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Showing content with the highest reputation on 20/06/23 in all areas

  1. I'm selling one of my ACGs, it's an AC Guitars TKO Modern 4. It's a short scale, 30.5" and passive, so a bit more old school than a regular ACG, but with the super high end build quality and modern conveniences you'd expect. This bass is very much a one off, the only TKO Modern bass that Alan has ever made, as the shape was originally designed as a guitar, but it works very nicely for a short scale bass. It's very lightweight, I would guess not much more than 8 lbs, and is in absolutely mint condition, it's barely left the house and never been gigged. The proceeds from the sale will go straight into a new ACG. Specs as follows >> Body Figured Maple Top Wood with Washed Out Black Stain White Limba Body Neck Rosewood Fingerboard with 0º radius 3 Piece Ash Neck with Washed Out Black Stain Medium asymmetrical profile Alloy Side Dots Reverse Standard Series Headstock Details Bolt-on Construction 30.5″ Scale Length 4 String 40mm Nut Width Satin Lacquer Finish Electronics ACG PB Split Coil Pickup, reverse wound with Alnico magnets ACG Passive – Volume/Tone Hardware Hipshot Type B Bridge, 19mm spacing Gotoh GB7 Tuners Black Hardware Dunlop Dual Design Straplocks ACG/Newtone Strings Here some of Alan's photos on the ACG site >> https://acguitars.co.uk/project/0321tkomodern4/ The bass is currently strung up with TI Flats, but I'm happy to pop on some Newtone Nickel Roundwounds if the buyer would prefer. Looking for £999 o.n.o. + shipping in the UK I'm based in South London should anyone prefer to collect. Happy to discuss shipping outside of the UK, message me. Wee clip playing some slap on the TI Flats >> https://www.instagram.com/p/B4kKmFcH7_K/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA== Thank you for looking! Eude
    14 points
  2. I’m in the house band that does a weekly blues jam , and a couple of the younger regulars managed to get a gig at the old dive. One has been studying music in Boston at Berklee , the other is more of a primitive , but a nice player. They invited the Sunday rhythm section to do the gig. So we had a couple of geezers and the kids , it was a fun night.
    11 points
  3. I spent some time this morning with the guitar strung up and on a strap for me to 'fit' the neck profile to suit Alex's style of playing. Basically, he played, I then scraped material off the neck haunches and then he tried it again. This was repeated over an hour until it 'felt right' for him. We can do further tweaks once it's finished and he can play it with amp/etc but it's probably close enough for me to start the final sanding, which I started this afternoon. As folks who have watched other builds will know, I often use some Tru-oil slurry and wiped to act as a grain filler and also as a reveal coat... to spot dints and lumps or sanding marks that are difficult to see on dry sanded wood. The good thing is that it also lets bot Alex and me see how the final colours and grain are going to turn out to be. I think it's going to be quite nice:
    8 points
  4. Hi all! I can't believe I'm writing this but I've got my pedals back!!!!!! Last night I received a message from a Good Samaritan who found them in the park and got in touch!! I can't really believe it. I'm so grateful for all of you sharing and spreading the word. Faith in humanity restored!!!!
