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Showing content with the highest reputation on 18/01/23 in all areas

  1. Our Andyjr1515 built this to the same spec as my main gig bass (also built by Andy) as a backup. I've never had to use it in anger though as my other AR bass has been 100% reliable so I've decided to turn it into GAS vouchers 🙂. Compact, lightweight and a one-off in design terms, this bass is in top condition. Strap balance is perfect and the fast, slim neck makes it a sweet player. Functionally it's hugely versatile thanks to the 3 'lippy' pickups plus 7-way switching* that allows all pickups to be selected individually or in any combination. Each position gives you a distinctly different, totally useable voice, and I use all 7 on gig bas number 1 to suit various numbers in our covers band. Price includes a mint Gator shell case and a white-pearloid scratch-plate alternative to the ebony one fitted if you want to bling things up a bit. Strings are virtually unused La Bella flats. I'm happy to meet for mutually convenient handover within an hour's drive from Taunton or pack for shipment provided buyer arranges and pays for delivery. * Via 5-way slider switch and push/pull volume knob
    15 points
  2. Played a couple of gigs at the end of last week in Weston Super Mare and then Wimborne in Dorset. Both theatres sold out, which always makes for more atmosphere. A long journey in torrential rain but still well worth it. Absolutely knackered the next day though! 😫
    8 points
  3. For sale is my Alleva-Coppolo Bass LM5. (Empress/Maple) purchased in the USA at Bass San Diego in 2020. Everything is original and nothing has been changed. This is an extremely rare bass, built by Jimmy Coppolo. He only built a handful of LM-5 models out of Empress wood. This is one of them. I think this bass really only exists once. The response is superbly even and incredibly clear. The low B-string is clearly defined. This bass is insanely light at just under 3.47 kg and can be carried and played all the time. The Empress basses have the mid-scoop of a 70's style LM/maple jazz bass, but with a slightly "modern sounding" twist. The finish is a throwback to early 80s Fender basses with Di Marzio p/u's (the finish is called "Sienna Burst") and it has nice block inlays and custom "Fender Strat" buttons. It also has white pickups, just like the old Dimarzio pickups in the old Fender models. This bass is both passive and active (bass and treble boost when switched to active). This bass was made in a great time when Jimmy was producing some really incredible work. Everything works flawlessly. No quirks, kinks or dents. Potis work without creaking. Neck is straight and truss rod works flawlessly. The frets are like new with no visible play marks. Of course, it comes with a very high quality original Alleva gig bag. All in all a really wonderful instrument, unfortunately gets too little attention in my house. 😂 That's why I would like to give it away in good hands. No trades please.
    7 points
  4. WITHDRAWN FROM SALE : A project has come in where this bass will come in handy, so I’m taking it off the market for the time being. I may re-list at a later date. —————————————————— Olympic White finish with Ash body and Birdseye Maple fingerboard. Comes with original case, paperwork and supplied tools/strap locks. Ordered directly from Fodera and has lived either at home or at my studio, both non-smoking environments. Just checked the body and neck for any blemishes and couldn't find any, so I'm going to say it's essentially mint! Collection from my studio in London preferred, or can arrange meeting at a mutually convenient location in/around London for hand-over. Will only consider international freight if I’ve not been able to sell locally after a month or so. Sorry! More pics/details on request over DM. No trades, thank you. Straight sale only. Official Fodera blurb here : https://fodera.com/collections/standard-instrument-deposit/products/2021-standard-classic-deposit Thanks for looking!
