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Showing content with the highest reputation on 16/09/23 in all areas
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After being made aware of some special pricing, on a thread here on BC, from those lovely folk at Thomann, I pulled the trigger on 40th Anniversary Squier Precision in trans(ish) blond, at £285 (28.5% off list), it was rude not to. It arrived today and straight out of the box, it screamed keeper. Everything as you’d expect from a well put together P, but at a price that seems impossible for the quality. It weighed in at 3.8kg, but I had a spare set of Hipshot, lightweight tuners, so fitted them straight away and that weight is reduced to a very acceptable 3.67kg (lighter than my Mustang). The 40mm nut width was also most welcome (the same as my Mustang). Matt body, satin neck make it pleasant to handle. The sound: a proper, full on P, with a very usable tone control. The nut was a little rough in places, but a nail file soon put that right. A bit of fret buzz on the G string around the 12th fret area also needed a little polish to the frets to remove that. I’m pleased, very pleased. I’ll update with more pics when I’ve fitted the tort guard I’ve ordered along with more thoughts after a few days of ownership.15 points
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Sadly I really do need to let this go now so it's priced accordingly. This is a beautiful bass, great weight, well balanced, has a low action and plays like a dream. Body wood – black limba Top wood – curly redwood Neck – lightly asymmetric, maple/wenge/padauk Fingerboard – acrylic impregnated wenge Pickups – ACG overwound single (neck) ACG humbucker (bridge), both have toggles for splitting Electronics – ACG/East SEQ+ preamp. Essentially a powerful tone control for each pickup plus a global treble control for adding extra bite (think Wal or Stingray) Hardware – Hipshot, Dunlop strap pins Weight – 8.8lbs Scale length – 34" Shipping is go-able and collection is always welcome too. I would potentially consider a trade for something of lower value and cash my way. A new one to this spec would set you back £3000+ so this is a ridiculous bargain.9 points -
On Thursday we played a free show at a local gallery where our guitarist has exhibited in his day job as a professional artist. He's been getting into multimedia and projections in particular so this night was promoted as "Sound and Vision" and featured ourselves alongside another local band as well as what turned out to be seven separate projectors. The room was great for the projections with masses of tall, bare walls but the sound was predictably affected. We had a good turnout which made the laborious set-up worthwhile (ever tried negotiating a menu that is both upside down and beamed onto a wall several metres away?) Obligatory self promotion links: https://deadtenantmusic.com/ https://www.facebook.com/deadtenant https://soundcloud.com/dead-tenant/sets/dead-tenant-live-demo8 points
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Furthering on this am jetting off to Portugal on Monday to record our (The Spacewasters) 2nd album. No instruments needed as the studio has them all (I’ll find out what I’m using when I get there), accommodation at the studio. Now we’re not professional, no chance of being so and under no illusions that this makes us so, but what a great hobby to have where we have the opportunity to do something like this.8 points
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I've had this for a while now, it's a stunningly well made bass, I've loved owning it however I have decided to move away from fan fret basses. It has a Darkglass tone capsule preamp which is astoundingly capable, it also has a passive mode. The bass has been lovingly cared for, and is in very good condition, there are a couple of tiny dings in the laquer which I've tried to capture, but they're very small and to be honest you'll struggle to see them. You're welcome to come and try it, but I live near Aberdeen, so it may be a trek for most of you. I can however do a video call to demo anything you might wish to see. I'll chuck in some new sets of strings too. Any questions, just ask. Specs Made in - Canada Scale length - 5-string 37-34 inches (940-863.6mm) Body - Alder with flame maple top Neck -5 piece maple, bolt-on Fingerboard - Maple with speedo bar inlays 7.25 inch radius (184mm) 24 mandolin frets, Novax fanned-fret system Pickups - Handmade Dingwall FDV Preamp - Darkglass Tone Capsule Controls - Master volume, 4-position Quad-tone pickup selector, active 3-band EQ, active/passive toggle switch. Bridge - Dingwall custom bridge String Spacing at Bridge - 0.709 inches (18mm) Tuners - Hipshot/Dingwall Finish - Blackburst (gloss)7 points -
I bought a Dakota Red one, too..it's everything you could want from a Precision bass and it looks great!5 points
