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Showing content with the highest reputation on 04/02/23 in all areas
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I’m only putting this up for sale because I’ve seen something else. If the other bass sells I will be removing mine. The bass is in mint condition the colour is called Tectonic Blue it’s now discontinued colour. It has a roasted maple neck and an ebony board. The weight is just under 9lbs It comes with its original hard case. Collection would be best then you could try the bass. If you wanted to arrange a courier that’s also fine I have a box for it.12 points -
Great gig @ Wixams RV theatre. Testing out the jacket....I wonder if she will miss those curtains?9 points
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Well, that was a great first gig of the year. I was playing in the Balaclava in a place called Fraserburgh. We gave ourselves plenty of set up time in case we had got rusty at that too but it turned out that we hadn't, so were ready about 45 mins before we were due to start playing. That was weird. Place was dead when we started, must have only been a dozen or so people in the place and they weren't really paying much attention either. I dreaded a long night of poor attendance and no dancing. But towards the end of the first half, a big group of folk came in and they were well up for a night out. So we elongated the first half by a few songs (didn't want to put them off when they've just come in). We took a shorter break too because we didn't want them to leave then piled into the second half with Song 2. What a difference from the start. They danced their derrières off, there was floor dancing, there was air guitar, the dancefloor was never empty. More folk came in and it kinda snowballed from there. Some requests were shouted which we were able to fulfil for a change. I always get a bit thrown when young people ask for classic rock (in a surprised but pleased kind of way). She wanted some Led Zeppelin, so she got Rock and Roll. Got asked for one more tune at the end, and they wanted us to play one we'd already done (Basket Case), so yup, we can do that My Jack Casady was as good as gold, I remembered my wristband for forearm comfort and I even had some feedback fun with it at the end of a couple of songs by holding it up to the amp. Got home about 2.30am, grateful for a great gig.9 points
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The Citizens Advice Bureau has some useful info (I’m an ex CAB advisor). https://www.citizensadvice.org.uk/consumer/changed-your-mind/changing-your-mind-about-something-youve-bought/ For a UK based company, You automatically get a 14-day ‘cooling-off period’ when you buy something you haven’t seen in person - unless it’s bespoke or made to measure. The cooling-off period starts the day after you receive your order, and there doesn’t need to be anything wrong with the item for you to get a refund. 14 days is the absolute minimum cooling-off period that a seller must give you. These rights are given by the The Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013. S’manth x7 points
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As new condition, comes with a white plate as well as the tort I ordered from Vincent. Has had a full set up by leading UK luthier Andy Warnock & plays & sounds incredible. This is a beautiful high end bass with some very unique features & is extremely light & well balanced. Outstanding passive vintage tones from this beast. Honeycombe chambered body Dual Trussrods Haussel Pickups Hipshot Tuners Comes with the high quality gig bag The bass is fitted with a brand new set of Diadario XT strings. Far too many features to mention & a very unique instrument that's made in Germany. Check out these high end incredible instruments at Vincent's site.6 points -
*edit for price drop - now £800* Hi all, up for sale is my ACG Recurve which I recently acquired in a trade. My heart was obviously overruling my head at the time as sadly I still need the cash. It's in virtually immaculate condition and has been very well looked after by previous owners. Comes with a basic hard case. I can ship but UK only please, pickup is do-able too. Spec is below. For those not in the know ACGs feature a couple of tweaks to most bass guitars, these are: • Asymmetric neck. Thicker under the E string tapering to thinner under the G string. It's not massively noticeable but it's incredibly comfortable and ergonomic. • Flat fingerboard (no radius). I genuinely don't know why basses need a radiused fingerboard, tradition I guess. Flat feels so good and is a dream to play. • Filter preamp. A natural sounding active preamp (made by John East). Stack 1: vol & blend. Stack 2: a filter for neck pickup, bottom ring is the frequency and acts like a really powerful tone control. The top is called "overshoot peak" and is like a resonance control and makes the freq you chose on the bottom ring more or less pronounced. Stack 3: same as previous but for the bridge pickup. Stack 4: controls the amount of overall treble. Bottom is frequency as per the previous two and top is gain/volume for overall treble (essentially off on minimum volume). The filter preamp can seem intimidating but once you've played with it it's really intuitive and you can get such a broad range of tones. Its best trick is to set each pickup to a perfect individual neck and bridge tone then mix between them. ACG Recurve Build year: 2018 (I think) Scale: 34" Body wood: alder Top wood: keyaki (Japanese wood, looks lovely: similar grain to lacewood) Neck: bolt on 3-piece ash and wenge Fingerboard: birdseye maple Pickups: ACG single coils Preamp: active ACG EQ01 dual filter Hardware: Gotoh and Hipshot Finish: clear acid lacquer (satin) Locking Neutrik jack Dunlop strap locks Cheers. Any questions, just ask.5 points -