    6 points
  5. Really rare 1989 PEAVEY TL-Six, the Tim Landers Signature, a true Custom Shop model ! POSSIBLE TRADE FOR A LEDUC BASS OR OTHER BASSES WEIGHTING LESS THAN 4.5 KILOS, AND FRETLESS PREFERRED ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden : €1550 Euros (£1375 GBP is an approximation and I will only accept payment in Euros) !!! New price was around €2000 Euros back in the day, so 34 years ago... !!! Shipping to United Kingdom is, of course, possible, but with an extra customs fee (VAT + other taxes + courier fee), because U.K. is now outside EEC. In fully working condition and in quite very good overall condition considering it's a 34 years old bass. Here are the specifications : Body (back curved à la Spector) : 2 wings of flamed maple with 2 stripes of purpleheart Graphite reinforced neckthrough : 5 pieces à la old Leduc (3 pieces of rock maple + 2 pieces of purpleheart) Fingerboard : Macassar ebony with pearl side dots and front pearl arrow inlays Frets : 24 in excellent condition (no marks) Headstock : 4 + 2 in line with graphite reinforced peghead Pickups : 2 Peavey frequency tailored (hum-cancelling) reversed P-Bass type (split coil) Controls : volume, blend, active/passive switch, bass, mids and treble acting as a tone control in passive mode Preamp : Peavey Dynabass 3 bands EQ with gain adjustable through an original hole in the rear cover Tuners : new Gotoh Res-O-Lite GB-350 Bridge : Kahler 3D bridge Strings spacing at bridge : 16 mm at the moment, but adjustable up to 18 mm Nut : graphite Strings spacing at nut : 9.5 mm Knobs : original Peavey with rubber grip for the volume and blend Scale : 34 inches Hardware colour : gold Truss rod : one, called a torsion rod by Peavey Finish : transparent blue Land of craftsmanship : U.S.A. Serial number : 04163684 Year : 1989 (very first series) Weight : 4.540 kilos Action : from 1.5 mm under the C string to 2 mm under the B string at 12th position (can even go lower, but was perfect for me) Will come with a new generic semi-rigid case. Non-smoking environment as usual. I'm only selling this bass because I'm thinning down the herd for the reasons mentioned above. The bass has been fully set up professionally. It is fitted with a new set of Blacksmith ANW-32135-6-34 nickel-plated steel (Hexa Core) strings with proprietary AOT Nano Carbon Shield coating which prevents oxidation and dirt accumulation on the wound strings (32 - 45 - 65 - 85 - 105 - 135) that really serve the bass. What you see is what you get ! Look carefully at the photos taken under different angles and light to see the real condition, which is used with knocks, scratches and scars from 34 years of use. Link to the original Peavey user manual : https://drive.google.com/file/d/18AAjwZ5_BHR-fQQlrWgC6byYQ3vrD9k-/view?usp=share_link Here is the link to the 28 photos in high resolution and please do watch them carefully : https://drive.google.com/drive/folders/1yKodgNXuqQJNia_Uu32LTFaslcaf4QBx?usp=sharing Don't hesitate to ask for more. Due to severe back problems (67% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 4 years, I will never fully recover), I'm selling all my basses over 4.5 kilos and also the ones I'm not really using as well as some stuff I don't use. I've also considerably lowered the price for a quick sale.
    6 points
  6. I bought this last year from a basschatter. (using pics from that post) As you will see i have a bunch of basses up for sale in the hope to fund a bass i have been after for ages. I am selling it for what i paid for it. This is one heck of a bass. So beautifully put together. Manufactured 2007 5 String 24 Frets 35" Scale 9V Active 4.6kg (bass on its own) Volume, Pickup Pan, Bass, Mid, Treble, Push/Pull High End Boost Bolt-On Neck Upgraded Overwater PreAmp by John East (Fitted By Overwater) inter pickup ramp (also fitted by Overwater) Overwater/Hiscox Hardcase Strung B - G String spacing between B-E string 14mm, spacing D-G strings is 16mm just checked again string specing is same across all strings at 16mm.
    6 points
  7. My two new additions: Firstly, 1980 BB1200. Bought it from here, and it's in such great condition - even came with the original Yamaha case. Secondly, I just bought this today. BBP34 - beautiful build quality. Puts most of my US basses to shame.
