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Showing content with the highest reputation on 20/01/23 in all areas
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Apologies for the needlessly positive post - I know I certainly get more enjoyment from the more negative ones. Last night was our third rehearsal after an unusally long Christmas break. I'd sent on two or three demos over recent weeks but we'd never actually got round to trying them out together. I gently pushed them forward after we'd warmed up a little and... my God: my cheesy, chintzy instrumental demos were swiftly transformed into *songs*. I don't know how they do it but our singer/drummer and guitarist just jumped in and there were instantly lyrics, melodies and structure - and it was good Interestingly the structure of one of them immediately changed with what I'd intended as a short outro becoming the verse, the verse the chorus and the middle 8 summarily dismissed. Listening back to the recording now I can't understand what's happening - how we're anticipating each other's moves and I definitely don't know what the bass player is channeling because I'm not sure I can play like that in real life. And after that we jammed our way into what sounds like it could turn into another song. Then we tried an old one and made a complete pig's ear of it. An utterly joyous, affirming and revitalising experience. And before anyone thinks I'm turning into some sort of hippy, I fully realise that whatever was conjured last night was the result of three people who have spent their whole lives playing and listening to music, spent years playing with each other (and listening to each other) and, crucially, being daft enough to just try stuff and not be worried about falling flat on our faces. I thoroughly recommend it. But I really need some tales of unreasonable singers/guitarists/punters to bring me back down to earth now.18 points
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First live appearance of 2023 was an acoustic night at a local pub. My 80s goth duo have been focusing on synths & drum machines, only to have to suddenly use the other side of our brains last night. Woefully under-rehearsed, we lurked outside the ladies loos, armed with a mandocello and a mandolin! Very high standard last night and we had a couple of old school friends come down (the origins of Deadlight Dance are a bad 6th form Goth band) and against all odds, we nailed it. We did our forthcoming synth heavy single stripped down, along with songs by The Cure, Sisters of Mercy and wildcard versions of OMD and (our nod to the modern) The Weeknd. My favourite compliment, we were "intense!" Meanwhile if you see this chap hanging around outside the loos, he's harmless, just a little under-rehearsed!14 points
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Hey all. For sale (or possible trade with a Roadworn or Nitro finished Jazz of some kind) I purchased this new a couple of years ago well because it was charging green mainly…..and I love a good stingray. These Stingray specials are just brilliant IMO. I’ve had a lot of different stingrays in the past and I have always loved them but the new improvements really are actual improvements. They feel way more ergonomic in every way. The roasted neck is just perfect, kind of less baseball bat esq than the old ones. The price of a new one in these crazy days is utterly mental: circa 1000 english pounds more than this and also not in charging green. Condition is as new. All the case candy is still present. I actually cannot find a mark on it. It has been to numerous band practices and a few gigs but seems to have escaped unscathed and all it’s charging green loveliness is intact. Weight is 9lb or 4kg Courier to your door in its proper, nuclear detonation proof musicman case, included if you reside in the Uk. Happy to ship elsewhere but will need to be organised by yourself did I ever mention… this bass comes in charging green…. etc TK x12 points
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Now Sold! As I slowly edge my way towards owning just a few instruments, this stunning Sadowsky is the next one up for sale. As an ex-Sadowsky dealer, I had first look at everything that came into the store. This particular one came from a customer in Canada, who had it custom made for him in NYC, and as soon as it arrived I knew it was 'the one' for me. It's quite simply the best J-style bass I've ever owned (and I've owned a LOT!). However, I pretty much only play my, shorter scale, Ritters these days and it seems a shame for this to be sitting on the wall & only taken down once a month or so. Sadowsky basses really are designed to be pro-level 'gig-machines'. It's hard to explain but they just sit perfectly in a live band mix & that onboard tone control offers so much subtle tweaking across songs - perfect in a covers band environment when you need to go from a clear precise tone to something with more grind & then back right off in pure passive tone control mode. It's been gigged maybe 10 times in its life and always kept under direct supervision. As a few people here know, I always keep every one of my instruments in excellent condition & this is no exception. It has some swirl marks on the pickguard, a few on the rear and some very tiny marks near the lower strap pin where I'm assuming it was rested on the ground