Thanks to all those who offered advice. I found a Boss GT 1000 Core in a local music shop last weekend. Used but only a few weeks old and in mint condition. Bargain price for cash, which I didn't have on me last weekend. I didn't want to post about until it was in my possession, which it has been for the last hour. Really happy chap right now. Looking forward to delving into it now.5 points
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The singer looked the spitting image of Dr Zachary Smith from 'Lost In Space'.5 points
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Sorry, been out for the full week! here's some picture Test of the final shape on a cheap wood board Start of the mahogany back back shape almost finished, with 1.2cm left in the central part where the neck goes through time to start the neck and here's the assembled neck + eboard + back graphite bars + truss rod neck joint.. in progress 😂😂😂😂 flamed top completed neck joint completed (by hand.....😭) custom neck head ebony ramp her's the first color next to a real fodera 35 scale (white was the original color I didn't really like.. so decided to redo all the paint) hope it helps!!5 points
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I had a look at a mate's router earlier ,which I have the offer to borrow ( I've also been offered loan of another from one of the generous folks on the forum too! ) This thing was a bit of a monster and tbh having seen one in action, in context, I don't fancy attempting the use of one here. I'm going to go back to the idea of doing the slots for the bridge/tuner units manually as demonstrated on the previous page, using a hand operated drill bit and chisel, file, sanding etc. I reckon this slowly slowly approach is going to give me more control and hopefully remove the risk of it all going horribly wrong at high speed ! I've scratch marked round the units as a guide for drilling and chiseling, plus I've plugged the old screw holes with cocktail sticks and glue so as not to have the drill bit go off course by following the holes. My weapon of choice for drilling is my olde hand brace with a suitably sized bit..this looks a bit dramatic but having tried it out ( on the spare chopped off bit of headstock) I reckon it'll work fine and allow me to go gently in stages, measuring as I go for depth etc. I can then trim the slots and file / sand to size, again as suggested earlier.5 points
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Speechless.4 points
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Bring it to us (we're just up the road from you...) and Our Luthier Eldest will do it for you, and show you how it's done. No..? OK, do as the Good Lady S'manth said, using the stuff she recommended (we use the same...). The glue that sticks it together is conductive, enough for shielding purposes. If you can firstly remove the pots, it makes things easier and tidier, and when they're put back in, they'll make the metal shielding contact required to the ground point. The easy way to do it is to firstly empty the cavity, cut the tape to the shape of the sides, top and bottom, making slits for the p/wires and stuff. Once it's all glued down, pop the electrics back in. If in doubt, give us a ring and we'll do it together, here, with a pot of tea and some biscuits. ... or look here (turn the sound down, though...)...4 points
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The process is pretty much that simple, just need to ensure it is connected to the guitars ground. I’ve used this tape from Amazon. Copper Foil Tape for Guitar and EMI Shielding, Slug Repellent, Crafts, Electrical Repairs, Grounding - Conductive Adhesive - 2.6 Mil Total Thickness (51mm x 5.5M) https://amzn.eu/d/bmQb3uC It has done the job nicely, nice durable thickness, good adhesive (which is conductive) and cuts well, has great reviews from others and will also keep slugs away from your pups. S’manth x4 points
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Stop it. You dutty boy.4 points
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3 points
