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Showing content with the highest reputation on 05/02/23 in all areas
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11 points
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Private party in darkest Somerset. Usual thing, enthusiastic crowd, dancing and singing. I used my Trace head and Barefaced cabs and jolly good they sounded.11 points
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Punk gig with Emergency Exit at The Riverside Bar in Dumfries. As always it turned out to be a great wee night. Was reasonably busy from the word go, lots of dancing and lots of vids being taken. Hopefully i'll get to see some of the vids. Used the Sandberg MarloweDK fitted with D'addario XT's but i've gone off these strings. They just dont cut thru the mix. Tomorrow i'll fit a set of the DR Black Beauties same as fitted to my VM4. Love them on that bass so hopefully they should sound amazing on the Marlowe too. Lots of good comments at the end from both guys and gals which is nice. Few said they were arranging a bus to come up to our Dreadnought gig in Bathgate in 2 weeks. Lovely. Just home and had my coffee and biccies before beddy by bo time. Night night Dave9 points
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Played at the wonderful Harrogate Royal hall last night. Capacity crowd of around 950 in a beautiful room, probably the most impressive theatre we regularly do. Had a good soundcheck but once the show started there were some sound issues for us onstage, which our new engineer did a great job of battling with and eventually winning! This may explain my rather serious face in the pic below - the booming was around a 'C', and you've guessed it, plenty of the stuff we do is in that key! The other picture shows a guy who came to our Sheffield gig the week before - he's a professional Ringo act from Detroit called Michael, and he's seen here chatting with our guitarist Jan after the show.8 points
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Had an absolute flippin' stormer! Pub venue that is very local to me that has taken ages to get booked with (new management = interest in new bookings). It's always busy in there and it was no different last night. I think we went down very well (covers band with a good few unexpected ones in the mix) with the very mixed age, packed audience. I used my usual Ashdown set up and pedal board with my SansAmp and my bitsa P bass. The on stage sound was hard work with half the stage area surrounded with sound deadening curtains and deadening foam on the low ceiling above. My sound was a bit too thick for my liking and my top end aggressive edge was hard to pin down. The drummer's sub was squeezed in behind my amp and him and I think that may have unbalanced things for me. Anyway, soldiered through as you do We;re back there again in April, which is nice. My usual squeeze - from a previous gig. Please ignore the settings!8 points
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Considering parting with this for the right price. 100% original, near perfect condition. A tiny crack has been repaired in the freatboard (12th fret IIRC). Barely visible, can be made 100% invisible with a slight sanding. Aluminium parts have been coated with ceramic paint. Serial puts it at late 74/early 75. Feel free to PM for more photos or with questions. I don't come on here often enough, but I'll get email alerts from PMs. I'll be visiting the UK again soon, and I could bring it along for a potential buyer if there's serious interest. IN JUNE ILL BE IN WILTSHIRE and possibly elsewhere, let me know Sorry lads, sold locally7 points
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Withdrawn Fender Custom Shop ‘59 Precision in a dirty blonde finish. Comes with certificate ( I had to get a new one from Fender as original was lost by previous owner ) Fender brand hard case and original bridge and cover. Has had a Gotoh added at some point. Radius 7.25" and nice and flat front to back Weighs 3.55kg, I know right! This bass is killer. Welcome to come and try anytime. UK postage included, well my man with a van so I know it’ll arrive in one piece. No trades ta. Paul @ The Bass Monkey6 points
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A truly gorgeous 5-string presented for sale in what Charvel call 'Lambo Green Metallic', but I think would be more accurately described as metallic British Racing Green. It's quite hard to photograph - my pictures don't do it any justice, I'm afraid, but here goes anyway: I bought this bass last Autumn, and have thoroughly enjoyed home noodling on it, but when gigging time comes I still find myself reaching for my trusty Sandberg. And a massive and sudden upswelling of GAS for an Eventide H90 means that something has to go, so here we are ... First thing to say about this bass is that it looks STUNNING. I normally hate gold hardware, but on this bass it works so, so well with the green finish, 'caramelised' (i.e. roasted) maple neck and cream pickup covers. In fact I'd say that the aesthetic 'togetherness' of this bass is reflected in other aspects too - the whole instrument gives the impression that it has been carefully thought through from the ground up. You have JJ pickups but a Precision-style body, which I really like. The alder/maple woods combo is classic, as is the tone - I had been expecting it to sound very zingy and modern, and was actually quite surprised to find it actually has more of a vintagey, 60s jazz tone by default, although of course you can get a more modern top end (or whatever else you want) using the 3-band eq (cut and boost). The volume pot is also a push-pull active-passive