at some point by the previous owner. Fretboard is a, pricey upgrade, Amazon rosewood and all frets, the board itself and the maple neck are in superb condition. The thin nitro finish on the back of the neck shows no signs of wear at all. Official specs are: Dark Cherry Burst Quilted Maple Top - one of those that Roger does so well with amazing depth of colour Chambered Swamp Ash Body - weighs just 8.2lbs / 3.7Kg Amazon Rosewood Fingerboard Mother of Pearl Face Dots (note that this is what the spec says but they look quite plain to me) Maple Neck with thin Nitro Finish 1.5" nut 21 Frets 20mm Bridge Spacing - EDIT, checked with Roger (and a tape!) and this would have the regular Sadowsky 20mm spacing not 19mm Sadowsky Humcancelling J pickups Sadowsky Preamp - Master Volume, Pickup Blend, Vintage Tone Control (with pull for passive mode), Treble & Bass Boost Current price for a new one of these with these specs is exactly $7,000 / £5,650 - that's excluding any delivery charges, VAT or Import duties. It is now possible to specify a Masterbuilt bass from Warwick in Germany but I don't think it would be any cheaper & the wait list is long - besides, it won't have had Roger's hands on it either, which, for me, was always something quite important as part of the 'brand experience' 😂 I've, therefore, priced it at around 25% off the base price for a new one. It will come in a Hiscox hard case & with a nearly new Sadowsy neoprene strap (super comfortable and, at just 8.2lbs, great for long sets!). I can potentially ship almost anywhere. EDIT: Checked direct with Sadowsky, and Gov sources, and this instrument would not require a CITES certificate for international shipping.10 points
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It's with a heavy heart that I'm listing this. I ordered this bass January 20th 2015, and took delivery 4th November 2016. The spec is: Maple bird's-eye facing Mahogany core Vintage satin stain finish Side dots (between lines) Fretless ebony board with lined pear The band I was playing bass in folded just before I took delivery of this from Paul at Wal, and I have been back playing guitar in my main band since, and I'm looking to finance a Gibson Murphy Lab or Historic Makeover Les Paul. This bass has probably had less than 20 hours of home based play. In August 2017 the neck was sent to H.G. Thor (Woodwiz, New York) to undergo a full epoxy treatment which has now made this a top pro level instrument. Please note, H.G's wait list was already 4 years at the time this work was carried out, and I went on his list long before the Wal was ordered. I don't know if he still carries out this type of work, but is considered the best in the business for epoxy work. The bass is listed on the Wal Registry so buy with confidence It plays incredibly either with rounds or flats (I'll put the thomastiks back on before sale). Happy for potential buyers to come and try it out (Birmingham, B29). Preference is on collection due to value, but might entertain shipping/overseas etc. Also listed on Reverb and the bay (100% positive feedback on both). No trades. Thanks Matt (07554519171)9 points
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Hi All For sale my roadworn P bass. It’s a really good one. Plays and sounds great. It has picked up some extra genuine real life “road wear” in its life on the back. Which you may or may not like but you can’t see it most of the time Obvz… I cannot for the life of me find the original pickguard sadly so it comes with the mint green one I added when I got it. It has flat wound strings on which it came with… I’ve no idea what make they are but they are great. Case is an old jazz bass one so it ain’t a perfect fit but it does the job and is included. The all important weigh in results are: 9lb 7oz or 4.3kg I bought if from here several years ago and it has been the first P bass I really got on with so a bit sad to see it go really. What I’m playing now more suits a jazz so I could be tempted in a trade/swap for a roadworn jazz of some description. Couriered to anywhere in the UK included in the price. Elsewhere the in the world absolutely fine but you will have to arrange.9 points
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9 points
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I bought this recently as a friend had asked me to buy a cheap bass for her to learn on. The bass is in pretty good condition cosmetically with one ding on the back of the neck pictured. There is the outer part of one knob missing too. All screws are present (I’d taken the covers off to clean the circuit and replace the batteries), it has an 18v active pickup and the later Westone pickup. It was made around 1988 I’d say as it looks like the last run of Thunder basses. Truss rod turns and it is pretty light weight at under 4kgs. There is an issue with the pickup - the treble side has a lower output and less zing. Withdrawn I will get the pickup repaired before I sell it on7 points
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6 points
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The only reason I play a musical instrument is to be in a band and to gig. I get the same buzz from gigging today as I did on my first gig, back on 20th November 1966.6 points
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6 points
