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Showing content with the highest reputation on 09/11/23 in all areas
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12 points
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This is a reluctant sale and one I'm really not sure about, but having moved away from short scale basses I thought I'd test the market. For sale is a Sandberg California II VM4 P Bass in hardcore aged shell pink. It comes with factory fitted dot inlays and an upgraded black label pickup (both optional extras). The body is alder and it has a gorgeous dark rosewood fingerboard that is a pleasure to play. The Sandberg gigbag, Allen keys and paperwork is also included. It's a 30" scale. I'm not a huge fan of the Sandberg P bass pickups as I find them very mid-light, so I swapped it out for an EMG Geezer Butler passive pickup and it sounds ace. The original wiring loom and pickup is also included and apart from having to cut a few wires to replace the pickup, no other modifications were required. This has been a dream to play and it has been gigged regularly but always well looked after. It weighs in at 7lbs 4oz. I paid £2,199 for this and while I was having back issues it really got me through some tough times. I'm looking for £1,600 picked up from near Monmouth or within an hour or so's drive but I'm also happy to post fully insured. I'm not looking for any trades thanks.8 points
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I played with The 77s band at The Druids Arms in Maidstone on Saturday. We only got the booking the day before due to the scheduled band cancelling but fortunately we were all available to do the gig. We had played there once before in the summer, its a good venue in the town centre, playing outside on a stage in a covered courtyard. We had not had a gig together since mid September (the other 3 had played with a dep the week before whilst I was on holiday) but it went well and we were surprisingly tight. A friend came along and was able to take some videos which are now on our newly formed you tube channel. It was a cold wet night and the crowd varied in size through the evening, but had at least 50 at peak. Picture below of our homemade light up sign!8 points
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So, it's nearly time for the bash! Just a reminder to all attending to bring CASH. You will need £10 cash to enter the event You will need £5 (or multiples thereof) to buy raffle tickets You will need coins or small notes for tea/coffee/cakes There will also be items for sale that may require you to arrange paypal payments/bank transfers etc for See you all there! 😃7 points
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I'v had a gig free few weeks 😞 but managed to sit in with several people on jam nights... from rockabilly to comforably numb in 20 minutes! Must admit it can get hairy when people use a capo, you don't know the song and you're tryiny to read a chord sheet over the guitarist's shoulder. Still three gigs over the next three weeks, including the front bar of the Earl Haig - we normally play the big stage there bug the atmosphere in the front bar is intense so really looking forward to it. Plus the great three tuns in Chepstow and our first time at Taff's Wells exies 🤪7 points
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A 'Sorted in Autumn Sunshine' pic... ..and a BIG thanks to those that followed and commented on my hap-hazard exploits...6 points
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My goth duo did an acoustic showcase in Calne, Wiltshire last night. Some really good acts on the bill and we played well, pulling a few in ourselves, in what was effectively new territory for us. A bass free show; I was on mandocello and mandolin.6 points
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Today's method: Go round all the T-nuts which are in place, checking that they thread up properly (one didn't, so I knocked it out) Replace the T-nut with another that I checked would thread from the correct end, using a bolt and penny washer to pull it into place Put epoxy on face of T-nut that goes onto back of baffle Used lightly oiled bolt and penny washer to pull T-nut into place, and left for a little while Put speaker in and didn't c0ck up putting in the bolts this time Just the grille to secure then.5 points
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I've been messing around with strings a little and have come across a set that I think suits the tonal dynamics pretty well. It is a mixed tension set from Savarez, their Corum Red/Blue set. The bass three strings are high tension and the three treble strings standard tension. I think it balances out the resonances from the strings. Although this set will allow me to tune one or two semi-tones lower, I think the 'three semitones above standard' still suits best. Here's a second set of short demo sounds in different styles, again recorded directly into my little Zoom H2n recorder. Thanks for looking/listening!!5 points
