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Showing content with the highest reputation on 12/06/24 in all areas

  1. Moody shot from Monday's Hurtsfall gig:
    16 points
  2. Kitchen table rehearsal and if I'd used my wireless bugs there'd be no cables at all.
    12 points
  3. Revere's *Summer Concert Series Featuring " She's Right I'm Left" Thursday Night 6:00-9:00 This is an acoustic gig and we're outside. I hope we have decent weather. Anything can happen in Wisconsin in June. We play to the dinner crowd. This is a high end crowd we usually do well with. Big tippers $$$. Daryl * Summer Concert Series. That's fancy talk. It use to be known as We Have Bands. Lol
    12 points
  4. Old furniture can be picked up for very little at the moment. I'm pretty sure that one of the major complaints from partners is how unsightly instruments are on stands in the living room. Possible solution??
    9 points
  5. WR Amplifying “Tube Emphasizer” DI & Preamp (£395 inc RM Special Delivery) For sale is my WR Goliath Preamp & DI. This is an absolutely fantastic, top tier, handmade Tube preamp - this is a proper Tube pre getting very close to the sound & feel of the Noble etc (there is a lot of talk/comparisons/sound clips on TalkBass about this, the Noble and other Tube ore’s & DI’s if you want to google it) This is leagues above tube pre’s like an EBS Valve Drive or Two Notes Le Bass etc, this is a preamp that you also feel on the strings as you play as well an immense tube sound which works great direct to FOH or just in front of your amp - Its a clean preamp however, not a high gain distortion type, but the sound is unreal I paid £500 in a deal with JoeABass for this is Feb (see his ad below👇 for more info) I’ve done a lot of gigs and some recording too with it, but I find I don’t like taking it out with me to a lot of places as I’m worried I worry it’ll get kicked/broken/drinks spilled on it etc, so I can’t justify having the money tied up in it at the moment, I am also looking to get a couple of things and I can’t afford to buy anything without selling first Basstheworld have done a couple of videos about it - the one I’m selling in the top end one (the Goliath Plus) with XLR out and Bypass switch. I’ll link the vids below, along with a sound demo done by someone else that showcases it pretty well It doesn’t come with its own power supply (just a generic 12v adapter bought from Amazon) however it works fine from my 12v slot on my TruTone power supply - the official power supply required is 12v DC @ 1 amp (1000 mA) but a standard 12v pedalboard power supply is fine It’s still in good condition, obviously it’s been gigged but it’s still working great and cosmetically in good nick I have done some serious hand wringing about selling this and about what to ask for it - I realise the market is pretty slow at the moment and so I have very much priced it to sell! I am taking a loss but everyone selling gear at the moment is doing so, I figure that if I buy something else it’ll probably be cheaper too at the mo, so it’s swings & roundabouts I guess! Price is £395 inc Special Delivery - to get one now like this would cost you €625 plus import duties plus shipping! Trades - Possibly but I’d prefer a cash sale, however bass-wise it’d be 5 string only - a Sadowsky MetroExpress 5, Yamaha PJ5 (bb735a/bb1025(/x) could possibly add cash) or a Jad Freer Capo (plus some cash your way), also I need a decent 4 Ohm cab 600-800w+ ideally a 210 or 212, or maybe another preamp pedal - it depends what it is but I’ll consider any offer just shoot me a message, I don’t mind and the worst I can say is no Thanks for Looking ✌️
    7 points
  6. I’ve had quite the change around, hence my sudden flurry of for sale ads! I’ve joined the helix gang and am very pleased so far. My favourite thing about this set up is that all my jacks can be inboard of the board edge, away from drunk feet
    6 points
  7. Little update and I am done (for now)
    6 points
  8. Alder body in chrome red, C shaped maple neck with a dark-rosewood board (not photo enhanced) No truss rod issues. Nut 41.3mm String through body I replaced the original split single coil pickup with a Dimarzio DP122 WIMO is far superior to the stock one. I also replaced the ‘S1’ switch with a Fender 250k log vol control pot (who wants the windings in parallel giving a weakened output?! ) Both the original pickup and S1 switch are included. Rotosound 45-105 rounds fitted. Fender moulded case plus strap clips if you want to use. Small touched-up paint chip near neck indicated. Other than that negative, you could say excellent condition - great balanced thick sound of course. Serial No. Z5016004 AM P BASS S1SW RW CRD 05/2005 Welcome to trial here before potential purchase or can organise shipping at buyers agreed cost. Location WV14 West Midlands cheers, Geoff
    5 points
  9. He’s got loads of similar ones that he rotates on a strict rota - they’re his Synchronici-tees
    5 points
  10. Donkeys years ago, we played a big health club Xmas Do in the city centre. This being a very chic health club (our BL was a very wealthy dilettante; he used to come to rehearsals in a Ferrari), the posh buffet was mostly unmolested, and after the punters had picked and faffed I went up to the ice stand where two lobsters were displayed above the prawns. 'Are those things just for show?' 'No, they're real' 'Right, I'll have them, then'... That was the same gig where the bloke who'd booked us came up to me as I was getting changed after the gig (black tie and suit had been the request) and gave me a wad of cash. I went up to the bar where the others were 'Lads, I've got the money' They looked at me... 'Yeah, so have we'... I looked at the wedge in my hand. It was more money than any band I'd been in till then had ever been paid. 'But....oh.' It was a shame that band fell apart, we never went anywhere near the Dog & Duck, the nearest we got to the hoi polloi was a golf club...
