Leaderboard

Playing in part of a power trio, we had a show up in Newcastle. Making the trek from mine is 5hrs but as my Mum's family were all from up that way, it's one of my favourite parts of the UK. I stopped off in York the day before for a day of sightseeing, which was fun. I met the drummer in Hartlepool and he showed me the old parts of Hartlepool (I love history and travel). We had an emergency rehearsal where we snapped the pic below for the last ditch social media plug and went on to Trillians. I was using my 2014 Gibson Thunderbird with my Blackstar U700 head into the oldest looking Fender Bassman cab I have seen. I had to borrow a speakon to jack cable from the sound guy who was very insistent that I return it. I explained that I was not drinking and experienced so returning it would not be an option. He replied to say I looked young but (for the win) it turns out that I was actually a year older than him! Apparently, it must be something in the water down here! The show was fun. I felt I played well to a small but enthusiastic crowd. The band was on form and the sound / lights were amazing. My last show until a little flurry in September. Sadly, nobody seems to have taken any pics of the show but who doesn't love a three guys stood up against an old van cliché band shot, right?! I'm on the right.

Essex International Scout and Guide Jamboree. Holy moly that was good fun! Most fun I've had with my trousers on for some time. We were looked after incredibly well by the team and treated like VIPs (we even had a young man who took upon himself hold up a couple of umbrellas to shade us from the sun whilst we were eating... bless him). The tech team were equally as helpful and accommodating. Indeed, the monitor engineer said he was so happy when he saw our tech rider, that me and the two guitarists use Helix devices and no backline. It made his day when I said we're all happy to have the same monitor mix as well. The kids were up for a good night from the off. Singing, jumping and dancing as soon as the drums kicked off "Chelsea Dagger". And they kept going for the following 75mins until we finished. There were several video and stills cameras recording and broadcasting to the big screen on either side of the stage (including one at the front of the stage on a sliding gantry that one of our singers relished by gurning into it several times). And they even found time to put an Instagram reel together by the morning. Incredible stuff. Hopefully we'll get a copy of the full recording in good time to use for promo. A proper festival vibe. Felt like rockstars for the evening. Hopefully get to do it again next year. PS There's nothing quite like kicking in an octave effect when you've got all those subwoofers as your disposal. *explosive*. Instagram Reel: https://www.instagram.com/reel/C-Hm6xPI7HN/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Bluegrass festival gig last night. A little bit under rehearsed but no train wrecks, it was made worse by monitors that weren't loud enough. The sound guys at this venue are usually very good so we are expecting a better set tonight as part of a roster of four bands. I used my trusty '70's Czech DB and ran a DI from my amp to the PA. We are in the midst of a heat wave here and it was over 30C in the evening and very humid with no wind on the stage, forecast is for the same thing tonight.

Latest developments: I had an appointment at the trauma clinic on Tuesday. They didn't make me talk about my childhood but neither did they remove my stitches, so the earliest date for that to happen in now Tuesday of next week. There's still some uncertainty about the grey bit in the middle, but to my eyes it was smaller than it had been and less grim-looking. I've got a new dressing on and can flex the fingertip without too much difficulty, so that's good. The worst thing about all of this is that I wanted to start my sponsored walk on Saturday but this now can't happen until at the soonest Wednesday, and as I'm anticipating it taking me a week to complete it, time is running out. However, in much more positive news, I've played the bass this afternoon, badly and with three fingers, but I've played. Cheers, JRK

This popped up on YouTube yesterday and is well worth a watch. The interviewer, Mason Marangella, is the owner of a company called Vertex Effects, and the channel does a really interesting blend of effect demos and also carries some really good/interesting interviews with musicians - this Freddie Washington one is great! Freddie talks about (and plays along to) tracks from various points in his career - amongst others; Herbie Hancock, Phil Collins, his time with Michael Jackson, Anita Baker, and of course, Patrice Rushen. There’s also a really nice reminiscing section at the end! Amongst many high points, for me, is the play-through of Sweet Love, by Anita Baker. His line, and playing, are a masterclass in note choice, feel and (quite often overlooked) note length… Enjoy!