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New band starting on Sunday. I've been building a board with the specific set in mind.5 points
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Having made music with my friend Nick since 1989 (first proper band / gig together), we've finally made an album. No hard sell but if anyone wants to check it out for free on Spotify / Amazon / whatever your preferred streaming platform is, "...Beyond Reverence" by Deadlight Dance is out today. Probably filed best under 80s Goth but it has enough layers to hold the interests of anyone who isn't expecting "Mega Party Mix Anthems 37". Of course I played bass on it but I also co-wrote all the originals, co-produced, co-arranged... as well as doing some mandolin, electric drums, acoustic drums, singing and Bass VI. If anyone is REALLY keen, search us out on Bandcamp and support the band but I'm certainly happy with a few of you checking us out. This was only supposed to be one jam once lockdown restrictions eased! We're performing the album acoustically on mandocellos (as you do!) Sat 16 Sept - SWINDON Shuffle onstage at The Beehive in Old Town at 7.15pm Thurs 21 Sept - MILDENHALL, WILTS The Horseshoe Sat 23 Sept BATH Chapter 22 (supporting Ghost Dance). And any follows across any of the social media platforms is always appreciated.5 points
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Most of the people at my gigs are checking their phones to see when they should take their medication.4 points
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Ha, bloody audience on their phones. I once bought a car on eBay between songs at a gig I was playing. 😂 I was keeping an eye on a car for my wife that ended that evening, I forgot to bid before we started and suddenly remembered during the gig. My phone was on my amp which is usually kind of beside me when I play doublebass, I quickly opened ebay at the end of a song and saw the auction ended in a couple of minutes. Shouted at the guitarist to do a double length intro to the next song while I stuck a bid in. Checked ebay in the break to find my wife now owned a new convertible. 😁4 points
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"Decent" bands don't advertise. It's all done by word of mouth, recommendation, friends of friends etc. Get into a band (or several) and meet as many musicians as you can. If your face fits you'll meet people who will be interested in working with you.4 points
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I was sitting in bed one Sunday morning, perusing Reverend basses on Glasgow's Merchant City Music website and Mrs BillyBass, sat next to me, started talking about going on a spa break. After a quick online search I suggested a spa hotel near Glasgow and she liked the idea. I then came clean and told her why, this was followed by a short negotiation and she agreed on a deal, she gets the spa break, and I get a new bass. On the first day in Glasgow I went to Merchant City Music and GuitarGuitar, which is just up the road from it. Both shops have a decent selection of basses; Glasgow puts London to shame on that point. In Merchant City Music I tried the Decision P and the Reverend Mercalli 4 and 5 strings. Lovely basses all of them, I picked the 'Venetian Pearl' Decision P due to its appearance, it didn't sound better than the Mercallis. They also have a couple of Reverend Thunderguns there too, these have set necks, which are glossy. The bass cost £879, which is a bargain. Reverend don't seem to have hiked their prices like Fender and most other brands. I've had the bass one week now so I've got over the initial 'wow'. This is a keeper, the pick ups sound right for the music we play, the neck is lovely, the string spacing/nut width is comfortable, and enables me to play root-octave-root-octave with a pick comfortably (my previous main basses-Charvels-have Jazz sized nuts)...and I love the look! Venetian Pearl, is actually a gold burst, going to a cream sparkle and the pickguard is a lemon yellow. It looks like a yellow burst in the website photos but it isn't.3 points
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Packed a couple dozen people into the small room above the Packhorse in Leeds for our originals outfit. There was pretty good sound (apparently), ‘thick bass tone’ got a couple of compliments though non-functional fans meant it got very sweaty. Good clean fun.3 points
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Ahh, feck it. Ordered the Seafoam jazz. I may end up taking the neck off it and putting it on my P bass, which is how I've justified buying the pretty thing to myself...3 points
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My first gig tonight since getting hit by covid a few weeks back. Standing is still proving a challenge. The Village Club. Stanstead Abbotts. Herts.3 points
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Tonights gig.3 points
