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Showing content with the highest reputation on 26/06/24 in all areas
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Selling my Fender Precision Lyte bass. I have two near identical sunburst models ( with close serial numbers ) and this one was my spare during my time with The ELO Experience. I say 'spare' but in reality it never left the house, which explains it being in immaculate condition. I bought this one in case my other one got nicked or met an unfortunate end on the road ( it didn't but that's the one I'm keeping, and after nearly 800 gigs it is a bit roadworn. ) So, it makes sense to sell this beauty. I've had it a long time, and it has really been a case queen as they say. There are one or two small marks but nothing like you will find on most basses from the mid 90's. Frets are not showing any wear, and amazingly all the tops are still intact on the control knobs (these usually get lost over the years). Only other thing worth mentioning are some marks on the headstock edge, but again nothing nasty. It dates from either 1996 or 1997, and is one of the later / last of the standard Precision Lytes. I prefer this era due to the finishes being more durable than the earlier models and also the chrome hardware, again better lasting than the gold stuff on the early ones. I've had a few P-Lytes over the years and this one is possibly the best. The neck is a very slim Jazz bass profile, 1.5" at the nut. Build quality and finish are up to the usual Japanese high standard. It plays superbly, with a medium/low action. Currently wearing a set of D'Addario EXL170s, 45-100 ( which have been on a while TBH). Scale is the standard Fender 34" and it balances well on the strap. Controls are master volume / pan / bass / treble, with the preamp using a standard 9v battery. Lots of tonal variety available, very versatile. It weighs a fantastic 6.8 lbs using my digital luggage scales, and is therefore a great choice for long gigs. Nothing has been altered from when it was new to my knowledge, and it really is a fabulous bass. I've recently retired from doing lots of touring, so time to sell some stuff that I won't be needing anymore. I will include a case - it's an old scruffy Gator ABS one but still does the job. I think £595 is a good price, especially considering it's condition - have recently seen similar (not so tidy) basses advertised for between £649 and £779. I would much prefer this to be a cash on collection sale or happy to deliver within say a 60 mile radius of Brough in East Yorkshire for the cost of my diesel. Also could meet up somewhere if you're further away, PM me to arrange. I will post it if necessary, but will need to source a box first. Any questions then shoot - have more pics too. Thanks for reading, cheers.10 points
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Circa 1994/95 I bought my first proper bass after learning on a POS for the previous year. It was a Washburn B-10 and being the age I was, I adorned it with many stickers. Around 1998 I decided that this bass thing wasn't a phase and I needed a better instrument, so I bought a Musicman Stingray, which I still have to this day. Soon after, an ex of mine said that her little sister wanted to learn bass, so I donated the Washburn. I certainly didn't want it now that I had a shiny new Stingray. Fast forward to last week, when that ex messaged me on FB (we're still on speaking terms and we both now live in the same town) to tell me that her sister never really took to bass, and that she still had it somewhere and did I want it back? Of course I did! So I collected it last night, still in the same gig bag and with the same stickers on it! I was instantly transported to my teenage bedroom where I learned many a metal tune on this very bass and composed some of my first pieces of original material. The bass is still playable but there are some problems. The scarf joint seems to be starting to split and I can't get the neck relief straight enough as the truss seems to be causing a crack in the neck if I tighten it too much. other than that nothing a soldering iron can't fix. Anyway, I think I'll leave it as is as a time capsule to mess about at home. Moral of the story, try and stay on good terms with your exes!10 points
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Soooo, you may or may not have been aware of lots of my posts hand-wringing, cajoling and generally mithering around the fact that with the gig schedule I have for the rest of the year (35+ to go so far), I've been looking for lighter and lighter basses. I've tried headlesses, I've swapped stuff about, but nothing's really hit the spot. The requirements are pretty straightforward (under 8lbs, J-width nut, sounds like a P, inexpensive enough to play the Dog & Duck without fretting (SWIDT) about it) but nothing's quite matched it. I found I had a light P-body in the dusty old basses pile, and tried a neck I had, but that was a P-width nut (hence its presence in the parts pile), so I was looking for a J-width neck for it, and aside from the £300 Fender ones, the best I could do new was £129 for a no-name Chinese one from t'th'Internet. So I put a wanted ad here, and after a chat with Raslee of this parish (thanks again, someone please go and buy the necks he's selling) who was selling one, I went to look at the Squier Sonic Ps, which, although said to be very light, I hadn't really looked at because I'd assumed, as you do, that they were a P-width nut. Not so, a 1.5" nut, and I could get a whole bass for £150 delivered. In a rare moment of giddiness (and without thought of SWMBO, but then again I've found it's easier to seek forgiveness than ask permission sometimes) I pushed the button. It