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Showing content with the highest reputation on 13/11/23 in all areas
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Great wee regular gig for our classic punk covers band Emergency Exit in The Cave in Paisley, near Glasgow Its a 6-9pm slot so home via kebab shop around 11pm ish. This is one of my fav gigs TBH. Night started well as we arrived with our gear with a local being literally thrown out by bar staff who had been asking him to leave on several occasions as he was very drunk and annoying a couple who were sitting quietly waiting for the band. Then during our 2nd set Jen the owner escorted another very drunk outside altho he was ok and just left without a struggle. Oh happy days in Paisley. Started the set to approx 15 people (its a very small pub so that makes it look busier than you'd expect. By the 3rd or 4th song it started getting busier and by the end of the 1st set it was very busy with several ladies up dancing away. Now that was fun (ny). And that was without our usual local support who were all attending a birthday party. All good tho. We even had one of the Blue Angels come up specifically to see us after playing the Club House last week. He's the organiser for the Ayrshire BA. He's actually a really nice bloke to chat to about bikes and band gear. He even owns a Hesketh (motorcycle for those that don't know) that he bought new in 1982 when they first appeared. That must be worth a fair bit of money nowadays. Anyways it turned out to be another fantastic night in The Cave. Early enough finish to miss the on-coming motorway closures that were being set up as we drove home. No pics or vids as yet but if any appear i'll pop something up. My usual punk gear. Sandberg MarloweDK into Ampeg SVT7 and Mesa SW210/115 cabs. Dave16 points
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Well after about 6 weeks of gathering bits… I’ve just finished this. Squier Classic Vibe Body Fender Japan 75 neck Fender Covers Earlpilanz Pickguard NW guitar parts Covers/knobs Strat knobs are to emulate that weird 78/79 era where fender used strat knobs. wearing roto flats, plays perfectly, sounds great - may invest in some vintage voiced noiseless pickups at some point…13 points
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Now sold elsewhere. I am making a determined effort to sell a couple of basses that are no longer getting the use that they deserve. So to follow on the theme of slightly unusual basses here is a '54 replica Bitsa made by one of our own d_g. Lots of top quality parts were used in the build, the specs are as follows: · Allparts Fender Licensed Neck with hand-rolled fretboard edges with satin finish on the back - Fender Decal THIS IS NOT A FENDER BASS · 100% nitro black over sunburst finish with lots of lacquer checking · 3 Piece Lightweight Alder Body · Heavy Knurled Relic Knobs and Control Plate · Fender Bridge · Gotoh Relic Tuners and Strap Buttons · Graphtech nut · Lollar Hum Cancelling Pickup · Reliced vintage style flat head screws throughout It's a lovely bass weighing a little over 8 ½ lbs (3.9kg) and I'll be really sorry to see this go and might indeed have a change of heart. It will come with a decent quality gig bag. Collection is definitely preferred, but I will also be happy to meet halfway (within reason) for some fuel money. Last resort would be a courier. Here are a few pics from the original owner/builder. Let me know if you want any more detail on anything, or indeed if you have any questions. Thanks for looking in.11 points
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Now sold peeps. I am making a determined effort to sell a couple of basses that are no longer getting the use that they deserve. A more modest offering here with a Japanese made Squier from 1993. Good little bass this that served me well but my Limelight Lee Sklar replica is now being used a lot and this bass needs a new loving owner. Cracking little P bass this with a a few upgrades. Firstly a Bareknuckle '58 Pickup and also a Kiogon loom. The knobs are also not original but are really lightweight aluminium items. The bass plays very nicely and has a few marks commensurate with its age. The neck has worn to a lovely silky finish now and is a pleasure to move about on. The bass is a very comfortable 8lbs 3oz, or 3.7kgs in modern money. Priced at £300 that I think is very fair considering the upgrades. I have the original pickup and loom too and these will come with the bass along with a gig bag. Here are a few pics. Black basses are a bit of a sod to photograph but I've done my best. Let me know if you want any more detail on anything, or indeed if you have any questions. Thanks for looking in.8 points
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This is something of a reluctant sale. Absolutely astounding bass, lightweight and an incredible roasted neck. 2018 model. In great condition. For those who don’t know (although would suspect most will) these new Specials have had the weight stripped out of them and refinements to the preamp which I find incredibly musical. It’s one of the best ‘mass produced’ instruments, stainless steel frets which are sublime. Everything on the instrument feels premium and so we’ll put together. Price is firm, these things are nearly 3k new now. Postage at buyer’s cost, might also meet it in north west. Any questions on the instrument feel free to ask.8 points
