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Showing content with the highest reputation on 09/03/23 in all areas

  1. This old girl has just had a set up, fret dress and polish, hand carved bone nut and a new Jack and pot clean. I can’t wait to get her back. I keep looking at some of the budget basses that look really good for the money, Harley Bentons etc, but I decided to spend the money on getting my first bass match fit. I’ve not gigged her regularly since 2013. I’ve got her back in time for the weekend and a gig in a tight spot where a lyte bass will be welcome.
    18 points
  2. Back up for sale. 2016 American Vintage '63 Reissue Precision Bass in faded sonic blue with rosewood fingerboard. In excellent condition. There's some minor checking in the finish (it's very thin nitro) and a tiny chip in the lacquer on the lower side of the neck pocket. The colour is faded and has slowly greened giving it a very vintage vibe and it's a nice weight. The guard currently fitted is an official Fender AV tort guard, but the original mint guard is supplied. Strung with La Bella 760FS flats. Original case, covers and all case candy are present. The side dot markers on all of these are quite dark, so I have fitted Rosette Small Ivory Dots available here: https://www.rosetteguitarproducts.com/new-page-2 These don't involve any modification or glue, and the finish remains intact. They can simply be rubbed off if you don't like them, but I'll give the new owner the option to keep them or remove them. Alder body Maple C shaped neck (some nice figuring on the neck) Round-laminated rosewood fingerboard, 7.25" radius 1.74" nut width Bone nut American Vintage '63 Precision Bass Split Single-Coil 20 vintage style frets Vintage reverse tuners 3-ply mint green pickguard Chrome pickup and bridge covers, lower finger rest, clay-coloured dot inlays, auxiliary strap button on headstock American Vintage Bass bridge with Threaded Steel "Barrel" Saddles Vintage blonde case with red interior Case candy Weight: 4.04 kg / 8.9 lbs I'd prefer collection, or meet up, but will ship at a push for cost. Rob
    11 points
  3. Putting this up for sale, as need something else and it’s the one I’m least attached to. Really great version of a 62 P, really nice playable neck with a lovely roasted finish. Owned from new, used for lots of gigs and some recordings and been really pleased with it, great ‘vintage’ tone and a really useable tone control. Well looked after, some minor dings but in very good condition. I shielded the cavity and it’s nice and quiet now too. Nicely set up with LaBella flatwound strings. Would really prefer collection / meet , I do still have the box so will be able to package up send within UK. Happy to answer any questions/take more photos etc. Thanks! Price drop to £850.00 Spec from bass direct : https://www.bassdirect.co.uk/bass_guitar_specialists/Modern_Vintage_MVP-62_Fiesta_Red.html
    10 points
  4. Squier SQ Precision Bass 1983/4 The SQ series were built alongside the JV models and were the MIJ equivalent of US basses of that era rather than vintage reissues. Japanese build quality, nice and light with excellent necks. This one is all original apart from the, strap buttons, controls and pickup - this has a Thumper pickup that sounds great and CTS pots. Original electrics are long gone. The neck has been gently sanded by a previous owner to create a less glossy finish - plays like a dream. The neck blemishes have been drop filled and can barely be felt under the hand. It’s a lovely instrument and weighs 4.2kgs. There are some minor cosmetic dings and marks but nothing structural. It’s a gigging workhorse and great as a main bass or backup. I bought this from a fellow Basschatter and was going to use the body for another project and part it out. It’s too nice an instrument in its own right so I bought another donor body and am selling this as I already have a similar MIJ model. No case or bag however it will be strung with D’addario flats. I can post in the UK at buyer’s cost as I have a decent box. No trades sorry.
    9 points
  5. Really nice playing 2009 SG bass in faded/worn black. Versatile rock bass which only weighs around 7.5 pounds. Amazing condition (only sign of use I can see is a small indentation on side of fretboard, pictured). Basically looks like it sat in its hard case unused for all of its life while small rodents chewed at the outside of the case (which still functions perfectly). Without the glossy nitro finish of the SG Standard bass the neck is much easier and slicker to play, in my view. I am cutting my bass collection down as my band's one and only festival gig in diary has been cancelled and there is nothing planned for the foreseeable. Hence no trades. £825 including UK post, or £800 collected from SW13 London.