turned up the very next day, and despite glowing reviews, my hopes weren't exactly stratospheric; I mean, a whole new bass for £150 delivered? I just hoped the neck would be OK, perhaps with some work by my luthier. Turns out it's a very, very nice bass, very playable, good fretwork, super-tight neck pocket and a surprisingly good pickup. And light - juuust over 8lbs. Obviously, there's better basses out there, but it's astounding for the money. I could have gigged it as it came out of the box (action down to around or just below 2mm without buzzing on all strings (D'Addarios, no less)), but I already had some bits I'd used on other basses, so a happy hour was spent putting Hipshot Ultralights/Xtender, a Dimarzio DP122, a better (Fender) bridge and a scratchplate with a Kigon loom on it, and now it's properly giggable, and best of all...7lbs 13oz. Granted, all from new the additions would double the cost, but even for £300, it's still a great bass. As Marty DiBergi said, enough of my yakkin, here she is:8 points
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Here we have a 1988 Jaydee Supernatural in really great condition for the year Some minor scratches and a little dink at the back Comes with a TFI case Very little fret wear Controls are Rotary switch for pickup selection and to turn off the battery power Silver Knobs are vol and Tone Switch is for active/passive 3 Black ones are Bass/mids and Treble Has been set up and frets levelled and polished by my Luthier so no buzzing and nice action I think that these basses speak for themselves but any question please fire away Price is firm but will include delivery to IK addresses Sorry but no trades5 points
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I'm not bothered but I'm having to calm my Triad down as it's a little upset that its headstock is even appearing in this thread4 points
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I don't feel differently about BC. Most of us have never met and do not know one another. I've been happy to receive enquiries about whether I would take offers on here (and have accepted a couple). I've done the same when I've been buying. As long as people are courteous and polite, I don't see a problem.4 points
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Yay!! My Doom 2 just arrived. Fantastic 2 day delivery service from DHL - departed from Seattle on Monday, and arrived here at home in Scotland before midday today.4 points
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Thats a lovely bass! But i would be kinda inclined to agree as yours looks pretty much exactly like mine! I haven't made any changes except for the scratchplate. For £150 they are a killer instrument. Fretwork was great on mine, and nice low action. Pickups sounded decent considering the cost of the instrument. I just put some cheap flats on mine and I love how it feels to play4 points
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I'd just file a complaint with eBay and let them take the strain.. Afterall, they should earn their high fees4 points
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I recently came across with an older type of Samick PJ bass. I've tried to find out some basic information about the guitar, but I wasn't successful. The pickups and the bridge are not originals to the guitar, these were replaced during the years. The only info I've found that this tree-note logo was the first and it was used between 1972 and 1986. So it narrows down the period a bit. I am wondering if someone has some info about the bass (model name, period of manufacture and specifics). Any help would be appreciated.3 points
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Oh shit, that's my last remaining Super Compact up for sale then. So then I'll have a modular 3x10/4x10/1x10 rig. Cheers Alex Edit: How will the impedance pan out?3 points
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For all the builders out there... Here's a Mighty Mite Jazz neck. It's clean shaped wood that's been fretted, a finish has never been applied. There are no tool markings, the neck has never been fitted or used, it's essentially new as supplied by Mighty Mite Happy to discuss courier services if needed, but collection is the friendliest at the moment £85.00 collected - now sold3 points
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Alex has gone and announced they do an extra wide One10 to sit atop the Three10. Guy knows how to sell 😂3 points
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Introducing ARTIFAKT - Lo-Fi Elements: https://www.sourceaudio.net/gear-artifakt-lofi-elements.html Watch your ears on clip 12! QM Artifakt clip 1.mp3 QM Artifakt clip 2.mp3 QM Artifakt clip 3.mp3 QM Artifakt clip 4.mp3 QM Artifakt clip 5.mp3 QM Artifakt clip 6.mp3 QM Artifakt clip 7.mp3 QM Artifakt clip 8.mp3 QM Artifakt clip 9.mp3 QM Artifakt clip 10.mp3 QM Artifakt clip 11.mp3 QM Artifakt clip 12.mp3 QM Artifakt clip 13.mp3 QM Artifakt clip 14.mp3 QM Artifakt clip 15.mp33 points
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Andertons have confirmed my TT800 will be with them end of July. Getting excited now. Dave3 points
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This is the adult stage. The larvae are often aggressively farmed to become tongue depressors, and the nymphs to become seaside chip forks. That's why you don't see many of these adults in the wild.3 points