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Nifty HPF + LPF + mid EQ combo - as new, home use only. Boxed. Currently unavailable new - full blurb from our Canadian friends' site... Sold out on February 18th. Check back for future release dates. The Resonant Filter Equalizer creates unique tone control by combining a high pass filter, low pass filter, and middle equalizer. Both filters have their own resonance control, allowing a bump at the cutoff frequency, accentuating the effect of the filters. The semi-parametric middle eq includes a variable frequency control. The resonance of the filters ranges from -3dB all the way up to +15dB. The -3dB setting is what you would expect from a standard, non-resonant filter. Adding resonance to the filters boosts the level of the cutoff frequency. The filters have a slope of -12 dB/octave. The filters are the same in performance to the other standard Broughton filters, with the added ability of increasing resonance. Some suggested uses: Setting the HPF around 100 Hz with +5 dB of resonance, and a LPF set around 5k Hz can give a convincing cabinet sim. Add in the middle EQ for even more nuance. Experimenting with different frequencies and resonances can net a wide variety of speaker profiles. Setting the HPF at the fundamental or first harmonic of your open E string (or B string) can make your low end tighter and more focused. Add resonance for more punch. Setting the HPF to a lower frequency (30 to 60 Hz) with resonance can accentuate an octave down effect, while simultaneously removing unwanted sub frequencies. Setting the LPF anywhere from 2k to 4k with added resonance provides an aggressive attack, giving more presence and character to your tone without having high end clank. Setting the LPF at 10k with light resonance can give an airy Hi-Fi effect without having to boost all treble frequencies. The input impedance is 1MΩ, and the output impedance is 100Ω. The Resonant Filter Equalizer requires a DC power supply (not included). The DC supply should be a standard Boss style connector, center negative polarity. It can accept 9 to 24 volts. Although 9 volts is sufficient for most applications, higher voltages will provide more headroom when using the pedal with hotter signals. If you intend to use this pedal with line level signals, you should use at least 12 volts for sufficient headroom. The current draw is approximately 20 mA. A 24 volt power supply may be purchased separately. The Resonant Filter Equalizer has a true bypass switch. Dimensions: 4.77" long x 2.6" wide https://www.broughtonaudio.com/product-page/resonant-filter-equalizer3 points -
You will remove the potentiometers when shielding the cavity, make sure the shielding tape runs all the way up to the edge of the holes (and even into the hole) … when you put the pots back in, their metal casing will be in contact with the shielding and should provide a ground connection. Make sure alll the tape strips you apply have an overlap with one next to it. Make sure the tape in the cavities wraps a little onto the front of the body, when you put the cover back on this will make connect the cavity shielding with the cover shielding. Not sure if you’ve seen this page which has some good instructions. https://sixstringsupplies.co.uk/pages/copper-shielding-how-to-shield-a-guitar A cheap multimeter would be a good investment, several on Amazon for about £10. S’manth x3 points
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It helps if you’ve got a multimeter to make sure that it is all connected and conducting. Sometimes the stuff with conductive adhesive doesn’t always conduct through the adhesive. What I like to do, when it’s all done, is add a strip of tape across the lot with the very edges of the tape folded underneath. Or you can stick down a length of stripped copper wire. If this makes any sense? I’m not sure I’m describing it very well.3 points
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Here's a great demo of the DiMarzio Model P, compared to a regular standard stock Fender P pickup, that I think demonstrates the character and qualities of the Model P really well :3 points
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I recently found Ren (thanks to Justin Hawkins). Some of his solo stuff is very shocking. I’ll just post that one here, but have a look around his YouTube channel. His Tale trilogy - Jenny’s Tale, Screech’s Tale and Violet’s Tale (in that order) - bring genuine tears to my eyes, no matter how often I hear them. I also love the stuff he does with Chinchilla (someone else I hadn’t heard of until recently), especially the song Chalk Outlines. When you find his band, The Big Push, you get to see the massive breadth of his talent.3 points
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We played the Birds Nest in Deptford last night. In the lead up, I was getting some anxiety over the thought of driving from Buckinghamshire to South London. It did take almost 2.5 hours, but the journey was nowhere near as bad as expected. It was my first gig with my new Orange Bass Butler pedal. It sounded fantastic. Need to rework my pedal board and get the tuner pedal back. The clip on tuner is nowhere near as good. The band didn't play too well, but we went down a storm. If we go back, I'll use my back up guitar- there was beer and bodies flying around the front. Drive home was a swift 67mins, and was a dream in comparrison. I was woken up early by my kids this morning, no doubt I'll crash this afternoon...3 points
