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Showing content with the highest reputation on 13/07/23 in all areas

  1. Hi all Up for sale here is one of my own builds. There are quite a few basschatters now with my builds/nitro finishes so I’m happy to put you in touch with them if you’d like feedback on the fit and finish of these. This one is made up of top quality parts and comes in at 8.6lbs/9kg. I can also sell it with one of the amazing Novak Vintage Correct Goldfoil pickups but that will add £100 or so to the price. Open to offers. Let me know if you have any questions, it’s a lovely bass. Brilliant chunky Allparts neck with hand rolled fingerboard edges and a nice satin finish to the back. The lollar hum cancelling pickup gets that raw single coil P sound without the noise! Spec below: - Allparts Fender Licensed Neck with Fender Decal THIS IS NOT A FENDER BASS - 100% nitro black over sunburst finish with lots of lacquer checking - 3 Piece Lightweight Alder Body - Heavy Knurled Relic Knobs and Control Plate - Fender Bridge - Gotoh Relic Tuners and Strap Buttons - Graphtech nut - Lollar Hum Cancelling Pickup - Reliced vintage style flat head screws throughout
    11 points
  2. Finally! I had a right good moan about the protracted wait for this bass to arrive, but arrive it has. I haven't had a chance for war volume playing yet but from the time I've managed to spend with it I'm impressed. For those not familiar, this is Sire's take on the '51/'54 Precision. The horns are a little thinner/sharper than a regular '51/'54, kinda reminds me of a Cowpoke for some reason. Maybe a Cowpoke and a '51 Precision got up to no good... Really good fit and finish. Loves to be played with the thumb and palm muted - very responsive to that and there's a big difference in the sound versus fingerstyle. How wonderfully simple it is, just like a P should be. No noise whatsoever coming through either my USB interface or my Yamaha Sessioncake. The neck is lovely - the maple has been well roasted and doesn't even resemble maple any more. The front of the fingerboard is lacquered but the back of this neck feels almost unfinished and the rolled fingerboard edges feel very premium. Hardware is good - tuners turn smoothly and feel sturdy, the bridge is functional enough - it's a BBOT with brass saddles, what more can you say? Electronics seem fine, pots turn smoothly and the tone control sucks a good chunk of treble out at minimum. Bonus - setup was decent out of the box, intonation sounds like it's decent, if not perfect then certainly good enough. Weight - mine is 4.05kg - 8.9lbs. A good heft without feeling heavy, I'm happy with this. Balances no problem on the strap, no neck dive, for those who are annoyed by such things. It's just a simple, enjoyable, eminently playable bass. A successful modern twist on the OG Precision. I can see myself having a lot of fun with this one.
    6 points
  3. For sale, a fantastic example on an early Classic Vibe Precision. Pretty much spotless as far as I can see, no dings or scratches. A little bit of tarnishing to the neck plate, some screws and to the pickup poles. Currently wearing TI flats. Weight approx 9.5lb. I bought this on here a few months ago and as lovely as it is, the neck's just a bit too slim for me - I prefer the chunkier profile on my 50s Precisions. I won't be upset if it doesn't sell as it's lovely. I'm not particularly looking for trades but you never know... Collection from Dartford or can meet up somewhere.
    6 points
  4. Can I ask if we can keep this thread for people who are thinking of building this exact cab or a direct variation of it. I know these threads get used many years after the initial post and there is a lot of patience involved in sorting out essential details when you get to 20+ pages. Many thanks
    6 points
  5. Despite everything, the humble Bassballs remains one of my favourite pedals to play. And I say that purposely; you really have to 'play' the pedal because it reacts so much to changes in dynamics. This is an example I just recorded showing it at about 50% sensitivity where you can get a nice synthy sound from it, and during the chorus I run it into an octave (it sounds better with the octave first but I was being lazy) This version in particular I really like because it has a far more open sound than my others, and partly because it's really rare to have a green one with the big footswitch. Anyway I hope you enjoy my filthy sounds
    5 points
  6. My new Jazz, together with my old Jazz
    5 points
  7. I should be more careful starting threads next time as I've almost started a ConFlagration! 🤓
    5 points
  8. 5 points
  9. Well, it has indeed arrived in one piece. No time to have a heap of time with it tonight but from the few minutes I've managed to spend with it I'm impressed. Really good fit and finish. Neck feels nice. Sounds good through headphones/USB interface. Loves to be played with the thumb and palm muted - big difference in the sound versus fingerstyle. Bonus - setup is decent out of the box, intonation sounds like it's decent, if not perfect then certainly good enough. I'll do a proper NBD thread, but it probably won't be until Friday - got another band rehearsal tomorrow night. But I can call this delivery saga finally complete, huzzah!
