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Showing content with the highest reputation on 27/05/24 in all areas
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Monthly Bandeoke in Warminster last night. Dep guitarist was a tiny bit enthusiastic for my tastes but played well which is all that matters. I used this lot That's Jordan. He's a drummer. He deserves pity rather than censure.12 points
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10 points
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As some of you may (or may not) know. I live in deepest darkest rural Bulgaria in a small village with only about 300 people. So imagine my delight when I recently met a guy from the UK who's just bought a house in my village, who is not only a guitarist but also a qualified sound engineer and has his own recording studio in the UK. He's planning on bringing all his gear over soon which comprises of everything you would expect from a good recording studio, including a live state set up. Loads of instruments, several drum kits, mics, and lots of old valvey goodness amps. I think he's going to be my new best friend. 😆9 points
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Back at Spen Victoria Cricket & Bowls Club for our delayed gig from February. The car managed to get me there and back again with no trouble other than the boot switch not working meaning I had to get everything in and out of it via the back seat. Our setup started after the Leeds match, so the mood in the clubhouse was a bit despondent and probably a fair few had gone home, but fortunately the place filled up and was pretty rammed by the time we were underway. We weren't perfect and all of us made a few mistakes, but we were all pretty much on it besides that, and the show had some good flow, apart from when our singist decided to pay tribute to half the Western world before our last song, but our two new songs went down well and the show was a success. I got compliments on my tone afterwards, and a guy I recognised as a fellow bassist have me a thumbs up and a big grin before he left midway through our second set. Same setup this time as last, with the Squier P in use as the Siredowsky (as it shall be henceforth known) is still guts out on my kitchen table waiting for my mate with the soldering iron to get over a bout of food poisoning and return to finish connecting it all up. No gig in the diary now until August, but our singist handed out one of our business cards so we might get another one lined up, which would be nice.9 points
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SATURDAY! Two gigs in one day, both with Azura - 4 piece rock 'n' roll/indie/80s stuff. The drive to North Wales took us four hours (should have been less than two) due to a crash on the A53876 (?). The gig was an open day at a caravan park in Towyn (ultra glamorous and sexy, as you can imagine) outside under a gazebo to a load of people who literally could not have cared less. We played pretty well, considering the total lack of any response. The highlight was the stilt walkers and fire dancers who had a boogie along to our set. Thanks, ladies! Then pack down, back in the van, back to the midlands for a quick car swap and off to a pub in Halesowen where we got to do it all again to a slightly more appreciative audience... a few folk seemed to be enjoying it, including the woman who repeatedly told the singer (mid song) that we HAD to do some Kings of Leon, despite being told three times that we were going to. A couple of mates of the band were there and said it sounded grerat out front, a few dancers up by the end and we had a laugh so... yeah. Highlights were the drummer thrashing away at the back like he was on the pyramid stage and finding a still edible slice of Friday's pizza in my bag as we were packing up. I went fully wireless for the first time, Lekato wireless XLR for the IEMs and subzero bug for the Bass... they both played nicely together, so that was a win. Looking forward to the sort of gig where I can go for a wander on to the dance floor. Played the StingRay -> Small board -> Amp board (thumpinator and VTDI) -> MB 802. Back about half midnight for a bottle of Old Pa StingRayBoy's homebrew spiced christmas cider (6.2% ABV (approx)) Not the best gigs I've ever done, but it was more fun than not doing it and it's free money, right?9 points
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Wedding gig on lead guitar for a friend of the singer. It was one of those gigs where it feels like an invisible force is making you sound and play better. Mind you I had a head start with a Custom Shop Strat and a self-pimped Tele Deluxe into a Matchless Lightning Reverb. I don’t normally use that Strat for such a rocky set but I mainly played through a couple of low gain drives and the thing just sang. Pic shows stage before we started.9 points