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The position of the control is only one factor in the output power an amp delivers, but is interactive with everything else in the signal path. If you turn the bass volume down by 6dB and increase the amp’s master volume by 6dB, the amp delivers exactly the same power that it did before. This is an example of the position of the master not dictating the power that the amp delivers.3 points
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Man, there's no worse heartache than true love which has slipped through ones fingers. Hope you get a lead on this...3 points
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Just come in - 62 stack knob CIJ re-ish c2002 with pre-CBS terrier ! Sounds growly when pushed... and so does the Jazz !3 points
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OK that changes everything. I too have hearing loss and like you due to self abuse; too much loud music/machine tools and so on. The sound levels of a band are enough to cause permanent damage (usually high frequency losses) in minutes and repeated exposure is cumulative, i.e. it just keeps getting worse. You need to move to in-ears as quickly as possible or it will get bad enough to stop you playing permanently. Well fitting in-ears will block out most of the noise at least as well as ear plugs but then allow you to hear clearer than ever before all the stuff you need to hear. Get it right and you have a volume control for the wildest drummer and the craziest guitarist. Honestly it's a game changer you can plug the lead to your monitor into a Behringer P2 instead and connect a set of KZ ZS10 pro in ears for well under £100 and hear like a kid again as well as stopping the inexorable destruction of your remaining hearing https://www.basschat.co.uk/topic/389429-the-iem-in-ear-monitors-bible-thread/#comment-3944325 Losing some of your mids and high range makes it really hard to hear the details you need to make out what you are playing, being of axis to your monitors will mean you are having what you hear further reduced as off axis it is the mids and highs that are lost. You'll experience this as there being more and more venues where 'the acoustics are bad'. As to hearing aids according to Which the NHS provide the best hearing aids which are now all digital and can be set up to mirror the frequency losses you have. There is no advantage to be gained by expensive commercial ones. I think the RNID have said something similar.3 points
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Prime example which is in an almost like new condition, Never been out of my house, so never Gigged, home use only. Reason for sale, one Bass has to go out of three and this one won the Toss, the other two being Fender Mex p and a Yamaha 424x. Collection only , Sorry I won't be posting this, it would break my heart if it got damaged in anyway. The bass is Circa 2017 if the previous owners info was correct when I bought it three years ago. The Bass can be played at my home address .2 points -
Peavey Bandit guitar combo for sale. Made in USA blue stripe model with 85W output and Sheffield 12" speaker. These are nice sounding and loud amps and one of the most desirable of the long running Bandit range. Full working order and in good cosmetic condition. The picture shows a knob missing from the presence control - a similar but not matching knob has now been fitted. The original was lost, along with the protruding pot shaft at some point in it's life!2 points -
Purple Chili 1 x 12 cab (Faital Pro300 - 600w rated - 8ohm) In excellent overall condition. 1 x Faital PRO300 (600w) Neo driver 1x Eminence PT80 bullet tweeter (currently disconnected)2 points -
Hi guys just wanted to share something I’ve been working over the last 10 months This is my first custom built bass, started from zero, by drawing the bass in 3D (after tutorials on YouTube😂), then decided scale length, woods, hardware and electronics I have my own foderas so I based my draft on a similar shape of the Emperor, the result is a Hybrid monarch/emperor, with right shape to be easily played when sitting on a chair, headless with tuning bridge details 30,75 scale 5 strings B-G zero radius fretboard with SS Evo Gold frets ebony board mahogany back neck through hard Italian flamed maple graphite bars in the neck Flamed maple top nordstrand big singles + Mike pope preamp painted by hand with oil, 10+ layers here’s how it started And here’s the result2 points
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https://youtu.be/5XgCfAK-3pA If I was a drummer she would of just made me quit. Makes Keith Moon look like he was hitting his kit with feather dusters. Love the moment at 4.06 when she hits the cymbal and a huge chunk of drumstick goes flying. Never seen anyone destroy a drum kit quite like that.2 points