    7 points
  5. €400 EUR: JP Basses Zia Hollowbody Piezo 5 fretless, 33 inches scale, 3.340 kilos, unique model made only once! The bass, which was originally fretted has been defretted upon my request by Jean-Philippe Ferreira himself (see photos in the Google Drive link). For sale, because I really can't cope with the flat (or infinite) radius and classical guitar type neck, which give me cramps in the left thumb, sorry Jean-Philippe, but I tried and tried as I love the tone... NO TRADES! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Ireland, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden : €400 Euros (£350 GBP is an approximation and I will only accept payment in Euros) !!! Shipping to United Kingdom is, of course, possible, but with an extra customs fee (VAT + other taxes + courier fee), because U.K. is now outside EEC. In perfect working condition and, except some obvious marks and dings, in very good condition for its age (it will be 19 years old in September and has been played a lot). Here are the specifications : Body: cedar core Top and back: wenge Neck: wenge Fingerboard: wenge Positions: 24 (flamed ash lined fretless) Headstock: 2 + 3 Pickups: RMC piezos only (with a long ramp on the body) Preamp: John East Custom made for JP Basses Controls: Volume (bright on push-pull), bass, treble (Neutrik locking jack) Tuners: Hipshot UltraLite 3/8 USA (special made in chrome finish for JP Basses) Bridge: Hipshot Type A (no idea if it's brass or aluminium) Strings spacing at bridge: 19mm Nut: bone (unglued like classical guitars) Strings spacing at nut: 9mm Knobs: wenge Scale: 33 inches Hardware colour: chrome with Dual Design Dunlop strap buttons Truss rod: one, 100% functional Finish: natural (nitro cellulosic) Country of origin: France Serial number: 11092004 Year: 11th of September 2004 Weight: 3.340 kg and absolutely no neck diving Action : from 1.5 mm under the G string to 2 mm under the B string at 12th position (can even go lower, but was perfect for me as it's a 33 inches scale bass) Will be delivered in a used Ritter gig bag (see photos). Non-smoking environment as usual. The bass has received a new battery and has been fully set up professionally by Jean-Philippe Ferreira himself, which means it's perfect. It is fitted with a broken in set of D'Addario Chrome ECB81-5 stainless steel flat wound strings (45 - 65 - 80 - 100 - 132), which really serve this bass. The tone is simply excellent with loads of bass thanks to the RMC piezos (really the best on the market) and doesn't sound harsh at all, a very versatile bass in fact, where the dynamics is controlled by your plucking hand, and according to JP Basses owner, Jean-philippe Ferreira, the best bass he ever crafted. Upon request, I can put a set of Thomastik JF in E to C tuning instead of the D'Addario Chrome, but the action will be a bit higher due to the lower tension of these strings. What you see is what you get ! Look carefully at the photos taken from different angles and lights to see the real condition, which is very good for its age with some obvious marks and dings. Here is the link to all the photos with defretting and how it was looking when fretted and now with two videos recorded unplugged and plugged: https://drive.google.com/drive/folders/1Yic9JwaQbg3YIfBvMX2eHeqdIyVIprcu?usp=drive_link Due to severe back problems (67% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 4 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using as well as some stuff I don't use. I've also considerably lowered the price for a quick sale. Don't hesitate to ask for more. I need the money quick!
    5 points
  6. ...and that is the route to your fretless place. Forget Mick Karn, forget Jaco, forget busy playing, follow the last seven words of your sentence.
    5 points
  7. I got this a few years back with the idea that my other half might take up the bass - she didn't. Anyway, I fell in love with the beautiful rubbery sound of a short scale with flats. I've done plenty of jazz jam sessions and the odd jazz gig with this and it's perfect for that. With the tone open, you get McCartney type tones and rolled off sounds almost upright like. The pickup is fantastic. I'm selling as I have too many basses and I'm decluttering my life right now. Condition wise, it's used not abused. It's nearly 20 years old and it's been played so it's on the good side of what you might expect. There's a small crack in the lacquer at the back of the headstock and a tiny crack in the paint at the neck joint. A couple of dings in the top of the headstock and some blemishes in the finish. It's got Thomastik flats on it which I put on about 6-7 years ago and they have remained since. I'd prefer local pickup in Brighton but I'll post at buyers expense. Thanks for looking.
    5 points
  8. Saying goodbye to Nigel today on behalf of BC.
    5 points
  9. Farmyard rally last Friday. First time I’d used the JMJ Mustang on one of these bigger jobbies but I was well chuffed with the sound. https://www.facebook.com/molly.moo.1044186/videos/1611224812700875/?