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Now sold elswhere I am making a determined effort to sell a couple of basses that are no longer getting the use that they deserve. So to start with here is a bit of a rarity, a Japanese-made Fender fretless Jazz Bass Special. A superb example of Fender Japan at its best, this 1987 Fender Jazz Bass Special is in great condition for a 35-year-old bass. There are some very light markings on the rosewood board that I think probably came from previous owner(s) having used roundwound strings and the body has a very modest amount of natural mojo from being played over the years. The bass weighs in at 4kgs or just under 9lbs by my scales. The bass has a slim Jazz neck profile and upgraded by the previous owner with a Hipshot drop D tuner, and some great EMG PJ pickups. The non-standard knobs that came with bass were not really to my taste and I have replaced these with Spector items that resemble the original fit items at a very casual glance. The rest of the black hardware is standard. The bass will come with a good quality hard-softcase. Currently strung with TI Flats. Collection is definitely preferred, but I will also be happy to meet halfway (within reason) for some fuel money. Last resort would be a courier. Difficult to price, but I think £700 is a reasonable balance between the quality of the bass and the non-standard upgrades. Sorry, I do not have any of the original fit items. Here are a few pics. Black basses are a bit of a sod to photograph but I've done my best. Let me know if you want any more detail on anything, or indeed if you have any questions. Thanks for looking in.8 points
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The acoustic show " She's Right I'm Left" will be back at The Harley Motor Restaurant this Saturday, 5:30-8:00. The Motor has always been good for us. Daryl8 points
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Super day, thanks to everyone who organised and participated. Really enjoyed meeting everyone, appreciated the chance to try out some exotic basses, and loved Guy's interview and the chance to play the sublime Betsy 🥰 Afterwards I messaged my boys to tell them I'd had a go on the bass used by the bassist from Oink Floyd. It was a typo but I'm bagging it as a tribute band name 🐷8 points
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As a regular to the SW Bash, I looked forward with anticipation to my first SE Bash - and I wasn't disappointed. It was a brilliant day! First, the venue was outstanding. There were half a dozen medium-sized rooms, all with reasonable, if not wonderful, acoustics. This made playing at a decent volume possible - unlike in a single large hall, where one loud player can drown everything out and get on everyone's nerves. The organisation was as smooth as a baby's bottom - thanks to Colin and the gang. (I only realised afterwards that Colin is @Hamster. Oh well.) There were some nice goodies in the raffle, and I managed to win a practice amp for my son, who is starting to learn bass at uni and needed something tiny for his flat. Result! Like the SW Bash, everyone was exceptionally friendly and welcoming, with a good mix of beginners and advanced players. It was a joy to meet so many of the people I've chatted to here over the years. The basses on display were out of this world. But really! Quite a few custom jobbies, with more Wals than I've ever seen in my life before, plus Spectors and Musicmans galore. I think Jeff @tubbybloke68 broke the record for the number of basses at a Bash. They were all in fabulous condition and available for anyone to play. As for sounds, I was knocked out by @Merton's 1200W Trace amp. I wish I could afford one.🫤 Then there was the sound of @chyc's double bass, which was absolutely glorious. I'm so glad he went to the (not inconsiderable, I'd say) trouble of bringing it. At the SW Bash, the floorshow is usually hosted by @Phil Starr, who does a brilliant job of keeping us informed and entertained. However, even he was outshone by the brilliant combination of Laurence Cottle and Guy Pratt. Guy was exactly what we expected - interesting, witty and entertaining, and Lawrence provided a fascinating insight into the world of the pro bassist/composer/studio musician, which included a demonstration of a piece he had to sight read for a recording. Mind boggling! What really impressed me was the way both pros made a point of wandering round the rooms, chatting and joking with everyone. Kudos. I think @BassforradioDarren Redick also deserves a big hand for the professional way he introduced and interviewed the guests. I kept missing Bass Centre Barry. I wanted to say hello because I used to be one of his regular (although less important) suppliers when he ran the Bass Centre. I can, however, confirm @silverfoxnik's observation that he still has a full head of hair, although it's unsurprisingly not the same golden blond colour of yore. But hey ho. It gets us all in the end.😀 See you next year. (And thanks to all the nice people who said they liked my cabs).7 points