toggle switch, so you can run it in passive if the battery were to fart out mid-gig. Passive mode sounds good too, although there is no passive tone roll-off if that matters to you. The low B is excellent, especially for a 34 scale, and is fully integrated in terms of both tone and feel with the other four strings - I think the very chunky Badass-style bridge helps a lot with this. The neck is graphite reinforced, silky smooth and very slim, and the fingerboard has rolled edges and a very shreddy 12”-16” compound radius. Oh, and it even has Luminlay side dots, too. Truss rod adjustment is Music Man style, with that nifty little wheel thingy where the neck meets the body. Weight is 4.1kg on my digital postal scales, which is nice and light for a 5er. Better still, and despite the light weight, this bass balances perfectly on a strap. I have zero tolerance for neck dive, and am happy to report that this has no such issues at all. In short, this is a lot of bass for the money. Cheapest new prices seem to be from Gear4Music and Bax at £769.00, so £675 for this bass is a decent chunk off, especially considering that it is in immaculate, as-new condition. Happy for you to come and collect from Birmingham B30, or to post within England, Scotland or Wales for an extra £25. I'd also be willing to meet halfway within an hour or so's radius by car. No trades on this one, please, unless you have an Eventide H90 to offer! Thanks for looking!6 points
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If your looking for a quality jazz with a fantastic tone your in the right place. I’ve tried a few USA jazz basses (not all) and I can honestly say I prefer this one, particularly the stacked knobs, I find them more versatile for tone. It’s vintage worn in feel was just so comfortable from the start and the pure vintage 64 pickups are fantastic. Here’s the fender spec: Offset alder body; Road Worn Faded Shell Pink nitrocellulose lacquer finish Maple neck with "C"-shaped profile and 1.5" nut width; Road Worn nitrocellulose lacquer finish on back of the neck 7.25"-radius rosewood fingerboard with 20 vintage-style frets Dual Pure Vintage '64 Jazz Bass single-coil pickups Special 4-bolt neck plate with engraved artwork by Flea (I’ve replaced this but have the original) Comes with the supplied fender soft case. It’s Strung with flats possibly D'addario chromes. Weighs 8lb on my non digital bathroom scales and my baggage scales so nice and light. Not much else to say except it’s a sad sale, I’m just playing my P bass or stingray most of the time. No trades for now. No postage at this time I have no box but I’m happy to travel a reasonable distance (50 mile) to deliver or meet up. I will also travel greater distance for some petrol money and a cup of tea 😄6 points
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5 points
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Love this Ashdown Studio 15 for my needs, especially being 72!5 points
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*edit for price drop - now £800* Hi all, up for sale is my ACG Recurve which I recently acquired in a trade. My heart was obviously overruling my head at the time as sadly I still need the cash. It's in virtually immaculate condition and has been very well looked after by previous owners. Comes with a basic hard case. I can ship but UK only please, pickup is do-able too. Spec is below. For those not in the know ACGs feature a couple of tweaks to most bass guitars, these are: • Asymmetric neck. Thicker under the E string tapering to thinner under the G string. It's not massively noticeable but it's incredibly comfortable and ergonomic. • Flat fingerboard (no radius). I genuinely don't know why basses need a radiused fingerboard, tradition I guess. Flat feels so good and is a dream to play. • Filter preamp. A natural sounding active preamp (made by John East). Stack 1: vol & blend. Stack 2: a filter for neck pickup, bottom ring is the frequency and acts like a really powerful tone control. The top is called "overshoot peak" and is like a resonance control and makes the freq you chose on the bottom ring more or less pronounced. Stack 3: same as previous but for the bridge pickup. Stack 4: controls the amount of overall treble. Bottom is frequency as per the previous two and top is gain/volume for overall treble (essentially off on minimum volume). The filter preamp can seem intimidating but once you've played with it it's really intuitive and you can get such a broad range of tones. Its best trick is to set each pickup to a perfect individual neck and bridge tone then mix between them. ACG Recurve Build year: 2018 (I think) Scale: 34" Body wood: alder Top wood: keyaki (Japanese wood, looks lovely: similar grain to lacewood) Neck: bolt on 3-piece ash and wenge Fingerboard: birdseye maple Pickups: ACG single coils Preamp: active ACG EQ01 dual filter Hardware: Gotoh and Hipshot Finish: clear acid lacquer (satin) Locking Neutrik jack Dunlop strap locks Cheers. Any questions, just ask.4 points
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4 points
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4 points
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Had a trek to the seaside yesterday - a venue in Rhyl... We were headlining, but wanted to be 2nd on as all of us had a combined age of around 250 and needed beddy-boes at some time before 2 am. So we went on at 2130, which, as is the way with music venues actually turned out to be 2220. There was only a vocal PA, which I discovered after turning up with a Markbass 2x10 and Marshall Jubilee head; our other bassist had brought an 80s Trace and enormous 4x10 so I thought there might be issues with being heard. As it was, all was just as loud as with a PA, but without that artificial bass drum thump, but still clear sounding (at least if you had ACS plugs like I did! Audience was very appreciative, only a couple of c0ckupses (both by guitar man) and Mr Drums did fine despite having dragged himself out of a flu-ey deathbed in order to infect us all as well. And managed to get home in 1h45 beating Mr Google's claim of 2h20! So in bed by 0130, despite a wind-down glass of Edradour. Sparkley trousers went down a storm too.4 points