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2017 Limited Edition American Professional Jazz Bass "Exotic Wood" FMT Complete with original hard case, certificate, tools, wallet and case candy. Happy to be corrected but I believe this is identical spec to a 2017 Pro I Jazz with the addition of a flamed maple top and limited to 300 units worldwide. Generally excellent used condition with no missing finish, but a few points to note (I'm being deliberately anal): Some minor fret wear, doesn't impact playing. A couple of minor scrapes/scratches on the neck between 2nd and 3rd frets. Very minor but can just be felt. Some minor marks to headstock including some impressions on face which appear to be under the lacquer. Two feint impressions to body by scratchplate. Haven't broken top coat, may even be imperfections in the wood rather than dings. Some minor scratches on body top coat below bridge pickup which look like they are from a pick. Some very minor tarnishing to bridge saddles. I've tried to cover all of the above in the photos if possible, but let me know if any questions. Any inspection welcome in Orpington BR6. Can ship mainland UK but would need to source a suitable box.2 points -
I've been using my homemade bitsa "Jazz with a P body" for about 3 years. Its got a lovely walnut body which was never massively heavy but I have been wanting a slightly lighter bass recently as I have a back problem. I toyed with getting a new body, or a new bass but I love my bass - everything is exactly as I want it. So a few jumbo forstner drill bits were acquired and drilling began on monday. As well as the holes you see there are also a few more under the scratchplate. It went surprisingly well and I produced a vast amount of walnut shavings. Finished off with a dremel and sandpaper. A quick oil and beeswax finish to the new holes and by tuesday evening I was back in business. Only a 0.2 kg saving, but it all helps and its a manageable 4.0kg now. Personally I think it now looks awesome too !2 points
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Nor I a Jazz bass, but one can never be too careful. Well, I say 'Never', but that's one heck of a long time, so, maybe...)2 points
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I did a session for a producer about 10 years ago who wanted me to use one of his basses (a Japanese Jazz copy that buzzed like crazy) and he had a long wire coming from the bass with a teaspoon attached to the end of it tucked into my sock. I found this pretty weird, but it worked as the playing ended up on a release. Would prefer a non-teaspoon solution if possible2 points
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Yes, of course, but it's worth it for the Earl Grey alone, with biscuits the cherry on the cake (just an expression of course; I don't have cake on hand...). Still, given 15 hours notice, I could bake one. Hmm, where's my egg whisk and flour..?2 points
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The tape recommended above is specifically for emf (electrical...) shielding, with conductive adhesive. As a bonus, it will repel slugs, if the bass has such a problem, as slugs don't like copper. No, it's not the same tape as the copper tape sold in garden centres.2 points
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Does the noise you are trying to eliminate stop when you are touching the metal parts on the bass?2 points
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Up for sale is my Barefaced Big Twin with silver cloth and beautifully fitted Roqsolid case. Overall condition is A1 - I really can't find a mark on it save for a couple of minor scuffs on the bottom / bottom corners as you would expect. Full spec here https://barefacedbass.com/product-range/Big-Twin-2.htm (2 x12 / 1,600W @ 4ohms). Its incredibly light at just over 20kg and relatively compact for such a punchy beast. It has wheels on bottom for convenience. I've paired it with an Orange LBT and also Bugera Veyron T (also for sale) and you couldn't want for a cleaner and punchier tone that will handle more. Truly outstanding. I purchased this cab here last year for a few gigs I was doing and it's an absolute monster. I've since purchased a Quad Cortex and plan to run direct to PA. I'd love to keep this but I'm running out of space and need to make room for all the other gear I seem to be rapidly accumulating at the moment 🙂 . I would consider trades for a US Fender Precision like an AVRI. Delivery can be arranged within the UK at additional cost.2 points -
The MXR M82 seems really versatile, but I never played with one. That said, on YT there are several good videos. Months ago I got this https://www.gear4music.com/Guitar-and-Bass/Eden-CaliforniWAH-Bass-Wah-Pedal-with-PSU/4UX6 And I am happy with it. It's still on sale. It seems less versatile than the MXR, but nontheless it has personality. It is dirty and squelchy if you want, but goes low as well with the right settings. 2 things about it, it wants its 15v psu (that comes with it), and the size. Everybody thinks it is big, but it is not. It's as big as a Boss pedal, but sits horizontally instead of vertically, if that makes sense.2 points
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I'd think they have to accept returns as it's a sight unseen purchase as above regulations .. why not give them a ring and say you'd be interested in buying X item but need to have the return option, with no arguments in the "unlikely" event that it doesn't suit, can't see how they can refuse tbh..2 points
