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Showing content with the highest reputation on 14/08/24 in all areas
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No gig the weekend before last, it was cancelled just as I was loading the car (agent/new landlord non-communication, I'm completely bored with agency gigs now, the only ones we've had cancelled have been because the agent hasn't confirmed the gig (or forgotten to tell us) - I mean, agents have one job after the gig's been placed, right? Pfffft), but Satdy's made up for that. The Polished Knob in Tod, a proper music venue pub for a change: raised stage, drum riser, house PA, lights, etc, and more importantly a clientele who are there for live music. We didn't use their analog mixer, we just ran the feeds from our digital one to it (so my inears worked perfectly), and it was all good: dancers from the first song, three encores, etc, etc... Fans mounted high around the stage even kept the temperature pleasant (and that's not something you hear said in Tod very often). I can highly recommend it as a venue. Such a great change from the run of completely indifferent venues/crowds (and I'm using the term 'crowd' here very loosely) in pubs of late, it was positively life-affirming. We'll be back in the New Year (unsurprisingly, they're booked out till then) and I can't wait. Oh, and a new system for controlling the BL's tendency to have us way too loud too early: the percussionist (who goes out front for the soundcheck to listen) tips me the nod if we're too loud (he and I are on the same page re volume), then he distracts the BL with something while I surreptitiously drop the mains a little and turn the BL's monitor up. Did it Satdy, BL didn't notice. Don't tell him. 🙂 Potentially more problematic gig coming up Satdy; apparently the landlord's just got out of custody, having been arrested (for what no-one seems to know); after the Police turning up to that gig a couple of weeks ago (and briefly almost doubling the audience size) it appears we'll be back to normal. I'm not taking an expensive bass, and will be checking exit routes before we start playing. Modded Squier Sonic P (still very very good), Stomp, inears.15 points
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I’m offering this stunning and all-original Ken Smith BT5 Elite from 1990. This bass not only looks incredible with its Quilted Maple top and back, but it also sounds phenomenal. Specifications: • Body: 5-piece construction (Quilted Maple top and back, Mahogany core) • Neck: 5-piece Neck-through construction, 34” scale • Fingerboard: Ebony, 24 frets • String Spacing: 18mm at the bridge • Year: 1990 • Weight: 4380g • Case: Original Ken Smith Teardrop Case included This bass hails from the earlier Smith era, known for its superb low action and exceptional playability. The frets are in excellent condition, and the neck is flawless. The gold hardware still shines beautifully, with only minor fading on the edges, which is expected from a bass of this vintage. There are a few minor signs of playwear, but nothing significant. The bass comes with the original paperwork and even the original Ken Smith strings (currently strung with DR strings). Price: €7200 €6600 Location: Mallorca, Spain7 points
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A splendid all round bass. I've used it for rehearsals, not gigged with it. In as new condition, I would say, one little headstock cymbal nick. Owned maybe 2 years? Selling because I've gone semi hollow (musically and intellectually) The quality of the parts adds up to the perfect bitsa, in my opinion: Hipshot Ultralight tuners Roasted maple neck Nordstrand pickups Babicz full contact bridge Markbass preamp Spokewheel truss rod access Really lightweight, but not lacking in low end at all. The preamp gives you the best of vintage and modern; vvt,passive, with 2 single coils (Jazz territory), then 3 band active, with humbucking single coils. And the 3 band is voiced really well, useable at all 'extremes'. The neck pickup in passive has great weight and heft. Sounds old and worn in from the get go (in a good way). I'm convinced the roasted neck is a big factor in this... I don't use the bridge pickup on it's own, although it does it's job well. I just prefer the fatter sound. The 2 pickups together sounds great. The bass does live inside, honestly... Very happy to fill in any gaps in information. Thanks for reading. The weight is 7lb 9oz, if my scales are to be trusted (it feels lighter than that)7 points
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Screenshot just for you @rwillett from a Vid taken at BLOCKBUSTARZ gig on Sat night at Longstone Hearts Club in Edinburgh as proof it did actually happen. Honest i tell you no lie. Vids are on our FB page. Dave6 points
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NBD 30.5” Passive Made by @Lukasz Chyla of this parish. Exceptional for the money when you consider it’s handmade in the UK. Plays really well. And yes, it has a fabulous B. Not for sale.6 points
