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Showing content with the highest reputation on 08/08/23 in all areas

  1. This is a picture of a mate of mine holding a 52 P bass outside where he works. Apparently, a guy came in and got talking about guitars and mentioned that he had a 52 precision in the car outside and did he want to have a look. We're trying to work out what it's worth...
    11 points
  2. Went to the Earl Haig Jam last night. An excuse to play possibly the most unexpected bass in my armoury. It actually sounded HUGE!
    9 points
  3. Hi - Marcus here from Bass Direct, firstly a big apology to anyone who has not received first class service from any of us who work at the shop, it’s simply not good enough. The first point i would like to make is that the old site had no stock control system on it whatsoever, and relied on me or the other guys relaying items that had sold to Mark, who at the time was the only person with any access to the website to modify/adjust etc. Secondly, in terms of any late payments, missed payments etc, me and the colleagues have nothing to do with payments or accounting, we never have done, this solely lies with Mark, who currently is on holiday and continues to be until late August (so these can be slow), all we can do as colleagues again is pass on information to him and hope things are processed as quickly as possible. In terms of actual service in the shop and via emails, we really do try our best, it’s not easy when juggling a thousand jobs at once, especially when it comes to incorrect stock levels and general misinformation, which is something that should (mostly) be a thing of the past due to the new website with live stock levels, bare with us while we get everything completely sorted and up to date on this. If anyone has any outstanding issues or wants to talk openly about anything regarding previous orders or current issues then please make any emails out to me and I will personally see that they are dealt with with the most urgency, failing that just drop me a private message here. Sorry again on my behalf and I can only say I will be better from here on.
    7 points
  4. Posting about my pedalboard last week reminded me I had another that needed finishing... and here it is! It's another battery-powered board, using the same Erbauer drill battery, but a much smaller 9v regulator. It will get used with my Fender acoustic bass and various mandolin family instruments. The VE-8 provides chorus, EQ, reverb, looper, DI and USB interface - as well as a bunch of vocal stuff.
    6 points
  5. I'm the exact opposite. I wouldn't even consider going to a gig unless it was seated.
    6 points
  6. Sadly I'm a lot less tempted to buy from a European seller as a result of Brexsh*t. Whereas I may have taken a chance on a bass before, I now have to REALLY want it and the price has to be HUGELY competitive in order for me to even think about it...
    6 points
  7. MIJ Squier purchased on this very parish a couple of years back. Bought this as an attempt to transition up from short-scale Mustangs and Jaguars; loved it so much that I ended up buying a 34" P to try and now this sits in the case. I've been threatening to sell it for a while but every time I get serious a session pops up that it would be perfect for and I end up keeping hold... Such are the whims of the musician. This is an MIJ 'A' serial which I believe means 85'-86' but has obviously been refinished in a snazzy two-tone purple/green combo. You'll love it or you won't, but both shades are very nicely done. There has been a repair to the wood of the headstock near the E tuner which has been professionally repaired under a previous ownership and caused no issues since. Can do the thumpy Mustang thing with flats and roar with rounds so I will include sets of both medium scale flats and rounds cut to size plus a soft case which fits tidily. Would prefer not to post but I'm in Doncaster and travel around the country often for work. Have a variety of high-quality tube amplification you can try it through at high-quality volume if you pick up from me. Selling at price I bought for in 2019 so considering inflation it's practically a bargain! DM me for more pictures if you want anything specific.