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Laurence is the type of guy you convinces you to either practise more, or give up. Such a great player, with amazing stories. As an aside, I thought I recognized him, and chatting with him afterwards confirmed it, he's here: Thanks everyone for taking the time to organize the event. My first trip was certainly a great experience.7 points
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It annoys me when a venue books a band and then wants them to turn down lower than their TV screens. Worst i've had was a club booked us and sold out 120 tickets plus a few paid at door on the night but another club committee member decided to take a 2nd booking in the smaller hall for approx 30 people at a birthday just one door away from us. He then came into our hall and told us to turn down because the other hall couldn't hear their small portable bluetooth speaker playing background music. The members attending our event told him he should never have taken a double booking when a band was booked in main hall. He left in a huff but oddly enough during the 2nd set he was in dancing away to our Glam covers songs and had huge praise for us at the end of the night saying we will definitely be rebooking us. Unbelievable but yes we have returned and it went exceptionally well. Dave7 points
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It was on Saturday night at a local social club. Large venue with a great stage. We were greeted with. "That's a lot of gear for a band" (not really but we don't go out light weight) and then by the old boot on the door "Don't be loud, I don't want any of our members walking out!".. sigh. So at a suitably reduced volume that felt distinctly emasculating. The sea of tinted perms and frowning faces didn't improve matters. We did have between 2 and 10 up dancing at times, but 3/4 through set one, the old bag from the door comes in and waves to turn it down.. FFS we're not an acapella band. Second set she had buggered off so we turned the volume back up a bit. We ended up with about 3/4 of the audience left when we finished. Guess it turned out as a paid rehearsal. Turns out they've been enquiring about us doing Xmas Eve next year! Oh but would you believe it, every single one of us won't be available that night 🤣7 points
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@petecarlton: So the SW bash has legendary food and now the SE Bash had Guy Pratt for goodness' sake! I think we need to up the game for the Midlands Bash -maybe the local Greggs and @Andyjr1515's bass setup tutorial aren't good enough for folks nowadays? 😉6 points
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Stunning short scale bass from one of the hottest luthiers around. Was made as a one-off special with Aguilar to highlight the Aguilar ceramic P pickup. Capri orange nitro finish with racing stripes. Very light (weighs roughly 7.0 pounds) and in vgc. Only selling to defray cost of a vintage Mustang bass I have acquired which performs the same role (so no trades). Comes with fab Serek padded gig bag. To buy new would be about $3200 and - allowing for post and import duty - would mean about the same figure in pounds. So, at my reduced price of £2200, mine saves about a third and - as stated - is in vgc. Collect SW London or post at cost, as agreed with buyer. Various pics below (mine and Serek website) and a live video of it in action.5 points
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5 points
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Saturday's gig could have been a tad melancholic, as it was a memorial to a guy who passed suddenly earlier this year. He was the singer in a band that we normally do a two-hander with called Rock for Remembrance as a fundraiser for a charity supporting disabled Forces veterans. But far from being downbeat, it went down a storm. It was held in Colinton bowling club - a genteel place in a leafy Edinburgh suburb. A kids' birthday party was finishing as we were loading in - I don't think I've ever seen so many Trinity tractors in one small car park before. We were on first, and I was expecting our whole set to be met with nothing more than polite applause, but we had people up and dancing well before we finished. It got livelier as the evening went on, so all good there. On the downside, one of the lighting stands slipped as I was setting it up and took a lump out of my left index finger, and the lighting desk was sulking. It took a bit of percussive persuasion to get it to behave. I think it's on the way out. But all in all, a great night!5 points
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We can all learn, and benefit, from his enthusiasm for the bass !5 points
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Big thanks to Colin (Hamster) for his organisation and securing the venue and Guy Pratt, his lovely wife Sarah for the refreshments, Trev and Mick for organising Lol Cottle, Barry Moorhouse and some raffle prizes....... and all of you for attending, donating raffle prizes and generously sharing in the spirit of the event and helping to raise lots of money for charity!5 points