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We used to have a photographer like that. Then really standoffish when I saw her about a year after that band had folded. So odd. She wouldn’t know me now, 2 stone and a ginger beard…like Clarke Kent/Superman 🤣5 points
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Any increase in sustain will come from the fact that they are engineered in a way to reduce unwanted movement of the parts in response to the vibration of the string(s). The increased mass makes little difference, it's just that to achieve the first goal it is easier to construct something that just happens to be more solid and have a greater weight. If you compare the weight of the modern version of the Badass (224g) with the typical BBOT bridge (100g) it looks as though the Badass gives a 124% increase in mass. However what the marketing conveniently ignores is that the bridge and the body essential become a single unit, if they didn't the tension of the strings would pull the bridge away from the body, and when you consider that the typical bass body weighs around 2000g, then the percentage difference is less than 6%, and even smaller if you consider the whole bass including the neck and all the attached hardware as a single whole.4 points
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So he's not a basschatter...but he's the son of this basschatter. Awfy proud of him and his band, Lowtide, doing a (sold out) show for the BBC at the Edinburgh Fringe tonight...4 points
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Sorry I cant agree with "has done more for music than anyone else" more than the inventor of any recording media/equipment? Leo fender? Any artist who has innovated and created a style? nope, he's a distributor, thats it, very successful but just a distributor. In 100 years will remember spotify or him? I wouldnt think so, they might have an electric guitar, a john coltrane album on some format and maybe even an antique collection of CD's though. There is no doubt he's facilitated people hearing new bands but he's also IMO not paying a fair share, so these people may end up in an unsustainable business model. John4 points
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Genuine question, If people dont like something, why watch it? There are things on youtube I know I wont like, there are short videos I know I wont like, so i don't watch them. I have watched a couple of videos by Charles and Danny, decided I don't mind Charles, not too into Danny (doesn't mean I think theres a problem with Dannys content btw) but I don't feel the need to watch things I know will annoy me then post about how annoyed I am on the internet. Anyone who is making a living from music is doing great and fair play to them, except the dude that owns spotify...cos that doesn't feel like a fair split of money Jonny4 points
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Epiphone EB3, the short scale custom shop version not to be confused with the current EB0 short scale. Based on the original Gibson SS EB3…..In the right colour, really lovely condition and comes complete with original Epiphone case. Really nice instrument but change of bands means I am not using it and tbh need the space. Collection only as I don't have a box big enough I'm afraid4 points
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A beast of a bass! Bought this from Grezza, a member on here, it's been through a couple of owners on Basschat, I think. Guitar Build 2 piece mahogany body finished in Tru-oil (it just glows) Lindy Fralin 51'P split 5% overwound pickup Fender USA grooved bridge Ki0gon loom with Switchcraft jack socket String through option The neck is a Harley Benton PB50 that I've worked on extensively, and am quite proud of. I reshaped the headstock, and profiled the neck from 42mm down to 40mm, with a U profile (with defined 'shoulders'). Also reshaped the heel to fit very snugly. Rolled the fingerboard edges, and shaped the frets. The result is an extremely comfortable playing experience, though I do say so myself... I do have the J profile neck the bass came with, and could sell the bass with that neck attached if preferred (pics to follow) It's a hefty beast (maybe 10lbs, but will confirm); balances very well, and is not a problem with a decent wide strap. Weight now confirmed at 11lb 4oz. I'm stronger than I thought! And it plays like a monster! Very happy to fill any gaps I've missed - just ask, and thanks for reading.3 points