    5 points
  8. I have reluctantly decided to sell my fantastic Elrick Evo Gold 4 string bass. It is by a country mile the best bass I have owned, but it is far too much for what I need. I play mainly at home and have come to the realization that I don’t need one of the world’s best bass guitars to do what I do. Bought only a couple of months ago it’s impossible to distinguish this guitar from a new version, it is literally in pristine condition. The action is set medium low and it plays and sounds like a dream. Please see some info on the spec below which has several significant upgrades. Ideally I prefer a straight sale but I will accept a partial trade for a bass of lesser value plus cash. The bass comes with an Elrick TKL case and tools. Please note that the latest version of this bass retails at well over 4k. The bass weighs in at a startling 3.2 kg or just over 7lbs in old money. Please let me know if you have any other questions. Lightweight heat swamp ash body •Exotic Ebony “10” top – £500 option •Maple neck •2-way adjustable truss rod •Width at nut: 42mm •Bird’s eye fingerboard, radius: 16″ – £300 upcharge •24 frets + zero fret •Medium Fretwire •Glow in dark luminlay side dots – £75 upcharge •34″ scale •19mm string spacing at bridge •Bartolini CB Pickups – £200 upgrade •Bartolini NTMBF 3 band eq, 9v •Switching for active/passive and three way mid frequency switch: 250/500/800Hz •Black Hipshot Ultralight tuners and B style bridge •Dunlop Straploks •Elrick Fundamental strings •TKL Hard case
    5 points
  9. And I went with the Harley Benton jb-62 jazz bass, rather lucky for me I ordered it for the bargain price of £105 new and the week after the price went up to £138. Anyway aside from some fret buzz from some uneven frets it is actually very nice, there neck feels nice and the caramelised maple neck looks miles better than the horrible stark white maple necks that are on a lot of basses, the nut seems well cut, tuners are surprisingly pretty good, not gotoh or hipshot by any means but better than what is fitted on most of the Mim Fenders I have played. pickups sound good, nice and bright, punchy, does that cool scoopy jazz tone with both on full and as good as any stock jazz bass pickups I have heard, even the stock tort pickguard is pretty well done Now I just have to find the funds to get the frets sorted and I will have a cracking bass
    5 points
  10. It’s definitely good to read through now and again ,but it just makes me want to go shopping 😁
    5 points
  11. Top man! You get the long distance prize, unless @Kiwi puts in an appearance...
    5 points
  12. NOW £295 The entry level sire with the mahogany body. This is in baby blue with matching headstock. Through body or top loading on the bridge (modded read further..) So the Sire miracle is well known, inexpensive and punch well above their pay grade. the rolled neck is lovely. Down side are the heavy cheap tuners (neckdive city..) and the non standard screw pattern on the bridge. I have changed the machine to a wilkinson clone of the hipshots which look good and work well. I have also modified a fender hi mass bridge for through stringing and set the bridge slightly further back then stock which to my ear slightly darkens the over all tone to the better. Carbon fibre wrap on the scratch plate Metal knobs on the pre amp. Couple of little dints as it has been gigged but no huge gouges or 'road worn' aesthetic. Nice looking and playing bass with no neck dive. Would consider a trade against Yamaha 424x or 425x Other wise priced £100 or so less than a new one, with the additional hardware.
    4 points
  13. If I was to have a speaker for upright use only I'd load it with an eight inch. The upright low frequency limit is much higher than electric bass, so there's no need for the lower response or low frequency output capability of larger than an eight. An eight will go high enough to make a midrange and/or tweeter unnecessary, and will have 1.5 times the midrange dispersion angle of a twelve. For higher output requirements I'd use a stacked pair. On the low frequency limit, the two instruments do have the same fundamental frequencies, but the main content lies in the harmonics, not the fundamentals. When an open E is played on electric most of the content is at 82Hz and higher, when played on an upright most of the content is at 123Hz and higher.
    4 points
  14. Love posts like those. "Shop delivers on goods that have been paid for shocker!"
    4 points
  15. Yes. Not everyone is lucky enough to be able to actually stand for 2 hours.
    4 points
  16. Absolutism fails again. Or do you post this kind of thing just to get a rise? Originals bands with no PA would never get out of their band leaders' studio round here.
