16" Hex Adjustment Neck Plate: 4-Bolt Asymmetrical Neck Finish: Satin Polyurethane Fingerboard: Pau Ferro Position Inlays: Black Pearloid Dots on Maple, White Pearloid Dots on Rosewood Bridge Pickup: Dual-Coil Ceramic Noiseless™ Jazz Bass with Nickel-Plated Pole Pieces Middle Pickup: Vintage Split Single-Coil Precision Bass Controls: Master Volume, Three-Band Active EQ with Treble Boost/Cut, Bass Boost/Cut and Mid Boost/Cut Pickup Switching: Pan Pot Bridge: Fender HiMass™ Tuning Machines: Standard Open-Gear Orientation: Right-Hand Pickguard: 3-Ply Black/White/Black Control Knobs: Knurled Flat-Top Strings: Fender® USA, NPS, (Gauges .045 - .105)2 points -
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Just to add, the standard pickups on the passive TT4 are really good, In fact , they are the best jazz pickups I've tried IMO. I had been planning changing them before I actually tried my Birdseye maple/ mahogany TT4, I had a set of Nordstrands that had previously been in my Active TT4 (sounded nice too) but the vintage style Sandberg Alnicos sounded phenomenal. The neck pickup is much more in Precision territory than any other Jazz bass I've owned. My Umbos are a different thing entirely and with an overall sound somewhere between a Jazz and a Precision, probably due to the warmer sounding Alnico 2 pickups,2 points
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Day 7 - Hull - Asylum I think it went well, I keep forgetting where I'm up to! I decided to support the cause, by buying a T-shirt!2 points
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Just from his language I’d look elsewhere particularly if he asks you for PayPal friends and family or bank transfer before you go over. I don’t know about the upgrade costs I’ll be honest, but would you know by looking at it that they’d been done? anyone who says: “I'm not interested in making a lot of cash for this, I just want it to go to someone who will appreciate it. It's worth about 450-500” and wants half that, I’d stay away from2 points
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Brilliant, love a build thread and it inspires others too. I'm also about to start a thread for an 8" small cab.2 points
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Germ Free Adolescent - X Ray Spex2 points
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On the other hand... just because you can't/won't, doesn't mean nobody else should.2 points
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Have to say that is very nice. Your English is pretty good so dont be put of posting on here. Its always good to get everyone's thoughts and opinions. Dave2 points
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I would learn to slap but I'm ...Too Shy Shy.2 points
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Wide Open Space - Mansun 😄2 points
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Yes, pedant alert, there are phase shifts in analogue mixers and that is effectively a delay. As a designer of digital circuits in a former life, what we call latency in the Audio world is called propagation delay in the digital world. However, you are correct that the problem IS in the digital world. We have to be careful with some delay is useful when added as an effect, but only when compared to the dry signal. Latency is not really much of an issue for bass, IMHO, especially for those of us that stay clear of the dusty end and do not have lots of digits in the chain. For what it's worth, I use a Smoothound and the Latency has not been a problem. However, I don't use any form of digital for monitoring. For a singer, especially a female singer, it could be catastrophic, especially for monitoring. With the problems of digital mixers, you might ask "why bother". MY Ui16 is the size of a stage box with the same number of in/outs. It has 12 mic line inputs, plus up to 6 AUX outputs. So I can mic or DI the whole 5-piece band, including drums. I have to say that I now wonder how much delay is in my Soundcraft Ui16 (reaches for his digital 'scope).2 points
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Hi All For sale a cracking little BC 310. In a lovely dark metallic blue, clean example but does have age related marks as you'd expect. Very original and sounds great, loads of bottom end for a small bodied bass, 2 band eq with quite a lot of boost available. Set up nicely, truss works fine, and has new strings. One of the original knobs is missing and replaced by a metal standard black one. Any questions fire away. UK POSTAGE INCLUDED Cheers2 points -
----------ON HOLD PENDING-------- For Sale: £430 Delivered (Or come and pick it up from South Lincolnshire for £25 off?) Really great amp with loads of power and really flexible inputs (great for doubling bass/double bass), phantom power with a tube preamp which can be blended in. Excellent condition, always transported in the aluminium case with custom foam cut outs which is included in the sale. The aluminium case is scuffed but will be great for delivering (feel free to continue using). The amp itself is in excellent condition with just a few superficial paint scuffs on the top of the amp which can be seen in the photos. I did have the rack ears (although couldn’t find them) so let me know if you’re interested in them and I’ll try to dig them out, you are more than welcome to them too if I can find them. Any questions, let me know Full tech spec is here: https://www.markbass.it/product/little-mark-tube-800/ Overview of Key Info: 800w through 4 Ohm -(500w through 8 Ohm) Markbass amp with 2 inputs (separate gain control) 1st input is standard Jack 2nd input is Jack/XLR combo with phantom power for mics/pickups (I've used for both Double bass and Cello) Tube preamp All the normal Markbass EQ and filters Mute push/pull on master volume2 points -
Over on Guitar Chat (shut up, they aren't that bad) that I got two free bottles of Grolsch beer with a couple of straplocks at the weekend. @Dad3353 reminded me that you can get these basschatlocks2 points
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I'm in a little village about seven or eight miles east of Reading. Nothing here. Locally Bracknell has a couple of venues, The Cellar at South Hill Park, The Acoustic Lounge (not strictly acoustic). Reading is better, quite a few small/decent places, Face Bar, Sub 89, Purple Turtle, The Butler, South Street Arts, The Turks, Velocity, Oakford Social - there are a few that I've played but not certain whether they're still open; Readipop was great, there was a bar in the Town Hall I gigged once. There was one place in Reading, old metal pub called The Rising Sun. It was a fantastic place. The inside was wallpapered (walls and ceiling) with pages from The Beano and The Dandy and for good measure the place had a old rowing boat in one corner (riding on a sea of papier-mache). I played there just the once...the place was absolutely rammed, literally people falling onto the low stage. When we were loading in we got heckled by a group of metal-boys nursing pints of lager but the level of heckling reduced with the more gear we bought in. Reckon we played about an hour and aside from a gig I did in Milan, I'd say it was one of the best gigs I've ever played. The bar staff said we were the loudest band they'd ever had in there.2 points
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I thought it was 'wake up in the morning baked beans for breakfast. Sold out to every moth and beef-head. Ooooh oh, my ears are alight.2 points
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I was once thanked by a band leader for not slapping. I smiled at the compliment, but didn't tell him I didn't slap because I couldn't! I wish I could showboat on bass. That would mean I had more technique that I could use to be a better player when not showboating.2 points
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It brings to mind a Tom Waits quote… A gentleman is someone who can play the accordion, but doesn’t.2 points
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Shepherd's Bush Empire! Brilliant evening, met some family down there and an imaginary internet friend, who I'd only ever spoken to as a part of Lee Sklar's clubhouse. We're playing pretty well (although I did manage to find an online review which said we were terrible in Aberdeen. Hey ho) and we seem to be getting better each time. Tonightbreally seemed to gell well and I even managed to do a bit of "Dad" dancing, much to the amusement of the drummer! The Barefaces one 10 with the TC head is proving to be astonishingly good, I had to turn it down on stage, as it was too loud! 🤣 Fortunately, it's only really there for a bit of extra monitoring, as most of the "sound" is generated via the bassrig pedal.2 points
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