I’ll be one of those obnoxious blokes saying “I already have mine”. But, I do… and it took me a long time and $$ to get it. Totally stock and unmolested 1954 Fender P-Bass. The neck pencil date is TG 10-54.

Think this is my 12th musicman. My first Sterling. well worn, pearl blue 1999 faded to an almost ocean turquoise/bottle green. Sounds and plays well enough to explain and justify the “road worn” state - It’s cleaned up well - trying some new Hyper Slinkies (40-100) on it.

While I'm happy with the look of my previous kit-built telecaster, I'm not happy with how it plays and sounds. The neck is really chunky, and body wood is really soft and dark sounding. Decided I'd make one from scratch. I'm thinking of another telecaster style shape, but with some more modern design elements thrown in. Just got the body wood delivered. It's a really nice slab of Black Limba with some nice orange streaks. Will document progress. It may not be a fast build 😂

Yeah, it is a hack, and this is still IP theft, so, absolutely no. As BigRedX says, with all that comes with it, Logic really is good value... Pay for it like the rest of us. The Student bundle, which also includes Final Cut and Mainstage is just £199.99 On a more, perfectly legal note, I was running my 2012 iMac (32GB ram and upgraded to 2Tb SSD) in my home studio on Catalina, because it wouldn't let me update further as it wasn't "compatible" with newer OS. This meant that many of my plugins and functionality stopped working as everything else updated... ...until I discovered "Opencore Legacy Patcher" (https://dortania.github.io/OpenCore-Legacy-Patcher/). It's was pretty straightforward to patch (backup everything first - and the instructions are decent) and my 2012 iMac is now happily running Ventura (it could run Sonoma happily too, but I've no need for the latest OS), and all my functionality is completely up to date. The only Logic functionality which isn't working are the new AI tools (Session Players, Stem Splitter and ChromaGlow), which need an M processor, but hey, don't be lazy, write your own backing parts...! 🤪 Buy Logic and patch an older Mac and you'll be fine for a good while...

Z7 preorder placed...

He's better now. He's even dropped an album called "I'm Still Here" It’s heartening to see him managing his condition with such resilience. I’m still supporting him on Bandcamp and encourage others to do the same. I can relate to the financial strain, bc I deal with diabetes and have found that good Health Insurance with Diabetes has made a huge difference in managing my condition. Let's keep supporting Steve ❤️

I like a good hard "one" 😁 Or not much out funks the One on this, when 'er gets going at 1'50. Bootsy Baby! In fact, no-one Out-Ones Bootsy! Whodathunk Silent Night was funky? But it it, 2'23 and on... Proper Christmas Carol!

Exactly this ^. You probably need to define 'rig' for these purposes, @Clarky. More sensibly - and entirely to my astonishment - of all the truly lovely amplification kit I own my go-to for almost every gig is the Trace Elf. Virtually all of my gigs have full PA support so I have no need (or use) for silly-loud on-stage volumes, which makes the Elf the obvious choice regardless of the venue, the genre of music, or the overall volume level. It handles a 5-string Rickenbacker and an aluminium double bass equally well, so there's no point in anyone trying to dismiss it as some sort of one-trick pony.

Anybody come across these Vintage Revo shorties? https://vintageguitarsrus.com/collections/vintage-revo-series-bass-guitars. I rather fancy the semi despite the 3 point bridge. Unfortunately, the spec doesn’t say what the nut width is, just that it is Graphtec. I wouldn’t get on with it if it is 42mm.

