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Showing content with the highest reputation on 11/12/23 in all areas
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The Hulla band played an 'acoustic' night for a local drop-in centre for homeless people last night. We've worked with their volunteers before, backing their choir and raising funds for them, and the centre manager sings with the Hulla band occasionally, so it was a very relaxed and friendly affair. I say 'acoustic' because I was led to believe it would be unplugged, but in the end there were several amps and fortunately I had one to myself. The set was distilled from our usual Christmas party list to the more popular Christmas songs. There was some doubt over whether 'Fairytale of New York' was appropriate given the potential audience of disadvantaged and homeless folk, but the centre manager said ok, so we played it and it went down really well. We were asked to play on so out came some of our rock n roll classics and we played for twice as long as originally planned. It was a good atmosphere within the band and, of course, great to bring some smiles to faces of people who may not be celebrating Christmas the way most of us will this year. The Hulla band only plays for charity donations - its a community based band so the playing standard varies but we have a great vibe going. I love playing gigs but something like this one this brings an extra dimension of satisfaction. We all had tea of coffee before the gig - hardened musicians all. 😃 The gig was in a church - great acoustics. I appear to be the star of the show (I'm sorry, the bigger boys made me write that).15 points
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Final gig this year at my favourite venue ‘The Lookout on the Pier’ in Scarborough with our acoustic duo. It was their Christmas party for invited guests so plenty of familiar faces and song requests. We did a smattering of Christmas stuff, ( Run Rudolph Run, Please come home for Christmas etc) but also plenty of others including’Happy Together’ by The Turtles (great tune I’ve never played before) and ‘It’s getting better’ by Mama Cass ( ditto!). Played two sets, 1x45 and 1x70 mins, fingers aching a bit today! Used a little Rok Tek graphic eq for the first time which just cut an annoying touch of feedback. We have two gigs a month booked in starting Jan 2024, so really pleased. (Sorry for the crap pics, too busy playing to take any others)14 points
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Saturdays gig, the last one of this year for us, due to the singers year on / year off family christmas thing. Played a local pub that isn't one of my favourites. The acoustics are terrible - wall of reflections, feedback on everything acoustic, and it always feels like something is going to kick off there, although it never has directly when we have been there. Also you don't really get that much involvement with the crowd, it is a big pub and it is a long way to the back, you can't turn it up more because of feedback at any sort of volume. Anyway, did the set, had a bit of interaction in the first half, but the second half was actually pretty good, quite a bit of interaction, more than usual, so actually, apart from the sound being terrible, we played fairly well and went down not bad. So not bad, that when we finished, the manager came over to book us for next new years eve, the singer asked me how much they should ask for, I gave my 'not really bothered if we price ourselves out of it' price (ie, twice a normal gig), they came back with a figure 50% higher than that, so that is where we are next new years! It also seems that whatever the pub, merry christmas everyone is a popular song. Who knew (which is incidently also a popular song on our set)12 points
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Shergold Marathon Mk1 1976 UK Made Here is another bass I’m selling on. It’s a very early Shergold Marathon in black finish. You can see it’s an early one as it has the Hayman 40/40 type neck with pinned on logo and black circular plug at the rear and trussrod adjustment at the back of the body under the serial plate. It also has a large black scratch plate to cover what would have been a larger rout for the bigger Hayman pickup assembly. This is a hand made bass and has an amazing slim neck, it’s also got the best flamed figuring I’ve ever seen on a Shergold bass - just lovely. The bass is all original apart from the pots, these have been swapped out for a simple volume and tone control. Originally it would’ve been a stereo bass with a switch to disable the stereo. At some point a coil tap has been fitted and then disabled. The switch has been removed and the hole plugged with a plastic cap. The bass sounds fantastic and is very versatile. The Shergold pickups are powerful and articulate. They were quite a ‘name brand’ in the 70’s and 80’s played by such diverse musicians as Peter Hook, Mike Rutherford and Julian Cope. They have subsequently become a respected and sought after brand and recently revived in the UK. This one has evidence of lacquer cracking as is common with the brand and looks to have been oversprayed. There are paint touch ups here and there too. When I got it it had binding hanging off as the glue had dried out and the frets needed reseating. Now it plays very well and is strung with D’Addario 40-100s. There was a diagonal slot in the board near the highest fret and a small screw hole touched up with paint and another slot cut into the binding. Not sure what this was for - possibly a midi pickup? It wasn’t impact damage as it had been deliberately created, it didn’t cause any issues however I had it filled. It’s a little headstock heavy thanks to those 70’s stock tuners but does balance okay on a strap. It weighs 3.7kgs so very light and perfect for long gigs. A classic UK made bass with Burns lineage. Sorry no trades and UK only. Pickup preferred but I could be persuaded to post at buyer’s cost.7 points