    6 points
  8. Given that I've recently passed significant milestone and have owned many (many!) examples of Jazz Basses, the Mrs saw it fitting and appropriate to get me one of these lovely anniversary basses. It's an absolute beauty with it's gold hardware, block inlays, binding and flawless olympic white finish. It would happily sit in the company of guitars costing three-times as much and, in terms of build quality and sound - it may well take the crown of 'best passive Jazz I've ever owned' from the long serving VM model - time will tell! ❤️ I've spent a bit of ime setting it up and allowing it to settle these last few days as it's the first brand-new, unplayed bass I've had since I bought my Warwick (22!) years ago in 2001. Now tweaked to my personal tastes, it's a fantastic piece of kit - can't wait to take to rehearsal. 😃
    5 points
  9. A couple of weeks ago, I got hold of a 1980 Yamaha BB1200, and have been absolutely blown away by the quality, sound and how good it is to play. I got it from here (thanks Paul!), and wrote a thread about how ironic it is that after 30 years, I found my perfect Precision, and it even wasn't a Fender. It's in great condition and even came with the original Yamaha case. A few pics: I spend every other month in the US with work, and wanted a cheap bass to plunk about on whilst over there. I didn't really want to bring a bass over from home, so today popped into the local guitar shop (https://www.toneshopguitars.com - ask for Chas!). I'd seen and played a cheap Sterling Ray for $300 in there previously, so thought I'd go in and have a look round. Of course, it didn't work out like that! They'd just taken in a Yamaha BBP34 on part ex towards some 6 string guitar kit (ugh), so I sat down with that. I remember picking one up a year ago in another guitar store, and thought it was nothing special. However, this one had just been set-up and was an absolutely lovely bass. Very resonant unplugged, and a huge sound plugged in. Sounded very warm and vintage to my ears. Anyway, long story short, I walked out with it at a very good price (inc posh Yamaha case, all the case candy and a Levy's strap), along with a little Fender Rumble 40 combo ($160 on special!), and have just unpacked it all. Happy days. A few pics: \
    5 points
  10. My first instinct was to say 100% but you need to make allowance for eg personal events happening, so something near 100%. I've never fully understood this thing about being in multiple bands - is it like hedging your bets in case one of them goes bad? Why not just focus 100% of your effort on one band? Social commitments - depends on what this actually means....
    5 points
  11. EA iAMP 350 . All in perfect working order and sounding great . Throwing in a Markbass amp gig bag . Pick up from North London , or I will ship at buyers expense . A bargain , for a quality amp and gig bag .
    5 points
  12. As a professional musician myself, 100% - unless prior agreement has been put in place. My last band hand dep musicians for every member, sometimes multiples of.
    5 points
  13. You've answered your own question, I've never put anything other than a right angled jack in that kind of socket, it's asking for trouble.
    5 points
  14. No photos but there is a dodgy phone camera recording, does that count? The White Line in Newcastle.
    5 points
  15. Specifications to be listed by @Happy Jack when he comes back home - they've changed a bit since he originally got his Ali DB. In the meantime, photos and videos Edit to remind you - click/press on the photos and they will display at full resolution.
    5 points
  16. I don’t even do my own pickup swaps! you know instructions on a soldering iron that say “don’t hold the hot end”? That’s my fault!
    5 points
  17. I'm rescutating this zombie thread as I've done exactly the same! Sadly, Fretmeister's original pictures are long gone, but using the ice cream stick idea as my starting point, I came up with these: Nope, they're not skinny shoebrushes... The wooden part is from a bit of leftover edging - something like this. The original plan was to make three with different sorts of foam on each, but the superglue I used to attach the "washing up" sponge I tried to use, practically melted it... maybe I'll use two sided tape for that type of foam in the future. The two that survive work really well - one is made with fairly dense foam (the sort that you might find in a fitted case for a drill or similar) and the other one is more spongey. The spongey one gives a slightly better tone - to my ears anyway. The denser foam needed to have slightly wider slots as the notes were choking a little. The hardest part for me was cutting the foam neatly. Maybe I should have watched more episodes of "Blue Peter" as a kid. I rounded the edges of the wooden part a bit and gave it a rub with some wax. I gave it a little handle so I'd know which end is which, although it doesn't seem to make much difference. Neither will get me a job on "The Repair Shop," but they cost me nothing to make and took about half an hour from having the idea to sticking the finished thing on my bass. Now I can get a nice "Carol Kaye" sound quickly and easily. And it looks quite cool.
