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Showing content with the highest reputation on 22/06/24 in Posts
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Our Fête de la Musique passed off rather better than we had feared, given the level of information and organisation experienced beforehand. The town square parking, just in front of the Mairie had been cordoned off; we learned that we should show up at 14h00. I collected the Trafic we'd been lent, we loaded up at 13h00 and were well on time, to find that the 'stage' (a curtain-side trailer...) was due at 15h00. In the end, and in view of other timing issues, we decided to set up on the pavement, and leave the 'stage' to the other group, supposed to arrive at 17h00. Meanwhile, a 'boom-boom' disco DJ was set up in front of us, on his own little trailer, and spend the next couple of hours blasting out '1...1...1...1...' Big Beat disco stuff, more appropriate (if ever such stuff could be so called...) for a midnight 'after-rave' party for sozzled ado's on the beach. Once the noise came to an end, the other group arrived, loaded into the 'stage', and spent half an hour doing a sound check, from a tablet. That finished, we were asked to start; it was now 20h00, and the bright, almost hot, sun had become overcast, with even a slight chill. Never mind, we played our set (cut down to be under an hour, as we no longer have a second guitar...). Well received and applauded, all were happy with our prestation, but I found that 'in-ears' are fine for hearing my own drums (e-kit through a laptop running Superior Drummer 3...), but the acoustic isolation removed 'live' feedback from my fellow musicians. Next time, I'll either use 'open' 'phones, or set up a drum monitor fixed to the rack. Lesson learned. With our shorter set, I had energy enough to get through (the repertoire is made up of 'energy' numbers, followed by 'recovery' ones...). We finished, and packed away the gear into the van whilst the other group roared into life. I was able to carefully edge the van through the crowd (lots of kids running around, having a great time...) and got a passage though the barriers to drive home. We unloaded just in time before it started to rain; the lads went back to continue the fête and I made myself comfortable back in my armchair. Altogether positive; could have been better, but I'll take the modest win. It was heartening to see the townsfolk enjoying the occasion, helping out with erecting the marquees for the barbecues, filling the pavements with customers for the bars and cafés, the whole town enjoying a simple village fête. That's what makes it worthwhile.11 points
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Just done my "blues jam" in the local church... We were meant to noodle for 1/2 hour to get other folk to come along and play too but ended up doing 2 hours. A bloke joined in on harmonica too so it all worked quite well despite every "song" being based on a groove I started. We even managed a little blues guitary version of Sylvester's "Do Ya wanna Funk", which is probably one of the only times it's ever been played in a church! Used the ACG into Helix/BBE pre/DBX comp/Crown Power/Markbass 2x10, sounded funky...8 points
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Selling my tasty Yamaha BB2000, number 127 made on Jan 11th 1985. It's a beautiful thing to play, hear and look at – but for the last ten years or so it's been mostly the latter. It's in great shape for nearly 40 years – bar a single nick on the back side of the arm chamfer so you can't see it) and a few dings (pictured), plus the inevitable thumb rest scrape. So it's not mint – I'd describe it as good-excellent overall condition. Action is low, neck perfect (no marks on the back), frets good, truss rod works (I'll chuck in a homemade tool for adjusting it, but it won't need it) and it sounds absolutely immense, just the way they say. Set-up and pots rewired by a pro a few years ago. The toggle switch is new (the old one fell apart) and – full disclosure – when you flick from bridge to neck it sometimes needs a second go to make contact. Probably easily solved with contact cleaner. The underside of the back cover has been inscribed by a previous owner (who may or may not be on here). I also have the original case which is in ok condition bar the handle, which has worn through to metal and at some point I wrapped it in gaffa tape. Again, another easy solution with vinyl wrap or something. Any questions, please ask. I've seen a few on sale on here recently, and I've seen examples offered elsewhere asking crazy prices. I would much prefer a quick, painless sale – I can't package or post it, so you're welcome to come and give it a go here in South Lincs, or we can meet anywhere between Peterborough to Grantham across to North Norfolk. Or even a bit further. Timing might be an issue because I'm away a fair bit, but we can sort something out. Weight is 4.5kg according to my bathroom scales. Cheers! Simon H7 points
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Over last Summer I had a minor purge of gear and concluded I didn't need a 6 in my bass playing life any more, especially since getting a little more serious about guitar. This bass may already be familiar to the longer term members and was made by Jon in 2009. It features a 5 piece through neck in a matt finish featuring maple and wenge laminates. The gloss finished body wings are from mahogany and feature facings made from burl/quilted redwood sinker log that I picked up in 2007 while prices were still sane. Fingerboard is birdseye maple to compliment the burl top and back, and stainless steel frets are fitted for long life. The hardware is made by ABM and the pickups are a set of custom Wizard humbuckers a few years before Andy decided to retire for health reasons. The electronics are comprehensive and include both Jon's own 3 band eq as well