    5 points
  11. I came into this half expecting a full on rant about some recalcitrant piece of tech which is supposed to make life easier and does everything but. Nice to see that the thread subject is not sarcasm
    5 points
  12. A slight amendment, I like the circuit showing so cut a shape of copper tape to shape around the circuit and rest of the cavity. Looks a bit more interesting this way I think. it’s not perfect but a lot better in my view! Maybe add an led strip a bit later!
    5 points
  13. Tried the Monaco tonight with the band at rehearsal and with my EICH T900 amp ( new arrival too ) it was as loud and perhaps louder than my two Ampeg SVT112AV cabs. It’s a single 8 ohm cab so I’m only getting 600w out of the T900 but I was running with master volume around 11 o clock so plenty of power to go if required. Very tempted to add a second Monaco just to have the ultimate large - small venue rig ! Monaco was loud, clear and full sounding.
    5 points
  14. Price dropped to £1250 before it goes down to Bass Direct for a commission sale, unless Mark feels like offering me a good price on it. Single Cut Skelf 32 inch scale 5 string. I have had a number of Alan's masterpieces over the years and this is the nicest one to play. If it wasn't for a change in circumstances, It would not be for sale. Originally specced out by @Merton of this parish, it is a gorgeous example of Alan’s exotic wood options - the “Fractal Mac” ebony top is crazy cool, different and interesting. It's light at 3.7Kg or 8lb 3oz in old money and is absolutely "as new". When I got it Alan had installed a 4-way pickup select switch (bridge, both parallel, both series, neck) but I felt it was a bit limiting so got Alan to send me a blend module and I find that much easier to get the tone you want. The P-Retro is an amazing piece of kit as well. I can easily swap it back to the selector switch if that is your thing. If it wasn't for the fact we're leaving the country, this bass would be going nowhere. This is probably going down to Mark @ Bass Direct in a week or so as I really don't want to take it with me when we emigrate. So, the specs: 5 string (low B) 32” scale White Limba body, fractal mac top 3-piece ash neck with carbon rods, asymmetric neck carve Rosewood board, zero radius Reverse 1+4 headstock with matching fractal mac veneer 2x ACG Overwound reverse PB ceramic pickups (essentially a P split pickup in a soap bar case, and reversed so treble side is nearer the neck) East/ACG P-Retro with active/passive switch, pickup blend. Hipshot B-type bridge, 17mm string spacing Gotoh tuners Currently strung with Newtone nickel strings Comes with a Fusion Gigbag
    4 points
  15. I've have been very happy with the ultra clean and precise sound from my GR Bass amp, cab and preamp pedal...... But we all like a little bit of dirt now and again don't we. So.... Bass Bros had this Ampeg PF50 and cab for sale and I hit the buy button without hesitation. I had for some stupid reason thought the cab was the 12" version. I looked again this morning and it was clearly marked 15". Will ( bass Bros ) very kindly said he would take it back if it did not suit my needs. After leaving it a few minutes to warm up I was pleasantly impressed with the warm sound that filled the rehearsal room. Obviously it sounds completely different from the GR Bass, they are so different. I'm not going to gig it, it's just for my person practicing pleasure..... Nice.