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After a few iossues with the printers, a themistor was playing up, I managed to get a bit more done. At the moment, I'm printing to test the concept and fit. The printed parts are draft quality and will change for the better if it all works. Shouldn't make any difference to the sound but nicer to look at. This is the back of the guitar with 8 x 22mm countersunk screws attaching the bridge and neck pickup to the 15mm ply. I made a drill guide to ensure the screws all fit as the holes only go part way. You can also see the neck module and the guitar neck. This is the front of the guitar with the bridge and neck pickup in place This is the front with the neck in the neck module and slotted on. I haven't drilled the 5mm holes in the plywood yet as I wanted to check everything. The end of the plywood needs shaping but not bothered about that. Next steps are: 1. Drill holes for the neck. 2. Print the bottom control panel bits so I can have something to hold the Telecaster control panels. 3. Print a small and simple pickguard to hold the neck pickup. 4. Solder (or wrap) the wires to see if it even works. 5. Work out how to se the intonation and such. 6. .... 7. Profit!5 points
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After a couple of decades in the wilderness, swapping amps and cabs every few months, I got my TKS 2x12 about 9 years ago. Then, a couple of years later I happened upon the HandBox R-400. A marriage made in heaven and I don't think I've seriously considered another amp or cab since. When I think of the money I could have spent still hunting....5 points
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When I started playing, I was a 2 x 4x12 or 4 when I could afford it. Then when speaker technology improved, went to 2 x 4x10. Bought the first 6x10 that BF made and was astonished by how good it was. I was forced to sell it due to poverty but have since bought a BF 2x10 and am truly amazed that this little cab is so good. I don't need anything else, it's mighty and I'm not a quiet bass player. Anyone that doubts that a BF 2x10 is not enough to gig with should try one, you'll be amazed!5 points
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I've been using my Hartke rig since 2004. A 350w HA3500 amp, plus a Transporter 4x10 and 2x10 cabs. Or a pair of Transporter 2x10 cabs. I doubled the rig up to 2x HA3500 amps, plus two lots of Transporter 4x10 and 2x10. I sold the duplicate rig because I was in a band with two wimps. Mistake. Prior to that I was using a pair of Trace Elliot 715 combos, which I still have and am happy to take out occasionally. I did defect to a Blackstar Unity rig, but that only lasted a short time before i returned it as it failed on me 3 times in about 4 months. The Hartke rig has never ever let me down.5 points
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I'm quite excited about the Three10 so I emailed Alex. I asked him if it was going to be vertical with a tweeter / tiltback wheels etc. His answer: Yes, vertical with tiltback wheels and a tweeter. We've had some alternate impedance drivers made to solve the annoying impedance problem! It's not going to be three 10"s in a vertical line, it'll be two above each other and one in the middle off to the side - makes for a much more sensibly shaped cab and still has great dispersion because the middles of the drivers (where the mids/highs come from) aren't side by side. Same height and width as a Super Twin, same depth as a Two10S/Four10/Six10. Same wheels and handles as a Six10. Should be v cool! Best regards, Alex This is going to cost me money. And possibly my marriage!4 points
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I’m more than happy with my current amp and cab. I’ve owned the Big Twin 2 pretty much since they were launched, and not once have I considered changing it. The GK Fusion is a fairly new addition. It’s a wonderful combination. Last couple of gigs I’ve done, I haven’t even engaged any pedals. Only thing I still want to add is a Spector Euro 4LX.4 points
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Been happy with my sound since 1988. Probably saved a fortune over the years.4 points
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It’s just meaningless click bait nonsense from an increasingly irrelevant dinosaur publication.4 points
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3 points