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Recieved my new Stingray 5 Special yesterday, and boy is it great I'd been selling my Lakland DJ5 to fund an ADHD assessment for my youngest, but as it took so long to sell, shortly after we got a letter telling us she would have one on the NHS, which freed up some money. That coupled with being 40 soon meant I jumped on this, I've never had an instrument of this quality before, it's just brilliant The neck is so comfortable, I found my hand dancing over it, easily playing things I'd found more challenging before. The tone is clear, articulate and punchy without being thin or clanky; I'll need to spend a bit more time with the onboard pre-amp and my practice set-up to get the best out of it, last night I was pretty much running it flat The low B is excellent, articulate and big sounding, but still well balanced with the other four strings - something I've been searching for in a five string for ages That 18v pre is a monster though, a little goes a long way and you can get into clipping very easily. It seems a bass that's very responsive to your playing, the tone shifting a fair bit depending on your hand position and how much you dig in. I wasn't running any compression last night, but I'll experiment with that too. All in all, I'm a bit smitten and very glad I've bought it Technically, I received two basses yesterday as I also paid my colleague for the de-fretted Ibanez SR505 he leant me *ages* ago, so whilst it's not new to me, it is newly mine. I'd been having a lot of fun playing the fretless, I definitely need to work on my intonation though. Looking forward to dropping the tuning down a tone to play some Death and Cynic Anyway, I know you're mostly here for pictures, so3 points
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You are truly blessed if you can find 3-4 fellow musicians with same commitment/ drive /ambition and musical taste as you have . I have done over 10 years of duo work with great acoustic guitarist / singer , no drummer / no keys / no second guitarist . We go in , set up , gig , break down and we’re home like a well oiled machine . From previous experience, being in a band can be like being in 3 dysfunctional marriages, so many issues of health / family issues / commitments/ learning the bloody songs / the list goes on .3 points
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Selling my Mesa Engineering Powerhouse 4 x12 bass cab, as it is now surplus to my requirements. The cab has only been used twice since I bought it. The cab is in immaculate condition and still has it's product tab on it. 1200 watt power handling with switchable Ohms 2&4. I'm asking £700.00 but open to sensible offers. Pick up from Chorley or will meet within a reasonable distance. Thanks for looking.3 points
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I like the message that you are conveying here - the life of a bassist is so fast-moving and exciting, that we may be called upon to dep for a gig midway through cutting our nails! Snip snip snip snip ... Ring ring. Blues in E, 15 times? I'll be right there...3 points
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3 points
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So Charles comes up again and again on this forum which shows he's doing something right! Personally I rate him as one of the greatest ever bass players. BTW did anyone mention he's also a classical pianist and composer, as well as a chap who seems both down to earth and funny? We have a slightly more appreciative thread of his music on:3 points
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I find it amazing in these ‘enlightened’ times that this is deemed okay by certain females. Can you imagine if this was a man touching up a woman, and the possible outcome? Dreadful behaviour.3 points
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Having been stuck at home for many years due to spinal injury and operations I am pleased to be playing bass again. Am venturing out of home for the first time for 1000lights charity event with 999 other musicians at Birmingham arena this Sunday. am looking forward to playing live again and hoping this is the start of good things….. photo is the space at home I have spent too long in (and too much money on) Hope to be more active on this great forum from now on also!2 points
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Totally one of a kind bass built by Docwood (Davide Palumbo), a brilliant luthier creating vintage-style basses out of Palermo, Sicily. This beast has a GUILD BISONIC pickup at neck position for the fattest, muddiest vintage tones (just take a pick to that 😍) and a LOLLAR T-BIRD pickup at "P" position. This was built for me in 2023 primarily as a recording bass and has never been gigged. It cost €2050 Euros. Almost immaculate except for very light belt buckle mark on rear (pic attached). Has Gotoh hardware and a Hipshot D-tuner. Would rather not post/courier this. Preferably to collect from Sevenoaks (on M25) or from London EC1 (near Farringdon tube). - alder body, matte olive/military drab finish - custom black pickguard - guild bs1 pickup - lollar tbird pickup - vol/ vol/ tone wiring - maple neck + pearl binding & blocks - hipshot dtuner - gotoh clover 70s style tuners - gotoh high mass bridge Check out Docwood's other guitars at https://www.instagram.com/docwoodguitars/2 points