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Back at the basement at Exchange in Bristol, we (Hora) organised this gig with our guitarist's friend's band, Tüsk. We were a bit worried about tickets sales. This is our 6th gig, Tüsk haven't played in Bristol before, but we actually managed to almost fill the 50 capacity venue! Very pleased with that. Plus we sold a couple of t-shirts. I managed to snap my high C string on the first song so I was out of tune for the first couple of songs until I got a chance to retune 😅 I took along my Zilla cab because the stage is so tiny, and it delivered the thunder in spades, as it always does. Much better than their house cab, a beat up Ashdown 410. Love that thing. Signal chain was Combustion, GX-100, ABM-600, Zilla 212. VID_198270127_083805_925.mp49 points
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So I did some surgery on my 2010 California VS, removed all the active electronics, replaced it with decent pots a new scratch plate , copper shielding, new caps and Lollar overwounds (total active to passive conversion basically) Different beast altogether now, it did leave a bit of a hole in the back where the battery used to be but as the cavity is nicely varnished inside I’m not too bothered. Can’t put this bass down, loads of character.8 points
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Another day at the seaside for Mustang Sally, one of the very few gigs we do that's within walking distance for me, on the seafront at West Bay. It's the annual Pirates' Day event so lots of plastic cutlasses, funny hats and shouts of 'Avast behind!' (not I hope aimed at any of the punters' a*ses...) Weather was iffy, bright sun mixed with sharp showers. There were two stages (curtainsider trailers) so plenty of room width-wise but no depth, especially unfortunate as the open side faced south-west; guess where the weather was coming from? We're still having trouble taming the Bose PA, but then having to set up and get it sorted for FOH and foldback in an hour was always going to be a challenge. The outdoor venue made it even more so - no natural reverb/feedback from France (70 miles straight ahead) rather than the concrete warehouse walls where we played in two weeks ago! Musically it was good - no blunders, fast follow-on between numbers, radio-link for bass (Nux) makes its handover to our Gitrist easy when my sax set comes up in the middle. I put the setlist together specifically avoiding the new under-rehearsed numbers that fell apart at the last gig, so the punters danced and sang along but we had to chop our single 90-minute set by five at the end as the rain finally came down - nice to have the curtain-side slid along to keep us dry as we packed up! There's trouble brewing between the original band members who really want to go back to a classic three-box PA with knobs to twiddle and a ten minute set-up versus the more avant-garde who think it's worth persevering with iPad mixing, wifi links and quality speakers. Which side am I on? I couldn't possibly say!7 points
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I got a couple ramps 3D printed yesterday. Made in SolidWorks by my bro to my thorough gauge measurement specs. About 1hr each to print. One is for my MarkBass Gloxy GV5, the other went to my rat rod parts Jazz (yep, the one that's full of dust). They're slightly trapezoidal as they run from pickup edge to pickup edge (given the bigger length of the bridge pickup). They're both 5mm thick total (top half solid, bottom half beams). Real solid. Not a fan of the color tho'. Might try some film wrap.7 points
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Morning all, Here's a new ad for this very nice Yamaha BB2000. I withdrew it for a while as it's a terrific bass but, on reflection, I do need to move it along. It's priced to sell and firm. It's a great player and has a wonderful straight neck/ low action and good weight for the reassuringly chunky early 80s BBs. Also, it is not mint and has a few dings with some finish chipping on the headstock and a little bit of finish loss on the upper horn (pictured). It also has visible wear to the frets that will at some point need dressing etc However, that does not detract from this being a terrific bass that plays well (video attached) and overall it still looks good with 42 years on it. As I often say, case queens are sometimes case queens for a reason. This one has been used because it is awesome There is no case so shipping is not possible. It will have to be a meet up and handover at a mutually agreed location. Specs - flame maple/mahogany through neck - alder wings - reverse P/J config - passive electronics - ebony fingerboard - weight about 9 3/4 lbs OK, here are the pics and the video!6 points
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A bit of a strange one for us on Saturday, playing at a local festival that's always very well attended and has been going since 2006. I played there years ago with a previous band and we went down well, despite dodgy old PA's that were cobbled together from various ancient components etc etc. Fast forward to Saturday and things were.... different. The gig was indoors, the PA and engineer as well as the lighting were superb and the audience was sparse. Okay, we assumed it wouldn't be heaving at 5:30 on a Saturday but it was a bit of a shame that there weren't the crowd we'd been told to expect. We went down very well with the people that did see us so that was great, despite playing immediately after some young 'uns (the drummer was 14!) who played covers of mostly 1990's grunge