Recently bought a Fender AVRI ‘75 jazz, long drive for it, played ok, needed some adjustment to suit me, deal done The neck had too much relief in it, but truss rod was really tight. Only a few weeks earlier I had read in this group about somebody having the same problem, with the same bass they had just recently bought A quick search shows this to be a fairly common issue with a well known fix involving washers So I took the neck into work, it helps that I run two engineering workshops, one being a machine shop Thread size is 10 unf, so got a bush machined with internal diameter to fit that size thread and outer diameter same as ‘the bullet’ Had a couple made in stainless steel, 3mm and 4.5mm long Back clamped the neck slightly, fitted bush and bullet onto truss rod with a small blob of clear grease, tightened up slightly and left over night The desired effect was achieved, stringing with 40-100, put some relief back in the neck, leaving it exactly where I would have liked it! Opening up an M4 washer is what people normally do, but when you can do a proper job, it’s worth the effort Should of took some photos I know! Tony

It’s whatever floats your boat I guess, I’m down to 2x LFSYS monza cabs, puma 900, and genz shuttle 9.2 and a streamliner.All of my needs covered very well. One cab is more than enough for rehearsals /pubs and two when i want to spoil myself 😂x

Well, well, well and of course, well, a four way tie indeed. I thought it might be difficult to split them and I guess I was right. Congrats to @Dad3353 @Jean-Luc Pickguard @upside downer and Lurks ( ah shucks) for the joint win. The honour has been bestowed on upside downer for the pictorial inspiration to carry us through the heady Augustine days of summer. He thus muses... "Been pottering along the Grand Union Canal on our narrowboat and, on our way to the pub in Shrewley one night, we passed this. Minstrels, tell us the story of this abode!" Simple rules ✔️ Entries must be <5 minutes and recorded between now and the deadline. ✖️ No illegal samples, copyright infringements or other snide goings-on ✖️ No Bagpipes/panpipes as the photo is from Shrewley, there might be a Scottish pigeon somewhere near Shrewley, but don't tell the Shrewlians ✖️ No voting for your own entry. We'll know. And we'll shame you.. Deadline-wise, we will go for Midnight on the 25th (effectively breakfast time on the 26th) I am on my holibobs at various points in August so I had better be extractum digitum, I will take my ipad, so should be able to do the voting thread, but be gentle with if it isn't the normal smooooooth me A line or two of blurb as usual for the vote thread will be super smashing. Good luck, Have fun

Hello Just thought I'd share my experience from this weekend when I was lucky enough to perform at the World David Bowie Fan Convention in Liverpool and meet two of my musical heroes, George Murray and Carlos Alomar. They also guested on two songs with our band, The Bowie Contingent, with George playing my 71 P bass which was an incredible honour. George is a lovely man and was kind enough to sit with me for an hour and let me ask him anything I wanted about his time with Bowie, and about bass playing in general. A wonderful, gracious human being! Lee

I know we have the Funk and Soul thread, but thought this was a bit more specific. Had this on on the car yesterday - great, great album, but what really struck me was just how funky the first track, Use Me is. So I started listening to it a little more closely, and what fascinated me was "the one". It is there, but it is so subtle it is almost as if it is a ghost note, a suggestion, rather than an emphatic thump. Any other great examples?

So it was a seized truss rod ..not financially viable to repair..and now discontinued..so been offered a full credit .. I have to applaud GuitarGuitar for there help ..I had pretty much destroyed the nut trying to move it ..in hindsight should have left alone when it would nt budge ..but they were top guys 🤟

Addicted to That Brush - Mr Wig

duties thus dutied , can I steer you here...

Comb as you are - Nirvana

This has a really strong "one" which contrasts really nicely with the syncopation on bars 3 & 4

Ha! My lad was there! He sent me a vid of you guys! I was gonna suggest to the band we have a look at getting on the bill next year 😊

The supreme looks nice👍

I had a great rehearsal for a dep gig yesterday then last night I had an actual dream about playing my bass, which is an ACG Border Reiver. In the dream I was on stage with a band and I could just play whatever came into my head, effortlessly, which is not always the case in my waking hours... So I guess that's my dream bass.

