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Showing content with the highest reputation on 19/06/23 in all areas

  1. Thursday supporting Terrorvision at HMV Empire in Coventry. The van said 30°C when we got to the load in. There's an ancient lift to take the gear up, but people have to walk the 48 stairs up to back stage. I reckon I went up and down at least 10 times during the course of the evening and my legs are still feeling it 4 days later! Ace venue, good sound on stage, and a great reception despite the fact most of the people there had no idea who we (Headsticks) are
    21 points
  2. Absolutely bloody lovely Limelight Precision. This is not a Fender bass!!! I had this made back in 2016 to be a replica of a 1976 Fender Precision. With an ash body, maple neck, overwound pickups (hand wound by Mark at Limelight), period correct headstock logo and the lightest relic finish. The bass has done probably 200 function gigs and that has really given the nitro finish a much more naturally worn look that the more heavily relic'd basses struggle to emulate. Weighing in at 3.9kg (8lb 9oz) this is a really comfortable bass to gig with and it's like putting on a nice old pair of slippers when you pick it up. The output is really strong and has the classic p-bass sound. Currently strung with a relatively new set of Elixirs but I could change these for an old set of fender flats (with tatty silk) if preferred. Why am I selling? I really really want to be a p-bass guy but i just always end up gravitating back towards Jazz basses. Trade Options!!! Jazz basses only please. I'd definitely be really interested in a Limelight Jazz. I absolutely love the build quality and they just work for me. I'd also happily consider a Japanese Jazz or a USA Jazz with apropriate cash adjustment. Ideally though I'd want either of these with rosewood or maple board and blocks. Price for a straight sale is firm at £850. I think this is fair and I'm in absolutely no rush to sell as this is still great to have around. You are absolutely welcome to come and play this without any obligation to buy. I have some nice amps and make good tea / coffee and there's always biscuits in the tin. I will package it up for postage but that would be for a courier that the buyer has arranged and the buyer takes this option at his or her own risk. I gig lots so am regularly travelling around the country and am more than happy to meet up en route to a gig. Thanks for looking! With flats on: With rounds on:
    11 points
  3. Right...! So, bass is here. First, the bad: awfully setup, I have to say, the action at fret 12 must've been more than 5mm high, I genuinely don't think I've ever played a bass with the action so high in my life. The neck was relatively straight and the saddles etc are okay. I could lower the action so much that even the strings were touching the pickups. This in the picture is my index: Asides from that.... I genuinely can't complain! It is very nicely finished - the paint in the truss rod hole is well painted, no issues with the binding even if I was expecting some. Forgivably, some of the frets on the treble side at around fret 12-15 do scratch a bit on the joint with the fretboard, but this is £399 and they call it the dusty end for a reason. Weight wise, 4.15kg, so, very manageable - I would like it down to 4kg but hey, it's not a la carte menu nor a custom - very manageable and good balance. I've read I could save a good 200gr with Gotoh tuners but so far I like how these ones move/behave. Sound, yes, it is a thicker sounding jazz - @thisisswanbon was VERY right- it has very good body on the lower end and that nasal treble side that we like on a jazz bass. I was assuming I'd have to run to change pickups but this is definitely not necessary, I may do at some point out of genuine boredom more than any actual issue. No hum whatsoever with either pickups, of course none when both are on. One thing I like is that turning both pickups on keeps pretty much the same bottom as isolating the neck pickup - and no volume loss. I really like this since I come back from Precision pickups or jazzes where I almost always play with the neck pickup. The roasted maple has a lovely satin finish, not as nice as the gunstock/oil of my Stingray Special but also consider this bass is 6 times cheaper aye? Frankly, if my Stingray neck finish is 10/10, this would be a solid 8.5-9/10, much as it hurts to admit. The rolling of the frets is spot on where it matters except those two frets around 12-14 on the treble side I mentioned. I have touched the truss rod and saddles to where the bass is much more playable, and I normally do my own setups but seeing how extreme this was I will probably take it to a professional to setup for some £25-30 I guess - something to note in the budget. Will probably take the chance to restring on Stainless Steel daddarios and through the body. Now, the big question, seeing as I have a 'good years' Fender Precision MiM in Lake Placid Blue (2010). How do they compare? Similar sound quality - but the Sire has top game finishes that I would expect in Schecters of double the price to name a brand. I'd say finishing wise it's very in the 1k£ range, but I don't think I'd compare it to American made - just a bloody good Korean finish (LTD 1000 series, Schecter high end, PRS SE Signatures... that sort of vibe). Considering I've had about 25 basses and this is my cheapest, I would gladly believe this is in the £800-1000 range by features and feel - add branded pickups and I'd be ready to assume this is £1200s in today's money as a signature model or similar. Now, I do love the Fender but I know Sire makes the P5 in Mild Green, same as this V5R, for a silly £379 with roasted maple.... Will I give in to a trio in this seafoam green vibes??