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I want active basses to have an on off switch so I don’t have to keep pulling out the jack all the time to save battery drain in the studio.3 points
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You can't let a few dodgy experiences put you off, you've most certainly got to "kiss a few frogs" on the way, but you could say that about much else in life3 points
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Basschat? You also need to leave someone with a deposit that’s the value of the bass …. kinda3 points
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TBH, I had kind of decided on a tort pg before it arrived. I’ve had anodised pgs in the past and didn’t like them. This one feels nicer than those, however, and looks better too (it has a more pronounced ’grain’ and is shinier, an altogether different beast). I may end up keeping it as is and have the tort for when I fancy a change. I’m really looking forward to using with my band. It’s a Mod band and the various genres that that entails, but I think it’s the more aggressive tunes I think we excel at (The Jam, The Who, Small Faces, etc) and the tone of this bass should enhance that over the Mustang.3 points
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I don’t even Noah myself - the Who3 points
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I went to see Maiden at O2 with my young child (single digit age). I booked tickets on release day and had a nice seat facing the stage right by the exit for an easy access/escape with my child, just in case. When Maiden started, the bloke who was also with his kids stood up and blocked my view. I didn't hesitate and politely asked him to either move slightly to left or sit down explaining he was blockin my view. He didn't like my request but he did move. I understand it's a facking metal gig, but have some respect for others. Then the phones, constantly in the air. Last year I went to see Anthrax at Brixton Academy and Joey encouraged people on balcony to stand up , everyone did , organisers did not like it ..no standing signs.. People are the reason I no longer go to cinema. Back to the topic, surely they can't control the phone use, some.might need phones for family emergency etc. But having it in air constantly... I agree, ban it.3 points
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Not over enthusiastic - they tell you that is the rule, its written everywhere when you come in, and in the venue, if you break the rule, someone will come and tell you not to break the rule again. If you break the rule again, you get kicked out of the venue. That seems very reasonable. And as a result, having seen tool with my eyes rather than through a wall of other peoples phones, I realise how good it is, and how good gigs used to be3 points
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I only go to metal and punk gigs. No one talks because the music is so loud it would be hopeless. At the front, where I like to spend the evening it would be near impossible to hold up your phone to video it as 50 people slam in to you as they mosh. As for fans getting lost in the music, that's up to the band to take us there, grab us by the throat and keep going until the end. The only rules in the pit at metal shows are never intentionally hurt anyone and if someone falls down, pick them up (or if they need help then help them)3 points
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! I am selling this bass in order to finance a new project of mine. As I have been able to raise some funds elsewhere, I am willing to lower the prize for this instrument yet another time: £1600 ! (+ shipping, taxes if applicable to be handled by buyer) Keep in mind, Warwick asks £1650 for current Warwick Alien 4 made in China. Hello fellow bassplayers! I am offering this rare vintage Warwick The Alien electro-acoustic bass from the 1990s, handmade in Germany. Apart from the pictures I will insert a Youtube playlist with me demonstrating the instrument as well as some original instrumental tracks of mine that feature this instrument. A piece of music history: The Warwick Alien was designed by renowned German master luthier Martin Seeliger, founder of Lakewood Guitars - a company well-respected for building acoustic guitars of exceptional quality. This bass is part of the first series of around 150 pieces to be handcrafted by Lakewood in Germany before production moved to Asia. Exceptional craftsmanship: This acoustic bass is made of selected solid wood (spruce top, ovangkol back and sides, maple binding, mahogany neck). Together with the one-piece back, this ensures its exceptional resonance and sound quality. The design features elements that were both unique and trendsetting, including the relocated soundhole, a large bridge with metal tailpiece, cutaway, and ergonomic thumb rest, making this bass both aesthetically pleasing