    5 points
  10. October 2023 update Unfortunately I've had a change in personal circumstances which means that I really need to shift this bass. I've dropped the sale price to £600 accordingly. Thanks! ------------------ I may end up regretting selling this bass, but I sadly have no space for it in my collection! Like many, my first bass was an Encore P-Bass in a delightful Candy Apple red. After enough saving - helped by generous Christmas and Birthday gifts - I bought my first "real" Fender Precision from my local Dawsons, and this was the bass that saw me through my teenage years. It was a great looking and great playing bass, yet in my infinte wisdom I sold it. I can't recall what replaced it - it could have been a Cowpoke Precision, or possibly a Status Shark - but I know that I came to regret selling it. So when I had the opportunity to buy another one in recent years, I just *had* to have it! So why am I selling it now? The simple answer is that I treated myself to a SIMS custom shop bass with a real flame maple blueburst finish, tort scratchplate, graphite neck and Quad pickups, so this bass really is redundant! The serial number places it as a 1994/95 made bass, and for those unaware the blue fotoflame finish is some sort of lacquer - i.e. it's not a real stain over a flame maple finish. The lacquer is prone to cracking near points of stress - like the neck plate and the bridge, and while there's some bit of cracking, I've been told that this is actually quite mild compared with other basses this age. There are also a few other superficial scratches and dents which I've tried to photo. The bass originally came with a white scratchplate (which I don't have), but I think the tort looks much better - but the fit is not 100% perfect so when it is removed it is prone to scratching the very side of the neck - which I've shown in the photos. The bass went in for a repair about a month ago to have some loose connections in the electrics sorted, and it also had a full set-up and neck realignment at the same time. Collection from Widnes is naturally preferred, but I'm happy to ship if you arrange for courier collection. It will ship in a padded gig bag as well as cardboard box that I've received other bass guitars in. The weight per my bathroom scales is 4.3kg / 9.5lbs. Thanks for looking!
    4 points
  11. In general, the Pro versions of the Fane Sovereigns are on cast Aluminium chassis rather than the pressed steel of the non-Pro versions. The cast aluminium chassis are preferred in larger diameter drivers but for an 8". IMHO, there is no benefit. In fact, the cast aluminiom Pro chassis increases the weight somewhat. So in conclusion, get the non-pro version. Fane Sovereign 8-225
    4 points
  12. OK we are going for 12mm, the lightweights have it. I'll put up the dimensions for the 18mm panels too so you can build the one you prefer. We should have full plans next week and a cutting list to go with it. I'm going to rake through some of my old pics and put up a 'How To' guide, it won't be for this cab as you'll have to wait too long but it will show all the steps.
    4 points
  13. Just because it can be done doesn't mean it should be done.
    4 points
  14. And in true internet idiot style I’m answering my own post as today Google provides me with a plethora of such images…
    4 points
  15. I need to sell this fast to get another bass quickly. £450 if you can pick it up. Selling this and maybe another bass to get a medium scale Jazz from Japan. This bass is great. Only thing I changed was to put on black pickguard but have the original white one that I’ll put inside the package. No hardcase or bag I’m afraid but I have boxes from buying and selling a few basses over the last couple of years 😂. Asking £550 which includes delivery to UK mainland only. If you want to collect you can and have it for £500 from PE27 3FW which is St Ives Cambridgeshire. Ive tried to take photos of the normal wear areas but this hasn’t got anything I can see,just the normal small scratches maybe but no dings or wear.
    3 points
  16. Ain't no law says you can't be in two bands at the same time. Playing a genre you're not fond of will broaden your horizons much more than doing the same old.
    3 points
  17. (Captain) Morgan a Woman - Bee Gees
    3 points
  18. the best pickup position is leaning on a bar
    3 points
  19. Come on Dad, don't ever mention the C word around Al Krow... ...that way madness lies.
    3 points
  20. Naked?! Imagine the scandal! 😀
    3 points
  21. Definitely. There’s fun to be found just from the sheer act of playing and performing. I’ve done it several times, I was in a classic rock band for a few years, existing in a world I know nothing of and didn’t care for, being introduced to supposedly famous names that I’d never heard of. It was ace fun. Same thing happened shortly afterwards with a metal band too. You only live once