    4 points
  17. Two more weddings over the weekend. Friday - The West Mill in Derby. Played here a bunch of times before. Load in up a flight of stairs which is mildly inconvenient but the fact that guests are eating on a completely different floor and therefore not bothering us is more than compensation. 95db limiter but in reality its not a bad one and we definitely were over that all night without any issues. Bride, groom and guests were rough as anything and, fueled by lots of booze and an abundance of Colombian nose powder, they did pretty much everything in the book to be as obnoxious and downright rude as possible. Venue were very keen to tell us the million rules we were forbidden from breaking and not even remotely interested in doing anything about the blatant drug usage going on. We did the minimum and packed up and got out of there. Saturday - Upthorpe Woods nr Bury St Edmunds. Unusual outdoor woodland venue which would have been ace in anything other than Saturday's torrential downpours. We set up in the only real indoor space which was essentially a huge shed with a hollow wooden floor and a tin roof. Acoustics sounded like a huge shed with a hollow wooden floor and a tin roof. Bride, groom and guests were perfectly pleasant but not the wildest bunch you'll ever meet. Best part of the night was the pizza and the 11pm curfew. Home by 1am was definitely a welcome bonus. This coming weekend we are in Maidstone on Friday and then Ceredigion on Saturday so will spend most of the weekend driving. Oh the joys.
    4 points
  18. A rare double bass pic! From Rebellion last week...
    4 points
  19. If you were properly purist you'd just have an upright bass and no amp.
    4 points
  20. Cici here! Well, sadly I can’t help being a girl, and I have long hair because I like it. It has nothing to do with my playing, and I’ve never rested on my looks to gain followers, nor am I interested in anyone who does. I take great pride in being the best musician I possibly can be, and it’s about the music for me. I also dedicate a lot of my time to trying my best to help other people pick up the instrument, sharing any info I have, and seeing where I can push the instrument in my solo bass jams. I’m not interested in being an ‘instagram girl’ so please don’t diminish me to that, and take the time to truly look at what I do (whether you like it or not is fine). Thank you.
    4 points
  21. I didn't think this day would come... After using Dingwall basses some years I have decided to part from these two gems. Why? Are they bad? No! Not at all! The opposite, actually. I have owned Prima 6, Sklar, Super J5, Super P5, a beautiful Afterburner 5, A super P4 and this jewel, the Super J4 that can be converted to a Super JP4 in a matter of minutes. I find myself grabbing my five string Payson Supercharger P/J or my precious custom made Unicorn Purist 5 at least 99 % of the time. Also, I get older and feel the urge or need to clear the storage. I use mostly my five strings, and occasionally my Jazz bass and Peavey T40, who are yearlings. (1979) About the bass: The Super J is light with an alder body. The bridge pickup is placed close to the bridge, like a 70's Jazz Bass. It has a very versatile J Retro Deluxe preamp, but I have never used the eq. I prefer it flat. The tone is the same, active or passive. The passive tone control works in both active and passive mode. I use that tone control, never the active eq. The neck is to die for. It feels like it has been played since the 60's. The fingerboard edges are rolled and kind of "worn in". The bass is refinished, a guy in Stockholm started the job in January 2020. Then suddenly Covid struck and the world closed down. I rushed and got it back half made, and did the rest of the job myself with cellulose lacquer, but honestly, I haven't buffed or polished it at all. I'd call it matte. The bass has 32" G string, 32,75" D string, 33,5" A string and 34,25" E string, making the string-to-string balance and tension very even. You don't need to use Dingwall strings on the bass; I often use regular D'Addario strings. They work well, actually better balance than on a traditional bass. The original Super J electronics was malfunctioning, either the pot or the treble part of the preamp. I put that in the package too, mounted on the original bell plate. The Super J has ordinary D'Addario strings. No trades, unless you give me an offer I can't refuse... LOTS of pictures on request! The price is £2300 or 2540€ plus cost of shipping.
    3 points
  22. Absolutely superb Spector NS2000 in excellent condition, no dings or scrapes, only very light swirling on the body under bright light. There’s really nothing to fault on this bass, notes ring clear and evenly across all strings and the entire range of the instrument. Weight is 4.2kg All hardware inc truss rod working properly, preamp / controls also functioning normally. Comes with a well used SKB ABS style case. I have a box and packaging so this can be made secure for shipping, which will cost £25 in the UK (uninsured). Happy to discuss other shipping options of course. Additional note: After withdrawing this bass last year, I upgraded the bass with gold Gotoh tuners, gold bridge and Euro knobs (for more of a proper NS vibe). See additional pics further down the thread. If the buyer wishes to keep all of these, then the price will be £600 and I will include the original black hardwear too. Otherwise, I will return the bass to stock (as pictured) and sell for £500. Trial / collection also welcome in Cardiff.