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I have for sale a set of original 1970s PAF DiMarzio Model J Pickups that came out of a project Jazz that I no longer have, these sound fantastic, but I’ve no use for them so these are up for sale. In used condition, no screws. price to include delivery to UK addresses The first pic is the actual colour4 points
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3 points
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I got this recently and it's great but I have too many basses. I was quite impressed by the active electronics on it, it's very versatile. Nicely balanced, great value for the money. It's basically very nearly new (2022 model), a few sratches on the scratchplate, but nothing to write home about. One thing to note, the fret markers are pearloid stickers, its black dots under that. Any questions just ask, 🙂3 points
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If only they had thought to put a pickup guard on it to hide the shoddy alignment... ... it probably would have ended up like this:3 points
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Westone Thunder 1A bass MIJ Matsumoku made. I listed this last week but withdrew it as I decided to get the pickup sorted out before I moved it on. I subsequently got it rewound by Armstrong Pickups and now it sounds as good as new. It has a surprisingly versatile 18v preamp and has lots of useable and punchy tones. It’s a real workhorse of a bass and built like a tank, all original with the exception of a replacement control knob. All switches and pots work properly and the action is nice and low. I’m moving house so selling on a few of my basses. This is a later model Thunder bass and was made around 1988 it’s a nice red colour and has a few dings and scratches. The trussrod works and the frets are good. It weighs around 3.9kgs. No trades sorry. UK only and pickup preferred. I can send it but would need to source a box or remove the neck to post it. A great value classic bass.3 points
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As pointy as I dared go in the 1980s. All points rounded tastefully to avoid having someones eye out. Still pointy enough though not to be able to stand up straight when leaning against a stack, or a wall etc.3 points
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3 points
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Online retailers should take a few minutes to setup a bass before posting promotional pics...3 points
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The string location relative to the pup looks ok. However, the E string looks too far away from the edge of the fretboard - the opposite of what Lobster had to deal with.3 points
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3 points
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Yes, I got some of this from B&Q and it conducts just fine. I tested it with a multimeter.3 points
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3 points
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All very well, and it's The Truth, but it's not necessarily The Whole Truth. There are many aspects of Music, as with Life in general, that escape from the clutches of Competition. Whether that's a Good Thing or not is for individuals to appreciate; for my part, it's those elements that are the best bits. The sheer joy when it all comes together, either playing solo or in any ensemble, there are moments (often no more than moments..!) where one is uplifted, charmed, untouchable, and far above tawdry concerns of competition. OK, if there must be aspects of competition to be taken into account, at least on occasion, it would be a shame, and a waste, to only see the competitive side of things. Some are fine with this, of course, and maybe, for them, vying for the Top Spot is a goal in itself. It's not so for many; Humility can be a virtue, too (or does that compete with Ambition..?).3 points
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Pic of the rest of the band who are always "blurry" because they are not bass players!!!!!!!!!!!3 points
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*All working and ready to gig* *All trials welcome!* *Delivery possible within reasonable distances, en route to work/gigs from Aylesbury * Here we have various bass cabs for sale. All properly built and gigged by a fellow bass player/engineer (now sadly deceased) and also gigged professionally by me on many gig situations so perfectly ready to be re-homed and used. Decent drivers and tweeters with solid wood construction and hardware plus great power handling and sound. I have no info on the actual drivers but have provided other relevant information. Collection/trials possible (Aylesbury), if not buyer arranged courier/postage. I’m confident that you’ll be pleased with any of these cabs. Description & Approx specs: 1) 2x10 (in line) - 8ohms, 17.8kg (39.24lbs), speakon connector). (Available) 2) 2x10 (diagonal, metal grill/black screws)- 4ohms, 21.2kg, jack connector. [SOLD] 3) 1x12 (plain cloth grill)- jack connector, 6 ohm, 12.6 kg (Available) 4) 2x10 (diagonal, metal grill/silver screws)- 18.8kg, 4ohm [SOLD] 5) 1x12 (sparkling cloth grill)- 6 ohm, 15.4 kg, Jack connector. (Available) *Multi buy offer deals considered*2 points