    11 points
  4. Hi Folks, Bit of a clear out going on at Silverfox Towers at the moment, so... For sale only, this completely unique Custom Build Non-Reverse Thunderbird bass that I bought in 2017 from Sean, aka @Billy Apple. The bass comes with an excellent quality hard case that I bought from @Chimike especially for this bass, as it's a bit longer than most standard 34" scale basses. For the bass & case, I'm looking for £NOW SOLD. The history of this bass from when it was first commissioned in 2013 is quite a story in itself; read more about it here: To describe the bass properly and give it it's full due, I hope Sean won't mind me quoting him from his For Sale advert at the time: "Completely unique custom built NR Thunderbird. The last of the Bachbird body blanks made from mahogany and a lovely rosewood board. Bach also supplied the two piece bridge. Routed to vintage specs by the Bass Doc, with a hand-made bone nut, vintage white scratch-plate, TRC and control cover. Pups are '66's from Steve at the Thunderbucker Ranch, along with one bevel surround and shim. Tuners are Gotoh Resolite GB528's. Vintage white top-hats with a matte white finish and set-up from John Williams at Noiseworks." I actually sold this to Rod aka @howdenspur a year after I bought it from Sean, and then did a trade with Rod last summer to get it back, specifically to use on a recording project. As I hope can be seen in the photos, it's still in excellent condition, though the matte white finish is beginning to mellow into more of an off-white colour, now that ( to me anyway) just oozes those retro rock & roll vibes! By the way, it's quite tricky to show the colour properly in the photos. The first 8 photos were taken yesterday. All the others are from 2018. Between all of those, I hope it shows what the colour is... As basses go, it's totally unique; a one-off, that sounds amazing and gets so much attention at gigs because it looks so cool. With a slim and super-fast neck, and after having been set up so well by John at Noiseworks, the bass really does play like a dream.. And it sounds great, and not just for rock either - you'd be amazed at how much of a slap monster this bass is !! "So, why are you selling? ", I hear you say, which is a good question. To which the answer is that I'm predominately using two of my basses all the time these days - my BC Rich Eagle, and a Fender P that I bought from @Mudpup recently... So much so, that I'll probably be selling a couple of my other basses quite soon too. Anyway, back on topic... Collection from Potton, Central Bedfordshire preferred, but I'm happy to drive to meet up if it's within a reasonable distance (say an hour). With a bass of this nature, I don't want to courier it - it's just too risky! Anyway, thanks for looking and if you have any questions about this amazing T-Bird, please ask away here or PM me. Cheers Nik
    10 points
  5. Farmyard rally last Friday. First time I’d used the JMJ Mustang on one of these bigger jobbies but I was well chuffed with the sound. https://www.facebook.com/molly.moo.1044186/videos/1611224812700875/?
