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Probably the wrong thread as the gig hasn't happened yet, but we're playing at the hottest sweatiest pub in Aberystwyth tonight, I'm playing bass and doing sound, I'll leave home at 6.30 and get to bed about 2 all for fifty quid. Would i give it up? Not a chance!

A 50th birthday party at a venue that we’ve played previously. A slow start as folk were really just wanting to chat and catch up, all the dancing took place within our last 20 minutes or so. Not happy with the set up as the keyboard player and drummer took up all the rear space and I had to have my rig right next to me, up front. Needless to say, I could barely hear anything that close, just a bassy flub (it sounded good out front during soundcheck), which I don’t like and I have raised this as an issue going forward. Folk came up and said how good we were and deserved more audience participation, but I know that it was a sub par performance, again and that, if they thought that was good, my previous bands would have blown them away. I miss the technical and professional abilities of those guys.

Played with The 77s at The Bedford in Tonbridge wells last night. Boiling hot and we had to wait for the rugby to finish before we could play, which meant we didn’t start till 10.30. Turned out they only had a music licence until 12 and so we didn’t end up playing for very long. Shame as it was a great crowd and the pub was packed. It was our first gig in a month and I made a few mistakes but nothing to major. Great pub and the staff were really helpful and accommodating. my Boss WL20 wireless wasn’t working properly, which I think was due to the compact space and lots of people so I had to use a cable. all in all a good night.

What? You mean it's a vocalist?

No. I'm out of money. But the net effect is the same.

My latest 👍….. was looking at adding a Hipshot Xtender but can’t seem to find one.

I bought a couple of Rockboard 2.0 and 2.1s recently. The 2.0s are travel boards to be stored in the 2.1 flight case with a pair of headphones and cables. I was wondering what to do with the now homeless 2.1s and, owing to my desk now being taken over by working-from-home equipment, I found my answer. I needed a way to quickly move my usual recording set up back and forth so the 2.1s have now been put to use for a clean tone board (Broughton BBA, mini tuner, compressor and preamp), and my pedal testing board. In case anyone is wondering about the gap between the Stomp and the Element, it's to allow me to choose whether to run it as a full board or to take the cables out (which wouldn't be possible with a smaller gap) and run them to another pedal when I'm testing it.

My pedals not in the correct order just waiting to put them on the board.

Next gig tomorrow, at this excellent little festival, just before @cheddatom 's Headsticks...

Duracell PP3 batteries are fairly cheap and last at least 12 months in my active basses, so I simply replace them once a year and recycle the old ones responsibly. I wouldn’t want to require an external box to power my instrument.

I’d just like a powerful bass amp that doesn’t require a forklift to move from home-car-venue and back again. One day I’ll invent one and make my millions.

Finally got around to putting all my pedals on one board. FX and tuner all used to be on my nano+ but going in-ears I got a Markbass pre. Then came the lekato page turner for my iPad. DI box is for tracks/ click. All fitting on a classic junior, way easier to set up now and proving reliable🤞

Epiphone to release high quality, value for money 'vintage' reissues of the Grabber and Ripper basses.... like they did the Vintage Pro Tbird!

For info... Yamaha BB history https://bassmusicianmagazine.com/2020/12/history-of-yamaha-bb-basses-workhorses-that-became-thoroughbreds/ Wee link to article on BB history

It shows how in the manual. Of course if you actually read the manual you run the risk of this:

I get this a lot with one band and I have been trying to get them to try IEMs but one of the guitarists “doesn’t like having anything in his ears”. I went as far as buying a cheap system from Gear4Music but so far it has not been tried by the band. However, I used it once to hear myself better, taking the feed from my amp’s DI out (as it was a small venue and I wasn’t going into the PA). It worked OKish using one earbud, so I could hear the rest of the band with my other ear. Obviously, much better if everything is going into the PA and you can use both earbuds. Despite the set-up annoyances, I’m sticking with this band because the other guys are really good musicians and I think we sound great.

A rarity for you lovers of vintage Ibanez items... Axstar AXB50, just arrived. Closest in design to the Yamaha BX 1, strongly 80s look - it looks like a prop from Total Recall - but sounds great and the body is actually very ergonomic and of course very light. The main thing for my purposes is that it can go on a plane if you pay for an extra cabin bag, but I think I could become very fond of it anyway.

But does it sound like music being played through an iPhone?