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Hi For Sale or trade , only small Marks on the Body ,nothing Big my camera could'nt chatch those Marks... Evreything works perfect , im Just Not the fretless Guy , For trade im interested on Fender cs p Bass only Rosewood Board or f bass bn5 Maple or Rosewood Board, also interested on a Fender Elite maple v plus some Cash, or some fodera Standard i would add Cash .... Just try my If you Got other offers. Specs : swamp Ash Body Flame maple Top mac ebony Board Line Marks birdseye maple Neck original Bass and certificate . Weight ist crazy light .2 points
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*Dropping this to £700 until payday on Feb 15th whereupon it'll go back to original price. Cost of living biting hard 😞 These are over £1600 new and this one's like new. Go on, you know you want to 😃* Bought this from @paddy109 late last year and am reusing his advert cos my pictures are mostly rubbish, thanks Paddy (great guy)! https://www.basschat.co.uk/topic/467668-sold-2021 lakland-skyline-44-64-custom-pj-ice-blue-metallic-immaculate-condition Have added a couple of mine however that do show the gorgeous sparkle finish. This is a fantastic guitar, immaculately built and does the PJ thing brilliantly. Absolutely no blemishes or even swirling on it, looks like it's hardly been played before me and I've only ever picked it up here and there at home and never gigged it. Problem for me is the nut is too thin otherwise this would not be leaving me. Plus I could do with the cash so no trades. Happy to meet up within a reasonable distance or ship within UK at buyers expense/arrangement.2 points
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Gorgeous! Looks familiar, I'm sure one like this has been on before. Was tempted then, & am tempted now, although logic & available space says no... I think the serial number (C2*****) means it's made by Cort, & 1992. Had a few Hohner Pros from the late 80s/early 90s era and they are fantastic instruments. GLWTS!2 points
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There's a thread about an early 70's Precision with a five figure price tag and a neck just as misaligned. Nobody seemed to care about that, just that it was old. Fender can get away with this because they have always gotten away with this. Brand names are more important than quality.2 points
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Ok I managed to get it plugged into my practice rig. A few observations: 1. In passive mode, there is no tone control. This means it cannot do classic P-bass or J-bass tones with the treble rolled off. 2. The active preamp is powerful - with everything centred it is much louder than in passive mode. The frequencies seem pretty good but it took me a while to dial in a useable tone without overloading my amp. I need to check if there is an output adjustment on the preamp 3. The bass sounds good in both active and passive modes. Good clear PJ tones, nice middle P pickup and honky J pickup BUT you cannot roll the treble off. This could be a major issue for some folk. 4. The neck is surprisingly comfortable, fast and easy to play. I was wary at first but it has grown on me.2 points
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2 points
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Yep, been going on for a very long time, certainly most of the time since I’ve been on Basschat so well over 10 years2 points
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2 points
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2 points
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Local massive warehouse gig last night, like playing in a giant loo. Crowd were a bit too lively after the rugby so we knocked off a little earlier before something expensive happened.2 points
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2 points
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2 points
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2 points
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Since I have yet to see a bad DI in a ShuttleMax amp ever, let’s be sure it’s not something external to the amp. Set the DI to pre mode, line level, plug your bass in, be sure the mute switch is off. Check that your powered monitor is properly configured and you should have sound. No other controls on the amp will have an effect. In pre mode, the level may be a little lower than in post mode depending on how you have the amp’s controls set. Now, switch to post mode, set the eq to noon (flat), set the tone shaping filters off, select channel 1, bring the channel 1 volume control to 1:00 and slowly bring the channel 1 gain control up. You should have sound. If you don’t, can you confirm that you are using an XLR to XLR cable and that it’s properly wired? Is there a selector switch on the monitor between mic and line that might also switch the monitor’s inputs?2 points
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Squier Club: From Left to right we have, VM Jazz, Affinity Jazz and the most recent, an Anniversary Jazz. Plates or no plates? Blocks or dots? Paint or no paint? Chrome or gold hardware? Tug bar or no tug bar? I love them all! 😃2 points
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2 points
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2 points
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2 points
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2 points
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2 points