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Now sold. My purchaser bought the amp I was selling instead, so this is back on the market with a price drop. Now added post/courier options at end of post. This is a Precision Bass build made from quality components. I would prefer to sell it as a complete bass but I might be prepared to dismantle and sell the main components individually; i.e. neck, body. The bass comprises an Allparts Licensed '51 precision bass neck finished in Satin, with bone nut and Wilkinson vintage style machine heads on an Ash 60s style precision body finished in clear poly. Vintage brown tortoise shell scrtachplate; Tonerider TP1 pickup, Alpha full sized volume pot and full sized CTS audio taper tone pot (both 250K) with Orange drop .047 cap, cloth wiring and either Switchcraft, or Pure Tone jack socket (can't remember which I used). All cavities and scratch plate are shielded with copper tape. The bridge is a Fender high mass unit with brass saddles and it has Schaller strap buttons for their locking system (I can change them to standard buttons if you would prefer). It is fitted with D'Addario EXL170 45-100 nickel round wounds, which are about a month old. The neck was on another bass before this one but has minimal fret wear. You will see from the pics that I had to trim the baseplates of the Wilkinson machine heads a bit to get them to fit. Maybe not entirely pretty but they work well. There is little ding on the back of the neck (barely 1mm deep), which I have tried to show in one of the pics and a pencil mark on the back of the neck (see photo) which doesn't want to come out. There are a couple of marks on the body. One on the back where muggins managed to drill through when drilling the channel for the bridge earth wire (in my defence those long bits do flex a lot). This is filled with wood filler but visible if not huge and a bit of milkiness in the poly by the bridge (I had to drill two sets of holes as I tried a couple of different necks before fixing on the '51). There is a bit about the bass build/assembly in this thread, I case it is of interest. Note the bass now has a different scratch plate and the pickup lines up better with the strings as a result. Also I tried a couple of different necks on the body before going back to the '51 neck. I have now shimmed the neck, so the action can go pretty low, if you want it to.: IMO it sounds just like a good Precision bass should and plays nicely. So why am I selling? Simply put, it is like a 70s P Bass in weight :much too heavy for me now that I have a bad back and arthritis. It weighs almost 5Kg (11lbs), most of this weight being in the Ash body, so no danger of neck dive! I also find full sized basses hard to play now I have arthritis in my left thumb. As I said I would prefer to sell this as a complete bass but I would be willing to split, if you want either the neck or the body. I'm not really interested in selling the bridge, or pickup on their own. You get a lot of quality components for not much if you buy the whole bass and I have priced it to be a bargain (given the cost of the components - neck alone was £250). You are welcome to try and buy in Fakenham, Norfolk. I have now bought a shipping box, so can now ship. Cost to UK mainland would be: ParcelForce Express 48 £20, Express 24 £22. I can also drive to meet up for exchange within 50 miles of Fakenham.2 points
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Yep, muting is the key. I did this with two massive Mesa rigs in a rehearsal studio a few years back and on reflection should have sought Jack's advice first2 points
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2 points
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Selling my gorgeous, cool looking but rarely played Epiphone Thunderbird Pro Bass IV electric bass guitar . I guess I’m just Fender all the way and it didn’t get the quality time with me it deserves. The solid body type and 4-string configuration make it a versatile instrument for any style of music. Whether you're a beginner or an experienced player, this bass guitar is sure to impress but it’s active humbucking pick ups really suit the rockers out there! In a slightly unusual version of sunburst (it really is that amber colour!) it will stand out from the run of the mill black version of this bass. There is a small ding on the back of the body (see pictures) but other than that it’s in good condition for an 10 year old bass and easy to play and I’ll say it again - looks cool! It’s the pro version not the entry level version of the epi thunderbird. Bought from Andertons (who are now selling it for £700). So this is a bit of a bargain. Sadly my cat made the gig bag its home some years ago (!) so selling for collection only without a bag. £400 or make me a reasonable offer . Cash on collection or via eBay for electronic card options.2 points
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I clip my nails every 7 days. Both hands, right hand first, just in case I cant finish at least my picking hand is done Jonny2 points
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I was production manager for last year's ATG. Sadly not there this year, but it's such a great festival (as is it's mildly less mathy counterpart, 2000trees). Run as a real labour of love by people who are driven by their love of the music there.2 points