songs and played them like they'd invented that sound - bejaysus they were good, and following them was a tall order! We played pretty well, and the bass sound was immense. I don't mean it was big, I mean it was like Kyuss in 1993. The amp was the provided Ampeg head and 4x10 (I think, but it could have been a 2x15) and combined with my new Cali76 the tones were amazing, even if I say so myself. Our singer, bless him, reckons he let us down but he wasn't feeling especially well and was really nervous as a result, convincing himself that he wouldn't be any good. I thought he was grand - maybe not quite up to his usual high standards but still better than the majority of cover band singers I've heard. All in all it could have been worse, and we broke our duck with our new drummer, so that in itself was good to do. Onwards to the next gig on this coming Saturday, which is a fund-raiser for boobies. Cheers, JRK6 points
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A modded 40 year old JV Precision hence the lower price. It has been routed for EMG PJ active pickups with a Jazz pickup at the bridge - a classic mod! The bass also has a countersunk Hi-Mass bridge. The bass weighs 4.3kgs and sounds and plays as a good PJ ought to. Classic JV quality in a lovely original fiesta Red finish. All hardware is original other than the mods. There are areas where the paint has been touched up near the neck pocket and bridge and the Jazz rout but nothing drastic. The mods are from the mid 80s when the bass was toured. At one point there was a switch that has since been removed and the hole on the original white scratchplate has a plastic cap over it. I’m selling my long scale basses that have no sentimental attachment owing to issues with my fretting hand. I’m not interested in trades other than shortscale Fender Mustangs or Stingrays. It has a gigbag and I would prefer pickup. Postage not impossible but at buyers cost and UK only. Thanks!6 points
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The next time someone asks you "why Thunderbird?" just show them this picture.6 points
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The cull continues…… I may well regret this but I already have a Jazz Bass and am now more of a Precision man, so this beauty is up for sale. It is in absolutely fantastic condition, plays superbly and sounds great. The build quality and paint finish is exceptional, Fender really did a great job with these limited edition basses. The full specs and blurb from Fender are in the photos. Please feel free to ask any questions or if you would like additional pictures.5 points
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Pack shuffle time. I'm selling my Harley Benton HB-50 semi-hollow bass. This is a prototype bass which was shown at Guitar Summit 2023 and then sold to me as a one-off by Thomann. I don't know why they're dragging their heels but at time of writing this ad it is still not available to buy yet. I was not satisfied with how it was supplied, so I made some reversible modifications - put springs on the pickup screws so the height can be adjusted sufficiently, rewired it with decent pots (stock ones were garbage), replaced the three way switch (which gave you single coil (north), both in parallel, single coil (south)) with a three way rotary wired parallel/single (south)/series, added a neat, custom ordered "poker chip" to show parallel (P), single coil (1), and series (S). Full details of what was done can be found here: https://www.basschat.co.uk/topic/484563-belated-nbd-harley-benton-hb-50-prototype/ Basic specs: Semi-hollow bass, maple body, arched top, maple set neck, laurel fretboard. White body/neck/f-hole binding. 22 frets. 34" scale, 42mm nut. Artec MMC4 Vintage Alnico 5 humbucker Controls: Volume, Tone, 3 way switch for parallel/single coil/series. Weight is 4.3kg/9.5lbs. The bass will come with a very high quality Blake Bravo gigbag, a big bag capable of swallowing any long scale semi-hollow bass you could throw at it, loads of padding, moveable neck support. I'm looking for £250 posted. It's no secret that I bought it for £200, but considering the work that has been done to it to turn it into a much more useful instrument, and the premium gigbag which I think was like £150 new, coupled with the fact that this bass cannot (at time of writing this ad) be bought anywhere else, I think £250 posted is a reasonable price. Can lop some money off if you don't want the gig bag.5 points
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Bought @Stealth ‘s Barefaced Big Twin and no surprise I’m bloody loving it! What a truly great tone. Running it with a Tecamp Puma 900 and it is sweet as! Lovely vibes with my pimped Chinese Tesco Express.5 points
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There has been a lot of interest in 3 Leaf pedals and I feel for any pedal manufacturer whose had or is having a moment where there is pressure on them to produce. 3 Leaf, Iron Ether, Cog, Malaise Forever and others have all written about how testing it is to be a maker. I know Spencer in particular considers his pedals art rather than a commodity so being told he’s doing supply and demand wrong must really have grated given his commitment to putting out the best pedal he can. The No Gods No Master Volume podcast which interviews pedal makers gives a really good insight to the pressures these guys face just so we can have boutique pedals. I highly rate 3 Leaf pedals and I’m glad they are being regularly released again. Too many good manufacturers have stopped over the last couple of years (SSBS, Dwarfcraft, Earthbound Audio) and I’m glad 3 Leaf wasn’t added to the list.5 points