    3 points
  23. Following the purchase of a Super-J, my Dingwall D-Roc standard 4 string is now available. Purchased by me from new in 2022 this is a great bass, passive but very punchy with a wide range of tones available. Stupidly easy to play and very light weight. It has internal dunlop strap locks and I will include (if you like it) the levi strap I found which I felt matched the bass colour pretty well. Also included is the Dingwall gig bag and allen key set. As you can see from the pictures, no dings or buckle rash. This a sale item, not looking for trades. If you know anything about Dingwalls you will know the high spec of their basses. I live in Milton Keynes but would travel a fair way to meet half way, but open to people coming and trying it out first. If you want it shipped, it would be at additional cost and I would suggest getting it insured for transit. UK sales only. This is a good price for a bass of this age and condition.
    3 points
  24. Posted this week by Ron Carter ...
    3 points
  25. Finally found it, a D&B track I like! Didn't take too long did it 😎
    3 points
  26. Seems that Beyoncé wants $155 for tickets to hear, but not see her perform. The seats have no view as they're behind the stage but you'd be able to hear her so... that'll be $155 please. Cheapest seat with some sort of view, albeit probably on a screen...$300. Can't help thinking that we're just so lucky to have people like this to entertain us.
    3 points
  27. 100% this. I have a massive box of effects at home and I've resigned myself to the fact that I'm not going to get massively better at any technique after 300 years of playing, so I'm venturing in other directions for expanding my interest and enthusiasm for my instrument. Obviously I recognise that the audience for this is realistically one, ie me Meanwhile at jam night I'm happy to knock out Autumn Leaves for the millionth time and get a polite round of applause for a nice plummy walking line. Sometimes the band even nod their approval, or maybe they're just falling asleep.
    3 points
  28. @Downunderwonder only quoted the first sentence. The second sentence was "Originals bands play venues with in-house PAs and engineers." That sounds pretty absolutist to me (who used to play in originals bands with our own PA).
    3 points
  29. We made the mistake of playing bingo in a club to which we were the visiting band. We made the bigger mistake of winning. We nearly didn't get paid and there was very little love for the band that night. 😄
    3 points
  30. I've made three boards of various sizes using the plastic fascia/interior windowsill type plastic strips. Easy to cut, simple to glue together and I cover mine in black gaffa tape. Lightweight and none have let me down so far.
    3 points
  31. Somewhere in the world, a US artist manager has just read that and is now on the phone to his talent, "hey, I've just had this like amazing idea for the next tour..."
    3 points
  32. I used to be bass into amp and no more (I'd borrow the guitarists' tuner before rehearsing / playing) but these days I am really enjoying a small pedal board and using effects. Never say never. Ultimately it's about what suits the band / song.
    3 points
  33. In the 70’s I was playing pub gigs in and around London 4-5 nights a week. Back then the pubs were rammed with people every night and thick with cigarette smoke. My old natural finish Jazz is naturally tobacco yellow ish. Much of that time we had a van and a driver/roady who stored all the gear and loaded in and set it all up. Those were good times, I drove to the gigs in my car, arrived 10 minutes before the off with my bass, got a drink, tuned up, plugged in and off we went for 2 and half hours. 80’s we’re a mix of pubs and working men’s clubs where the bingo always played centre stage and the function room was often upstairs, with no bloody lift. It all calmed down in the 90’s and beyond, but I have some great memories.