    8 points
  6. Any chance that this thread can be pinned, Mods??
    8 points
  7. Sunday afternoon gig at a very hot, humid, steamy Donkey in Leicester with the Andy Wales Blues Band. Outside was about a zillion degrees and we were roasting to death in our tight black jeans and Chelsea boots. But the decision to play inside paid off when a massive downpour and thunder arrived a few songs in. The whole vibe suited our swampy blues and soul music thing tho. The only downside of all that humidity is that I now have exactly the same hairstyle as Gene Wilder.
    8 points
  8. Sorry, I made a mistake on the price and I can't edit it. It's £1400.00. 3EQ Straplocks Stealth hardware Rosewood board This bass was made as a special order in 2018. As soon as it was delivered I joined a band that needed a 5-string so it never really got played. As a result, it's still in as-new mint condition, not a mark on it. It has a Hipshot D-tuner fitted and comes with a Music Man hard case. For those not in the know, the SLO special has a narrower nut, similar to a Jazz Bass or Sterling, and they are reasonably rare. Only selling because I can't play at the moment due to a damaged wrist joint from a motorcycle accident, and it might be a year or two until I can get a joint replacement. I have feedback on here, please feel free to check it out. Obviously, no trades, and I would prefer to sit you in front of an amp with a nice cup of tea if you'd like to collect it, but meetups are available and we can discuss couriers at extra cost.
    7 points
  9. A bank transfer can’t be reversed. They could request their bank get the money back because of a mistake, but your bank would not just hand it over they must contact you and if you dispute it there would be an investigation. The bank scam is where they use a false bank app to show you they’ve made a payment telling you it will clear within the next two hours while they bugger off with your bass. If you get a payment to your account your good to go.
    7 points
  10. It's the old adage "Just because you can, doesn't mean you should". So many of these jazz standard videos just feel like a workout for the chops rather than having any kind of deeper musical meaning. I guess it's cool you can groove at 250 bpm and introduce more substitutions than an injured rugby team, but it's not music I'd want to listen to. I remember going to a jazz workshop with a horn player. In the pub after he said "I can't be bothered to learn 400 scales to play solos over 100-year-old ballads that nobody cares about" and he left.
    6 points
  11. Turns out Jah Wobble runs a jam night in a south-west London library. who knew! It's called Tuned In, and aims to bring people together to make music regardless of ability and to help combat the effects of loneliness in some parts of the community. Some of the sessions have already happened, some are still to come in July. More details: https://www.wimbledonsw19.com/#!pages/wimbledonsw19:info:jahwobbleatwimbledonlibrary001 https://libraries.merton.gov.uk/client/en_GB/merton/?rm=MERTON+ARTS+SP5|||1|||1|||true
    5 points
  12. SOLD Sterling By Music Man short scale Stingray bass in Olympic White, with matching gig bag & extra pickguard. Price includes postage to UK mainland address. Please do not ask me to post outside of this. I live in Southport and work in St Helens area, so collection or meet up in vicinity of either can be arranged. If posted, it will be sent well boxed with Parcelforce Express 24, fully insured, with live tracking available on day of delivery. Purchased from a fellow Basschatter. Easily my favourite of the 4 short scale basses I've tried. A real quality bass which is a lot of fun to play. Just need to move it on as I guess I'll always prefer a P bass. It has barely been out of the case, and is in the same, pretty much immaculate condition I received it in, other than very minor scratching on back & control plate. Lovely dark rosewood fingerboard (recently lemon oiled during string change) on really nice fast, satin maple neck, which is not scrawny or chunky, and feels just perfect for the jazz width 1.5" (38mm) nut. For those of you who like numbers, the neck thickness (as measured with digital calipers), is 0.832" at the 1st fret, and 0.934" at the 12th fret. It weighs a comfy 3.3Kg / 7lbs 8oz, as measured on digital luggage scales, and balances perfectly. It is wearing a nearly