    5 points
  10. Right...! So, bass is here. First, the bad: awfully setup, I have to say, the action at fret 12 must've been more than 5mm high, I genuinely don't think I've ever played a bass with the action so high in my life. The neck was relatively straight and the saddles etc are okay. I could lower the action so much that even the strings were touching the pickups. This in the picture is my index: Asides from that.... I genuinely can't complain! It is very nicely finished - the paint in the truss rod hole is well painted, no issues with the binding even if I was expecting some. Forgivably, some of the frets on the treble side at around fret 12-15 do scratch a bit on the joint with the fretboard, but this is £399 and they call it the dusty end for a reason. Weight wise, 4.15kg, so, very manageable - I would like it down to 4kg but hey, it's not a la carte menu nor a custom - very manageable and good balance. I've read I could save a good 200gr with Gotoh tuners but so far I like how these ones move/behave. Sound, yes, it is a thicker sounding jazz - @thisisswanbon was VERY right- it has very good body on the lower end and that nasal treble side that we like on a jazz bass. I was assuming I'd have to run to change pickups but this is definitely not necessary, I may do at some point out of genuine boredom more than any actual issue. No hum whatsoever with either pickups, of course none when both are on. One thing I like is that turning both pickups on keeps pretty much the same bottom as isolating the neck pickup - and no volume loss. I really like this since I come back from Precision pickups or jazzes where I almost always play with the neck pickup. The roasted maple has a lovely satin finish, not as nice as the gunstock/oil of my Stingray Special but also consider this bass is 6 times cheaper aye? Frankly, if my Stingray neck finish is 10/10, this would be a solid 8.5-9/10, much as it hurts to admit. The rolling of the frets is spot on where it matters except those two frets around 12-14 on the treble side I mentioned. I have touched the truss rod and saddles to where the bass is much more playable, and I normally do my own setups but seeing how extreme this was I will probably take it to a professional to setup for some £25-30 I guess - something to note in the budget. Will probably take the chance to restring on Stainless Steel daddarios and through the body. Now, the big question, seeing as I have a 'good years' Fender Precision MiM in Lake Placid Blue (2010). How do they compare? Similar sound quality - but the Sire has top game finishes that I would expect in Schecters of double the price to name a brand. I'd say finishing wise it's very in the 1k£ range, but I don't think I'd compare it to American made - just a bloody good Korean finish (LTD 1000 series, Schecter high end, PRS SE Signatures... that sort of vibe). Considering I've had about 25 basses and this is my cheapest, I would gladly believe this is in the £800-1000 range by features and feel - add branded pickups and I'd be ready to assume this is £1200s in today's money as a signature model or similar. Now, I do love the Fender but I know Sire makes the P5 in Mild Green, same as this V5R, for a silly £379 with roasted maple.... Will I give in to a trio in this seafoam green vibes??
    5 points
  11. I was one of a few on Basschat that pre-ordered this limited edition model after @cetera (a Spector endorsee) instigated it's production in early 2022. The original options for finish were black gloss, white gloss and tobacco burst. Gary kindly looked into getting some made in my preferred finish of Ultra Violet and Spector agreed. Here is the Basschat thread regarding the Euro X. I believe there are also some photos in the Spector thread. There are only a few of these in existence in this finish (and I mean low single figures) and they sold out immediately. I ordered it so that I could have a something for a hair/metal type band that never came to fruition, so it has not been used. I now have some other projects on the go which means this is unlikely to see the light of day. This bass has not been rehearsed or gigged. It is as new as the day I received it. It comes with a Spector branded gig bag and it's adjustment tools in a white envelope (still sealed). I also have the Spector box it was delivered to me in. The finish on the bass is stunning and really awkward to capture due to it's mirror like properties. I've done my best. Specification: Body: Maple - Refined X shape Top: Genuine Figured Maple Neck: Maple Nut: 1.64” Fingerboard: Rosewood Headstock: Black Inlays: MOP Spector Crown Frets: 24 Scale Length: 34” Radius: 16” Hardware Colour: Gold Bridge: Spector Locking Die-Cast Active Tone Controls: Spector TonePump (which is adjustable via a trim pot) Controls: Bridge Volume, Volume, Treble Boost, Bass Boost Pickups: EMG P.J Easy access battery compartment Weight: 9lb Collection would be preferred or meet at a mutually agreed halfway point if possible. I don't want to send it via any of the horror story couriers.