    4 points
  16. https://youtu.be/Kdef7XwklkQ?si=YaUiZklHp7ZAxz65
    4 points
  17. Impressive, especially if you can actually use those foot pedals while it's on the table.
    4 points
  18. ...and my quickest sale ever! Now sold! Hohner B2AV Professional bass in natural finish. Licensed by Steinberger with Steinberger System bridge. EMG Select pickups with active tunable pre-amp. Stacked tone pot. Has a foldable rest. String spacing is around 9mm at nut and 16mm at bridge. 34" scale. Uses double ball end strings. Comes with a very good quality Steinberger padded gig bag. Located in Bedford, MK42 9UR. Trades - very interested in a Line 6 HX Stomp. Any questions, please ask.
    4 points
  19. Always loved that colour combo. Pure class. Here are some of mine... 2 x Kramer Spector NS2A's: Kramer Spector NS2 & Spector Euro 'Ian Hill': 3 x Fernandes 'Spectorbirds': Aria Cardinal Series 'Black & Gold': Pedulla Buzz: Yamaha BB3000:
    4 points
  20. No. Not from me today. Life is full of moaning and sarcasm. I just can't believe how lucky I am to be in a time of such easy luxury.
    4 points
  21. Ohhhh, I'm nicking that for our pub band gigs...we can progress to the Autumn Concert Series, Winter Concert Series... We can stick another £50 on the fee if we go for that... 😁
    4 points
  22. it looks great but come on Sting, take the clip on tuner off!!🤣
    4 points
  23. My Fender blue sparkle Jazz
    4 points
  24. Music Man Stingray 1993 Great Music Man in natural finish. The bass has several usermarks/dents, and 2 damages as pictured. Technical condition is good. All hardware and electronics work like they should, the neck is straight and adjustable. Frets are still good too. Playability is great. Included is a generic softcase. It's a very good bass, but I happen to prefer the ones with lacquered necks. €1.500 I am located in the Netherlands, but happy to ship at buyers risk and expense.
    3 points
  25. Plug in. Turn up. And, above all, have fun. In "as new" condition, the plastic is still on the tuners. The Red Carbon effect pickguard is a vinyl wrap, that can easily be removed, but IMHO it looks much better than the white it comes with. Not many black ones around, but I also have the Sea Foam green version that's going nowhere, well actually it's coming to Valencia with me. It's a cracking bass and punches way above it's weight. Incidentally, when weighed using luggage scales, the heaviest reading was 7.5lbs. Any questions, just ask. Here's what Ibanez have to say: As part of the SR Mezzo series, the Ibanez SRMD205 brings an abundance of fun to playing the bass. A shorter 32", 5 string, medium-scale makes playing a breeze while still producing a luscious, rich low end. The lightweight design also adds to the comfort and enjoyability. Ibanez custom 2-band EQ electronics with DXP and DXJ pickups, this bass is really versatile. strung with D'Addario® EXL165 + .130 medium scale nickel strings.
    3 points
  26. I forgot to update the Yamaha’s in & out 😂 The BB424 left the house (very good bass by the way) I bought a BBP35 a couple of months ago. What a fantastic bass this is. I love it!!!! I also have a BB1025. It’s a different beast compared to the BBP35. The BBP35 it’s now without the pickguard. Will have a transparent. I will picture when it arrives.
    3 points
  27. We're back at the most excellent Percy's in Whitchurch on 29th June supporting The Spontanes (ex Macc Lads)
    3 points
  28. 3 points
  29. And the ball end is a weak point which can shear if there's a lot of force on it. If the truss rod access slot is a bit on the short side, find what size allen key you need and cut down the short arm a bit so you can get the allen key in properly.
    3 points
  30. We played McCathy's Sports Bar in Bletchley on Saturday. I believe live music is a relatively new thing there and the guy who runs it is trying to build things up. Very quiet to start with but got busier for our 2nd set.
    3 points
  31. And .. it’s now sitting on a Monaco cab and I’ve removed the large rubber feet as they are not needed as top handle is rebated into cab ( nice touch )
    3 points
  32. Fully genuine and original Rickenbacker bridge pickup, professionally removed from my 4003. Only asking £100, plus £6 p+p in the UK. Payment by PayPal “gift’ please. PM with any interest, thanks for looking! SB 😀
    2 points
  33. I'd like to share some pictures of my new custom built Rikkers Powerline. It has a red alder body with a black walnut top, maple neck with a ziricote fretboard, ceramic humbuckers, ABM bridge, Hipshot tuners and a Noll preamp. I couldn't be happier!