    5 points
  18. I have discovered that Nigel isn’t at all well. He fell, broke a few ribs and punctured a lung back around October and has since been in and out of hospital. He is back in at the moment. Nigel has been a stalwart of this board for many years and interacted with many of us. Please keep him in your thoughts. Edit: Updated with funeral arrangements
    4 points
  19. SOLD I’ve decided fretless isn’t for me so am just looking to get what I paid for this in 2022. It’s passive with stacked volume/tone knobs, a 3 way pickup selector and series/parallel switches. Everything works perfectly. Good condition for the age with a little wear to the fretboard from roundwounds. Was set up over the summer by Newcastle‘s very own Bass Doc who reckons it was either a special order from the factory, or was professionally converted to fretless to a very high standard. I’m based in whitley bay. No trades thanks unless you have a G&L. Happy to post - buyer to pay and organise. Will be bubble wrapped then put in an old gigbag and then a bass box. I’ve got a decent feedback thread on here. You’re welcome to try it out if you’re in the area.
    4 points
  20. An acquaintance of mine once had his bagpipes blown up by the bomb squad in Bath. On his way home from a night out whilst rather drunk he put them down while he watered the bushes in Queens Square and then forgot to pick them up before staggering home. The next morning in his rush to leave for a climbing trip he forgot all about them but saw the bomb squad had closed the square. When he got home and remembered them he went to the police station to see if they had been handed in as lost property. There was good news and bad. They had them but they were a bit blown up.
    4 points
  21. For all the chat about the MM pup it’s important to realise it will not sound anything like a Ray when solo’d because it’s not designed to. It’s not in the Ray position nor is it voiced or does it have the Ray Pre-amp. Its main purpose is to be n adjunct to the P pick up and allow you to cut through and provide clarity. That’s what it is designed for
    4 points
  22. Just a heads-up on a very interesting - and highly desirable IMHO - s-s bass I've just posted FS. https://www.basschat.co.uk/topic/473862-andy-rogers-short-scale-custom-build/#comment-4890445
    3 points
  23. Nope, no exceptions, you let one through and then you’ve set a precedent. Harsh I know, but it’s for the best. Really, how much?
    3 points
  24. 3 points
  25. Kent Get You Out Of My Head - Kylie
    3 points
  26. 3 points
  27. You need sufficient gauge to handle the current without overheating and not cause voltage drop. At 1 meter it doesn't take much. Wire gauges are typically used in the same locales that use inches and feet, mm where they use metric, for the same reason. This is a must read if you don't know anything about cables. It's aimed mainly at the hi-fi crowd, as they tend to be more easily scammed by cable mountebanks than professional musicians, but the physics still apply. http://www.roger-russell.com/wire/wire.htm
    3 points
  28. It's great when you find 'your' strings. Personally for me it's Dunlop super bright nickels 45-105. Quite bright at first but they settle quickly, and then stay the same for ages. They're also lower tension than other 45-105's out there that I've tried, which was something I'd been looking for for a long time. Haven't done any proper recording for a while, but when I did I would usually put a fresh set on about a week before, and make sure to play a bit every night on them so they lose the initial over the top zing..
    3 points
  29. Agreed - that's why I do such things whilst watching TV. If you are going to burn time in front of the idiot box, you may as well get something productive out of it. For the less than 10 minutes to make a reliable speaker cable (I reckon I could make one in less than 5) - it seems a good investment to support the knowledge that your gear is good to go. But maybe that's just me.