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Friday 8th, we (Public Service Announcement) played the Queens Head in Aylesbury. We have played there once before and it was a great evening - we were really looking forward to it. We would be providing backline and promoter supplying PA/Soundperson. A couple of days before the gig promoted messaged us to ask if we could supply the mic's and stands. This set alarm bells ringing. We also then saw online that a second band has been added to the event... The gig came, and as expected, there was the most basic vocal PA, only 2 monitors and no sound person. Vocals only through the PA (I normally like some kick drum in my monitor) and no monitor for the drummer meant this wouldn't be the easiest gig - but we've had worse. Once we completed soundcheck, the second band took the stage. A anarcho-punk band made up of three 15 year olds who hadn't thought to bring any amps or ask us if we could kit share. Just some cymbals and gutiars. Ordinarily, I'd refuse to loan my gear in this situation. I'm happy to kit share if arranged in advance, but my thoery is if you haven't the manners to arrange in advance, how do I know you have the manners to respect my equipment?? Anyway, we were all young once, so I plugged up my little Warwick gnome, and let their bass player use that. Once they finished we set up, and as we were about to go in, former England football player Stuart Pearce came in. We knew he was planning to come, but part of me hoped he wouldn't show once we realised the sound wouldn't be great. Anyway, we did our best - and the crowd loved it. At the end of the day, we can't really ask for any more. Mr Pearce came to say hello at the end - unfortunately, we were unable to get a band pic with him. Next time...7 points
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Fab fretless. This is the basic Garry Willis model (or Harry Willis as my autocorrect seems to want to call it) but has been significantly modded by a previous owner. As you can see the finish has been taken back to the basic wood grain on the body and ramp. I like it but if I were keeping it I suspect it would look even better with some oil or similar to finish it off. Anyway, beauty is in the eye of the beholder... Also upgraded is the pickup to a nordstrand blade. This is technically a 4 string pickup but the sizing is fine for bass (spacing is around 16.5mm so narrowish) and all works fab. Now has an Aguilar OPB2 in as well. Very similar set up to the original although I think there may have been a push/pull on the volume for passive bypass that has gone with the Aguilar. Never bothered me - the bass sounds great. I'm only looking to move this as there is another fretless that I'm keen on and I won't need two. If that goes then I'll withdraw or happy to talk px on other fretless I suppose if you wanted to downsize with some cash... anyhoo you get the jist of it! Set up B-G with a low action and flat relief, nickle rounds - it plays fab. Personally I'm not a big fan of narrow spacing but it just seems to work on this bass. Great design. But then I do like a bit of Harry Willis.... Shipping is possible - I'll pack it well in a basic gig bag. Add that onto the cost though... x6 points
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6 points
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EBS Reidmar 752 + Eich 210XS. Absolute tone monster...and way louder than it's size!6 points
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Our gig on Saturday was a bit of a disaster... Missing kettle leads for guitar amps, a lead failed in the rack mounted PA and whilst replacing it with a spare, multiple others got pulled out and we ran out of time... we had to use the venues system instead! My amp sounded shocking because I was in a corner and for some reason my hands weren't working properly. Got rebooked and paid so not a total disaster!6 points
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Reading some of the comments on here, I’m amazed at how some of the bands mentioned manage to exist at all! Imagine the scenario with say a sports team, who have scheduled matches against others and then one or two of the players decide to arrive late / can’t make it / will only play if their other half is in a good mood etc etc. The team wouldn't last five minutes. Surely it’s no different with bands. Whether it’s just a hobby or something more serious, there is no point in band members having such a lack of commitment. Of course things in life occasionally happen which mean changes need to be made to rehearsal schedules, but isn’t it funny how when a paying gig is on the cards then people seem to be able to commit to them more readily? In an old band of mine, getting everyone to agree on a mid week rehearsal was a nightmare ( mainly down to two band members who were also full time teachers) but if we got a mid week gig offered they always seemed to manage it!6 points