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Hello everyone, The time has come to part with this superb bass. It is a Warwick Dolphin Pro I 5 strings from 2006: Neck Wood Ovangkol Neck Fingerboard Wenge Wood with Dolphin Mother of Pearl Inlays Frets Bronce Warwick Frets Nut Just a Nut II Neck construction NeckThrough Body 3 pcs. Ovangkol Wood Surface Green Metalic Highpolish Surface Pickups Active MEC TwinnJazz and Jazz Pickup Electronic Active ME 2 Band Electronic Hardware Black Hardware made for Warwick Made in Germany / 08258 Markneukirchen The instrument is in very good condition. There are a few superficial scratches on the back and 3 spots of clear varnish on the fingerboard side. Otherwise everything is original. It has been played very little over the last 5 years. The frets wear is very light. The bass is located in Toulouse, France. It will be sold in a Rockbass bag. 2500€ collected, or worldwide shipping at buyers expense. No Trades. Thank you2 points
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Hi there. I recently bought a new bass (sterling 34 hh). I used to play a lot when I was younger. I memorised most of the RHCP and RATM albums. After 2 kids I’m apparently choosing to exercise my midlife crisis by attempting to relearn bass. I have an orange crush 25 practice amp but I’ll be looking to upgrade amp and pedals when my funds recover after buying the bass. Also, I’m incredibly hard of hearing but refusing to let that stop me A friend recommended this community and I’m really looking forward to delving deeper.2 points
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My favourite bass is my 2003 Warwick Corvette Standard. I’ve owned it for 17 years, and I’m sure it’s got some magic in it. I’ve had other Corvette Standards, and I’ve got other ‘nicer’ and ‘fancier’ Corvettes, but this one is special. Maybe it’s just the nostalgia of being my first ‘Wick, but I love it. It didn’t have the most careful first owner, and it’s not exactly been a garage queen with me, and it had picked up plenty of scratches and dents along the way. I decided that I wanted it to look as good as it feels, so I started cooking up a plan. First of all, I stripped it down. Without any hardware, the Swamp Ash body and neck felt astonishingly light - I was tempted to see if I could throw it over the roof of the house! (Even with hardware, it’s only around 3.6kg/8lbs.) Then I set about making a scratchplate. Having never done this before, my favourite bass seemed like the right place to start. Now I know that Warwick sell pickguards for Streamers, and I like the idea but I’ve always felt that they weren’t quite the right shape, so I drew out my own on a piece of cereal box. I then photocopied it, glued the piece of paper to a piece of 6mm ply and rough cut it out with a jigsaw. I did lots of drilling and hand filing to get the neck pocket and pickup hole right… …and then did the same for the outer edge. Then I borrowed a router from a friend, and had my first ever go at routing cutting the scratchplate out of 4-ply pearloid, and putting the 45 degree bevel on. It didn’t come out exactly perfect, but it’s not far off. (This picture is before further refinement with sandpaper, and although it’s still not perfect, it’s a bit better). After then, I took it to Rob at Manton Customs who added pearloid blocks and refretted it. There’s a lovely YouTube video about it, which I found slightly disturbing to watch - it’s not every day you get to see someone taking a chisel to one of your favourite possessions! He does beautiful work, and he’s a lovely chap to boot. Then I took it to Dave Wilson for paint, and it turned out beautifully (as expected!). I also went for a matching headstock, and took the opportunity to swap my broken Just-A-Nut II for a shiny brass JAN III. Then it was just a case of reassembly (most of which Dave did) to see what it all looked like! And a bonus pic with my ‘05 Ltd Ed. I know it won’t be to everyone’s taste, but I’m happy!2 points
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For Sale is a Jive Saturator Overdrive pedal from JPTR FX. Great sounding pedal - designed to capture some of the vibe of the preamp in an old Akai Reel-To-Reel machine. Shares a lot in common with the ZVex SHO circuit, though with some tweaks and more clipping options. Super versatile and useful pedal; happy to be that always-on magic you've been looking for, or can be used as a more classic overdrive style device. Plays well with others and is happy to be put anywhere in the signal flow to help add grit and character. Inherently adds some great presence and vibe, and is really hard to turn off. I have a Double Jive, and so this is now surplus to my needs. Price is £75 including p&p - please contact if you require delivery further afield. Pickup in Belfast is also welcome. Please get in touch if you have any questions.2 points
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Might have been delivered to the post office today, but I've been rehearsing with my crew this afternoon. You liked the BDDI sim on the MS60B, right? Can't imagine this will sound any worse so should pay for the cost of the pedal on that sim alone!2 points
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For Sale is the Add Violence Fuzz pedal from JPTR FX. This fuzz is INSANE! One of the best super fuzz style pedals I have used. JPTR FX included both a bass boost and clean blend in to this pedal, making it an absolute beast with bass. It's a huge and brutal sounding fuzz, that can also approach some amazing synth-y tones with an octave pedal and lower gain settings. Tone control sweeps from mid cut to mid boost, and the pedal will tear through the mix, no matter the setting. JPTR FX don't appear to be making these currently, so this is a great chance to get this beast of a fuzz. Price is £125 including p&p within the UK - please contact me if you need delivery further afield. Pickup in Belfast is also welcome. Don't hesitate to get in touch if you have any questions.2 points