    8 points
  6. Here's a couple of mine. Only had the Eros a short while but I am a little bit in love with it. '76, the bridge humbucker adds a touch of magic in the blend. The HB PB Shorty had a new black pickguard shortly after I bought it and, just last week, a Tonerider pickup. The pickup as transformed it. I would say these two are going to be my gigging unit for the foreseeable.
    8 points
  7. Kicking this thread off I wasn't sure about getting a fretless, I was just curious. I took the plunge with a used sire v7 from bass direct which arrived yesterday. I've only had an hour or so with it but I can definitely see the attraction! The resonance and tactile feedback is amazing. It definitely pushes you to different lines and more melodic playing. Intonation isn't too bad, but i occasionally trip up, especially with stretches and holding on too long when shifting positions. I need to do some work on the setup as the B string is choking out and will probably get some new strings. So far so good. Thanks all for the good discussion and pointers. Oh gratuitous pic (it came with the pickguard off for some reason)
    7 points
  8. All that matters is that everyone is open and honest. It doesn't need to be equal so long as everyone's happy with their agreed lot.
    6 points
  9. Up for sale is my Kay K162 Pro Bass Reissue. It’s in lovely condition and plays well. Fitted with medium scale Rotosound Trubass Tapewound strings which gives a solid double bass like tone. I’ve also had TI Jazz Flats on it which sounded great. Comes with original hard case and some spare Trubass strings. The only notable thing is the back of the neck has been buffed to remove the sticky gloss, making it much nicer to play. £695 collected from Beccles, Suffolk. I have a box so can post if necessary.
    5 points
  10. I got this in a part-ex from Bass Direct in January (and I love it) but I've got my eye on something, so even though I'm losing a couple of hundred £ in two months it's got to go. Alder body, fotoflame top, maple neck, rosewood f/b, 2 band eq. Comes with a slightly battered Fender hard case. •Weight: 8lb 15oz/4.0kg
    5 points
  11. This is interesting. Kip Winger, former pouffy-haired 80's hard rocker has a Spector I've never seen before, can't find it on the Spector site either. No cease-and-desist issued yet?
    5 points
  12. Love this bass, in fact I asked Limelight to make me one...It's the one I pick up for gigs. Sigs are all mates, musicians and a good few BCers that I have met. More get added each time I'm out with the bass.
    5 points
  13. 4 points
  14. Overkill - Motorhead What a great tune
    4 points
  15. I don't think it's absolute that everyone in a band is paid equally - depending on the circumstances if you're an occasional hired hand rather than putting money into the upkeep of the band, if you're getting extra petrol money etc. What I do think is essential is honesty and openness over how much you are getting paid. On one hand if you've accepted the amount of money you've been offered for a gig, it shouldn't matter what someone else is getting (I'm thinking of "unequal" situations, such as being part of a "name act's" backing band). But you wouldn't expect jam night mates, contributing equal amounts of effort in a long-running arrangement, to regularly be pocketing more money and not telling you. I'd want to hear them justify their reasons, or forget it.
    4 points
  16. Anything the band do as a whole should get split evenly. I think it's fair that any extra work someone in the band does for the band, for example, music recording and production or "content creation", artwork or other promotional work, songwriting, driving, etc and should be recognised and a little extra agreed for them by all. Some gowl sneaking money out without the knowledge or prior agreement of all of the rest of the band? Nah, that's not on at all.
    4 points
  17. I think so, I mean everything was a bit of a blur but I think John Hall was there too, reading out the emails he sent me
    4 points
  18. Here is my current lineup of basses and after a run of cancelled gigs (there's nothing in the diary now until early April), I have no inclination to either add to or subtract from these any time soon. I did recently take delivery of one of the new Epiphone Newport short scales but it really wasn't for me so I returned it. Anyway, from left to right is my Sandberg II VT4 in an aged gold finish, 72 Jazz Bass, 75 P Bass and my old American Standard P Bass that I've had for years and is still the benchmark for any bass I play. All of them weigh under 9.5lbs (Sandberg 8lb 2oz, Jazz 9lb 3oz, 75 P 9lbs and P Bass 9lbs 3oz) and all do something slightly different to each other for me to justify keeping them as part of my much reduced arsenal. The Sandberg has been a revelation and having owned a few in the past I've rediscovered my fondness for them.