new custom 'Scratch It' pickguard which cost over £40. I think this looks pretty cool, especially with the black screws. I wanted to add a splash of colour to the white body without being too loud, and I think this works really well. I will of course include the stock white pickguard & silver screws. I haven't touched the truss rod, and the previous owner didn't either, as it just feels so well set up, with a nice action and no rattle/buzz. It comes with a matching SBMM gig bag with very good furry padding and a front zip pocket, and a small bag of tools. It has nearly new D'Addario EXL160S medium gauge short scale nickel roundwounds (50-70-85-105) on it. Specs: Model: RAYSS4 Body Wood: Mahogany Body Color: Olympic White Bridge: Sterling by Music Man Designed Bridge Pickguard: 3-ply White/Black/White Scale: 30" Neck Radius: 9.5” (24 cm) Frets: 22 Frets, Medium Neck Width: 1.5" (38mm) at Nut, 2.44" (62mm) at Last Fret Neck Wood: Hard Maple Fingerboard: Rosewood Fret Markers: White Dot Markers Tuning Machines: Open Gear Truss Rod: Single Action (wheel adjustment) Neck Attachment: 6 Bolts Controls: 1 Push/Push Volume Boost, 1 Tone Switching: 3-way Rotary Selector (Parallel, Series, Single Coil) Pickups: Sterling by Music Man-Designed Neodymium Pickups (H) Strings: D'Addario EXL160S medium gauge short scale nickel roundwounds, 50-70-85-105 Gig Bag: SBMM padded gig bag Please note I am not interested in any trades whatsoever.
    5 points
  13. Awesome technique and precision, great time-keeping, etc. but I've never been a fan of "let's see if I can play lots and lots of notes really quickly". Frankly I'd rather hear her take on Mustang Sally. Srsly.
    5 points
  14. Really great conditions 1996 made Hipshot detuner installed Shipped in a new Thomann case Great instrument 4,1 kg Price shipped to your door 1300€ shipped (EU) price to sell Bass located in Italy sold
    4 points
  15. Try as I might, my poor old brain can’t cope with 5 strings so I am moving this excellent bass on. I believe it is around 20 - 25 years old and for its age, is in very nice overall condition. There are of course some light scratches, dings and swirl marks but nothing that affects the playability. The colour is green or blue depending on the light but in my opinion more green than blue - despite the photos! The frets are in great shape, there is little tarnish of the gold hardware and the pickups still have Yamaha clearly showing. It has plenty of punch from the 2 band active eq. There is a new but fairly basic padded gig bag. Please feel free to ask for additional pictures or information. Shipping can be arranged, I have a strong guitar box.
    4 points
  16. Barefaced One10 8ohm cab. sounds great and very loud for a small cab. only reason I’m selling is to get a Two10 for bigger places. Only used at home and a practice and the guy who had it before me looked after it to. comes with the soft cover. £350 including postage to UK mainland only and £325 if it’s collected.
    4 points
  17. Something slightly different but still precision - my MIM Cabronita that has been modded. I once played a highly ltd edition Borrocha bass that comes from the cabronita line and it was sublime. These ‘standard’ ones share the same outstanding neck so I replaced the pup with the TV Jones Supertron like the borracha and swapped the bridge to a BBOT. Strung with fender flats it is pure thunder and growl 😍
    4 points
  18. For sure, there's at least 2 couriers here now who can do a good job. Being able to speak to the main man is a whopping bonus. These people are not yer average parcel booters. They take care, which is paramount
    4 points
  19. Lovely, as new Ibanez medium scale 5 string, easy to play, would happily gig it, but i have gone back to full scale. Super bargain price as it is the last of my foray into shorter scale basses, absolute steal at this price, courier would be £25 insured to mainland UK if required.
    4 points
  20. Yes it was me. The Courier is Lenspeed. When you call you get the boss. Great service. No need for hard cases or cardboard boxes. Just a padded case will do. They specialise in music equipment, including valve amps and also delicate antiques. Last time i used them was 3 weeks ago and it was £55 for my bass. Call Lenny on 07834 320 015. I've now used them 3 times. https://lenspeedlogistics.com/ I tried Walshy's man and he never returned my call.