    3 points
  34. Wow! That story is hard to top. I can relate to all of it. We had something similar happen with a bunch of Irish dancers and musicians. I occasionally play my 51 Precision re-issue. Blue
    3 points
  35. This weekend saw two rather odd outings for Rascallion, I'll split the saga over two posts! First up, on Friday afternoon we'd been asked to provide the entertainment for a "Family BBQ" at the care home where Mr Lead Guitar's mother resides. Given the poor weather forecast all week, we half-expected the event to be cancelled, but after a decent morning's weather they decided to go ahead with it. The original idea was for us to play under a canopy in the back garden, but by the time we were ready to set up it was looking a bit black over Bill's mother's (literally) and then the heaven's opened, so Plan B was rapidly invoked. After the half-dozen residents who were sitting comfortably in the front lounge had been moved out, we set up in there with me and Mr Drums tucked in the window bay (Trace AH200 + BLX-110 cab for me, cut-down electronic kit with just a kick, snare, hi-hat and single crash for Mr Drums) and the other three across the middle of the room, and proceeded to knock out a few of our gentler numbers (e.g. a somewhat ironic Sunny Afternoon, Have You Ever Seen The Rain?, and Handle With Care, while carefully avoiding the likes of Knockin' On Heaven's Door) to an appreciative audience composed of Mr Lead Guitar's mother, and a few members of staff who watched through the door from the corridor. After a short break for food (during which a few other relatives popped by to express their appreciation having listened to us from various other rooms), we did a couple more tunes but then had to draw things rapidly to a close when an undertaker turned up to...... umm...... make a collection. Anyway, the home have asked if we'd go back again and do an outdoor show for them some time as they'd enjoyed it so much, and we've also had an enquiry from someone wanting to book us for a local village fete! How rock 'n' roll is that, eh?
    3 points
  36. You can stick the electronics in a pedal, a rack unit, a head, or a combo and they'll still do the same thing. So nothing happened to "bass - lead - amp" - it's just one of many ways to achieve the same thing. We each get to choose the one that suits ourselves best.
    3 points
  37. A Short is usually a single, I prefer a double. Both pickups were sourced here on Basschat along with the Lakland bridge and Schaller tuners. The Hipshot bridge and tuners were direct from the States. Both made by J Douglas Guitars in Leeds. First was the multi coloured, so pleased with that I asked John to make another. Both are a bit unusual. The gold one is absolutely thunderous, so deep its fantababoomulous!!! If you fancy something a little different then talk to John.
    2 points
  38. Boom Boom (Out Go The Lights) - Pat Travers Band
    2 points
  39. Second hand news - Fleetwood Mac
    2 points
  40. The Creamery does a repro Wide Range bass humbucker and offers CuNiFe magnets.
    2 points
  41. "I hate it when people misquote me on the internet." (Abraham Lincoln)
    2 points
  42. Thanks a lot ! Sounds like a cool setup. Always used to be a bass-cable-amp guy but got into pedals during the pandemic and now have too many and not talented in dancing.
    2 points
  43. Bloody Cream, demanding 2/6 to sit behind them!
    2 points
  44. "You don't clap me when I come out t'pit, so I'm not gonna clap you" 🤣
    2 points
  45. Saturday: O'Neills Leicester. Our singer/guitarist was away, so we did it as a 3-piece. Played the EBMM Sterling for a change. Decent crowd, the new songs went down well, all good. Half way through the first set playing one of the Rock 'n' Roll numbers, the singer unexpectedly introduces me to the crowd and shouts the two most bone-chilling words known to mankind.... "Bass Solo!" The colour drains from my face. Time stops. My hands turn to lead. I forget everything I have ever known about music. I am suddenly seven years old... cold, lost, lonely and afraid, adrift on an ocean of self-doubt. My life flashes before my eyes. The earth stops turning. I very nearly soil myself. The ghosts of my ancestors arise and turn up to watch. I pray for the sweet release of death. Time restarts, autopilot kicks in and I blunder through a barely servicable attempt at a solo as the sweat gushes from my every pore. The crowd goes ballistic, the whole place erupts in a frenzy of whooping and hollering. Joy is unconfined. Fireworks go off. That soldier kisses that woman in Times Square. Grown men weep tears of joy. World peace is declared. I recieve several offers of marriage. My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair. Oh, and the van's turbo unit broke on the way home, we had to limp up the M6 at 40mph. Terrifying, but not as bad as having to do a solo.
    2 points
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