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For sale this amazing 2005 Mike Lull M5V in beautiful sunburst! Swamp Ash Streaked Indian Rosewood board w/pearl block inlay (a $600 upcharge from Lull) Bone nut 18v Bartolini NTMB preamp Duncan Single coils 9lbs 35” scale Hipshot hardware 18mm spacing 12 inch radius I have 2 pickguard mades from the same company Lull one white and one Transparent A few small paint chip on lower back side (normal signs of wear). That sounds is big and amazing. This bass coest new over 6000$ Price : 2700€5 points
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I didn’t think I’d ever sell this amazing combo but something I’ve had my eye on has come up and my house is starting to look like a music shop, the wife’s words, not mine. Its in really good condition. Looks amazingly cool and sounds fantastic too. What’s not to love. It’s a glorious 220 watt combo with a valve in the preamp for lovely B15’esque vibes. Really loud, never needed to go past 9 o’ clock on the master. Only downside is that it’s quite heavy as you’d expect but has castors so its not too hard to move.5 points
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Benevolent dictatorship. Someone listens to everyone's ideas and makes decisions and leads. I want to be in a band with a leader who has vision and direction. I've been in too many democratic bands where actually you end up with a random bunch of songs and each member doesn't really like many of the songs.5 points
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Naturally whenever you attempt anything needing a bit of concentration, a cat rolls up and gets right in the way.. .."if you give me some Dreamies, I'll maybe leave you alone for a bit..Deal ? "5 points
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I have a number of times, i'm not famous but i play bass in a famous band so it's more likely, though these days people usually want selfies and not autographs. Usually when they ask i tell them they should get the autographs of the original band members and go off and get them. if they still want mine as well that's cool. But outside that, when i was about 18 or so, we did a gig in Kingsbury WMC near Tamworth and our agent at the time wrote some pink torpedo & bull article in the Herald newspaper that we had just got back from touring. So the venue was packed and i got to sign quite a autographs and few female lefties that night. Over the years i have puzzlingly been embarrasingly, (for me), mistaken for, Lennox Lewis (far too many times), Courtney Pine, Samuel L Jackson, the guy with dreads from the "cool runnings" film, Robert Cray. I can't see any facial similarity to any of these people apart from my hair at various times and skin colour. No facial features at all. Apart from seeing the funny side of it, i am always respectful.5 points
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Beautiful bass but having decided to keep my Enfield Fretless it was only a matter of time.... Stunning looks and curves (some Precisions just have better curves than others, this is very much one of the former), the board is in very good condition which takes very very low action for an FL. The bass has a highly responsive tonal palette that moves from mellow to snarly with just a few extra twitches of the right hand finger muscles. As Precisions go, this is a very very good example. I'll let the photos tell the story. Price is pretty firm (actually less than I paid but that's another story entirely), and having just sunk some money into a new (and metal) double bass, I really do need cash and not trades at present Lovely original tweed hard case included. Collection from Whitstable/meet-up in London/SE preferred but courier is of course also and option4 points
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Choppity chop... (OK I didn't really use an axe, but only slightly more sophisticated, it was one of Spear and Jacksons finest.)4 points
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I love it when that happens. I walked into practice a couple of weeks ago and said "I've got this bass riff going through my head. It's kind of surf rock meets The B52's". Then started playing the riff. The rest of the band joint in, including the singer with some ad-lib lyrics and it was exactly what I had in my head. I'm still constantly amazed by being able to create music with other people.4 points
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Oh, great...just when I thought my GAS was completely done, now I want a mandocello... 🙁🙂 And I want to hear The Sisters Of Mercy done on mandolin and mandocello...4 points
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That moment when everything syncs perfectly it feels like you've gone from a group of individuals with a common interest to one being, kind of like Voltron 😄 It's pure magic when it happens and better than any drug I've tried.4 points
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I've posted on other threads that one of the main reasons I love gigging is that interaction you get between band members when everything is cooking. It doesn't always happen, and it takes time and effort to get to the point where it could happen. But when it does, whether you're writing, recording or playing a gig, it is priceless. I've experienced it enough to know I want more. I totally get the OP's post and the reason for posting it. If that makes me a hippy, well, yeah, maaaan. 😃4 points