    4 points
  19. For sale is my Fender Kingman V1 acoustic bass. It lives in it's case under the under the bed in the spare room in a smoke free home. This is the 34 ins scale Jazz neck acoustic with a Fender branded Fishman pre, tuner and piezo bridge pickup. Unplugged it's the loudest acoustic bass I have ever heard and when connected the onboard notch filters produce a rich, genuine, authentic tone without the feedback. It's in immaculate condition and it simply does not get the use it should following the rundown of a number of acoustic jams locally.
    3 points
  20. This bass has been through a few BCers, I've owned it since 2017 and have only played it a handful of times, hence the need for it to go to a new home where someone gives it plenty of attention. It's had quite a bit done to it, most notably the Spinal Tap finish has been stripped by a previous owner; the natural wood finish has picked up a few small dings along the way and there's one fairly large knot on the upper horn (pictured). The fingerboard has some light wear that attempted to photograph. Since it's been with me I've had Andrew at Richmond Guitar Workshop do the following: • new nut • nordstrand Big Blade pickup • aguilar OBP-2 preamp (stacked bass/treble boost/cut) I'm looking for £450 plus whatever delivery/collection options are required, I have a few gig bags that the bass can be shipped with depending on buyer's preference.
    3 points
  21. I’ve bashed mine into something passable now, but my PC is going slow , so I’ll put it up tomorrow. I was looking to put some words on it, it doesn’t need them this time ….. Shame I hear you cry 😁
    3 points
  22. Super Pre arrived yesterday!
    3 points
  23. In ours the singer takes a bigger cut, but he: Books every gig and liases with the client/venue Owns, sets up and runs the PA and lights Arrives earlier to set up the PA, while I normally stay to help break it down, I could in principal leave ten minutes after the last note is played Is the only member who plays every gig, so finds deps for the rest of us Writes and supplies the set list I'm more than happy for him to take a bigger cut, so I don't have to deal with any of the above
    3 points
  24. We were doing the equal split thing but it caused issues. The one singer owns the Pa, the other (my wife) does all the band management stuff, our old guitarist had the rehearsal space, the drummer travelled further, I do all the arrangements and musical direction etc. Problems occurred though with deposits for gigs and full payments ‘resting’ in my wife’s personal account, and attaching value to who did what. This wasn’t helped by the fact some members of the band became legends in their own lunchtimes and were somewhat less than 100% reliable on the music front, which I couldn’t tolerate as we’re a function band asking for a fair whack. So the singers and myself formed a limited company and now hire the rest of the band for each gig. We explained to the original members we couldn’t be so inconsistent and those who needed to got the message and left. It sounds harsh but we’ve had greater stability in the line up as a result, play better quality gigs and the performances are reliable. Some gigs we don’t make as much money as the ‘players’ but overall it’s working out nicely.
    3 points
  25. This is probably overall the most complete and correct answer to the OP question! YMMV!
    3 points
  26. This has been my conclusion every time I’ve tried out a different type of bass. I just end up trying to make it sound how I want it to, which is like a PBass.
    3 points
  27. Always equal in bands that I have run myself. However, if I needed a dep for someone in the band on occasion, I would probably give them more after clearing it with the other members of the band. I have done gigs where every musician on the night gets £100 a man, but the band leader took vastly more. But it was more like a job, and to be fair, all expenses, travel and accommodation would be covered on top, even food. In that situation, the band leader owned the van, all the gear, and even the amps I was using. Plus all this was known about upfront. Rob
    3 points
  28. I personally think deps should probably get paid a little bit extra as they have had to spend some extra time learning new songs for the gig usually.
    3 points
  29. Back when I was in a name band, the money (the net profit on tours) was split 7 ways, with the two original guys getting two shares each. All out in the open and perfectly fair. Later, when playing in a busy band based in Brighton, we put the money in an account and we all got a fixed amount for gigs and rehearsals. We split any profit 5 ways at the end of each month. Currently, there is an equal split after expenses. In my world, no-one gets more than anyone else. I wouldn't ever sign up to anything else.
    3 points
  30. Yeah Phil, your efforts are heroic and as well as being well appreciated are often affirming the sound and build quality from your projects and the BC and LFSys designs when pitched against the more established top end products. Any sneak preview of projects in the pipeline for this years' bash?