    3 points
  22. And that 25% should be applied to the combined price of the bass and the cost of the shipping.
    3 points
  23. Sorry about the brevity of my answer. I was in the middle of re-jigging the cabinet shape to fit on a smaller sheet of ply to make a cheaper build and as @Downunderwonder said missed the bit about the baffle in between. So, yet that would work but probably isn't the best way to do it. Miss out the baffle and just double the volume and calculate a new port is better. A lot of this design is about the practical problems of packing everything in to a small cab. I'd prefer a bigger port but easily available plastic pipe of the right diameter isn't available. Creating a wooden port would make the build more complex and put people off, I wanted this to be the simplest build possible. If you double up you can use a bigger port and you have to re-tune anyway. If you decide a 2x8 is what you want then you could fit a 110mm soil pipe as a port. 11cm will give the same tuning. the bigger pipe will reduce the chance of turbulence and port chuffing to just about zero. That would give you a 4 ohm, 450W cab capable of 122db continuously capable of matching up with any drummer. You could probably keep the weight down to around 11kg depending upon whatever material you decided to build in. It would be a serious cab
    3 points
  24. The pumpernickel is a really good pedal, but a pretty fiddly build. Definitely not for beginners! Especially if you can't get a pre-drilled enclosure...
    3 points
  25. Music that you like to listen to and music that you like to play can sometimes be two completely different things. There are literally 2 songs that my band plays that I would listen to in the car or the house but I enjoy playing all of the others. I'll never forget learning the live version of Crazy by Beyonce, the one where it goes into Crazy by Gnarls Barklay in the middle - it was excrutiating listening to it. Sounded like a bag of cats being tossed off a bridge. Yet I really enjoy playing it. As long as you enjoy the playing element then that's the most important thing regardless of whether or not you'd listen to it yourself.
    3 points
  26. 3 points
  27. The Aguilar arrived , it will be going home to be parked on an Aguilar SL112 cab , but for the time being it’s getting a good workout on top of my tiny PhilJones. And it was making that SG sound wonderful!
    3 points
  28. Back before the days of internet tabs & YouTube, tab books were expensive and I couldn’t really afford them. So I did what I think anyone with an ear did back then. I listened and worked it out. Big glides until you land the note help 🤣🤣🤣
    3 points
  29. 3 points
  30. I've been doing a bit more planning for people who want to build this. The original as I've said was built to match the form of an Ashdown combo. There's no need to do that and by tweaking the shape a little I can get the panels cut out of a 1220x610 sheet of ply, the sort that are sold by the big sheds. B&Q in particular offer a cutting service at most of their stores. I can pretty much keep the same shape if I change to 12mm ply, a cute cube that will save a few pounds and a few grammes but the cab may need stiffening with some braces making it a slightly harder build. If I stick with 18mm ply I don't think it will need bracing and 18mm is what we've tried. It will however have to be 54mm taller. My instinct is to go for 18mm in the recommended design and let those who want to save weight work out the bracing for themselves. I think this should be the simplest design possible but with plenty of notes so you can modify if you wish. The good news is that the 18mm ply is £19.97, the batten is £7.37 the speaker £44.22 and the connector £12.50 if you go for the most expensive ready wired version so that is £84.06 for a basic box plus speaker. B&Q will make 5 cuts for free. I've found that if you are nice they don't really count the cuts if they are simple. Does anyone have strong feelings about 18mm v's 12 mm ply
    3 points
  31. Yes, recently saw this on a tv music channel. Never had a clue. Considerable talent, singing playing and dancing simultaneously. I can barely do any individually 😄
    3 points
  32. I was one of a few on Basschat that pre-ordered this limited edition model after @cetera (a Spector endorsee) instigated it's production in early 2022. The original options for finish were black gloss, white gloss and tobacco burst. Gary kindly looked into getting some made in my preferred finish of Ultra Violet and Spector agreed. Here is the Basschat thread regarding the Euro X. I believe there are also some photos in the Spector thread. There are only a few of these in existence in this finish (and I mean low single figures) and they sold out immediately. I ordered it so that I could have a something for a hair/metal type band that never came to fruition, so it has not been used. I now have some other projects on the go which means this is unlikely to see the light of day. This bass has not been rehearsed or gigged. It is as new as the day I received it. It comes with a Spector branded gig bag and it's adjustment tools in a white envelope (still sealed). I also have the Spector box it was delivered to me in. The finish on the bass is stunning and really awkward to capture due to it's mirror like properties. I've done my best. Specification: Body: Maple - Refined X shape Top: Genuine Figured Maple Neck: Maple Nut: 1.64” Fingerboard: Rosewood Headstock: Black Inlays: MOP Spector Crown Frets: 24 Scale Length: 34” Radius: 16” Hardware Colour: Gold Bridge: Spector Locking Die-Cast Active Tone Controls: Spector TonePump (which is adjustable via a trim pot) Controls: Bridge Volume, Volume, Treble Boost, Bass Boost Pickups: EMG P.J Easy access battery compartment Weight: 9lb Collection would be preferred or meet at a mutually agreed halfway point if possible. I don't want to send it via any of the horror story couriers.