Yes - you'll just have to cut the pickup end of the solderless cable and connect it up that way. Some people solder directly onto the pins of the preamp but if that goes wrong you've ruined the preamp. Far better to do the modification to the cable as that is the cheap bit.

You'd think we'd be talking to each other, eh? 😂

I am learning Sweet Love from @ChrisDev 's transcription. This video is a good addition. Thank you both.

Barry Melton, San Francisco legend - The Fish in Country Joe and…. Appearing in Emsworth, Hampshire. Starring our own @Steve Browning

After reading recent posts, I have shifted my hpf from first to after the compressor and octaver. Much quieter. The compressor exaggerated the noise when not playing, and the octaver seemed to bring some hf noise into the high audio band. Both ok on their own but with compressor and octaver on and after the hpf it was intrusive when not playing.

Yeah, it's a Tuesday...but it's not too early to look forward to the weekend and a Maple Road double-header! Sat. 8/3: Maple Road LIVE @ Wisconsin State Fair; Major Goolsby's Stage! 3:45pm-6:45pm. Fried stuff on a stick, a giant slide, unmatched people watching, and a whole lot of live rockin' blues! Sun. 8/4: Maple Road LIVE @ Kettle Moraine Supper Club! 2pm-5pm. Happy to be making our debut performance here! Come on out for some Sunday Funday action and we'll show 'em how we do things!

Well, there's an update: I went back to the hospital today and the clinic staff removed the dressing (eventually; it was caked in dried blood inside!) and cleaned it up so that a good look could be taken. One side of it is reattaching nicely; the other side less so. However, the consultant had a look and said that hopefully the good side will encourage the less-good side to behave and that I should come back in a week's time for another look. He hasn't ruled out me losing a big chunk of it but it does sound as if things are reasonably positive at the moment. I was advised to move the fingertip within the confines of the dressing (which was changed for a much smaller and less bulky version). I tried to take a picture of the wound but somehow just got the floor of the clinic, so you lot have escaped the gorefest this time. Cheers, JRK

Is it time to revive this thread for @Dad3353 (or @GranDad3353)?

Just my Fender Rumble v3 500 combo, and the old Peavy Databass combo it replaced - which is buried under stuff in the garage, as a spare just in case Edit: I love how you've added a "cetera" option on the survey 😂

I had a new pair from ACS a few years ago - I stepped up to, IIRC, the two-driver one from the single drivers, and they were very uncomfortable getting them in and out, and wearing them. I contacted ACS, they double-checked, and they'd given me someone else's moulds. They were brilliant about it, and rushed me out the right moulds with their (at the time) top 5-drivers in... My Gran had a volume control on her hearing aids, which she used to devastating social effect when she needed to...if she reached for her ears while you were talking, you'd be in the doghouse later...

Seven minutes is by no means the shortest! Back in '73 a classic jazz/comedy band I was with (the White Hot Air Men!) were setting up in the Half Moon pub in Putney for a rehearsal when Bob Kerr (of the Whoopee Band) rushed in and said he needed a band at Heathrow instantly for a paid job. We piled into a couple of cars and followed him flat out to the top floor of a multi-storey car park at the airport, all pretty much in the dark as to why; there was a very small piece of dingy carpet on the floor to make things even more mysterious. Bob told us to start playing 'there's no business like show business' as soon as the lift doors opened, which they did soon after. An American lady singist trio emerged with their minders, we launched into the number, they fell about laughing in surprise, the band all got a kiss and they were then hustled away into waiting limos. Total playing time 60 seconds, for which we got £10 each, pretty good for '73. Apparently this was all about a wager someone had made with the trio saying that the Brits were sure to welcome them by rolling out the red carpet and a brass band... I wish I knew who the trio were - could it have been the Supremes? Anyone had a shorter gig than that? For your amusement, a pic of the band at the Half Moon is attached - I'm the buffoon with the ludicrous beard and alto sax on the left...