as a Graphtec Ghost piezo system that includes a buffer circuit and MIDI filtering to a 13 pin Roland output socket. I ran that through an Axon AX100 at one point (which I still have with me here at home). I can't recall if there are coil splits but the pickups have four wires so definitely split capable. There are also neck LED's fitted on the fingerboard edge which run off their own separate 9v. In terms of dimensions, the string spacing and neck profile was based on a Smith BSR6 that I had just sold so there is plenty of room to move about. The action is quite low and it's very easy to get around on the bass as you might expect for something made by Jon. I would say it's almost (but not quite) like a graphite neck because Jon tends to favour very stiff and dense maple for his necks. The sound can best be described as tight - very even response across the fingerboard with deep lows and bright highs and the wenge adds slight mid emphasis. I have some recorded samples but don't have anywhere to host them as attachments at the moment. I've only gigged this bass once. The rest of the time it's had home use or been in storage. There is one minor ding on the neck where my then-3 year son knocked it against a bookcase in 2015. But apart from that, no other marks to the best of my recollection. Apart from scribbles on the back by a few plonkers noone's probably ever heard of.. The bass is currently on consignment with the Bass Gallery and they've had it so far for ten months. So it's priced below what they are asking in the interests of a quick sale on here. No trades I'm sorry because I can't check the condition of any instruments taken in without them either being in China or me being in the UK....although a Vigier Passion III 5-string with a low action or a 87-88 Status Series II 5 string would be tempting. Hmmm. Any how if you want to go and play this bass, you can go ahead and do that at the Gallery who have done a fine job of looking after it. Feel free to drop me a line with any questions. Oh...and a Hiscox case is included.6 points
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Some of the more bizarre behaviours I’ve witnessed: - Someone not even in the music group or even a musician turning up early to play percussion because she “felt it was right”. I told her she heard wrong and i felt it was right she didn’t play. - A mother telling me that her 9 year old son should play his trumpet that morning. I told her he wasn’t. - Someone turning up with a flute and playing it in the congregation. All good fun. 😊6 points
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6 points
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Sale only, sorry no trades. Fender American Deluxe Jazz Bass V 5-string. Ash body with a maple neck, pearl blocks in very good condition. This Bass has been professionally fitted with Nordstrand Big Split pickups, installed by Anaconda basses. These pickups are very punchy and make the B string articulate with tons of low end. Active 18v preamp that has a switch to choose passive. Comes with original Fender hard case and docs. It has a small 5mm knock at the tip of the headstock that I have shown in the photos next to 5p for scale. Scratch on the control plate also shown in photos. The rest of the bass is in perfect condition. Collection preferred in Finchley North London with a drop in the price, or I can meet at London train stations.5 points
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5 points
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I love the G&L headstock too, although the 4 or 4+1 are a lot more graceful than the 3+2, which looks a bit... melted. I still reckon the Coda is an April Fools' joke that got way out of hand.4 points
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Well, I'm going to fly my freak flag high for the G&L headstock and say that I think it looks great. Love the "eye gouger/bottle opener" and the CLF headstock is fine, if unremarkable.4 points
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The big square Wal headstock, for me, ruins the look of an otherwise very pleasantly-shaped instrument. It looks like something you'd get a pizza out of the oven with4 points
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4 points
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Not really a full pimp-out of a cheap Ibanez, but I just did a bit of reverse-logic purchasing and ended up with a GSRM25. I had a 'cosmo black' Ibanez B305 bridge, matching Gotoh GB707 tuners and a set of knobs left over from a past project, and instead of just selling them on and getting some cash back I decided that I'd get something cheap and different to use them on, so now I have a short scale that should fit in a guitar bag. It felt chunky to begin with, and feels even chunkier now it's got the new hardware fitted. I'll get it some matching (or black) strap-lock buttons at some point. The fretwork is nice but the finishing on the body is absolutely woeful up close. Still, better it be that way round; a mirror gloss finish and an unpayable neck gets you nowhere. And then there's the strings - the ones that came on it were cut far too short, and the new set of Ibanez made-for-the-bass ones are so rough they'd be more at home fitted to a tile saw. But having played it for a while I do like it in a funny sort of way, hence being in the appreciation thread. I guess I'll start researching suitable strings!4 points
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Now sold. Fender American Elite Jazz Bass with a Hipshot A Fender fit, string-through bridge. Fantastic slim neck, with ebony fretboard and pearl blocks. The ebony fretboard models were only made for a limited time and are collectable. The Hipshot bridge is a direct replacement for the Fender bridge, no need for any new holes. The bass is in excellent condition, a few swirls on the scratchplate and a 3mm indentation on the neck that is too shallow to show in a photo. Comes with original hard case with docs and tools, The case is unused so excellent condition.3 points