    2 points
  33. Peavey T40 1979: the best passive four string bass around. After 45 years it is still hard to beat. A versatile tone monster! And it ain't that heavy... Aria Pro II SB1000 fretless from 1981: my wet dream back in the days. I didn't fancy the fretted ones, but the fretless!!! That is a whole other story... But this is a heavy s*cker. Like a front door...
    2 points
  34. Evening folks, very uncertain about this one... I bought this stunning lakland 5594 at the start of the year and told myself it was an upgrade to my 5514 which I would sell to justify it. However, I have had my 5514 for a good few years and can't bring myself to sell it. So, this beast is up for sale. It's a very early example and in fantastic condition, with only some very light marks/scratches that I'm struggling to photo. It's fitted with the bartolini electronics which all work perfectly. Hipshot USA hardware. It has a stunning flame maple neck with birdseye board that looks so good! I'd much prefer collection or meet up with this due to the value and so any buyer can check it out in person. Not after any trades, however would consider a trade (if its something I could sell easily enough) plus a minimum £1800 cash my way if it helps find a new owner! Any questions please feel free to ask, I can try and get better pictures if needed
    2 points
  35. 2 points
  36. I get surprised every time I get referred to as a bass player...
    2 points
  37. I did an exercise where I resized a number of popular basses so that the scales were all equal, in order to show relative positions.
    2 points
  38. That’s very quick indeed. We so rarely hear about the excellent courier service received. I used DHL to get a bass to Belgium fairly recently and it went door to door in less than 24 hrs.
    2 points
  39. Incredible condition original OLP Stingray. These were the initial ones made to a higher production standard. Neck is fast and smooth, plays like a pricy bass without the price tag! Loads of tonal options with 5 way switch. I’ve had it just over a year and it’s condition is testament to its former owner.. HH model active eq. Action is great, strung with Ernie Ball Super Slinky 45/65/80/100. Everything works as it should. Selling as I don’t use it much now and it deserves to be played by someone else! Thanks for looking. cheers, Martyn
    2 points
  40. I would absolutely love it to be a G4M. As Geddy's Nose said earlier in the thread - that would be proper Punk Rock.
    2 points
  41. 2 points
  42. I tweeted Tony this morning who tells me it Japanese, plays great but didn't tell me the maker
    2 points
  43. Yeah, they were 'Kaj_japan' and 'bigupspirit3'
    2 points
  44. I bought a couple of Japanese Fenders earlier this year. Both transactions were fine, delivery was only a few days each time. Fedex handled the import charges on my behalf and I paid them back (both times after the basses were delivered). As long as the seller is decent, does the correct paperwork and packs well it should be easy.
    2 points
  45. I've used vinyl banners in the past which work well and as Nancy said a few posts back, there's always something you can clip it to. The main issue was getting creases out of it. My current band uses a 3m x 3m heavy-duty backdrop that's suspended from reinforced eyelets. More recently, as long as the venue has the facilities, we use an mp4 of band-related images which is shown behind, over or alongside us while we play. I'm in a Roxy Music tribute band, and here's a picture of us singing along with our old mate Brian Eno...
    2 points
  46. New pickguards on the Sabres Black abalone for the natural And white pearloid for the sunburst
    2 points
  47. Maybe he'll enjoy playing with the boxes when you've opened them, the ones here certainly do. All the best to the old chap anyway 😁
    2 points
  48. The VT needs a little more tweaking for guitar sounds than the Tech 21 preamps designed for it, but yes you should be able to get something usable. Luckily you can save the presets too so won't need to change them between instruments. I'd recommend some kind of ambience or reverb in the loop as it might be quite dry-sounding out front.
    2 points
  49. Forgot just how great sounding the non class D, heavy stuff sounds. A/B’d my Eden WT550 against my Markbass LMT and it blew it out the proverbial water…proper heft, fat tone and of course back braking heavy! Great vintage vibes at a non rehearsed classic 70’s rock gig with the first outing of my Zon. Sounded sublime! Excuse the dusty end pic, only the ‘tic toc’ of Pink Floyd’s ‘Time’ 😂
    2 points
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