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Friday night at The Blue Bell Stoney Stanton in Leicestershire, just up the road from Stoney Cove for all you in the diving fraternity. It's a great little pub and Jade, the landlady is a bone fide Country fan. Went down a storm with the added bonus of my daughter and S-I-L attending as they were up from that London for the w/end. Lots of boogie from the audience and despite our drummer having a gammy leg, we played a blinder. My usual goto gigrig of Mike Lull P4 through the Handbox R400 and matching 1x12. On to Newark next Saturday5 points
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This weekend saw me venturing up to Lincoln for the Call of the Wild Festival. I was delighted when I saw the backline because after 20yrs of flitting between Ampeg and Orange, I have recently moved over to Blackstar. I realised that although this was our third gig with the new drummer Andy, it was actually our first rehearsal together. The rehearsal was great which is normally kiss of death. The weather wasn't on our side and with no pride whatsoever, I can confirm that I own absolutely no practical clothes whatsoever. I stopped at a shop and bought an umbrella (colour coordinated with my shoes and car, as you do). The rain came before we went on but we had a fair crowd and it really brightened up quickly during the set. I haven't really used the Thunderbird too much since my Americana days. I like to mix it up and avoid rock style basses for rock groups etc. However, it is a beautiful and lightweight bass that has been with me for nearly 10 years now. I was feeling it, so went with that. Thanks to Jackie Middleton, Mark Ellis and, um, Andy the drummer for these three images.5 points
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That's funny as the PA we were using on Sat night was tablet controlled with all wireless mics and IEM systems and i think the drum mics too. The guy running it mentioned to me at one point that it kept dropping out and he said it was possibly because of too many wireless signals. He had all the receivers in a rack mount unit at back of stage next to drummer. To be fair i didn't investigate further as it wasn't our PA so i've no idea how many channels were being used. Apart from my bass wireless unit to my own amp i have no experience in full wireless rigs like this. Our singers both have wireless mics and IEM's and altho the desk is digital and can be controlled by a remote tablet / mobile we don't use that. Drummer controls the desk which sits next to him. Dave4 points
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Third year of the musical "Five, the Dionnes" a show about the famous quintuplets born 90 years ago just a few miles from me. The previous shows were in a large old theatre in North Bay and I posted about them, but this year it was a lower budget fundraiser for the Dionne museum in a smaller hall with seating for about 180 and we had a full house. The seven piece band was squeezed into a corner but since most of us have played the show for all three years we managed very well. Most of the actors were returnees but the two new ones were very good singers and this was the best version we have done, lovely harmonies in many songs. The production is performed the way an old time radio drama would have been done with the actors reading from scripts and into individual mics and playing several characters with sound effects and background music and songs scattered throughout the play. The audience loved it and other than a bit of a bobble in one song I managed OK, two of the numbers start with a few bars of a solo bass riff and I nailed those. The photos were taken during the sound check in the afternoon, I used my Shen SB 100 into my Traynor SB112 and DI into the PA. All in all a good night. 😊4 points
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This is a Sterling SB14 body with a maple USA EBMM Sterling neck. I bought the neck from eBay and the SB14 from this site. I was looking for a candy apple red bass with a maple board neck but couldn’t find one so I built my own! This has been my main gigging bass for a few years but owing to fretting hand issues I’m now selling my long scale basses. I’ll regret this as I’ve invested quite a bit of gigging life into this one but it’s now gathering dust. The bass has Hipshot tuners and a drop D tuner fitted. The active electronics sound as good to me as my full fat US Sterling bass. It’s light at 3.9kgs and plays really well. There is a scratch at the top edge of the neck near the fretboard - I thought it was a hairline crack but my luthier said it was nothing to worry about. See fifth picture. It comes with the installed Armstrong black scratchplate and the original white one. There is a Sterling gigbag included. No trades sorry. I’d prefer pickup but can post at buyer’s cost UK only.3 points