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I was gratified to see that his signature bass also ships with a personalised tone sock in the case. I can respect a man who persuaded them to budget that into the build costs.2 points
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8" inside left and 34" inside right - brilliant for running around on mountains.2 points
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Ouch. Cabs should be fully lined, with foam or polyester batting, 25 to 50mm thick. Mattress topper foam is inexpensive, as is furniture upholstery batting. Don't bother with materials advertised for speaker cabs, they're more expensive but don't work any better. Adhere it with spray glue.2 points
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Yes exactly - lovely touch, appropriate use of a mute and ending up with a very similar composition to the original. He plays to the song perfectly.2 points
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I'm a big OHM fan too. I do enjoy a bit of Navarro, and loved what he brought to it. The man really knows how to make a wall of psychedelic sound with a guitar, a Marshall and a bunch of reverb and delay, and also knows how to write a killer simple riff. It's also Flea being more Flea than on any other album, in my opinion. There's the funky slap stuff, obviously (Aeroplane, Coffee Shop, etc), some great riffing (Warped, Shallow Be Thy Game), and loads of lovely melodic and counterpoint stuff all over the place (Deep Kick, Transcending, etc). The Alembic tone on the record is also pretty great. This was also, in my opinion, the last album where Kiedis actually sincerely emoted. Incidentally, Dave Navarro and Eric Avery from Jane's made a fantastic album after Jane's broke up the first time around called Deconstruction. It's an album all about life in Los Angeles in its many guises, and kinda set the tone for the approach Navarro would take during his time with RHCP, in terms of psychedelic/post-punk influences. If you've never heard it, take a listen. Not many people are aware of it, but everyone who listens to it ends up loving it. It's melancholy, melodic and quite beautiful, in a bleak sort of way.2 points
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I'd love to see your BC 112mk3 cab. It's the only one of the BC designs I don't have.2 points
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2 points
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I definitely sympathise with the original post. Musicians are a notoriously flaky bunch but it's also give and take. When I was on tour recently, it was my drummer who had a speakon to jack adapter for me to link my head to house cabs. Generally, it it keeps happening, you need to take some ownership for the gear you bring out. I came off the tour and bought one. The hands down worst experience I ever had was playing in Camden about 10yrs back and the bassist from the other band's bass died mid set. I didn't know the guy but lent him my bass so they could finish the gig. Afterwards, he gave me a running criticism of everything that was wrong with my bass! He was "normally a guitarist, you see"... He did start to backtrack massively when I said that next time I would leave them hanging as I wouldn't want to put them through the ordeal again. Typical indie poser! Thankfully, my current main project, we have loads of fun swapping instruments and are very fair with each other. I am far too along to be wasting my time with idiots in the band.2 points
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One of the things JMJ presumably specified for his signature mustang that deviated from the his 1967 original is the truss rod access route and corresponding cutout in the pickguard. When I bought my first JMJ mustang it slightly irked me that this cutout wasn't vintage-correct, however having been able to adjust the truss rod effortlessly using the stewmac tool without even loosening the strings has far outweighed any initial reservations I had about how it looks. I am surprised that this simple feature wasn't carried across to the heel-adjusting vintera models as the vintera mustang currently in my possession needs the neck bolts to be loosened to get to the truss rod nut. Also the stewmac tool is so perfect for adjusting the rod on the JMJ, that it would seem to be a no-brainer for Fender to license it and include one with any bass it would work with, just like they include a hex key with every squier.2 points
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This is a very interesting vid where CB tells of how he got to where he is now. He's certainly put in some serious hours and literal mileage since starting out so he deserves all the success coming his way2 points
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2 points
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2 points
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Badass bridges are mostly placebo but as is the case with other placebos, can still be quite effective 👍2 points
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2 points