and highly functional. Shadow pickup & Original Lakewood MK 2 Preamp: Equipped with the AER-designed 18-volt preamp, this bass offers unparalleled tonal control. With separate volume controls for each string, a 3-band EQ, and a master volume, you can tailor your tone to your needs. Just-A-Nut Technology: Thanks to Warwick's Just-A-Nut technology, custom string height adjustment is a breeze. Rarity: This particular Warwick Alien is unique in that it has no serial number on the headstock. While this doesn't call into question its authenticity, it does raise interesting questions about its history and why it differs from its serial numbered counterparts. In addition, unlike many others in its series that I have seen being offered for sale, this bass features a beautiful, perfectly resonating one-piece back. History and condition of this instrument: In the 1990s the bass was purchased by a professional musician from Musicstore in Cologne and played in a flamenco project. I became the second owner about seven or eight years ago and have mostly played and kept it at home. Although this bass has been well cared for in its 30 years or so, it bears the marks of its history, which are only visible up close. There are a few small dents on the front, a dent and scratch on the side next to the preamp, and two barely visible scratches on the back. When I bought the bass, it already had a small & very fine hairline crack at the end of the front side. This was immediately assessed and deemed non-impactful by a Lakewood luthier. This crack, too subtle to warrant intervention, has remained stable over the years and does not affect the sound or functionality of the bass. It's a testament to its durability and the craftsmanship of the luthier. If the crack ever changes or gets worse, any knowledgeable luthier can fix it. Accessories: New Warwick hard case (Rockcase RC10613B) - just bought for 140€ Delivery: The bass can be tested and picked up near Düsseldorf or Bonn, Germany. I an also willing to meet nearby, like 50km or so. I can send the bass as bulky goods with appropriate insurance at the cost of the buyer. 📞 Feel free to contact me to arrange a viewing, ask questions or make an offer. Video playist:2 points -
Just rescued this from a second hand shop for a tenner, hopefully I can turn it into something nice, as a cheap option I was thinking of giving it a slight roadworn look as there are a few nasty chips in the paint. Reading round on here it seems they are pretty good basses for not much money, any point in upgrading pickups and pots etc?2 points
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May be interesting for some. https://www.proavl-asia.com/details/73643-b-c-speakers-acquires-eminence-speaker2 points
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Fender Player Series PBass in metallic Silver with upgraded HiMass Fender bridge fitted Black pickguard fitted, original white one included in the sale Black pickguard has usual playing marks on it etc Lovely virtually mint condition and set up nicely and plays well I have the original box so I can pack ready for shipping if the buyer arranges a courier collection UK shipping only Note: Friday 15th to 22nd Sept I’m away on holiday so unable to ship during that week Be sorry to see this go but I have three basses in my collection so this must go and I could do with the money !! No trades or silly offers as it really is a fine example however near offers will be acceptable!2 points -
Great find for a tenner! Well worth doing up a bit, they're actually very nice basses, especially the necks. I've got an STB J and P, paid £40 each. The P I gigged solidly for the best part of a year I liked it that much. I did put a Quarter Pound pickup in it but the original was fine really. The J has a pair of the Entwistle PBXNs wired with a series switch. Proper J tones with either pickup and a lovely full fat tone when in series, almost P sounding. In fact I used it for rehearsal last week, it holds it's own against some expensive 'real' basses. Both have had black pickguards and bridge covers added. Arty farty (bad grainy) shot 🙈 Forgot to say that the Jazz was sent to me by courier in a single black bin liner taped shut around the neck with the headstock sticking out. Amazingly No damage, crazy!.2 points
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We've talked about this as a band and it's not something we like the idea of, aware of the fact that we _could_ but....well, don't want to. But, you indeed have a valid point 👍2 points
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One band I was in had a drummer that was a proper pain and often "couldn't make it", our solution was my girlfriend of the time became a drum machine operator, so when old silly bollocks wasn't available we did it the other way, which worked fine, in fact it worked better without him! There's often a think outside the box option. Obviously if you're into a very traditional "rock band" type line up then having a drummer is a big thing, but there's a lot of folk out there in the world doing great stuff without one.2 points