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I have 2 Ampeg premier edition SVT II pros for sale. These were a limited run of 250 The predecessor to the full release of the SVT II pro, hand wired I believe. Both heads are in great condition and all the tubes are good. They get fired up once a week to keep the caps in goods order and they sound amazing. Yes they are heavy but I’m 58 and have no trouble lugging them around, my main is still an SVT II. Looking for £900 each, if your going on tour and need them both I’ll take £1700 the pair. They are to heavy to ship but I’m willing to travel 50 miles from Birmingham, further if you cover fuel costs. im happy to take trades WHY?3 points
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Danelectro 56 Baritone Black Metal Flake, 30" Scale, £350 Bought new by me, home use only, excellent as new condition. Poplar body frame and middle block Masonite top and back Maple neck Pau Ferro fretboard Tape binding Scale length: 756 mm 24 Frets Dolphin headstock Pickups: 2 High Output Lipstick Single Coils 1 volume and 1 tone control Fully adjustable bridge Transparent pickguard Kluson style machine heads Colour: Black Metal Flake Approximate Weight (bathroom scales): 3.0 kg / 6lbs 6oz Pickup from Newbury or Reading town centre. Alternatively open to meeting at a nearby rail station, message me to discuss. No trades unless it's lap steel / pedal steel related.3 points
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This amp probably doesn't need much introduction, given the focus of this website. I've had it for around fifteen years and when I got it was told not to remove the American mains plug as Walter Woods objected to having to find ways of adapting UK plugs to sockets in his workshop. I've no idea if this is true but I left it on anyway and use an adaptor. A few years ago I sent it to a specialist in Berlin who serviced the amp as some of the pots were getting crackly and not responding to contact sprays. He did a great job and his label is on the bottom of the amp. I'd recommend him to anyone in Europe needing work on a Walter Wood amp. I don't need a two channel amp any more and could use a few quid at the moment so here it is. Both channels work fine and the amp really impresses with the right speaker cabinet. Pick up in person from Woking, Surrey.3 points
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Good for him!! And besides it's not 24 hours is it, but a couple of months work? Then deduct production materials and costs, overheads and taxes, to arrive at a 10% to 20% net margin on each unit? I wish him and every other creator who has built a brand or reputation through hard work and talent, every success.3 points
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And the man himself giving a quick demo on Instagram: https://www.instagram.com/reel/C17skQnM7wb/?igsh=ZGx1MWtqNzg2aG92 And a cheeky screen grab for anyone who wants to cop the sound…..3 points
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The original has been a staple on Paul Turner’s board for the last couple of years. He recently switched to the Doom 2. He’s spoken about using the Doom 1 on some Jamiroquai songs and with his own band Trioniq. Both great examples of the Doom used subtly within a mix by itself and paired with an enveloped filter. He confirmed the Doom 1 was used on Vitamin: And on a Trioniq song called Drunkin’ Funkin’ in combination with Mu-Tron: https://www.facebook.com/TRIONIQ/videos/4158498540916159/?mibextid=rS40aB7S9Ucbxw6v3 points
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Natural discolouration from daylight; the finish under the guard never sees the light of day. The extreme of this used to be when smoking was allowed in venues. Your bass would have a yellowish tinge in no time regardless of finish or colour... and your case stank of it.3 points
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As most of you know I’m partial to a Corvette bass so I’ve decided to try and make a solid body (corvette inspired) acoustic bass don’t quite know how it’s going to come out but I’m going to try it anyway……..👍🏻🤘🏻3 points
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3 points
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Talking of rock'n'roll doctors, John Cooper Clarke (though he's a well deserved honorary doc) I'll tell you now and I'll tell you firmly I don't never want to go to Burnley What they do there don't concern me Why would anybody make the journey? I'll tell you know and I'll tell you flatly I don't never want to go to Gatley I don't even want to go to Batley Where is that place exactly Do I wanna to go to Redditch? I wouldn't visit in a souped-up sheddish what am I some kind of Nebbish? No I don't want to go to Reddish I'll tell you now and I'll tell you briefley I don't never want to go to Keighley I'll tell you now, just like I told Elsa Lanchester... I don't ever want to go to... Cumbernauld3 points
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I’m just in from an afternoon slot at a really well attended local multi-band event. Great gig, excellent onstage and FOH sound, and we blooded our new guitarist who played a blinder despite only having three weeks to get up to speed with our set.3 points