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Great to catch up with Gary (Cetera) and Barry Morehouse , the time just shot by . Laurence Cottle was superb and definitely a real bonus to the event , great that he could stay on to the very end as well . Tip of the day was the second finger leading technique . Looking forward to next year and hopefully better weather on the day .5 points
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5 points
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Many thanks to Colin, Trevor, Gary and anyone else who was involved, for making the bash a great day. . . . again.5 points
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Next on the block is this lovely Three Dots JB. These are made in Japan by Yoshi Kikuchi who once headed up Sadowsky's Japanese production before Roger's partnership with Warwick. I've owned a couple of Japanese Sadowsky's and this is easily on a par quality wise, but with a more classic aesthetic. The neck in particular is stunning and it's possible to get a very low action without buzz if desired. The tones are as you'd expect from a top end Jazz bass with a fat sounding bridge pickup, warm neck pickup and a killer slap tone. The bass weighs just under 9lbs and comes with a top quality Three Dots gig bag. Unfortunately the rear side of the headstock has taken a whack and there is a small piece of wood missing. Luckily you can't see it from the front so it doesn't detract from the eye catching (and possibly poking *ouch*) headstock. Here's a clip of a similar bass in action -4 points
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4 points
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4 points
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That looks like a fabulous day, some great gear and people as usual. Shame I missed it On the other hand - I played better on Sunday morning than I have done in ages and had this very odd sensation that I am now actually a bass player.4 points
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Yeah, Darren was the perfect MC for those bits. As you say, top bloke! I couldn’t believe it when Guy finished his chat and said, “I’ll just leave those there if anyone wants to look at them or have a go. Just limit yourself to a couple of minutes coz there’ll probably be a few of you!” He’s such a lovely erm… guy.4 points
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4 points
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What a great, great day!!! Posted a load of pics up at Facebook. You shouldn’t need a Facebook account to view it, I think. https://www.facebook.com/trevorraggatt/posts/pfbid02MUasXEzTEiBG4KPoW6BdTfqYrVUBnZPGxceEQ82UUUVatTJUbYpPGxEyyFvUsPYnl4 points
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The Trace was sublime. I've always thought amps were much of a muchness - but the Trace sounded ridiculously good. Thanks, @Merton for the short- term loan. They look good together, too!😄4 points
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Because Juan Sheet is plenty. This has come about because I happened to have a Deltalite II 2510 knocking about, and fancied building a tweeterless cab a bit smaller than the BC 112 mk3. I also had lots of 68mm pipe left over from the 6" micro cab build. So I worked out a way of getting a 35l or so cab out of one 1220x610 sheet of 12mm ply. Sides are 445 x 305, front and rear panels are also 445 x 305 with the front panel set back 20mm from flush, top and bottom are 330 x 305, all of which dimensions are subject to a bit of tweaking as there's going to be a bit of surplus round the edges due in part to the accuracy of the B&Q saw. Not much to show so far, I'll be making holes tomorrow if the weather permits me to go into the shed without drowning.3 points
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NOW ASKING £1,200 Hi, I've decided to move on my Matamp GT150 as I use my GT200 exclusively now. The GT150 has had very light use during my 3 year ownership and is in great condition. Black sleeve is perfect as well. Looking for £1,500. (See price update at top) Key features: - 150 watts with a customisation to switch to half power (75 watts) - pre valves 3x JJ ECC83 - power valves 4x gold lion kt88 - 4 & 8 ohm speakon outputs (I have a speakon to jack cable I'll include) - customised top handles to make it even easier to move - includes roqsolid dust jacket cover These are £2,239 without cover on matamp and I think they're paused on production due to parts currently. Collection or handover for this as I won't post. I'm going to be on tour as far as Brighton, London, Bristol and Norwich. I'm based near Wellingborough, work in Bedford and rehearse Stevenage way so there's some options. I also have a flight case I could sell as part of a deal if of interest. Drop me a line with any questions. Thanks very much3 points
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This is Heidi, my 77 Precision. I bought her sight-unseen online from the other side of the planet before I moved to NZ for what was then going to be a one year working holiday. She was waiting for me when I got off the plane. 13 years later, she is still my absolute favourite. Professionally refinished by the original owner some time in the early 90's in Sparkling Lake Placid Blue (maybe a shade lighter than LPB) and the pickup was also swapped out for a SD SPB3. I'm told this had nothing to do with Mr 'arris... She is quite heavy but definitely not the heaviest 70's P I've ever owned or played.3 points