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Hammond Sk2 Excellent condition, one slight fleck on lacquer, and slight damage to zip inside case (see photos) **Unleash Your Musical Potential with the Hammond SK2 Stage Keyboard** Are you ready to experience the best of both worlds in a single instrument? The Hammond SK2 Stage Keyboard is a dream come true for organists and keyboard players seeking versatility, exceptional sound quality, and portability. This remarkable instrument offers a combination of the Original Hammond B3 Sound, Acoustic Piano Sounds, Vintage Sounds, and much more. It's time to explore why the Hammond SK2 is the perfect choice for musicians who demand the utmost in sound quality and performance. **Best of Both Worlds** The Hammond SK2 is designed for musicians who want the best of both worlds. It seamlessly combines the iconic Hammond B-3 Sound with high-quality Acoustic Pianos, Vintage Electric Pianos, Vintage Strings, Pipe Organs, and a plethora of other sounds and effects. It's like having a treasure trove of musical possibilities at your fingertips. **Compact and Lightweight** This stylish and retro-designed model offers incredible features while being extremely lightweight and compact. Whether you're performing live or in the studio, the Hammond SK2 is your versatile companion. You no longer need to compromise on sound quality due to portability. **Exceptional Sound Engine** Equipped with the VASE III sound engine, the same one found in the highly acclaimed Hammond B3 and XK-3c products, the SK2 guarantees top-notch sound quality. You'll enjoy the legendary Hammond B-3 Sound and a wide array of voices and effects that Hammond is renowned for. **Key Highlights:** - **Double Manual 61 Keys**: The SK2 features a double manual setup with 61 keys, offering extensive creative possibilities. - **Authentic Hammond Organ Drawbar Sound**: Experience the iconic drawbar sound that's a hallmark of Hammond organs. - **Extra Voice Section**: Expand your musical palette with an additional voice section. - **Digital Leslie/Vibrato**: Recreate the classic Leslie speaker effect for that authentic Hammond experience. - **A Wide Variety of Effects**: Enhance your sound with a broad range of effects to suit your musical style. - **MP3 Music Player**: Play along with your favorite tracks using the integrated MP3 player. - **MIDI Master Keyboard**: Use the SK2 as a master keyboard for MIDI control. - **Patch and Favorites**: Easily access and save your preferred settings. - **Built-In USB Port**: Connect your SK2 to other devices via the USB port for seamless integration. **Compact Dimensions and Portability** With dimensions of 37 1/4" Width x 17 7/8" Depth x 6 3/4" Height and a weight of just 35 1/4 lbs, the SK2 is highly portable and perfect for musicians on the move. The Hammond SK2 Stage Keyboard is your gateway to musical excellence. Don't miss out on this opportunity to own a versatile, lightweight, and powerful instrument. Contact us today to make it yours and unlock a world of musical possibilities! Half moon switch is not included3 points
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Up for sale is what I lovingly call my super bitsa funky P bass. It has a MIM Fender rosewood Jazz neck with blocks and bindings. The nut is 38mm. Super light 3 tone sunburst Alder body (bought from Bass Doc on here). The pick up is a genuine Fender ‘original’ series. The gold bridge, tuners and hardware have been upgraded to gold Sandbergs. These are fantastic. The wiring is from Kiogon. The strings I believe are TI roundwounds. The scratch plate is anodised gold metal. This is a top notch P bass. The only reason for selling is that I just bought the gold walshy bitsa P bass from here. Unfortunately it’s 1 in 1 out from now on. Looking for a very reasonable £600.3 points
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Hi, I have a pair of Schroeder 1212L 800w 2x12 cabs for sale, one 4 ohm (NOW SOLD) and one 8 ohm (STILL AVAILABLE). Only selling as my project priorities are changing. They weigh in at around 19.5kg each, so they're very lightweight and compact too, at W 60cm x H 40.5 x D 40.5. The bass extension is incredible yet they remain tight and cut through without being obtrusive - a very clever design by Jorg Schroeder. £350 each, collection from Salisbury Wiltshire or I may be able to help with delivery within a reasonable distance for the cost of fuel.3 points
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SOLD - my ACG Custom Krell 5 string in first class condition. No dings or scratches. An outstanding example of Alan's work with a beautiful Art Aqua Maple Burl fretboard. Ash back and front, with a white limba chambered centre. Ash neck. All finished in satin lacquer. Headless 31.5" scale with 24 frets. Strings at 18mm centres. Weight 4.6kg. ACG FB Alnico pickups with active ACG EQ01 4k. Dunlop straplocks and Elixer strings. I am retired now and reluctantly slimming down my bass collection to just the essentials. This bass features ACG's custom headstock which allows the use of any type of strings on this bass. No need for double ball ends. The pre-amp features a stacked filter and resonance control for each pick up giving a huge range of sounds from thumping reggae to crisp slap. Stacked Volume and Blend pot and a separate stacked tone control to further boost the sound. The bass plays really well, with a fast action either strung B to G or E to C, which is my preference. The bass will come strung and set up to your preference with a spare B or C string accordingly. The bass comes with a Mono padded gig bag and adjustment tools. Here's a link to ACG for the specs. https://acguitars.co.uk/project/0391krelletype-5-31-5/ Please contact me for any further details and the bass can be shipped at extra cost, but a meet up would be preferable. Thanks for looking.3 points