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Just bought one of these (for £50 more may I add!! 😢🤣) and I wouldn’t usually comment but they are absolutely everything people say they are - it’s an unbelievably great sounding preamp, and things like the 2 x FX loops - 1 before the preamp and 1 after is such good design and has so many practical applications in the real world (i.e. Modulation such as chorus/octave/envelope filter before the preamp but then you can run your compressor at the end of your chain or stick a HPF right at the end of your chain, without having to get extra DI’s and add another pedal/box in to do it!) I haven’t stopped messing about with it and testing different things since I got it, if you’re thinking about getting one but you’re not sure - it’s really good and absolutely worth the money2 points
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Copying this from a TB post I made earlier: I think this may be the best thing SA has made to date, this is coming from someone who loves the C4 very much. (I ordered that pedal as soon as it was announced and spent a lot of time getting right inside it.) One thing I really like about the new pedal is the level of hands-on control, which, for me, recaptures the immediacy of the Soundblox 2 series; I loved those and the Manta is what got me into Source Audio pedals in the first place. With the move to One Series, lots of deeper possibilities opened up via the editor software, but at the expense of a loss of some of the immediacy and stand-alone nature of the SB2 series. This new pedal is a kind of marriage between the two ways of interacting: there’s all the depth and tweakability of the One Series pedals, but you can set up or use a few presets (hell, even just a single preset) that have so much variation possible via the panel controls alone that you’d never need to dig into the editor if you didn’t want to. However, if you do want to explore, there’s a whole universe of sound in there, and this pedal invites exploration.2 points
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Still here?! 🤯 It's a source of utter bemusement for me how Alan's instruments have such ridiculously low resale values. I look on Bass direct, and I see used Elricks, Mayones, US MTDs in the £2-3k range. All fine boutique instruments, but at a level of craftsmanship that's no higher than an ACG. Not that I can really complain, because - * looks lovingly at 4 ACG instruments to his left * - I've benefitted from this silliness over the years. This year I've bought a new Dingwall for £2500, and a used mint ACG Krell for less than half that. The Dingwall is nicely put together, of course, but is it twice the instrument that the Krell is? Hell, no. With the best will in the world, it's not even AS good. Because OBVIOUSLY. Also: the P-Retro pre is simply one of the most cleverly designed, useful, sonically satisfying pres I've ever used. ACG + P-Retro = perfection. Not only that, but this Skelf/reverse headstock combo means that this is one of those rare ACGs that is simply crying out to be slung low, with you shooting from the hip like the rock-and-f***in'-roll bass god that you know you can be. In summary: Snap up this bargain now, people! It'll be one of the best basses you'll ever own. [apols to Bassbunny for the waffle. GLWTS, mate! 🙂]2 points
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Oh yeah, if you haven't guessed from clip 1, this is what replaced my Mutron!2 points
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I think usually the best way to make the decision is to set yourself a design spec and look for the most convenient solution within your budget. That's pretty much how you've approached the process. It loos like it's going to be a great set up. I've just bought a used RCF 905 sub on the same basis. I was toying with updating my Wharfedale subs which have done me well but are very heavy. I've been vacillating over getting a single RCF8003 or a pair of RCF705's when the 905 came up at a good price and convenient location. I'm attracted by the possibility of using a cardioid sub set up so I'll look for a second 905 at a future date but I can probably run for a couple of years on a single sub. Anyway I think you have every chance of getting a great sound out of this set up and I don't think an upgrade of the speakers is likely any time soon . If it doesn't work out you can sell the FBT and get your money back so nothing lost. Most importantly let us all know how it works out. You might be setting a trend2 points
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Getting that sound is the reason I use a Programmable Sansamp as my preamp, usually into the effects return of whatever amp I’m using. Coupled with a P bass it nails that lovely, fat but warm growl I love about Ampeg’s.2 points
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Not seen these before some good one here. https://www.bbc.com/news/articles/c8442m1xv1vo.amp?fbclid=IwZXh0bgNhZW0CMTEAAR3YioIVlI1xCK7tNzlhqG3VcmkzhrO3jiDvfloU6miD6SxeFKGb7W23fX0_aem_6kNZ5CLrhGR_l-ab9utnFA2 points
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"The 6-string configuration makes for a comfortable fit ..." There is no way I'd deal with this idiot.2 points
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I thought i was done but I was not. Did some rearranging. Added the One Control Mosquito blender. I need to dial in some clean. Took off the red muck and the paraeq deluxe and was able to squeeze my favourite distortion back on. i think I'll keep the paraeq for recording.2 points
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Back in 1975 adding a Badass to your Jazz Bass was a state-of-the-art upgrade. Badass stays!2 points
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