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4 points
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A couple of weeks ago, I got hold of a 1980 Yamaha BB1200, and have been absolutely blown away by the quality, sound and how good it is to play. I got it from here (thanks Paul!), and wrote a thread about how ironic it is that after 30 years, I found my perfect Precision, and it even wasn't a Fender. It's in great condition and even came with the original Yamaha case. A few pics: I spend every other month in the US with work, and wanted a cheap bass to plunk about on whilst over there. I didn't really want to bring a bass over from home, so today popped into the local guitar shop (https://www.toneshopguitars.com - ask for Chas!). I'd seen and played a cheap Sterling Ray for $300 in there previously, so thought I'd go in and have a look round. Of course, it didn't work out like that! They'd just taken in a Yamaha BBP34 on part ex towards some 6 string guitar kit (ugh), so I sat down with that. I remember picking one up a year ago in another guitar store, and thought it was nothing special. However, this one had just been set-up and was an absolutely lovely bass. Very resonant unplugged, and a huge sound plugged in. Sounded very warm and vintage to my ears. Anyway, long story short, I walked out with it at a very good price (inc posh Yamaha case, all the case candy and a Levy's strap), along with a little Fender Rumble 40 combo ($160 on special!), and have just unpacked it all. Happy days. A few pics: \3 points
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Here’s mine.. now with tort guard… cos it’s the law… etc I just love it. 🥰3 points
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The pre - Kaja Beggsy, circa 1979. Tells you all you need to know. Kasuga EB-750 from '75-ish, if you were wondering.3 points
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I'm with @TimR on this. Back in the day I was rather more idealistic and thought bands should be democratic, but with the benefit of rather too many years of playing I can see that this is how bands end up directionless and with confusing set lists that don't really appeal to the band's target audience, or anybody, come to that. But I'm talking about cover bands here, where the usual aim is to get a regular stream of reasonably well paid gigs and hopefully enjoy playing as well. However, for bands doing all original material maybe a more democratic approach makes sense ? Discuss..........3 points
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… funnily enough this popped up the other day. I subscribe to the guy’s channel (pdbass) - his breakdown/appreciation of various players and tracks is always interesting (though some of the titles can be a bit clickbait-y!). This appraisal of Nick Beggs/Too Shy is well worth a watch.3 points
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As per the Enfield thread, I've put a lovely MIJ 62RI fretted neck on it and it just works, and I'm about to install a J-Retro and a Badass II. I think I prefer the fretted over fretless. So, in theory I keep the Enfield as my fretted and the Precision as my fretless and all is good with the world 👍 Giving it some serious thought......3 points
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I don't think I ever will be 100%. It is like being 100% satisfied a car or house or bike - tastes and needs and technology change over time.3 points
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The last gig I played, in Nov 2022 was like that. The on stage sound was great and the whole gig was amazing. One of those nights where you give yourselves the metaphorical pat on the back.3 points
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Partner totally doesn’t get it. It’s “pi55ing around with guitars” (I know, totally insulted, liked I’d be seen dead with a 6 stringed toy version of a bass) but major moment of my life was playing live for first time and watching the glasses behind the bar rattle as I sound-checked and playing along with a guitarist to a song that had people up and dancing, and thinking “I’m making that happen” “would you do it again?” She asked .. “in a New York minute” I replied3 points
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Playing music with other people, the most fun you can have in life with your clothes still on. I don’t know who first said that, but I’d buy them a drink if I knew.3 points
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3 points
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You wouldnt know unless you read their small print. Oh, they'll let you fill in the form and add the insurance. Very clever. But if it goes awol or gets damaged they'll invoke their small print. IIRC, the most they'll pay out on a bass is 100 quids3 points
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Selling a shortly owned whilst very loved Jazz bass in a discontinued Sonic Blue colour. Nitrocellulose, Pure Vintage '64 pickups (only on this bass and the flea, not available separately), all case and candy. Strung with D'daddario XT's - NEW, can show receipt. Only blemish is on the side of the upper horn, not a ding, must be a superficial scratch/mark, there's still paint/nitro on it and even if I'm picky with my stuff it has not bothered me. Seen an itch I have to scratch (Ric 4003 Jetglo) so selling it for same as I bought it or very near offer. Colour goes from almost white to greenish or baby blue, lovely indeed!2 points