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Looking forward to seeing you all on Sunday 👍🤘🤘3 points
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My only real criteria for a good sound is (was) 'can you hear me at the back ?' If it's a yes, then my sound is perfect. If I can hear myself, then all the better3 points
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First things first, this pedal is excellent but just not what I need right now. For anyone who hasn't heard about it, it's designed to emulate Justin Chancellor's main drive tone in a single pedal, a modded RAT with EQ and a clean blend (possibly one of the best clean blends I've heard). That being said it's capable of way more than that, it can get add a really nice warm saturation all the way up to searing tight fuzz tones. For more checkout the Lusithand website. It's an excellent pedal which I'd love to keep but it's not quite right for the band and therefore I can't justify keeping it. These are £215 I believe so save yourself some cash! Boxed and postage can be arranged at buyers expense. Here's great a review @0175westwood293 points
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It's on the BF website here: https://barefacedaudio.com/pages/using-multiple-10cr-cabs. Those new models aren't listed for sale yet, so not sure "launched" is accurate.3 points
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Increasing decrepitude means I am selling off all my long scale basses and my shift to short scale is almost done. Bit of background on this one. I had a quality MIJ Faker for a while that I absolutely loved but, at well over 10lbs, it was never going to stay so I sold it. But, having dipped my toe in the Ric water I found I still had a hankering for a clank Davie @kodiakblair came to my rescue with a Retrovibe starter kit - at the time sporting a ssingle MM pickup but with loads of bits thrown in. So I set about getting this made up for me. So here it is - a Retrovibe Renegade bass sporting a Guyker RKH-IV N pickup and a Retrovibe toaster, bezel and blanking thingemy. New scratchplate with VVTT Ric style knobs - with so many it is easy to get confused so they handily have their purpose written on top. 3 way selector switch. Through-stringing on the bridge which, although not really like a Ric's, is a sensible design. Set neck, 34* scale. 43mm wide at the nut but fairly shallow, 19mm string spacing at the bridge. This is very comfy to wear and play. In exceedingly good condition with just one ding on the back of the underside, shown in a picture. Currently strung with TI Flats. Does it look like a Ric? Yes, a passable imitation. Does it sound like a Ric? Yes, a passable imitation. But this is where this bass and Rics part company - this weighs 3.4kg/7.5lbs. And, at £300, it is at least £1200 cheaper than a used Ric. Price is firm and, I believe represents exceptional value. Collection only from SS7, Benfleet in Essex. Or meet half way or maybe I might deliver it for fuel costs, depending. I don't want to courier so please don't ask. Not after any trades, either.3 points
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Always be happy with your gear. Sounding good papers over a lot of cracks in your playing! My current rig is Aguilar/Thunderfunk amps and Barefaced cabs, before that I used Aguilar/Thunderfunk amps and Bergantino cabs, before that I used Thunderfunk amps and Epifani cabs and before that I used an Ampeg amp and Mesa Boogie cabs. That covers nearly 30 years of being happy. Life is too short for bad tone.3 points
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Sometimes I go to rehearsals with some bass, a tuner in the bass bag, and cables. Then I try to make the bass sound different simply with my fingers. Singing, long motes, thumpy short ones. Once I went to a fun gig and the bass had only ON/OFF switch, so I had to play everywhere around the bass to get different sounds. Try it, you'll like it.3 points
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On the note of Carey Nordstrand - just saw on Instagram that the Acinonyx 5 string is in development. Cool to see the range expanding3 points