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American Standard Fender Jazz Bass 2009 REDUCED TO £995 Mixed feelings about letting this go. It was my main bass for recording and gigging for many years. I think I’ve had it since 2011. There’s a lot of talk about Fenders not being as good or well-made as Sandbergs etc etc but whoever put this one together, got it right. This is the real deal. It feels great to play and it’s so punchy. I often got compliments on my sound. Anything from a ‘P-type’ sound to a Jaco honk. It has it all. 3 colour sunburst finish with maple fingerboard. ‘C’ shaped neck Fender light weight tuners It originally had a cream scratchplate but I replaced it with the tortoiseshell one. – (it actually looks pretty nice with the cream one looking at it now) - I will include both. Reasonably light at 8.42lb Comes with the original Fender SKG hard case. I’m in Malvern, Worcestershire but willing to drive half way (up to an hour) to meet up if required3 points
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Saturday night was a wedding, very definitely NOT our usual gig as a rock covers band but the couple had come to see us and knew what they were getting. A cross section of ages but we’re old, so… Got in and set up. Not a huge room and I was worried that it would get loud. Thankfully it stayed under reasonable control and sound was sorted reasonably quickly with no sound check. The good thing was it wasn’t just the bride and groom getting into it and we had a good to excellent response all night. Lots if dancing and singing and ended up running over with a number of ‘encores’. singer from one of my function deps was effusive about our vocalist and how tight it all was, which was nice. Also funny to watch a couple of younger guys in their glad rags stood mouths agape at the widdly harmony guitar solo in Final Countdown 🤣3 points
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A local one for us, playing at a tea room (yeah, we're that rock and roll). Still, the audience enjoyed it and hopefully the link below works... https://www.instagram.com/stories/knutsfordtearoom/3396275720256766434?utm_source=ig_story_item_share&igsh=MWhoa2I4a2ZsNnFyaA==3 points
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‘The Unexpected Trombonist’ could be the title of Richard Osman’s next Thursday Murder Club novel.3 points
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3 points
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I dropped in. Tbird pickup , and have an old Pbass pickup I might drop in , change the pots , maybe the tuners.3 points
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3 points
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3 points
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The 4-string headstock looks better. Seriously, who wants their G&L mistaken for a Fender? Other than that, even the 5-string headstock doesn't come close to these.3 points
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Tried putting mine in the recycling, but the collection guys took them out and left them on the drive! I solved the problem, I don't put new strings on my basses any more. The PJ has flats and the Jazz has a set of NYXL's that have been on a since 2019 and they still sound good, warm and mellow.3 points
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3 points
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Yours looks fantastic TBH. Quite jealous. I have the GSMR20, you think your body finish is bad, mine looks like its been used as a shovel (and might have been). However it plays well and I like it. What mods do people do on these Ibanez's? Thanks Rb3 points
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3 points
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Suggest that the drummer plays keys, the keys player plays bass, and you play drums for the track. Or try it at a rehearsal, making sure it's recorded.2 points
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Or as the self service machines at Tesco might say: "Unexpected Trombonist in the Worship Area "2 points
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I did actually have a short scale Talman a while back but it went along with the rest of the 4s. In terms of mods, it was an early one with a standard BBOT bridge so I put a nicer looking one on it, along with a PJ set of quarter pounders and a rewire. It was a nice bass, but it was just missing a string. If I'd kept it, I was contemplating getting a pearl guard made for it to match a 'berg superlight I also had at the time. At one point it had chromes on it, but it was a set of EXL160S that really made it come alive.2 points
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Tossing random drivers into a box is a time honored tradition, started by Leo Fender, continued by Jim Marshall. 🤪2 points
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My other half used quite a few old sets for strapping some trailing plants and a grapevine horizontally to the garden wall and fence. We fixed some small hooks to the wall and fence to go through the ball ends, and used electrical cable connector blocks to join two strings together. worked a treat.2 points
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2 points
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I’m thankful in our church that if you aren’t there at Thursday rehearsal you don’t play on the Sunday - end of.2 points
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2 points
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You're on a hiding to nothing - he'll always take her side, and that mild attempt at compromise is as good as you can expect. Does it matter if you both play it? Will she bugger it up, is that what you're worried about?2 points