    2 points
  34. Finally grabbed the matching orange 4x10 for my new terror bass and sounds immense! The Ampeg rig is now sold on Evilbay pending collection but will miss it a lot, however the orange is more suitable for me right now! people were not exaggerating on the weight of this 4x10 though, it is incredibly heavy
    2 points
  35. One tuner.: love my Turbo tuner st300 accurate and pleasant to use. One drive: I like JFet drives, I really like the barbershop clone I built - but the Iron man (SS/BS mini clone) I built blows it out the water. one fuzz/distortion: Not really got much love for bass fuzz, Creation Audio Grizzly bass really impressed me but I wouldn't end up using it as a fuzz. one envelope filter: C4 one octave: Fave so far is Valeton OC10, OC2 clone, but I prefer sound to an actual OC2! one modulation, Providence Anadime Bass chorus - for me, this pedal is perfect. Deep, but simple. one preamp (doesn't have to have DI out) Colourbox v2 - if I bought a Warwick hellborg preamp when Thomman blew them out I would have had a pedalboard made with a 1u rack in it - but I didn't so this is as close as I can get. one pedal that does reverb or delay (or both) not enough exp. other than zoom, Line6 stuff. The H9 is nice but still learning how to use it musically. and one wildcard... every time I jiggle the board around I take this off, and then put it on again. The clone I made of the Fairfield shallow water. The thing is subtle to the point of being useless, and can go places that don't sound right - but it's so so musical sounding (JFets again) I use it far more than makes sense
    2 points
  36. I once bought a bass on here from a guy in Norway. I bought it for the Status neck and the upgraded pickup/electronics. When I took the neck off I found 50% of his library card tucked under the body end of the neck. My fear is I now owe the Norwegian library service considerable overdue book fees 😂
    2 points
  37. Help Me Wand(a) - The Beach Boys
    2 points
  38. 2 points
  39. Lifting up an old cab last week I realised how lucky I am to have a modern one which is probably less than half the weight and sounds just as good/loud if not better. And I'm a bit behind the times with this, but I'm just now moving from DJing with vinyl to digital - I wish I did it years ago. Obviously a digital file isn't collectable like a record, but in terms of DJing it is much more versatile and practical.
    2 points
  40. Not had complimentary meals but we have had sandwiches and juice supplied in dressing room areas. TBH its not a big deal for me as i normally take a Tesco meal deal with me. I don't like anything too heavy before playing so a cheese and onion sandwich and a fruit juice is my preferred food before playing. Dave
    2 points
  41. This is a double win, because with enough beer the HB will sound just as good as anything else 😊
    2 points
  42. Wise words. For me it’s even worse than “won’t reach”, it’s often a case of thinking I’ve finally attained the tones I always wanted, then something in my brain gradually talks me out of it. Not sure if it’s that I get bored with sounds or that I have a relentless view that the grass is greener on the other side of the fence. Then I spend a stupid amount of money and the new pedal has to be justified. It sounds fresh and temporarily becomes the pedal which “ends my need for further adjustment of the pedalboard”. And so it goes on, the never-ending cycle. I have two shelves at home cluttered with pedals no longer used. I hope the ME90B is a keeper for you.
    2 points
  43. Yes, IF I use both then stacked all the times so far, though I will try them side by side at some point. Generally one is enough for petty loud pub gigs I find. The taste control I normally set about 10 ‘o clock. If it’s an out and out rock gig i sometimes use a shuttle 9.2 or my streamliner. . Was thinking of upgrading to an Eich but people say there isn’t much difference, so if it ain’t broke don’t fix it type thingy with me at the moment! Very pleased with my set up,it’s doing all i need it to do extremely well 😊
    2 points
  44. Do you stack your cabs ? The Monaco on its own I think is loud enough but larger venues I think I may need PA support or a second Monaco The Monaco is as loud as my Ampeg 112AV cabs x 2 and clearer sounding. Pushes out a lot of bass in a small cab !