    4 points
  21. GAS, a bit like nicotine addiction, pops up and grabs you when least expected. I shall remove myself to a small dark room to repeat the mantra...."I don't need another bass.....I don't need etc etc"
    4 points
  22. Ok guys ,I know I’ve hooked a lot of people up before but for those that don’t know, Tim is the man you need. Delivery anywhere in the U.K. in person and super safe and reliable. Just tell him I passed on his number and he will sort you out. I think it’s still £65 but ask him. I guarantee you won’t get a better or more reliable service anywhere else. Whatsapp is best 🙂
    4 points
  23. Yep. Audible. Is that too much for us to ask? Apparently if you're a singer or keys player then yes it is.
    4 points
  24. So I am a moron. I recently acquired a BassBone and, realising that it needs a pretty hefty 15v 400mA supply, and my current pedalboard PSU wasn't going to cut it, bought a CIOKs SOL, which had enough outputs and the options to deal with all the pedals I have. Spent ages carefully setting it up on my pedalboard, checked the jumpers, double checked them, triple checked them, and once everything looked good, I plugged it all in. To be met with a cloud of acrid smoke coming from the BassBone. Sob. Of course, I knew that it needed a 15v 400mA supply. But I hadn't clocked it needed a CENTRE POSITIVE supply, not a CENTRE NEGATIVE one. So by plugging the latter in, I managed to burn out my new pedal. Or so I thought! Once I'd cleared out the smoke from the room and triple checked I'd disconnected everything, I plugged in the correct Radial PSU and lo and behold, it still worked! Using the correct adaptor on the CIOKs also showed it was all working, so thankfully no damage done to the PSU (phew!). From my very urgent Googling straight afterwards, I gather that *some* pedal manufacturers use a sacrificial diode which stops the rest of the pedal getting knackered if you use the wrong PSU. So, even though I had a faceful of smoke, it seemed it was okay. Nevertheless, I got on to Radial to ask - they said they couldn't give me details of the innards, but to speak to Polar Audio, who are their UK distributor. Unfortunately Polar state that they don't do out of warranty repairs, and recommended two servcing companies - Surrey Amps and the dreaded (to me at least!) Real Electronics. Having had no luck in the past with RE, I did a search for amp repairs, and came across [a repairer, the details of whom I have now deleted owing to subsequent issues] I dropped [person] a line, and he said he'd take a look; his hourly rate/diagnosis fee was much less than Surrey Amps so I gave it a shot. The service was exemplary - not only was I kept informed every step of the way, [person] even sent me a video of the pedal opened up and explaining the damage and what needed to be replaced. I gave the go-ahead, and he also sent me a video afterwards showing everything working. Finally, the repair was turned around and back to me in just over a week, for less than the cost of the SA diagnostic check. He also picked up an issue with a dodgy pot and replaced that too. I can't sing his praises enough. Whilst I could have kept on trying to use it, it wouldn't have had any protection and [person] pointed out the heat had damaged a small resistor too, so who knows if that could have caused other problems in the future. So, I have been saved by my own stupidity once again. [edit - repairer details removed due to subsequent issues] (I haven't wired it all up again yet, but I will not be turning anything on until I'm absolutely sure I have the correct polarity this time!)