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I would've preferred the blonde but saw the Jonny Dibble review prior to purchase so didn't want to risk it. I'm pleased to say I'm very happy with my dakota red P and also happy for the guys who ordered the blonde and got a good one. They really are great basses 👍2 points
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We're nearly as out in the sticks as you, and our solution is to drive to BrightLightsBigCity... Round here a dream night out is Lady DJ playing hits of the 60s70s80s90s at the Horse and Jockey, with a medley of Wurzels and Quo songs, a punch up between farmers from Knucklas and Rhos y Meirch followed by a lovely big vomit outside Costcutter.2 points
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This is exactly it @Gwilym, and it's what I'm saying since the beginning of this thread, but some people with absolutely no knowledge in electronics weren't able to understand it. Glad that EMG mentioned it too in their ABC manual, but it's strange that this Alex guy didn't do it. And in the OP case, a simple MN taper balance pot of 250 or 500 KOhms will solve this typical insertion loss issue keeping all the signal a totally passive path. Some people here owe me some apologies.2 points
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When i got back into bands and gigging again in circa 2010 i took on any band to get experience and simply to be playing bass in a band. I went thru rock tribute, ceilidh band, 70's covers band, Glam covers, prog originals, funk/blues band, function band and finally my current Glam covers band which led onto classic Punk covers band. As mentioned before both my current bands were thru people i knew or they knew me thru other musicians. I had kept in touch with various musicians i had met or even just spoke with thru PM's on band websites. Our drummer i first came across 6 years before we got together in the Glam band and it was a case of me enquiring about the band and the singer had already heard about me thru his friends that knew my friends within the local music scene. I suggested the said drummer and was told he was already in and he had recommended me for the bass part. I finally met this drummer 6 yrs after we first spoke on a PM. We kept in touch over that 6 yrs on what each other was doing. We've been in the Glam band for 5 yrs now and when his punk band were looking for a bass player i said i'd help out and give it a try. I enjoyed it so much i stayed with it. So 100% agree the good bands seem to be the ones where you meet thru word of mouth. My main point is to try doing anything to keep playing and get to know people. Word will get around if you are good and reliable with what you do. Also helps being a nice person to get along with. I'm lucky i have 2 bands that i get along with like mates albeit the female singer and drummer are also in both bands LOL Dave2 points
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The pole pieces on my one don't align directly over the string and this has been the case on a number of guitars and basses I've owned in the past. Other than aesthetics it really doesn't affect sound or playability and if there has been a tiny discernible difference in sound output, raising the pickup one side marginally helps.2 points
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Years ago I wrote a brief article for another website comparing cheap mics. We had a Sampson (Q7?), Behringer XN8500, a Studiospares SM58 copy and an SM58. We found very little differences between the other three, they were all super-cardioids and all a little brighter than the Shure with slightly worse handling noise. We all slightly preferred the more open sound of the 'copies' but there was precious little in it. Even the cheapies were surprisingly robust though I had to repair the Behringer which had been wired with one of the leads too short, the only problem I've ever had with anything Behringer. I didn't sing at the time and I've since started doing a fair bit of bv's and come to appreciate the forgiving nature of the SM58. I'd never buy one, you can buy something so much better nowadays for a lot less, but I can see why people hang on to them. It's a bit like driving a Morris Traveller or an original VW Beetle. If you want something cheap I'd go AKG D5, much better than the Behringer and well worth the extra but if you only sing one song in the set or need something cheap for the rehearsal room then the Behringer will do a job for you.2 points
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Careful, the price of beer nowadays could cost you more than a mic clip2 points