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Hi all, Many many thanks for the advice. Apologies I haven't responded sooner. So, the reason for the delay in my response is that I declined that teachers offer (bullet dodged there if your responses are anything to go by) and continued my search. I had certain parameters regarding cost, travelling time, time of day for practice, and what I was looking for in a teacher. I think I tried another 14 local schools and individual tutors around Glasgow since I posted my question to the forum. A couple of small music schools said that they don't teach bass, another said that they only have a bass teacher for 4 hours 1 evening a week. I encountered more pretend bass teachers similar to the first one. I'm on a bit of a fixed income so £30 per hour was my top limit (don't know what prices are like in the rest of UK - bet it's about £423 per hour in London lol). Some teachers were charging £40+ per our - those were usually eb and double bass teachers too though. I'm sure that they were well qualified, great players etc but £40 per hour ?...dear god. Anyway, I was loosing hope, I was on to the last one or two teachers on my list. I got in touch with one through 'firsttutors.com'. Maybe some of you know it or are on it. The way they work is, you can peruse the details of the teacher, experience, what instruments, availability etc and if you fancy what they're offering, you have to pay a 'finders fee' to the website to get the teachers details released eg phone no, address, full name, email address etc (you only get first names on their bios). Maybe it's a bit like a dating site lol. I paid the the site fee and got access to his details. I think I struck gold. He's a young guy went through Glasgow Conservatory did a BMUS in jazz. Apart from playing in jazz groups he plays DB with Scottish Ballet (as does his dad) Coincidentally, a couple of weeks ago I booked tickets for my wife and I to see Scottish Ballet's Swan Lake in Glasgow in April. What are the chances ? I had my first lesson on Monday afternoon - several days before the practice he sent me a PDF of what we were going to be working on - Hiatian Divorce by Steely Dan...dear god ! The end of book 2 beginning of book 3 of the Friedland tutor isn't near this level. I spent about 10 hours on it. Went to the lesson and there were maybe half a dozen wee things in the song (and my technique) had to be sharpened up - apart from that it was ok. I was surprised, I've loved SD for decades and didn't think I'd be ready for SD bass line notation before 2027 Hugely gratifying to work away on what, for me, is a very tricky bass line and it actually being pretty close to correct. (loads of times on the PDF I had to draw little up and down arrows under the bars to keep down and up beat rests and notes correct, and slow it down to a snails pace) So, sorry for the long epistle (oo-er missus) but so many great replies to my initial post deserved a comprehensive response. Onward and upward, Cheers all.3 points
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Absolutely fantastic compressor based on the Dimond comp with some refinements. I’m gonna regret getting rid as it’s pretty special but I don’t need a compressor on my current board so it’s gotta go 🥲 Loads of glowing reviews of this comp, it’s certainly my favourite I’ve tried although I’ve never had a Cali76. A bargain price of £125! Can post at buyers expense (usually around £8 tracked)2 points
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Happy to be here, back to being active again!. (Mamayo is the name of my record label and 1st album), I'm here to talk bass and share my music as well as help anyone out who might have questions I might be able to answer - and to find answers to my own questions from all the wisdom here (bass players are the wisest band members, it goes with the instrument ).2 points
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Headphone amp in good condition. However no box or accessories. Will be packaged well for shipment. Collection from Nottingham NG5 or postage at cost. Specs from Phil Jones: Mobile Amp and Audio Interface The PJB BigHead is not big at all. In fact it is barely larger than an iPhone. The “Big” is about the sound. It functions first as an awesome bass headphone amplifier with 2 band EQ ( +/- 18db @ 60 Hz and +/- 18dB @ 5KHz) set for optimization of all kinds of bass instruments. Unlike consumer electronic MP3 players and smartphones that have very small power output of around 20 milliwatt to drive headphones, the BigHead has more than 10 times the power. This contributes to a far more exhilarating listening experience with increased resolution and dynamics. Even if you are just listening to music, the BigHead will be a great improvement to your regular headphones, adding more listening pleasure. A more important function of the BigHead is being a recording tool both in digital and analog. As an Analog Digital Converter, it has the finest BURR BROWN digital components. The USB out is 48KHz 16Bit digital conversion. In other words, recording your bass into Pro Tools will give you exactly what you wish for and absolutely nothing else. Maybe you need an analog preamp. The Big Head can do that too. It will provide up to 12dB of gain and better than 96 dB signal to noise ratio. Just use the headphone out jack to feed an amp or mixer. It is also a perfect match with PJB powered monitors, the PB 100 or PB 300. It has an internal lithium-ion rechargeable battery that is fed by its USB jack, so any computer or appropriate cell phone charger can charge it in less than 3 hours, but it can play for up to 8 hours.2 points