    3 points
  25. *** Now SOLD *** Hi Folks, Due to using my Mesa Boogie gear so much for live work, and having finally finished a recording project I was using this on, up For Sale is my Ashdown CTM100 all valve bass amp. I'm looking for £SOLD for it, which I think is a fair price given the cheapest I can find one new online is £1,149 at The Gallery in London. (Please note that this is not one of the UK built models, hence why I've priced it as I have.) I bought the amp about 3 years ago (during the first lockdown break) from another Basschat member, Dan (who's BC name escapes me, sorry) and I know from him that it did belong to @Mertonat one time, so it has a bit of a Basschat pedigree to it's name! I would describe the exterior condition of the amp as 'good' , though it's clearly been used, as the photos show. In terms of the electronics of the amp, everything works as it should and there are no issues with it. The amp sounds fabulous and offers a lot of tonal variety, as this online review explains so well... "... this head delievers, and does not leave you searching for more. From the tube saturation, and warm heavenly tone of this head, that sits so well in a band mix. The only thing youll be searching for is more time to play it." Links/reviews https://youtu.be/KqfjMLGwo90 https://youtu.be/r_eDTYmESRQ https://youtu.be/WN9vaSR6QG0 This is a great amp and is priced to sell to someone who I hope will make good use of it. Please note that the G&L bass and Aguilar cab shown in the photos aren't for sale. They're there for decorative purposes only... 😁 Collection from Potton, Central Bedfordshire much preferred but I'm also happy to drive up to an hour from my location to do a classic 'Basschat meet up' somewhere mutually convenient. As an absolute last resort, fully insured shipping is possible at buyers expense and risk, if that's the only way to get a deal done. Trials welcome here in Potton and there will be plenty of tea/coffee on tap for you whilst you test the amp out with your own cab and bass (if that's what you would prefer?). Any questions, please ask here or send me a PM. Thanks for looking. 👍😊 Cheers Nik TECH Spec, reviews etc: "The CTM-100's signal path is all valve - even the D.I and effects loop are driven by valves - so even if you are taking an audio feed from the D.I or effects loop send, there's nothing but valve tone being fed. Choose your instrument input and away you go: high and low inputs tackle any input gain issues you have from low or high output instruments. The 'low' input is for instruments with a low output. What is also interesting is that the inputs are also impedance matching. This is important, more so for passive basses, and put simply, helps to ensure you get the best tone from your instrument to the signal path under that cool exterior. When it comes to tonal options, well there's quite a lot to get through! The first thing I should mention though, is that the EQ knobs and related push buttons are all fairly interactive due to the use of passive circuitry. The 'mellow' button for example essentially reconfigures the EQ curve on each of the controls, giving you a smoother bass sound with less aggressive top end and to me what sounds like a resultant boost in the low mids. With it engaged, all of the controls react differently – so it is not just a narrow mid boost. This is something to take in to consideration when trying out this amplifier. Similarly, the Deep and Mid shift controls actually seem to change the range of adjustment in the Bass and Middle controls too. Again, being passive, the tone controls are more subtle than say that of the EVO heads with active boost and cut across a 'graphic equaliser'. Some will love this, others will prefer more dramatic tonal changes. The inherent tone of the valve head is there to stay though and it is good. Deep and rounded and almost bell like in the chime of my low notes." CTM-100 Specifications Power Output (RMS) 100 Watts Speaker Outputs 3 x Speakon/Jack Combi 8/4/2 Ohms DI Output Tube derived Impedance Min Load 2 Ohms EQ Passive Bass, Middle and Treble Effects Send Yes Effects Return Yes Pre-Amp Tubes 2 x Ecc83/12ax7 2 x Ecc82/12au7 1 x Ecc99 Output Tubes 2 x 6550 (100W) Weight (kg) 19Kg
    3 points
  26. Squier SQ Precision Bass Made in Japan 1983/84 I'm reluctantly putting this lovely bass up for sale but the funds are needed elsewhere and I have 2 other P basses. As far as i know it is all original, lots of scratches but only cosmetic. Bass recently had complete set up, overhaul and new nut by Stephen Hawker in Bristol. Strung with LaBella 760FS flats. The bass is an absolute joy to play and gets a classic Jamerson tone. I would say the neck is a bit slimmer than a lot of P basses i've played. I've tried to show everything in the pictures. Comes with a hard case. Would prefer collection/meet halfway but will post at buyers expense. Cheers, Alex
    3 points
  27. well have to say this blew me away, its hard enough to play on a normal bass fgs.
    3 points
  28. Aguilar AG700 ( one for sale on here , not mine ) Headroom and clean
    3 points
  29. The only scams you can do with a bank transfer is if you show someone a fake screenshot saying you paid it, but that is quickly uncovered by looking at your own banking app and showing the money has turned up.