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Its basically just ignorance on my part. I simply wasn't aware and never really gave it much more thought. When i looked at the google map Paisley borders on Glasgow so i wasn't far away I also had no idea Paisley was Scotlands 5th largest Town / City. Every day a school day on Basschat and happy that people actually read my posts. More importantly WHY WERE YOU NOT AT MY GIG LAST NIGHT in Paisley. Dave3 points
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Weve been lucky. We don't deal much with volume issues. Most of our business is during fair and festival season. Daryl3 points
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Drivng home from Hereford last night, I was feeling absolutely gutted that I had to miss the Bash, but many thanks to Mick ( @TheGreek ) and Trevor ( @TrevorR ) for posting the photos. Of course, now I'm feeling even more gutted! 👍😎👍3 points
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3 points
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'cept Darren grabbed it and wouldn't let go until Guy came back to do a photo with him. 🤣 Still, I did take a couple of pics of them on his phone for him and he returned the favour when he finally handed it over; I have to say it is a very nice bass! I passed it on to @Smanth.3 points
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Early monday morning update: Neck and pickup fitted. Pickup work was a bit tedious due to hand rotary tool broken last week. Back to chisel and patience. I extended the cavity, but, as you can see, I made a little mistake in the bottom left corner of the pickup ring, where I went mad with the chisel and extended the cut a few millimiters that were NOT required. The ring does not cover it unfortunately, so my OCD will have to live with that and with the fact that there is a tiny gap between te neck bottom and the picket bottom, but it seems straight enough (will have to string her up thou to check). Now we are ready for soldering the control plate and the pickup. Will have to work separately on the output jack, as this body has it at the side and not as a third hole in the control area .... (sigh!)3 points
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Edit: sold. Admin please delete thanks We’re selling my husbands old 3/4 double bass, bought in the late 70’s from a music shop in Croydon. Factory laminated, from Czechoslovakia number 0000737. Also marked with a plate ’Foots of London’ It is a lovely walnut colour, 3/4 size. It had a few scratches commensurate with age, which I have tried to show in the photos. There is a tuning screw missing which will need to be replaced. Other basses of this kind sell around £1000. We would like collection only from Ramsgate, as I would like you to see the bass and play it so you are happy with it on purchase. Also viewings welcome too. If you are adamant you want to buy without seeing it, I can arrange a courier at extra cost (I will have to research this) but it measures from the back, tip to bottom approx 180cm and approx 110cm (body not neck) and 58cm at its widest point. I have no clue how much it weighs. Any questions welcomed and we will do our best to answer. Many thanks,3 points
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Was great fun, good to meet and chat with many of you. Many thanks to the organisers too - I hadn't actually paid any attention beforehand to which guests would be showing up, but totally blown away by how good they both were, I could happily have listened to either of them for another few hours. Surprised by how quickly the day flew by...3 points
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Distro kid. Only £20. For the year. Am on every single streaming service. Not made much like. Only £3. But it's a good way to copyright your songs and ave them out their 👍3 points
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A great day with old and new friends alike. Many thanks to @Merton for letting me leave my 12 string next to his copious amounts of ACG's (borrowing a strap) and running it through his fantastic trace 1200 and Barefaced 210. Whilst I'm not in the market for new cabs, having tried @stevie's LFSys cabs, they're great. Exceptionally clear and articulate which is why I'd choose a cab. They really do the snap, click and top end extension which I like very well. You could do a lot worse than get one. They're easily on a par with Vanderkley, Barefaced or Bergantino.3 points
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This is my slightly re-configured mini board, complete with the new micro-thumpinator. I am thinking of adding a preamp / DI and using my bigger board (Pedaltrain Jr) again in the new year, but this is what I'm taking out at the moment.3 points
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3 points
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My noise gate , works incredibly well and was only £253 points
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KZ ZS10 Pro IEM’s. Bang for buck difficult to beat.3 points