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What on earth are you doing going up further than the 12th fret? Rookie error that 😎. Seriously though. A short scale may not necessarily help, unless you also have short arms? A narrower jazz neck, typically ballpark 38mm nut width, but crucially with a shallow neck depth would probably help you more. I haven't played your model of bass, so I don't know how deep the neck is. Best bet, get yourself down to a store that has loads of basses and try some. See what works for you best.3 points
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3 points
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I played at The Star & Garter in Windsor (the original Ricky Tick) a looong time ago & we had a guest group whose name I forget, but the Bassist was about 13 & the Ric was almost bigger than him (& yes, they were bluddy brilliant) .............. 😎2 points
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Thank you. I’ve been a loyal member for many many years, sold many items without issue, and bought items without issue. My profile status shows my loyalty, so to pay more for extra advice seems a little odd. What do I need to do to prove I am legit here? Surely my continued support, both monetarily and with my interaction, should allow me to ask a simple question. Far from democratic. Anyway, getting the bigger picture. Thanks again. Cheers 🫡2 points
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This. I have never encountered a song in which it was actually necessary to play above the 12th fret with my pinky. Granted, I am not a consumed professional, but I bet you can play the entire discography of most bands without having to do that. I imagine it may be a thing with some fusion shredders playing solos. But that's not necessarily a beginner's concern. Still, good to take this as an opportunity to look at technique and as an excuse to buy another bass!2 points
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Great news you're feeling good Phil! I'm really interested in this cab. My 14 year old daughter started playing bass a few months back and her and her friends have formed a little band (one has an electronic drum kit and another plays guitar and is interested in other instruments e.g. autoharp, uke, banjo, zither...). I've been trying to sort out a lightweight rig she can carry to the drummer's house, down the road. On Saturday I got a little Hotone Thunder bass, from Andertons for £50, and it's pretty impressive for such a tiny thing. Now I'm thinking this amp with a good 8" cab would be spot on for her.2 points
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This has come up in threads before and I think is quite key to how to progress without struggling too much or getting injured. Have a look at THIS THREAD as it might give a bit of help. Good luck.2 points
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Hard to pigeon hole us, it’s a pretty broad mix of country, Americana, a few popular tunes done differently. The main artists we cover are Buddy & Julie Miller, Shawn Colvin, Lucinda Williams, Martina McBride, Thea Gilmore, Kasey Chambers, with a bit of Sheryl Crowe, KT Tunstall, and even Tom Petty thrown in. The NS covers the slower rootsie stuff beatifully.2 points
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With Peach Guitars selling these new below RRP and now the first adopters selling for that price, these must easily be one the best value instruments going.2 points
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2 points
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I posted a video of Lark's tongue in aspic and said "does anyone want to make music like this..."2 points
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It would put me off - I don't like irreversible mods generally. I would only do this to a bass if I was pretty certain I was going to keep it.2 points
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It's because flipping breaks the social bond we have here as members and transgresses a moral code. As members here, we have a relationship to one another. While we may not physically be close, we consider forum members to be friends and as such we enter transactions with this perspective. Businesses buy cheap and sell high. Friends will (by and large) offer you a fair price and not seek to profit from your relationship. People who buy and sell for a profit are acting against this moral code. It's even more egregious when it happens on a forum (someone buys cheap on BC and advertisers for a higher price). As an example of how this relationship can impact you, I bought a bass here for £1300. I held it for a year and then called a London shop for a trade in price. The cash offer I received was £2300. The seller here (trusted member, good guy) had sold to me cheaply. (this was during COVID when prices for all US imports and bespoke basses went through the roof). I could have just pocketed the money. Instead we had a chat and agreed to split the difference. In the end, we both got £500 more than we had expected and all felt good about the world.2 points