    3 points
  31. In my view everyone gets equal unless there`s a specific reason for this not to happen. I think the way @Burns-bass is doing it is the right way.
    3 points
  32. That stinks. Is one of the people getting more dosh supplying something like the PA or backline? The only reason why I could imagine someone getting a little more would be for supplying extra kit or petrol money, perhaps. We split all our gig money equally despite me and the drummer owning and paying for the PA. The guitarist changes his strings every gig so thats an expense for him. I have on occasion taken an extra fiver for me and the drummer for petrol if we've driven the others a fair old distance but thats about it. I'd certainly be asking questions as to why the Jam night guys are pocketing an extra £25 each night, that seems well excessive.
    3 points
  33. If it helps, I’ve had chances to compare a bunch of 8x10s, Ashdown and Ampeg mostly, against the Barefaced Six10. I love the advise from barefaced on the Eight10 page ‘just don’t. Buy a Six10 instead’ Guess what’s at home?
    3 points
  34. Both the 7 string and the sender clips are just odd. They both leave me with the same question…filming it is one thing..but then to edit and upload them?? Really??? anyway I’m off to listen to space cowboy
    3 points
  35. **now £500*** Here's a glorious one-of-a-kind 2014 Musicvox USB Space Cadet bass which marvellously stands for Ultimate Short scale Bass. It's a Hofner-esque vintage tone with the floating bridge set up but solid body, and with more of a Les Paul body shape just with longer bottom horn giving it's own unique vibe. It's in sexy white with black trim and has been a studio bass only so well looked after by me, but sadly took a knock when it got sent from the US despite their excellent packing so there's a dent/chip right at the top of the headstock, and there's achip in the paint where the neck pickup cover meets the body as looks like not perfect QC per the photos, but doesn't affect playability at all. Comes with the original Musicvox gig bag. Collection from SW London or can meet in the capital somewhere. Specs: -Space Cadet USB 30" -bolt on neck -mahogany body -maple neck -rosewood fingerboard -30" scale -22 frets -Pearloid block inlays -body and neck binding -rosewood bridge (height adjustabe) w/ trapez tailpiece -pickups: 1x mini humbucker, 1x EB-Style -controls: volume, tone, 3-way pickup selector - weight: 3.7kg
    2 points
  36. Warwick Streamer NT1 Rockbass to give its full title. A thru neck, gloss black, curved bodied active PJ bad boy similar in style to a spector. As i say every time i sell a bass on here - i need to learn im a standard P bass man! I swapped out the chrome hardware to a Warwick gold bridge and Wilkinson open back tuners (see numerous online reports of Warwick tuners failing). The tuners are drop in replacements with no extra holes/reeming. Come wearing thunderous Fender pure nickel strings and is immaculate! Collection would be from Bolton or can meet up within reasonable distance. Trade wise i would consider a black Fender cabronita P bass Better pics to follow once im back from the rehearsal space
    2 points
  37. Nice and a great price. Can’t go wrong with Yamaha stuff, so well made. Does that have the same pickups/pre as the TRB’s?
    2 points
  38. I mean I take the exact same approach as you with all the bands I'm in. However, I think you've essentially asked the exact right question: "why should someone earn any more than everyone else unless you are hired as a 'session type' player for an agreed fee?" How about precisely if they are putting in more work than everyone else (e.g. providing PA, lights and do the majority of the booking). Should they be expected to do that extra work for free? If so, aren't they the ones being exploited by their bandmates?
    2 points
  39. Harley Benton every time. I'm getting one that's built into the board itself, it replaces one of the bars of the pedal board. Amazing piece of kit
    2 points
  40. All of Tin Drum is done once the other parts of this go up! Talking Drum - Japan/ Mick Karn full bass tutorial Part 1 - Intro & Verse
    2 points
  41. Appalling behaviour. I’d be out of that jam night straight away and persuade the drummer to come too. It’s even shares for the bands I’m in.
    2 points
  42. By d way, "one of those hats that r turned up on one side, is called a "slouch " hat.. iconic Oz, up there with kangaroo ECT.. Having played guitar since 70s till now, short scale is pretty comfortable for me, but I did play a P bass and later a headless steinberger end of 80s
    2 points
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