    4 points
  12. Somehow, within a period of 6 months I went from 1 gold bass to three. And I really like it. Soooo let's dedicate a topic to gold basses! From left to right: Fender Custom Shop '64 Jazz (shoreline gold), De Gier Bebop 5 (pharaoh gold), Lakland US Joe Osborn (shoreline gold). So technically, the Lakland and the Fender are the same colour.
    4 points
  13. Squier SQ Precision Bass Made in Japan 1983/84 I'm reluctantly putting this lovely bass up for sale but the funds are needed elsewhere and I have 2 other P basses. As far as i know it is all original, lots of scratches but only cosmetic. Bass recently had complete set up, overhaul and new nut by Stephen Hawker in Bristol. Strung with LaBella 760FS flats. The bass is an absolute joy to play and gets a classic Jamerson tone. I would say the neck is a bit slimmer than a lot of P basses i've played. I've tried to show everything in the pictures. Comes with a hard case. Would prefer collection/meet halfway but will post at buyers expense. Cheers, Alex
    4 points
  14. Join Thunderthumbs, the Tribute to Louis Johnson for these forthcoming Gigs; Friday 23rd June at The Bulls Head, Barnes, London SW13. Tickets here; https://tickets.thebullsheadbarnes.com/events/2023-06-23-thunderthumbs-bulls-head-barnes Thursday 29th June at The Factory Live, Worthing; Tickets here; https://www.seetickets.com/event/thunderthumbs/the-factory-live/2656009 I will also be hosting a Masterclass at The Factory, Worthing before the Gig playing some of my favourite Louis Johnson basslines from the Thunderthumbs set. Here's a link to Thunderthumbs playing Love X Love by George Benson; Here's a link to Thunderthumbs playing a Brothers Johnson Medley of Instrumentals;
    4 points
  15. Gone, like the wind. Traded. As the chaps at Fender put it: AM PRO BASS RW OWT Model: 0193610705 Serial #: US17007719 Born: 02/2017 This has been my back up bass for a few years. I would rather match my Jazz with a Jazz, so off to the great Olympic White yonder - or wherever it turns up, I feel sure you, or whoever buys it, will enjoy it. Back in the UK for a month so it would be better to courier from here, should it sell. One small ding (pictured) which doesn’t affect the way the planet turns. Not sure about pricing - I feel sure you’ll all let me know if it’s way too cheap 😉 I will include the original pick guard. Comes with usable case, not perfect but who is? Sorry, no case candy, but I will throw in a Mars Bar.
    4 points
  16. Absolutely bloody lovely Limelight Precision. This is not a Fender bass!!! I had this made back in 2016 to be a replica of a 1976 Fender Precision. With an ash body, maple neck, overwound pickups (hand wound by Mark at Limelight), period correct headstock logo and the lightest relic finish. The bass has done probably 200 function gigs and that has really given the nitro finish a much more naturally worn look that the more heavily relic'd basses struggle to emulate. Weighing in at 3.9kg (8lb 9oz) this is a really comfortable bass to gig with and it's like putting on a nice old pair of slippers when you pick it up. The output is really strong and has the classic p-bass sound. Currently strung with a relatively new set of Elixirs but I could change these for an old set of fender flats (with tatty silk) if preferred. Why am I selling? I really really want to be a p-bass guy but i just always end up gravitating back towards Jazz basses. Trade Options!!! Jazz basses only please. I'd definitely be really interested in a Limelight Jazz. I absolutely love the build quality and they just work for me. I'd also happily consider a Japanese Jazz or a USA Jazz with apropriate cash adjustment. Ideally though I'd want either of these with rosewood or maple board and blocks. Price for a straight sale is firm at £850. I think this is fair and I'm in absolutely no rush to sell as this is still great to have around. You are absolutely welcome to come and play this without any obligation to buy. I have some nice amps and make good tea / coffee and there's always biscuits in the tin. I will package it up for postage but that would be for a courier that the buyer has arranged and the buyer takes this option at his or her own risk. I gig lots so am regularly travelling around the country and am more than happy to meet up en route to a gig. Thanks for looking! With flats on: With rounds on:
    4 points
  17. Good times... ....complete with original felt mutes!
    4 points
  18. Don’t really want to do this and so will withdraw if the other bass sells Handbuilt lightweight swamp ash body - total weight 3.75 kg Allparts US Precision neck ( quarter sawn maple, 1.625 inch nut width and ebony board. Nitro finish in Lake Placid Blue by Dave Wilson Gotoh res-o-lite vintage reverse wind tuners Badass 2 bridge Kent Armstrong vintage pickup Cts pots and switch craft jack price includes postage in the UK, and will come with hardcase
    3 points
  19. Tony Levin with Peter Gabriel at The O2 last night. Also featured: DarkRay bass (switched red for Red Rain of course), NS upright, Chapman Stick, backing vocals, dance moves, on-stage ad hoc photography Tony Levin is 77 years old *doffs chapeau*
    3 points
  20. Jam night was fun this month. All the bands were really on it with so great singalongs and leg shakers. Our usual singer couldn’t join us so the guitarist and I shared vocals. I’ve done a bit of backing vocals in the past, but haven’t sung lead for over 20 years (it showed I think!). One of the other musicians joined us for Brown Eyed Girl, so a proper jam. Here’s a video montage of our set: https://youtu.be/_6olto1VOLw
    3 points
  21. I can't agree more with @Frank Blank. Being myself a fretless player for close to 40 years, what I tell people asking me how to play fretless is to listen to the tone of each and every note you play and appreciate that special fretless tone raising ... slowly up to the climax of the note(s): That's a fantastic moment. Play fretless the way you talk, tell a story, use punctuation, breathing, pauses, accelerations, silences, and sometimes emphasise a single note by letting it ring. This is the way I play fretless, and just like @Linus27 also said, when you can also make your fretless sound like a fretted, then it means you've mastered it. Use opened strings and harmonics to improve your intonation and don't be afraid to play (complex) chords as they will also improve your intonation. Also try to develop a sound on your own, something personal. And remember: no frets, no limits.
    3 points
  22. Hi Folks, Bit of a clear out going on at Silverfox Towers at the moment, so... For sale only, this completely unique Custom Build Non-Reverse Thunderbird bass that I bought in 2017 from Sean, aka @Billy Apple. The bass comes with an excellent quality hard case that I bought from @Chimike especially for this bass, as it's a bit longer than most standard 34" scale basses. For the bass & case, I'm looking for £NOW SOLD. The history of this bass from when it was first commissioned in 2013 is quite a story in itself; read more about it here: To describe the bass properly and give it it's full due, I hope Sean won't mind me quoting him from his For Sale advert at the time: "Completely unique custom built NR Thunderbird. The last of the Bachbird body blanks made from mahogany and a lovely rosewood board. Bach also supplied the two piece bridge. Routed to vintage specs by the Bass Doc, with a hand-made bone nut, vintage white scratch-plate, TRC and control cover. Pups are '66's from Steve at the Thunderbucker Ranch, along with one bevel surround and shim. Tuners are Gotoh Resolite GB528's. Vintage white top-hats with a matte white finish and set-up from John Williams at Noiseworks." I actually sold this to Rod aka @howdenspur a year after I bought it from Sean, and then did a trade with Rod last summer to get it back, specifically to use on a recording project. As I hope can be seen in the photos, it's still in excellent condition, though the matte white finish is beginning to mellow into more of an off-white colour, now that ( to me anyway) just oozes those retro rock & roll vibes! By the way, it's quite tricky to show the colour properly in the photos. The first 8 photos were taken yesterday. All the others are from 2018. Between all of those, I hope it shows what the colour is... As basses go, it's totally unique; a one-off, that sounds amazing and gets so much attention at gigs because it looks so cool. With a slim and super-fast neck, and after having been set up so well by John at Noiseworks, the bass really does play like a dream.. And it sounds great, and not just for rock either - you'd be amazed at how much of a slap monster this bass is !! "So, why are you selling? ", I hear you say, which is a good question. To which the answer is that I'm predominately using two of my basses all the time these days - my BC Rich Eagle, and a Fender P that I bought from @Mudpup recently... So much so, that I'll probably be selling a couple of my other basses quite soon too. Anyway, back on topic... Collection from Potton, Central Bedfordshire preferred, but I'm happy to drive to meet up if it's within a reasonable distance (say an hour). With a bass of this nature, I don't want to courier it - it's just too risky! Anyway, thanks for looking and if you have any questions about this amazing T-Bird, please ask away here or PM me. Cheers Nik