    3 points
  30. Sorry guys, busy weekend... For me "clean" means a hi-fi sound. So, maybe clean isn't the word after all?!?! I just mean no grit, drive or distortion, that super-flat fat bass sound with crisp highs, sterlie but not lifeless... All these words could mean different things to different people so... think of a Darkglass amp with it's drive on? Now think of the opposite.
    3 points
  31. I would say that if the money's in your account then job's a good un. I've paid by bank transfer to several fine members of this site and been paid likewise by others from elsewhere.
    3 points
  32. To the back hatch. You will note that there is always a bit of madness in my method when it comes to guitar and bass builds. Does that rebate rout above cut into the ebony strip? And doesn't that mean that the black line will be broken with an alder hatch when it's fitted?? Well...yes...and no. Yes it would if I didn't add a matching strip to the hatch I made my normal paper template with some A4 and a fingernail: Cut out with a scalpel, I then had a template for the wood that I could double check fitted properly into the rebate, and also a reverse template so I could choose a 'sympathetic' grain pattern from my various alder offcuts. This would probably work: So next job was to cut out the hatch - a teeny bit oversize - and add a matching ebony strip: To fit the hatch, I usually start at one of the curves and sand/check the radius repeatedly until it fits the rebate exactly, and then progressively sand the overhang from there at one side or the other to progressively create the close fit all the way round. It takes a while because you don't want to over-sand anywhere! But eventually, it's done: And the ebony strip lines up! Next step is stringing it up for Alex to be able to play it while I fettle the shape of the neck profile, and then I can start the final sanding and start on the finish
    3 points
  33. My beloved Orange AD200b, power valves all changed and thoroughly serviced after having sat for the duration of covid, cleaned after it's being sat and now it's looking and sounding really smart, I've completely fallen for the sound of my Fender Bassman 100 though so it's just not getting used, I took it to a gig this saturday just gone and while it sounded superb it just didn't do it for me anymore, something about the mid grit in the Fender just feels good to me when paired with my Barefaced Six10. The flightcase is this spec and model but a few years old now, it would cost £229 to buy new https://www.flightcasewarehouse.co.uk/industry/product.asp?item=amp-head-flight-case-2828-9487 Delivery/collection around Hope Valley / Sheffield easily arranged, happy to meet a little further afield if it helps a sale also...currently the band will be across in Newark mid July, Notts-ish late July at Deerstock, Purbeck and Billericay mid/late August if any of those happen to be nearby we can arrange something there too
    2 points
  34. StickyDBRmf is a curious name for a restaurant...
    2 points
  35. He still looks uber cool. And she sounds rotten, they’d be better off as an instrumental group.
    2 points
  36. Really beautiful bass - I put Thunderbucker ‘66 pickups in my custom Warmoth T’bird, put together so that I wouldn’t have to gig my 1965 T’bird IV, and can confirm that they actually sound better than the originals. Something really special about a white Thunderbird; plus I’m sure this will be the equal of a Mike Lull for a lot less dosh - GLWTS 👍
    2 points
  37. ‘Nope definitely do not want this’ he says whilst rocking back and forth in his chair. Must resist, must resist 😂😂
    2 points
  38. Good video here I thought that might might interest some here
    2 points
  39. From what I've seen over the years, any sort of music beyond the simplest boy/girl band stuff is a minority interest! The majority of people I know, as opposed to actual friends, don't seek music out; they quite like a tune that's easy to hum but if they find one they won't necessarily look for more by that artist, they'd be happier with a "Now That's What I Call Music" comp as they will often conjure for them a mood of the time. They don't really want to sit there listening to great playing, or to seek out what's "advancing" music - music is largely a background thing. As a result of this, the majority of mainstream music follows a simple formula and is musically inoffensive. All of which I think is a shame, and is probably the fault of a decline in music education in schools. Funnily enough though, if you go to the continent there's a large market for more challenging music; frinstance I was in the tiny town of Marciac in the south of France a couple of weeks ago. It's got a population of just 1200, but has a dedicated music venue - the night we were there was a "slam poetry" show, following night was a Colombian folk group and the next was an electronic noise duo. But more importantly, it has a world-renowned jazz festival which is hugely popular and has far more experimental out-there stuff than we'd get at Cheltenham of Birmingham's alleged jazz fests! Frinstance, last year had Marc Ribot's Ceramic Dog playing; they also played in Germany, Holland, Portugal, Spain, Switzerland and Norway, all to great acclaim, though London only got a night of Ribot solo. However, the previous 4 European dates had no UK dates... Similarly, Suicidal Tendencies haven't played the UK since 2018 with 1 date then and 1 in 2017. But on those same visits to Europe there were gigs all over France and Germany. And I don't think it's all to do with The B Word (!) as their last UK tour was 2016, but very little before that despite tons of European dates every year.