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So in the mid 90’s my older brother used to put a VHS on called “Nirvana: Live Tonight Sold Out”. There was this Human shaped Spider guy on bass, about 19ft tall with 15ft long arms… He played these bloody handsome basses - and I obsessed about them, just staring at Adverts for used Gibson Basses. His sounds were really warm plummy and “boingy” - even with Fuzz/Overdrive sounds. Anyhow, the years came and went…I got into the dreaded Slapping and Tickling of basses, so the Gibson’s didn’t really seem to fit that ideal. Having recently joined an indie band, the time has come. With a huge helping hand from our very own @walshyand some selling and some inheritance… Here’s my new toy… 1970’s Gibson Ripper. And “that” sound is present. But also, shockingly…some funkier and Jazzier sounds are to be had. Going to experiment with the original 70’s bridge too. Its a decent weight - a shade over 9lbs. And while it’s evidently “old” - it’s by no means battered. It’s in lovely condition. I’m pretty smitten to be fair. ”never meet your heroes” - The old adage says… I say meet them! Natural next 😆5 points
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Yeah, I'm pleased with this tort guard that I just added. Probably the 4 or 5th colour this bass has had.5 points
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Bit of an impulse buy this one. I'm sucker for retro looking guitars and sea foam greenish colours so when I saw this it was pretty much a case of instant attraction. I bought it thinking that maybe I'd want to change a few things, new tuners, maybe stain the laurel fretboard a bit darker, but since it arrived I've actually been really impressed with it. The tuners are fine, and the laurel actually has quite a nice grain to it. When I change the strings I'll pop a bit of lemon oil on to see if it makes the grain pop a bit more but I'm not sure staining it would be an improvement. Having never had a guitar with P90s before I wasn't sure what to expect. These seem to have most of the brightness of my Telecaster's single coils but with a slightly thicker tone, more bass and mids, a little bit different from my other skinny stringers. All in all I'm very pleased and as happens so often these days I'm left asking myself how they do it for the money.4 points
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Wonderful example - screams 90s but in a good way. I did previously list and sell this, unfortunately the weight was slightly over my estimate and this was a key factor for the buyer so we reversed the trade. Since then I've swapped out the bridge (so it's even heavier now!) which has made a real improvement on the feel and sound. It's got a bit more mass to it if that makes sense. Currently strung E-C but was B-G when I got it and worked really well that way round too. In the interests of full disclosure there is a small chip out of the nut on the E/B string slot. All seems fine and stable etc, just want you to be aware. I can ship it, well packed in a basic gig bag if you wish - shipping is on top of the price though. x4 points
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Squier Silver Series Precision Bass MIJ 1992/3 I’m moving another Precision bass on. This time a lovely example of a Squier Silver series Precision. The bass is a superb player with a neck somewhere between a Jazz and a modern Precision. The nut width is narrow and very comfortable at 39/40mms When I got the bass the original scratchplate was broken and the pots bypassed and wired straight to the jack. I had it rewired with a new Switchcraft jack socket and pots. I also used a newer black scratchplate I had that fitted without adaptation (I kept the original one which I can include). The fretboard was cleaned and a couple of frets reseated. The truss rod was tweaked (it works as it ought to) and now it has a low action and plays very well. The original pickup is very articulate and powerful. The body has numerous bumps and dings to it and buckle rash at the back. The neck has play wear with no significant dings. The bass is extremely light at 3.4kgs. It’s a good honest example of a 90’s Japanese Squier Precision very comfortable to play over long gigs. Sorry no trades, UK only. Pickup preferred as there is no case or bag. I can post if necessary at buyer’s expense as I now have a box. Parcelforce Express will be £20.4 points
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An unusual gig for me on Saturday night. The Sufjan Stevens Songs For Christmas concert at Lancaster Priory. Around 45 people in the orchestra, electric band and choir combined. Only 5 rehearsals which included one the night before and one the morning of the concert. It was sold out, packed with people. Lots of the other musicians had done it before, but it was my first time. Incredible experience, really moving and emotional at times. I used the Elf and the BF One10 which was also DI’d into the PA. I do hope I’m asked to do it again when it comes back to Lancaster. A pic during setup.4 points
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4 points