    3 points
  23. THIS SATURDAY! Join Maple Road during Cedarburg's Strawberry Festival for an afternoon of outdoor live rockin’ blues at C. Wieslers! 3-6pm! Blue
    3 points
  24. Best move i ever made. Few things make me say that. Pros :- 1. i never get any interference. 2. it doesn't affect my tone 3. transmitter battery is charged via USB either from mains or any other source. Receiver is mains powered. 4. simple to use, literally plug and play, its honestly that easy. 5. built in tuner saves setting up an additional pedal. 6. battery can be charged any time in its cycle, can be used direct from box. You don't need to fully charge first or run flat and recharge several times. 7. if for any reason Tx fails or battery runs flat, the pedal has a jack input you can use and still have the use of the tuner. 8. i get approx 10-12 hrs use from the battery 9. if you forget to turn Tx off it automatically switches off after 1 hour if not being used. 10. it transmits 3 frequencies at same time and if the selected one fails or picks up interference it switches over fast enough you wont hear anything. Cons :- 1. cable from Tx to bass is very thin and may get damaged after a few yrs of use. I intend buying a spare cable. I plug it in and totally forget about it to be honest. Its also built like a tank both pedal and Tx. Its just the small cable thing that lets it down a bit. One other personal opinion i didn't really like the belt / strap clip but i was always gonna use my holster that's fitted to my strap. Highly recommended IMHO Dave
    3 points
  25. Charvel SAN Dimas pj in metallic blue. Beautiful looking bass. Metallic blue body, roasted neck and cream dimarzios for the pick ups. Firstly the hardware is superb on this - great tuners and a superb fender hi mass bridge. Dimarzio pickups sound just lovely. The mid p/j sound is phenomenol and reminiscent of my old usa g&l l2000. The neck is probably the best neck of any bass I've had. It more a jazz neck, its slim and fast. Very fast due to the roasted wood and satin finish. In fantastic condition just one tiny groove on the back that is very difficult to see. PLEASE READ CAREFULLY From stock these are an active and passive bass. This bass is now purely passive with the blend switch still working perfectly. The active electronics are still there, but I mistakenly put a new battery in the wrong way and it damaged the active circuit. However, a lot of people like to swap out the active electronics on these so you can get this at a bargain price and replace with what ever active circuit you want or continue just in passive mode. I'd 100% keep and play this every gig if I could, but I've gone down the tribute line again and need to replace with the basses of whom I'm covering. Any questions just ask. It's a beautiful bass at a decent price. Pick up Leyland Lancashire.
    3 points
  26. Slurry Seems To Be The Hardest Word - Elton John
    3 points
  27. Honestly I'd just start a claim in PP now to get your dosh back ASAP, it might prod thomann too when they get the PP notification that you're taking action. To the best of my knowledge there's no way you won't get your money back as you've done your bit.
    3 points
  28. I had trumpet lessons from the age of 11 until about 14 (now over 50 years ago), so had a vague idea of theory and could sight read the treble clef. The lessons stopped when my family moved to a different part of the country, got into rock music at the age of 14-15 and bought a guitar, swiftly realised that bass was more my thing, taught myself by copying records (mostly Gong & Syd era Floyd) and that was that. I wasn't aware of lessons for bass guitar, so all my mistakes are mine and mine alone!
    3 points
  29. You're not alone - exactly the same story here!
    3 points
  30. 3 points
  31. Beautiful 100% original Tokai Jazz Bass 45. Made in Japan early 1980s at the peak of Tokai's powers Three colour sunburst Only a few small nicks from the last 40 years. Great action Straight neck Collection from Leamington Spa, close to M6/M40/M42. Thanks for looking..............