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2 points
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@Rosie C I know exactly where you’re coming from. In my last church we always rehearsed on Friday nights, one week someone asked if we could move it to Thursday as they couldn’t make Friday, we all agreed and changed it, Thursday night came and he was nowhere to be seen, he didn’t turn up because he forgot it got moved 😡 , moved to the day that he bl**dy asked for. I’m not going to miss behaviour like that.2 points
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We used to have someone like that. NEVER came to rehearsal, and would turn up 5 minutes before the service asking where her music was. Fortunately she doesn't play anymore, as it used to upset me that she made me think un-Christian thoughts just as eucharist was starting.2 points
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I've a GSRM20 & GSRM25. I struggled intonating the Mikro5 but found that by replacing the saddle screws with shorter M3 bolts I was able to address this without having to move the bridge. I've put on some different knobs. You can also see an approach I tried to allow the use of any length strings, based on the way that headless strings are held at the nut (But instead applied at the saddle). Sadly it did not work, the outer wrap just came apart I'm considering popping in an EMG MJ set. I'm investigating if I can vinyl wrap it ... I love the thought of something like this! (Seen on that other site) Sam x2 points
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As others have noted, the relative sensitivity of the speakers is probably more a factor than the impedance. Although an ideal amplifier will deliver twice the power into 4 ohms compared to 8, a 3dB increase, real world amplifiers don't behave that well and will start to current limit into a 4 ohm load at a lower output voltage compared to 8. Swapping an otherwise identical 4 for an 8 might just be audible but new strings or a drunk guitarist far more a factor. Wait - we are talking about a solid state amp? If it's valves, I'll get my coat... Edit: sorry, Ossyrocks was more concise.2 points
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Yes I think secondhand retailers have an influence on prices. We’re still experiencing a covid hangover where people assume that whatever they’re selling is hugely desirable. We’re all teaching mass “stuff” and with the economy as it is, I expect a fair old correction. Personally, I sold off 85% of my bass gear and did so through eBay for the speed and simplicity. In most cases I specified collection only and it worked out. I’m now well on my way in my mid-life crisis savings pot.2 points
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Just got this 🙂 Wanted to get a Spector neckthru 5 string and this came up... I've been using a Jazz and this neck is thicker but still nice, but the sound difference is really surprising....the Jazz goes through a couple of different overdrive/distortion pedals which seems overkill for this so far...really happy with it! The quality is lovely.2 points
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They are, I was just suggesting it was another option. Not necessarily a japanese made option.2 points
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One month later. The headstock veneer was not saved or reused. Instead, the luthier found a new veneer to match the body. All that remains is for the neck (but not the headstock) to be sealed with a finish; a serial number to be put on the back of the head; and for the luthier to buy a Washburn XB925 transfer and pop it in the package (for me, postage from the USA would be $16 for a $5 item). I have an update on the colour, and another on the saddle. But for now, here, the completed neck.2 points
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We've been playing a lot of the same stuff for over 15 years. However, our material is pretty much wide open. And we never play anything the same twice. I posted a video of us performing Neil Young's " Ohio". We've been playing it for years but not like the video. It was basically a jam format. When it works it's very cool. When it doesn't it's a drag. Daryl2 points
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Shove a plug in and out the FX send and return sockets in the back of the amp a few times. The plugs can have problems if they're not used regularly (oxidisation I think) and that will clean them.2 points
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I suggest you use the 8 ohm version of the Faital. These are schematics for 800 Hz 8 ohm high pass and low pass filters for midrange and woofer respectively. The capacitors are poly or mylar film, rated for at least 100 volts. The coils are solid core, of the smallest available wire gauge with no more than 0.4 ohms DCR (resistance). You can find these at Blue Aran. A plus/minus 10% tolerance of the component values is permissible. Build each filter on its own thin plywood board. Secure the components with hot melt glue and plastic zip ties to they can’t vibrate loose. All connections are soldered. To test for correct polarity download a pink noise generator to your laptop. Get this app on your phone: https://play.google.com/store/apps/details?id=com.dom.audioanalyzer Set it to Spectrum Analyzer, 1/3 octave, C Weighting, Slow Response. Wire the low pass filter to the woofer. Place the speaker face up. Connect the high pass leads to the midrange but don’t screw it down yet. Connect the laptop to your amp, play the pink noise. Look at the response in the region of 800 Hz. There should be no response dip. If there is reverse the leads to the midrange and test again. That should eliminate any dip.2 points
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Tell her you want to play keys on a few songs?2 points