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Oh the pain.... the pain....2 points
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Yes. But... if you're using a daisy chain pedal with three male plugs, why not just have one plug into each of your three pedals, and not use the "output" on the Polytune at all? I don't know that there's any advantage to passing power through the Polytune unless you've only got one other pedal, which would allow you to use a single male-to-male cable.2 points
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Just watched a really good prog about Alanis Morissette on Sky Arts, a (recorded) live concert of hers due on now.2 points
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Dance hall days is a killer tune.2 points
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Kinger, the actural star that spawned a million YT wannabees and none of them are a patch on the real thing. His bro Nate is just as good.2 points
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Happy Friday everyone!2 points
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Now £950 Fender Flea Signature Jazz with additional FLEA decals ( these can easily be removed too) . In excellent condition ( you know what I mean ) and comes with Fender soft case and hard case too. Price includes U.K. postage and no trades thanks. £900 if you wanna collect. More images on website www.thebassmonkey.co.uk Fender Spec and info below - Flea’s funk- and jazz-influenced basslines helped propel the Red Hot Chili Peppers to the top of the rock and alternative charts while redefining the role of bass in the modern era. Flea’s unique playing style brought a welcome breath of fresh air to the musical landscape of the past four decades, inspiring countless bassists to add a funky touch to their sound while exploring new techniques and harmonic possibilities. To celebrate his enduring influence, we’ve recreated his prized Shell Pink ’61 Jazz Bass that he received from a fan and used to record the Peppers’ Stadium Arcadium and The Getaway, as well as with the super group, Atoms For Peace. A pair of vintage-style, American-made Pure Vintage ’64 Jazz Bass single-coil pickups provides classic, original-era Fender tone with clear articulation, clear low end definition, up-front midrange punch and singing high end. The vintage-accurate stacked concentric controls shape the pickups’ volume and tone, as well as allowing the pickups to be blended in any ratio. The Flea Jazz Bass plays fast and easy, thanks to its period-accurate 2-fret “U”-shaped maple neck with a smooth RoadWorn® Nitrocellulose finish on the back, plus a 7.25”-radius rosewood fingerboard with a 1.5” wide nut. The vintage-style bridge sports four threaded steel “barrel” saddles, adding a touch of crispness to enhance the attack for tone that can power through a busy mix. Shell Pink is the rarest of Fender’s classic Custom Colour finishes, and Flea’s ’61 Jazz Bass is quite possibly the only one in existence. We’ve carefully recreated his personal instrument’s exact faded shade as it exists today, and then applied an eye-catching Road Worn nitrocellulose lacquer finish that perfectly replicates Flea’s playing wear. A special neck plate engraved with Flea’s own artwork commemorates the inspiration behind this instrument. Other aesthetic touches include nickel/chrome hardware, 3-ply tortoiseshell pickguard and aged white dot position inlays. Melding rhythm and melody with fierce personal style, Flea’s left his mark on modern music, and the Flea Jazz Bass is the perfect tool to make your own. Specifications Shell Pink Vintage-style, American-made Pure Vintage ’64 Jazz Bass single-coil pickups 20-fret “U”-shaped maple neck smooth RoadWorn Nitrocellulose finish 7.25”-radius rosewood fingerboard 1.5” wide nut threaded steel “barrel” saddles nickel/chrome hardware 3-ply tortoiseshell pickguard aged white dot position inlays weight 4.3kg2 points -
Playing music is not a competition. IMO instrument ability and technique is only important if the lack of it gets in the way of being able to play the songs. Ultimately it's the songs that are important, not any individual musician's technical prowess.2 points
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What it tells me is there are quite a lot of pushy parents in the world.2 points
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NBD! (I'll probably post on that thread too, but here's the stuff you've - well I've - been waiting for) 😉 I finally picked up the bass from Jon on Thursday, but haven't had time or the pix to do anything about it until now. It's awesome! It oozes quality, the action with the brass nut is superb, the tonal range from the John East pre-amp is incredible - everything from a Stingray clank to a Jamerson thud - and it weighs... 7lb 6oz!! Jon was quite apologetic - he'd been aiming for 7lb, I think - but the Hipshot detuner I added to the spec took it over the top. Anyway, here are some pix. Enjoy!2 points
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