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Fair points, but the truth is that, unless one has unlimited funds, resale value has to be a consideration for ordinary mortals like me. I know people say things like "this is the instrument I'll never sell", but who knows what life may bring? Something even nicer may come along and the funds from selling the previous "forever instrument" will be needed or come in handy. Worse case, one might need funds due to some disaster that crops up and be forced to offload something(s) to raise the money. At my age (70), I recognise that the time could come when I am no longer able to play (or lose the desire to do so). If that combines with a need for funds - to cover care costs, for example - I'll have to sell some instruments since, next to my house. they are the most valuable things I own. If I've spent a lot of money on a bitsa, even a superior one, it's likely be less easy to sell for a good price. I was in this dilemma some years ago. I decided to spend quite a large sum on the mandolin I'd always wanted (an F5). I spoke with custom builders and was very impressed by some of their instruments, but decided in the end not to commission one but to get a Gibson because it would hold its resale value.4 points
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I have recently built two P basses with Fender bodies and Fender necks, so can I actually call them "Fenders" because the Fender decals were applied by Fender, and the bodies have Fender stamped on the back under the neck plate, again applied by Fender, and one even has a Fender Custom Shop ‘62 Precision Pickup fitted? Seriously though, I would never try to pull the wool over anybodies eyes if I was to sell them, and to be quite honest, these two are the best playing, and best sounding basses I have ever owned, and I've had a few over the years (at least 25), so I can't see myself selling these until I stop playing completely, I'm a P bass fan and the 38mm J necks just make them a perfect fit for me.😏 Here's the specs: Sunburst/Maple Fender P-Bass Body in Brown Sunburst Fender Roasted Maple Jazz Bass Neck Fender Custom Shop ‘62 Precision Pickup Schaller BM 4L NI Bass Tuners Ki0gon P-Bass Wiring Harness CTS Pots/0.047 Cap D'Addario EXL165 Bass Guitar Strings Arctic White/Maple Fender P-Bass Body in Arctic White Fender Roasted Maple Jazz Bass Neck Nordstrand NP4 Precision Bass Pickup Schaller BM 4L NI Bass Tuners Ki0gon P-Bass Wiring Harness CTS Pots/0.047 Cap La Bella Low Tension Flexible Flats 42-100 Bass Guitar Strings4 points
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Earlpilanz on ebay will sort you out with one in any colour you like for not much dosh. GAS reinstated again , you're welcome!4 points
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My ad is pretty straightforward: Bass guitarist looking for originals band. Open to most genres and styles. Plenty of experience live and in the studio. Please, no busybodies who believe they are experts in all areas of life.4 points
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Sometimes a band might not seem perfect at first, but things get ironed out with a little perseverance. I joined a covers band and was very unsure about it, but once the second guitarist got kicked out due to his negative attitude and generally not being a great fit, we started to gel as a three piece. We're not perfect but audiences seem to like us and the gigs are steady. I'm taking a break now as there's a baby on the way, and they're adamant they want me back when I'm ready - we'll see. Either way, it's restored my faith a bit, both in what's out there and my own judgement.4 points
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4 points
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Right we’re done. It was a little tricky fitting the loom with larger CTS pots into the cavity, however a little chisel surgery and she’s gone in fine. The neck bolt kit has gone in without any challenges, it’s brought everything super tight to the body. In retrospect that was overkill, the quality of the neck and the pocket was fantastic, it was super tight already. However, this can’t hurt. I’ve used the old pickup covers to save drilling new holes in the body, the new ones were a little slimmer. I’ve fitted a set of flat wounds and it sounds great. The old pickup was distorting and sounded overdriven, it’s got a lovely warm tone now. I need to make some minor adjustments to the action to level out the string heights in parallel with the fretboard radius and then I’m good to go. I may have to put a smidge more foam under the pickups but that can wait for the short term. I want to give it a few months and see how I get on.4 points
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Played with The 77s at Drakes Cork & Cask in Maidstone on Saturday. Brilliant gig which was very well attended by regulars of the pub, and various groups of Xmas parties coming in and out. We added in a few songs that we had not done for ages, as we need to extend our set list for our NYE gig. We hadn’t rehearsed them all together so they were a bit rusty, but on the whole OK. Ended up doing two extra encores which we hadn’t planned on, but we were happy to keep playing. Played my Duff McKagen Jazz Bass Special, Darkglass AO 500 and Orange cab. They asked us to go back next year which was a nice bonus.4 points