    2 points
  32. Well, look fast. Im only in the video for about 8 seconds. Blue
    2 points
  33. You shouldn't really have too much difficulty transitioning to a fretless from a fretted as long as your technique and ear are good. I'm not saying you have bad technique but a player who has weak or lazy technique will struggle moving to a fretless and a fretless will really highlight this as theres no hiding. You should approach playing a fretless no different to a fretted bass, you play them the same despite having a different voice, personality and expression but bad technique will show, be it a fretted bass or fretless bass. The other thing is it's really really important to get very familiar with a fretless fretboard. They do differ and just because you have lines, doesn't mean it's the correct spot to fret. So learn your fretboard and make sure your fretted technique is strong and the transition to fretless should be painless. Start slow and stick at it.
    2 points
  34. I’ve got both actually but play a 2eq on the gig and a P-Bass. I don’t have an Alembic series 1 but it’s all about the music, the great bass lines and the compositions. Louis was a monster!
    2 points
  35. I work in Midsomer Norton. Be careful there, its a strange place.
    2 points
  36. On my boat kicking back to Music Has The Right To Children (That be Boards of Canada to the uninitiated) featuring
    2 points
  37. 2 points
  38. Ok I’ve just watched the clip. I take it all back. That was f*cking terrible.
    2 points
  39. Pino thinking, “I don’t need no stinking mutes.” He is the king of bass cool. Thanks for sharing.
    2 points
  40. Get one. You won't be disappointed. I've found the clips on the transmitters to be very solid indeed, although I don't clip them to a strap, I clip mine to my belt or back pocket. Never had it come off yet.
    2 points
  41. My Ibanez SRF 700 Fretless is back on the market. It is a lovely bass and sounds great, but I'm just not playing it enough to justify keeping it hanging on my wall. Other than missing the "R" on the headstock it is in otherwise perfect condition. No scratches of dings or anything. This is the older version when they were still using rosewood for the fretboard. The neck has markers on the side of the fretboard to help you navigate but keep the very classy look of the fretless board. It is a neck-thru construction with a 5 piece maple/bubinga neck and mahogany wings. The electronics are Bartolini MK1 pickups and a piezo under the bridge. There is a two band EQ for the Bartolinis and a tone control for the piezo. Each pickup also has their own volume control. All this gives an insane amount of control over your tone. Includes a gig bag, which I can pack it in for shipping at the buyer's risk (I will insure it as well) for an additional cost (probably about £25). However, I would strongly encourage collecting from the Epsom area to avoid the risk of damage. I can deliver within a reasonable distance (up to 30 minutes drive). Open to reasonable offers.
    2 points
  42. Great bass, great bloke (even if he slaps on flats… 😃)
    2 points
  43. Richard's latest drawing is now on page 1.
    2 points
  44. 2 points
  45. I don't understand the question‽ 😳
    2 points
  46. Yep, self-taught on bass, guitar and drums and have recorded and gigged in bands on all three. I started on bass in the late 80's, had one book on bass playing, which got stolen after a while, so learned from watching other players live and in videos and taking the things I liked from their sound and technique. None of my guitar-playing friends were any use at writing music, so I started playing guitar a couple of years later, purely so we could have a band and play our own music. I followed the same pattern of self-learning through looking and listening. A few years later, I started playing drums and, again, learned the same way. I'm not a maestro on any of them but, in truth, I don't really want to be. They're a means to an end and that end is making music. I'm good enough to play what I want to hear and, if I need to play something beyond my abilities, I'll figure out how to do it and practice it. I don't feel burdened by this approach. I don't feel the need to master techniques I have no musical interest in playing. I sound like me and I'm as good as I need to be to make the music I want to hear. That'll do, pig, that'll do.
    2 points
  47. Currently on topic, IOW performance. Debbie Harry singing in tune.
    2 points
  48. 😄 I was in Baghdad while you were still in your dad's bag. I played in my first band in 1965. Some of the guys in my circle of musician friends back then were Steven Tallarico, Joe Perry and Tom Hamilton. Maybe you've heard of them? They wanted me to join them in 1970, but I was in college and didn't want to go full time as a touring musician at that point. After I got my degree I did.
    2 points
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