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Thanks for all the input here. I've just snagged a secondhand RM 500 EVO from PMT for £249 on Ebay. I'll hang on to the LM3 too for the time being. Cheers, Rob2 points
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The last of my long scale basses to get listed. Here we have a totally awesome 1970s Antoria Precision, made by Fujigen who were producing exceptional quality instruments back then. This is no exception, totally fantastic bass. Scruffy black body with lots of dings and scratches although nothing through the paint. At some point someone has put on a solid black scratchplate which makes it look at bit Roger Waters. But please don't let that put you off! 😂 The neck is just fabulous. Warm, aged maple 40mm at the nut but reasonably deep D section. An absolute perfect fit for my hand. Antoria on headstock looks to me to be mother of pearl. New Gotoh GB-10 tuners. Weighs in at a very reasonable 3.8kg/8.4lbs. But here is the surprise. I tried to date the bass using the pickup serial numbers and, ably mentored by Jon @Bassassin discovered that the pickups are, in fact, genuine 1975 Fender pickups. No wonder it sounds so damned good. Deep and angry but cutting through in the upper mids. I could try to maximise the value for me, take out the Fender pickups, stick in some Toneriders or something and make an extra £100 but I honestly can't be bothered. I flag that up as an option for a buyer, although in this current form this bass is an absolute killer rock machine. £450 firm, collected from SS7, Benfleet, 20 mins east of J30 on the M25. Can meet halfway or possiibly deliver for fuel, depending on distance. And extra £50 will get you a top quality SKB hard case, still with its key!! Nevertheless I won't courier this so please don't ask. OK, going to resize my pics...2 points
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Since I ditched my amps and cabs I've never been happier with my sound. TBH nearly all of my previous rigs over the past 35 years no matter how "conventional" they looked were about making the line level output from whatever multi-effects unit I was using loud enough to hear, and any colouration they added to the sound was both unintentional and unwanted. For one band we all go direct into the PA, and for the other where the guitarists still use backline and we have a drummer with a conventional kit, I use an FRFR cab for rehearsals and those gigs where the quality of the foldback is unknown. I can't ever see myself going back to a conventional amp and cabs set up. If I was to join a band where the image required it, I'd probably have a fake folding up rig that I could hide the FRFR inside.2 points
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I bought one a while back and ordered it in the blue but changed my mind and got the black instead. It was a backup for my Aerodyne, but I honestly play it more. They have lovely necks, really comfortable to play and sit well with no neck dive. If I lived closer, I would be there in a shot. The only change I have made to mine is to fit Hipshot Machine Heads. If I had to sell 3 of my four basses, my M2 would probably be the one I kept.2 points
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I do it quite a bit with larger pitch SMDs and generally find it a little easier than through hole parts in a double sided board with plate-through pads. SMD desoldering tweezers or a hot air soldering/desoldering rig would often be the preferred tool, some ambidextrous people improvise with two soldering irons, and I just use a regular soldering iron with various tips to make things easier. For example, a 4mm screwdriver tip covers one side of an SO-8 opamp chip pretty much perfectly and for me well over half the parts are reusable.2 points
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So the overkill stack you have now may or may not be as loud as the overkill stack you had that probably would have gone louder. Got it. Ime I got a fright turning up a single BF12 too far once. In my estimation it would bury my 215 cab every which way except one. There's a pumped right up tone from the 215 with the right size amp in a big enough room with a loud enough band that I would struggle to get out of a PA style pixie dust model. As that Alex chap comes over as a straight arrow in everything else I am inclined to believe the marketing also.2 points
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Sorry, but I echo the above. A good teacher should have the facilities at his/her place of learning to provide everything the student needs, including an amp. The only reason you would bring a bass, would be because it was comfortable and familiar to you. Most teachers would have more than one bass, amps etc. I bet most of us have, I’ve got 4 amps here including a couple of decent practice amps. I would already be looking elsewhere.2 points