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Schack Unique 4 Custom - high-quality 4 string bass from (Andy) Schack. Handmade in Germany. Classic example of German bass building tradition from the 80/90's. Excellent quality incl. selected woods, hardware, craftsmanship, playability and sound. The 'unique'neck = bolt on using unique patented Schack Covered Neck Fixing-System (CNF) Fingerboard: thick ebony, Frets : 24 Headstock : 2 + 2 with ebony top Pickups : 2 Basstec Jazz Bass like humbucking. Electronics: (original Schack BC 3P, active c/w master volume, pickup pan control, 3-way plus highly switchable frequencies and Q-factor for each band is included ) - but currently a more basic Vol - Pan + 3EQ Preamp is fitted : Tuners : Gotoh. Bridge : ETS/Schack Original Schack 3D-adjustable. Strings spacing at bridge : 20 mm (adjustable) Nut : synthetic with zero fret Strings spacing at nut : 11 mm. Scale: 34" - long scale. The bass body was recently stripped, refurbished / refinished by Agrajag Guitars - I do have photo(s) of the original dark blue strange poly-plastic finish that was removed. I'd initially planned to refit the Schack BC-3P ciscuit but it's a bit complex and I failed to get help from Nico Schack. The rear cover isn't as neat as it was (due to the refurb/refinish) so I've added a couple more screws. The BassTec pickups are great but have become quite worn over the years (particularly the neck p/up which has virtually lost its 'basstec' logo). Looks like the Schack Unique range is now back (Nico) with prices from c. €3k. (website) ... now reduced to £888 !3 points
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GORGEOUS shell pink p bass originally from walshy. Alder body, slab design with a very light relic (I believe by Dave Wilson). This was my first proper p and it’s wonderful. I did make some changes: Original neck swapped for a Nate Mendel. It’s worn but in a good way and suits the bass much better imo. tort plate one of the badass saddles developed a problem so I replaced with hipshot kickass saddles. Gives the advantage of adjustment to the spacing as well Weight is a tad over 9lbs. Pickup a fender 62. Cts pots. Shipping is an option….3 points
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Positively screams “specialises in technical blackened death metal”.3 points
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That would be an ecumenical matter3 points
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Picked this up for £100. Only tried it for 5 minutes but it’s nice to play. ✌️3 points
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How do you put up with being a member of BC then?3 points
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I once heard a story about a session player who always had trouble with a certain producer with his bitsa bass, saying that the guy should consider getting a proper Fender bass. So he installed some Fender decals to it and suddenly the bass sounded “right”3 points
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We're a 7 piece band (2 lead vocalists), drums keys, 2 guitarists and bass. In a theatre type environment it allows us to set the stage in a much more equal way visually.3 points
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Kept it really simple. Wasn't looking fir a band as my main band were on a gig hiatus due to other members' lives. https://www.bandmix.co.uk/timr/3 points
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You’ll have to send yours off - and he’ll duplicate it in any colour. For not much dough. £38 for my last one. All decent gear too3 points
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Earlpilanz on eBay will do that… https://www.ebay.co.uk/str/earlpilanz3 points
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My favourite was a Rick copy that looked authentic, but up close the truss rod cover read "RonnieBarker".3 points
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If you are a Mac user, the moment you spend more than £200 on 3rd-party plug-ins and samples to go with Reaper, you might as well have bought a copy of Logic. Just the instruments and effects that come as part of the installation are more than most people will ever really need. I have broken my "Logic only" rule twice - once for a Simmonds Drum emulator and once for Helix Native. However, while they do make life a bit easier, neither of them are essential - I could recreate all the electronic percussion I want from drum machine designers and the various synth plug-ins; and having Helix Native allows me to manipulate my guitar and bass sounds after recording, but I could either use the hardware to re-amp the direct recorded sounds or simply tweak the Helix settings and re-record the part as required. For everything else I do - drums and synth programming for the live backing of one of my bands as well as recording Bass VI parts Logic does way more than I will ever need. Some years back I did fully orchestrated Christmas Carols for a high-profile web site's seasonal promotion using just the instruments that came bundled with Logic and some vocals from the marketing company's employees.2 points
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I know this song well, having covered it from time to time, but I can't get enough of this version at the moment. Live on WDR's Rockpalast. The magnificent Lucinda Williams, Doug Pettibone is on fire. Perfection.2 points