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So I was thinking (in another thread) about a previous rig, and it occurred to me that when I was doing relatively few gigs, I'd like to turn up with a bigger rig (even though that isn't that big: a Walkabout and a 38lb 212, and in extreme cases a 30lb 115, too, for stacktasticness), but now I'm out twice a week, I really can't be bothered with the bigger rig, and lean much more toward in-ears where possible, and the 112 combo and DI when not. Am I being more realistic, or just a lazy old toad? I should add that after some tweaking, my sound isn't compromised either way: 90% of it comes from the Stomp...2 points
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2 points
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As an ACG owner I have to say this is a VERY reasonable price for what you get. Alan's build quality is second to none and neck profiling and finish make these stunningly easy to play. The pickups and electrics are very versatile. If you're looking for a Fender alternative Jazz format bass IMHO you could not do better.2 points
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That’s been on there for awhile, I was looking for an original for a long time but I’ve just decided now one will turn up eventually 😄2 points
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That's psychopathic narcissism. You need a certain element of that to be a singer.2 points
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Like it or not, hardly any bands that do anything are proper democracies. Sometimes they may have democratic elements, where everybody gets a voice, but when comes down to it there is a leader (or maybe a couple of leaders) who get the final say. I'm afraid that music is undemocratic by nature...2 points
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2 points
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Most of the bands I've been in have been democracies, though they do tend to have members who will tend to lead and others who will tend to follow. I think I've only been in two bands with self-appointed leaders. No problems with playing what I wanted to play but there was a degree of personal friction with one (who sacked me) and the most recent one I decided I'd had enough of supplying the PA (mutually agreed separation). I prefer the democratic model as long as there aren't any rogue members - with one band, the guitarist simply didn't learn any songs that he didn't particularly fancy doing, even though they'd been agreed. Plus there should be a limited ability to veto a song. I don't really want to play "All Right Now" but the others do, so I simply refuse to play during the verse.2 points
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I screwed the string grip block thing on, I used a couple of the ex bridge mounting screws as they were a bit more robust than what came with the kit, the supplied ones had a crosshead that wouldn't really fit any driver properly PZ or PH either and would've got chewed up anyway. if it's an issue, ie the block being secure, i'll subsequently just bolt right through with a plate on the back. As expected, a normal type allen key fits just fine under the block for truss rod adjustment.. Being of a bold disposition i'll probably just go right in and hack the headstock off next. ..you know you want me to ! 😉2 points
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Keep it! Been there, and bought the t-shirt. When you then spend time trying to track down the instrument you sold or one very similar, the replacement never quite matches the memory of the original. If funds and circumstances allow, keep it………..or let me have first dibs on that gorgeous fretless P.😂2 points
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2 points
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2 points
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Playing in a band is pretty much the only reason I now play an instrument. after the enforced isolation of covid, ain’t nothing better than playing music together and entertaining people.2 points
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I'm in that position over quite a lot of things I own. I've reached the age where I have all the toys I ever wanted (and then some). Whilst I'm not tripping over stuff (mainly because I have a decent sized attic) and don't need money, I recognise that my excuse for owning much of it - that I grew up poor and had b*gger all - doesn't really cut it any longer. Can't take it with you and all that. It applies to a lot more than musical instruments and equipment. I've been fortunate and can afford to indulge myself (within reason, obviously). As a result, I've bought a lot of things in recent years simply because I wanted them years ago and couldn't afford them. I'm beginning to dip a toe into the murky waters of selling stuff I rarely if ever use. It's hard. I sort through things and put aside those I never use and think I can bear to part with and then the trouble starts. I pick up each item to take photos of it for eBay and it suddenly becomes something I can't live without. First world problems, eh?2 points