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I use my 100v3 for acoustic duo and small gig duties, and it’s been amazingly good. Everyone who picks it up can’t believe it’s not an empty cabinet. I’m looking at getting a 500, or possibly 800 in the near future. Unsure whether to go for combo or head option though. The 800 comes in two formats, standard and ‘stage’ varieties. The stage version is of no interest to me with bells and whistles I will never use or need, but the regular model is giving me GAS every time I see one. Probably wait for a nice s/h one to surface, although they seem quite rare.2 points
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Shipbuilding - Elvis Costello2 points
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Pretty much exactly the same here, been looking at the other thread on these too, like Ez I'd also have to change the Pickguard if I got one as I really don't like the goldy metal one. If I didn't have another newish Squier P bass I'd not be able to resist though!2 points
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actually, it's a pity that they don't even provide a bag, the anniversary series in a dedicated packaging would be a great addition that would make it stand out from the others2 points
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I never take my phone to gigs where I'm in the audience. I'd be worried that it would get lost/stolen/broken and therefore it just gets in the way of me having a good time. For gigs where I'm playing it spends most of it's time in my bag in the dressing room buried under a pile of equipment cases. I keep meaning to take some photos of the stage setup for the more impressive gigs but most of the time I'm too caught up in the moment of the gig to remember.2 points
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Humans have become way too attached to their 'smart' devices. Bringing us closer together by having us all stare at a screen...2 points
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I was at the back, the only other person behind me was him and his pal. Maybe he snuck up behind me so he could complain.......we'll never know.2 points
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I have a friend who goes to a gig and then posts sets of photos (I think facebook has a limit of photos you can post) - she doesn't edit, she dumps everything she takes anywhere on facebook (so you have a lot of ones that should have just been deleted), Looking at the last set she posted, there are 5 sets of 80 photos (so 400 photos), and a load of videos, many of which are over 5 minutes. So much so that if you go through the photos fast (and note I doubt anyone has gone through the photos), they are almost movie like as there are only seconds between each one, so there will be like 8 photos of the singer walking across the stage). She also livestreams sections when she goes to a gig (which I find incredibly rude). That is how she experiences gigs, I guess that is how some people like to do it, experience it through the screen. I remember when I was a kid there was a whole thing about sneaking a tape recorder or camera in, and how security wouldn't let any of it through. I am a huge fan of having a camera I can take everywhere but do believe that in the process we have lost something, a forgettable memory.2 points
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it does seem a bit much. I saw people checking messages and using their phone discreetly and security had no problem with that. It was holding your phone up to video that got you thrown out and I am sure that you can explain that easily without having an issue, if your wife doesn't need to hold her phone up above her head while videoing to check it, but whether you go or not is your choice. I am 100% behind their decision, it made the gig so much better for the rest2 points
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Just a quick reminder that Hurtsfall are playing tomorrow at the Gothic Gathering at The Victoria Biker's Pub in Coalville. The stage times have changed slightly since the final line-up was announced. The new Saturday schedule is: DJ - 1:30 ish 11.00 finish - AUGER - 9:55 -10:35 - SHE MADE ME DO IT 9:10 -9:55 - CHAOS BLEAK 8:20 9.05 - THE GLASS HOUSE MUSEUM 8:00 - 8:20 stage break 7:20 - 8:00 - HURTSFALL 6:30 - 7:15 - SIOUXIE SUICIDE 5:50 - 6:25 - MARYS HIDDEN LIGHT 5:00 - 5:45 - WEST WICKHAMS 4:00 - 5:00 a very Gothic Burlesque party DJ 3:00 - 4:002 points
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. . . . and it's about meeting losers and being picky at the same time. He's had 3 attempts. That's not even scratching the surface. When he's had 33 attempts then talk about the problems finding good bands. Unless you are well connected, very talented or just lucky, you have to start at the bottom, maybe in less than ideal bands and work your way up to better bands from there.2 points
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