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I was never happy with my nails but in recent years I started using a pick with bass. I was getting some pains in there (age related) and a lot of the music I like suits that style. I know a few people get sniffy about bass with a pick but locally I have quite a good reputation so I don't mind what a few online trolls think. Otherwise, you are forever balancing the need for different nail lengths for different instruments. There seemed to be about one day in every cutting cycle where they were about right for bass and other instruments. Normally it was too long or short for something all the time.2 points
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2 points
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Go to the auction and bid in person. Commission is cheaper and it’s thoroughly enjoyable day out. You will come home with multiple instruments though, and not the ones you went to buy, so understanding spouse is essential.2 points
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I’ve just caught up with the thread because I’m borrowing @johnbiffa’s YI200 (with matching neo 4x10). Good to see you on here @Stoneham I’m looking forward to testing the amp. Cool that it fits under my desk, too!2 points
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I’m in the same camp, I think BSSM is a landmark record across any genre, and captures the band at their absolute zenith. I remember buying it on cassette and later ended up listening to it over and over during my college art course around 94. Amazing musicianship, a fantastic balance/running order of great songs and importantly they still had that element of danger about them that set them apart. I liked a few songs on OHM but remember feeling like it was a massive downgrade and Dave Navarro although a great player wasn’t the best fit. A lot of stuff after that seems music by numbers to me, with quite possibly some of the worst lyrics ever put down in the history of recorded music. BSSM though, what a record.2 points
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2 points
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I purchased a pre owned EBS Fafner 2 last week and have been playing around with it for a few days now. As a bit of background, back in 2012 or possibly 2013, the internal fuse in my GK 1001RB blew during sound check at a gig. Rather than trying to swap the blown fuse out for the new one that I had in my gig bag (it was busy and there was nowhere I could take myself for a bit of quiet so I could concentrate), I was going to use the venues backline amp which I think was some sort of Peavey combo. The bass player from the band that was playing top of the bill learned of my plight and offered to let me use his amp. That amp was a Fafner 2. I wish I could remember his full name or even the name of his band but his first name was Greg anyway. I must admit, I was a little intimidated by the Fafner 2 initially, not least because I was very familiar with my GK’s incredibly simple layout but also because I’m completely blind and playing through unfamiliar equipment is something I try to avoid as much as possible for obvious reasons. Greg was absolutely brilliant and took me through the front panel controls and told me he had no problem at all with me changing them to suit what I wanted and left me to it. I won’t lie, I was fumbling around the thing and making a right hash of what I wanted out of it. Greg being the gent that he was could see I was struggling and basically came over and asked me what I was after. I told him I wanted a bass tone in the area of that on Machinehead’s Burn My Eyes album. He got me to play for maybe 2 minutes whilst he made some adjustments and then there it was, awesome! Anyway, since that night I’ve wanted a Fafner 2 but definitely couldn’t afford one back then and have not been in a position to purchase any that have come up on the pre owned market over the last decade or so. Until now that is. I am absolutely gobsmacked at how good this thing is! Yes it’s heavy but it’s just so punchy and articulate. There is weight to the notes and I love the parallel channel mode. It’s rated at 600w into 4ohms and 750w into 2ohms, so around 300-350w into 8ohms. I’ve only played it through my Barefaced SuperCompact so far and I haven’t managed to take the volume beyond 1, I dread to think how loud it’s going to be through my BF SuperTwin! So basically I’m over the moon with the amp, it’ was clearly looked after by the previous owner, it’s actually even better than I had remembered and I cannot wait to play it at rehearsal volume on Thursday night. I’m definitely going to be doing one of my amp reviews from a blind player’s perspective on this beauty.2 points
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I always keep them short, both right and left hand. Trim every week, no exception.2 points
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Whatever he wants to do - PAs is the only one of those he hasn't covered yet. Or maybe PA system comparisons, thats not something that its easy to get normally2 points