    3 points
  30. Wow, that really is a thing of beauty, the finish is extraordinary 👍
    3 points
  31. I bought EA Siren cables a while back and have some spare ClearTone cables kicking around. If I have a 1 metre one it's yours. I'll check later today. Why EA? When a guy who can afford anything replaces all his cabling with it, even the wiring in his cabs, then I figure it's worth it. The Reveal cables are brilliant.
    3 points
  32. This is the last of the Trace heads before they went under around the turn of the century. It's the rack mounted AH300-12 head. It comes in a Roadready 3U flight case . I put a ventilation panel in the spare 1U space. The amp is in full working order and was gigged regularly until the time of the pandemic. I've gone and bought a load of lightweight gear (I'm no spring chicken!) and so this has been sat in the cupboard doing nowt. A fantastic amp with the superb Trace dual compressor circuit. The switchable valve drive circuit is very usable too. Switchable parallel or series effects loop and switchable 12 band graphic and preshape. There are a few holes drilled in the top panel to improve airflow for cooling. On the back there is a speakon socket in parallel with the 1/4" jack speaker outputs. Also a 7 pin xld socket which parallels the foot switch socket. The front panel illumination is in full working order and stays on all night. I fitted the Trace modification to the front panel illumination board which stops the lights going out if there's a power fluctuation. Comes with a kettle lead and a couple of Speakon cables. I'm asking £250 for it. It's heavy so postage would be expensive and impractical. A meet up or collection would be preferable.
    2 points
  33. 2 points
  34. Oh man these basses are awesome! The sound is epic and incredibly versatile for a passive. They are light, well balanced and very easy to play. If it wasn't for this being fretless, it would be coming to me! Not to mention at this price, it's a stone cold bargain!
    2 points
  35. It is. . . . if you are using the right guys. I dep a lot and my aim is to be better than the guy I am replacing. That's probably why I dep a lot.
    2 points
  36. I've always used a right angle jack on a Jazz, looped around the strap. I've stood on the lead a few times, and it saves it being bashed too. The only time I've used straight jacks is on something like a Fender Strat, where there is that recessed socket so it ideally needs a straight jack, otherwise the right angle one is sticking out and gets caught etc...
    2 points
  37. But... the more you use deps, the better they get. What I'm trying to say is... if you're not happy with the amount of gigs the drummer can do, sack him and get another one that can do more. If there isn't another drummer who can do more gigs waiting in the wings, work with what you have. Needs must, and all that.
    2 points
  38. That. The cone area of a five inch cone, Sd, is around 100 square cm. Four of them is around 400 square cm. An average twelve is 530 square cm. Just as significant is the excursion limit, xmax, which combines with Sd to give displacement, Vd. Vd defines how loud a driver may go. An average five inch Vd is 50cc, making it 200cc for four. An average twelve Vd is 300cc, a high end twelve Vd is 500cc. There are a number of other factors which impact how low a five can go. They can go as low as larger drivers, but to do so they sacrifice sensitivity, which means less output per watt of input. I'm a big fan of fives myself, in the right context, which IME is as a midrange driver used in conjunction with a larger woofer.
    2 points
  39. SOLD Studio quality EQ DI. The clarity and control over your sound is unbelievable. 9v or Phantom power. 1/4" out and DI The HPF and LPF are particularly effective when going to FOH or tracking. As new condition, boxed with manual etc. £220 posted UK only
    2 points
  40. At least three of my Bass heros from different genres never (or very rarely) changed strings: Robbie Shakespeare, Bernard Edwards, James Jamerson. That's reason enough for me (and the fact I'm lazy!).
    2 points
  41. Hatfield 1980 - EBTG https://youtu.be/pRjCJ9TEm54
    2 points
  42. 2 points
  43. Recent videos (I wasn't on sound for any of these, the festivals had their own sound team)
    2 points
  44. I've taken a more benevolent approach now and release it back into the wild....
    2 points
  45. I quite like the basic concept (although why not just have 2 pickups) but I find that kind of aimless, random sounding jazz noodling quite hard to listen too.
    2 points
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