    2 points
  40. That is amazing, really nails the 70s Precision sound, sadly I’m short scale from now on otherwise this would be chez Lozz!
    2 points
  41. 2 points
  42. Another option is with Monzo you can generate a link so someone can pay by debit card and the money will go into your account immediately without you having to give out your bank details, if that was a concern. You could set up an account just for doing transactions such as this (if you use my referral link here we'll both get £5 - no pressure though...).
    2 points
  43. I would pay to play the legendary Hope. What a great pub rock venue it was… All the best with it, enjoy the experience, get photos taken and post them here so we can share the fun!
    2 points
  44. I think that is probably right. For me clean means no distortion either of the response or of the waveform however that is achieved. Coming from a science background clean means no distortion but for a guitarist their 'clean' means something entirely different, the sound of their guitar through their amp and cab with minimal added fx. My personal sound isn't clean, I shape the response and I've come to enjoy a little bit of grit when I dig in. The scientist in me likes to isolate all the variables so starting with a genuinely clean sound works for me but a bit of me is jealous of the bassists who can walk up to any amp crank the knobs from one extreme setting to another and eventually get the tone they need. That is a craft to be admired. It would be good to know where @uk_lefty sits about where clean is for him.
    2 points
  45. I think Bill would agree that anyone playing with a loud drummer should take care of their hearing but you are likely missing the point that everyone else on the thread thinks. This being that your 'present' amp + cab should be so loud that you almost need double ear protection. Adding another amp to drive another cab is not what most folk are suggesting is the answer to your problem. 1100 watts into a pair of Big Twins is at a point (or way beyond) where PA should be carrying the bass. Personally from what you've said about clipping/distortion, you've got an issue that needs addressing before you add more amps/cabs!
    2 points
  46. It's interesting isn't it that we don't all agree on what 'clean' sounds like. 'Clean but not sterile', 'massive sounding', 'every clean sound you could imagine' and so on after all we only started this morning. No criticism by the way I'm just pointing out that all of this is subjective and that the language we have at our disposal is inadequate for what we are trying to capture. For me clean is what you get coming out of a PA amp running well within it's power capability, with no eq and minimal levels of distortion or what I hear through decent headphones direct from the mixing desk but I know that what I think of as clean is other peoples sterile. So what does clean mean for you? Is it FRFR or is it the absence of pre-applied compression or 'drive'. Maybe it is something else you only know when you hear it?
    2 points
  47. Haven't got anything more done on this yet, been busy finishing off a guitar for someone and thought I would show the (almost) finished pics. Dan dropped this off last week after he had taken it away to do the paint job. He had always wanted a BC Rich Mockingbird style guitar and asked me to build him one, but he wanted to do his own finish on it. Still needs stringing up, but Dan is bringing the strings he likes next week when he comes to test it and so long as he is happy with everything, take it away with him. I know it isn't a bass, but just wanted to show what had kept me from carrying on with this fretless build.
    2 points
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