    2 points
  45. Ooh he was great! Just watching him paired with Bill Bruford for David Torn earlier:
    2 points
  46. Hurtsfall were supporting US band Spotlights at The Bodega in Nottingham on Monday. It's been quite a while since I last did a Monday night gig, and now I remember why. Despite not having to go on ridiculously early there were still only about 30 people there when we went on. However apart from two, none of them had seen us play before and quite a few people of them came up afterwards to say how much they had enjoyed us, despite the fact that musically we don't have a lot in common with the headlining band. We even sold some T-shirts and CDs which was definitely a bonus. It's a small stage at The Bodega and it doesn't get any bigger after the main band have filled it up with their drum kit and backline, so we had to be creative with the set-up and limited on-stage movements. However for a change we had plenty of time to soundcheck as Spotlights had already finished theirs when we arrived at 5.45, so it was an unexpected pleasure to be able to take our time and get a good balance both on-stage and FoH. Spotlights were interesting. Musically it's not really the sort of thing I'm into but the performance was great and their bassist produced a couple of notes that made whole venue vibrate, something I've never experienced before and which got the PA engineer frantically trying to locate the rogue frequency, after which sound wasn't quite as dense but at least there was no danger of structural damage! 10.00pm live music curfew meant I was back home before 11.00 which makes a change. There probably won't be any photos of this one, but if any do emerge on Facebook I'll post them up later.
    2 points
  47. Nothing like as glamorous as some of the gigs you folks have been doing over your weekend: I did two dep gigs with a covers band (Backtracking). It was at a local fete (worse than death); both days playing two one hour sets 12-13:00, 14-15:00. We had one end of a massive marquee, so much more space than I am used to but directly on the grass (except for the drummer, who got a little platform made of pallets). Gates opened to the public at 10:00, so we had to unload before then and couldn’t get out until about 15:30, which made it a longish day for me with a 40 minute drive each way. Pics show set up on first day (still waiting for action shots). Day 2 I brought a ground sheet and a sheet of ply to keep the damp and grass mulch off my gear. We originally set up to stand just out side the tent but British summer weather intervened and we had to drag everything inside just before the first set. We were running off a very noisy generator (located just the other side of the tent from me), which struggled a bit: every so often my amp started to fade. Gear: Blackstar U700 head (recently acquired from BC), back up Warwick Gnome iPro, Barefaced Two10S, Boss wireless, Maruszczyk Elwood 4a medium scale and Nordstrand Acinonyx V1 (back-up). DI into the desk. I was really pleased with the Blackstar /Two10 combination for this kind of 60s-80s cover work. The ability to change the amp voices at a flick of a switch, or press of a button on the pedal, is fantastic. The drive settings are useful as well: overdrive/distortion/fuzz. I don’t know how accurate the voicing is but it sounds really good to my ears and the band’s sound man as well. I can’t wait to use it on a gig with my LFSys Monza. Despite the weather we had a group of people watching us and got a lot of positive comments afterwards. Some brave souls even danced for a while. The band picked up about a dozen potential bookings. The sax player had to cry off because of a lurgie, so there was some hasty rearranging of songs and some had to be dropped. They also brought one in that I hadn’t played before but I think I did OK given only one rehearsal before the gig. I had chord sheets on my iPad on a stand to compensate for my aging memory. Weirdly we were tighter on day one, then on day two but it was only about 13C most of the time on Sunday. I was glad I didn’t get the memo about wearing Hawaiian shirts: four of them freezing and me in a sweatshirt and padded jacket, and I was still cold! Lol.
    2 points
  48. Revision2 ... closer to a flyrig. Much to my amazement (and delight) my M-VAVE MIDI pedal connects over bluetooth to the HX Stomp. Replacing the Morningstar MC6 and removing the MXR Octave (I'm finding the HX pitch shift blocks work well enough for me) means the layout fits on a smaller board (OK, it overhangs ... must find an alternative at some point) and is lighter then Revision 1 (A few posts earlier). The left three M-VAVE switches are tap->select snapshot; the left two are long press -> select next/previous preset; the rightmost M-VAVE switch is tap->tap tempo, long press -> tuner. The VEXPRESS into the M-VAVE sends MIDI to control effects levels. The M-VAVE has its own internal rechargable battery. The 3 HX Stomp switches select effect on/off. I might make something like the Pedalnetics Helauxy Duo Mini to add switches 4&5. Sam x
    2 points
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