Indeed! My introduction to jazz (apart from my dad being into Chris Barber et all) was going into Jumbo Records In Leeds one day to browse. I used to go in weekly to find new funk stuff to play at either the Uni weekly discos, or the Phono or the Warehouse. There was nobody to ask for recommendations (unless I wanted goth stuff!) so I'd browse the imports until I found something funky-looking. There was no way to try-before-you-buy, so I'd look for PFunky art, afros, whatever shouted "funky!". Invariably these same records would have in the credits "thanks to God, and my mom" so when I found Jamaaladeen's "Showstopper" I thought I had the grail; funky suit, cool dude with amazing looking bass shaped like a cricket bat, special thanx to Mom and God - I'd found Tyrone Brunson's "The Smurf" in much the same way. However, I soon realised that the Thursday funk disco couldn't cope with Mr. Tacuma... But I was hooked, soon joined the library and discovered their jazz section which contained "Man with the Horn". Which was nice! And a bit of a slippery slope... I listen to Ornette Coleman for light thrills now and the Company albums for a bit of a boogie!

As alluded to in a recent post, my band are playing at Night of The Living Dubz festival near Doncaster Airport

Is it silly that I'm getting really excited the closer the BFSWBB gets? Seeing some familiar faces, meeting some new ones, the fantastic looking kit list (and this year I feel like I've finally got something worth showing too!). I feel like a kid in the run-up to Xmas.

Ringwood, Hampshire - historic venue, ancient band!

From 2008, as a 55 year old whippersnapper

Would take a modern Squier over a 70s Fender any day.

Bass manufacturers in general to do a reasonably priced fretless unlined bass, say upto £450. There doesn't seem to be anybody doing them that I can see. They all tend to be lined. Ps, please point me in its direction if I've missed one.

Just a thought, but it’s possible this might not be the thread for you.

Agreed, new hip definitely takes precedence - albeit only just 😉. Best wishes for the op.

Hey Mr Tangarine Man - Mumbler in Chief

I was there also . Plus all the hawkwind gigs . I saw hawkwind so many times at the hammy , but stopped after 1987 . Probably traumatised by nik turner in his frog suit 😬

Best thing for me was to spend £15 on a battery tester and keep it on my kit bag. I test before a gig and it has saved me tons on batteries.

Say hello to my midlife crisis bass - the Epiphone Korina Explorer. I spied it in a photo someone took of the Gallery during their visit and it caught my eye. I caved when they told me it came with the hard case. I think the black pickguard makes all the difference - all of the natural ones I've seen up until now have white and I think that looks a bit naff. Haven't had a war volume play yet but it sounds good in headphones and at low amp levels. Ergonomics are better than expected - balances really well on a proper strap (so take that, Mr. Dibble). It's long, it's ridiculous and I love it. Also has the biggest hard case I've ever seen! That last pic is the hard case of my G&L next to the Explorer's case, with the left sides aligned.

D'you think I'd have bought it if it did?

Don't decide. Bring both! Seriously though, someone else is sure to have a BF so bring the Berg?

Who Did You Think I Was by John Mayer. Blues... but the Pino way.

This. But done by Epiphone, at least on the reissues. They'd be cheaper, probably better built and with more colour options, even if the woods were not as good 😊.

It's tonight! And it's going to be HOT...

If you made me guess, assuming all the pots are in play, I'd hazard that it's a non- standard preamp with Vol, Pan, B/T on one stack and mid/ frequency on the other. More importantly, best wishes on a speedy resolution to the kidney stone issues.. 👍

Very different sounding, has more low end, different mid voicing, and 'weaker' (sic!) treble imo (dunno how to describe it...). Overall more versatile. It's quite comfy (love the narrow string spacing!), but I much prefer waxed wenge necks in 'Wicks.

Simple Minds - Once Upon a Time. (featuring late, great John Giblin on bass)

Posted 2½ years ago...... In 1985, there were several recently released albums which I could have bought, had I understood what I would like, but which I overlooked, only coming to know and love later on: Powerslave - Iron Maiden (Sep 84) Ride The Lightning - Metallica (Jul 84) Killing Is My Business - Megadeth (Jun 85) Cyclone - Vow Wow (sometime 85) Head on the Door - The Cure (Aug 85) First and Last and Always - The Sisters of Mercy (Mar 85) Psychocandy - The Jesus and Mary Chain (Nov 85) Meat Is Murder - The Smiths (Feb 85) But, in 1985, this is what I actually spent my money on: Dream Into Action - Howard Jones

I was fortunate enough to be at that gig @PaulThePlug, awesome though it was so loud it gave my elbows hearing loss

This........... They are musicians. Its obviously their passion. They dont need the money. Too many cynics around. Alot of people love the Stones. Let them play until they cant anymore. Not many bands have lasted this long.

Fender to sell the MIJ Junior range here at not silly money