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Showing content with the highest reputation on 19/08/24 in all areas
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One last bump – I’ll be withdrawing this tomorrow, Sunday 1st September if there’s no interest. This is a 2011 high spec build. The gold finish is lovely in the flesh - condition is extremely good with just a couple of very minor impressions on edges (though these are difficult to capture in the images - they really are small). Main specs are: Five piece neck (maple with pinstripes) Rosewood board with abalone dots and Lakland type flare at the brass nut 34” scale Kent Armstrong custom humbucker at the bridge Nordstrand Jazz at the neck I’m told (though the pickup cover looks like a Fender??) J-retro Deluxe active circuit Hipshot A-style bridge in chrome Gold(ish) pearl scratchplate - quite unusual and not particularly aesthetically pleasing in my view - I think parchment of tort would be preferable - probably the only thing I’d change on the bass! Body - ‘don’t know but possibly ash? - very nicely contoured Weight 4.3kg Shuker branded Hiscox case (excellent condition with a couple of scuffs) I may be able to ship in the UK (I think I have a box) - shipping at the buyer’s risk and cost. Collection in Manchester is also goodl. I have around £1050 in the bass so think £950 is pretty reasonable. It’s a full custom super-jazz - as you’d expect from Jon, playability is wonderful. The action is low with d’Addario medium super steels. It’s another bass that I’d love to keep but just don’t use - it’s short-scale only for me Any questions, please just ask17 points
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Odd one for us yesterday. The drummer is in another band, they had a gig at one of the venues that is hard to get in (a local beauty spot on a hill), but their singer couldn't be bothered, so he asked if we wanted to do it, but our singer was away. Rather than turn it down he decided that we would ask the singer of another band if she wanted to do a one off gig with us as she had recently quit her band, so she said ok. So we had 4 weeks for us to make a 45 track set list which consisted of all the songs that our setlists shared, so she had to learn 15-20 of ours, and we had to learn 10-15 of hers. and a couple of holidays in the middle. So we did it yesterday. Unfortunately the crowd was a bit smaller than usual as they had put an odd name up for the group (we would have got more with our own name), but it worked out pretty well, there were a few little mistakes as you can imagine, but there were no disasters and we got through it well. And more importantly it was fun!15 points
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Early evening set at Gosport Waterfront Festival on Sunday. The set we’d worked up to bang through to hit the time slot with minimal gaps worked well and finished bang on. No IEM’s and a quick line & level check meant relying on the stage monitors, but with a great sound and backstage team running everything efficiently it wasn’t too much of an issue. Considerably more space than usual and we tried to move around and not be rooted the the spot which went ok - I should probably have used my radio but haven’t for a while now so went with what I know and a lead which was fine. Though the joys of open air and I managed to inhale a fly at one point taking a gulp for BV’s 😳🤮 Genz Benz Streamliner and a BigBaby2 (which was followed onstage by a Big Twin that was sounding nice 👌). Having messed with the settings on the Darkglass in the ‘situation’ at soundcheck on Friday I stuck with what had worked then and I think it was ok out front. Reaction was good and a lot of positive comments followed on Facebook, though I really need to get back in the treadmill based on the photographic evidence!!🫣🤣 A couple of videos that have shown up on FB so far that may, or may not, work : Maniac Saturday Night’s Alright For Fighting And so after a couple of days as a weekend warrior ’rock star’ in a couple of hours I have to get up and go back to the humdrum of the day job 😢15 points
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A week late but here are a couple of photos from August 10 and 11 when Simply Blu played our last festival of the season, great venue and the best sound system we have used this year. Some well known touring bands and supporting bands and some great music and workshops including one for bass players which I attended and picked up a few tips and licks. We played three sets over two days and our last one on Sunday morning included a last minute gospel medley that began with a walking boogie bass line solo while I sang the chorus of Will The Circle Be Unbroken. I started playing the song that way as joke in rehearsal but the rest of the band loved it so we did it that way for the first chorus and then settled into the usual rhythm for the rest of the medley and the crowd loved it. Not all bluegrass fans would be happy with this version but this festival features everything from ultra traditional bands to some "newgrass" sounds and was a great way to end our festival season. I used my trusty '70's Czech laminate with a Canadian made Schatten Design pickup into a Canadian Traynor SB112 combo with DI to the house system, sounded great. That amp is quite popular in North America for DB. 😊14 points
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Depped with the Lee Aaron Band at a pub in Bracknell on Friday night. First pub dep I've done in a little while but went very well. Pub itself was fine, though quite a few of the clientele were questionable (a few too many people asking for charlie).... but they seemed to enjoy it. Had a barrier to provide separation and keep them from falling onto our pedals etc.... Used my Spector Euro Classic and GK Legacy800 Head/Genz Benz NX2112 cab. Sounded awesome and cut through a v noisy rest of band with ease. 😎12 points
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Played the Monarch in Dunfermline last night with our new band, Temptation Waits. After the fallout/implosion of the last band, this one was put together in a fortnight so we could fulfil a support slot the previous band cancelled. We only had two rehearsals, but it went really well, thoroughly enjoyed it. Singer did amazing to pull it all together in such a short time and the new guitarist is great - not too loud, flexible, great tone and can actually play! We used the main acts backline and PA, they were fantastic help getting us all set up, couldn't have been better. And their sets were absolutely superb as well. Gear wise, I played my usual Squier 40th Anniversary through my HX Stomp.12 points
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After last week's Proper Music Pub outing, back down to reality Satdy night, in one of those 'Why do they even have a band on?' pubs...landlady was apparently new to the game, and wanted us on at 8, when we'd arrived at 7:30 for a previously-agreed 9:00 start (new mixer, a Soundcraft ui24, we'd given ourselves more setup time (normally an hour's plenty), despite the BL's assurance that he'd leart all about it and all would be fine, it wasn't - my inears were one side only, we'll get that sorted this week before the weekend's double-header), and then when we took a break at 9:45 she said 'I'd like you to play till half twelve'. She was politely and gently disabused of this notion (we're not Bluewine's band 🙂), nevertheless we went on about ten to eleven and finished after twelve...not that it mattered; another place with a sparse-ish clientele, average age about seventy, who went as far as polite applause. We finished the main set to the same polite applause and not a single shout for more. BL called two anyway, more to fill the time out than anything. It's draining, playing gigs like that. Gear was fine, apart from the one ear situation: never had an issue with the previous two digital desks I've used, the Soundcraft must have a different Aux Send setup, I believe there's a Mono switch in my Behringer P2 (never had to use it yet) which will sort, we're doing a 'technical rehearsal' (which I suggested last week) during the week. Next weekend's gigs will be with two different dep drummers, one of which is good, and the other...isn't. Friday's venue is a monthly residency-type thing in the grim place which was swarming with the Polis after that serious assault. Of course that's the one with the better drummer. Can't wait. Still, we got paid... Just remembered; big upside of the Soundcraft mixer is the mixes are all accessible via iPad/phone; I took my iPad and stand, so no hutching across a tight stage to get to the faders mid/between songs...it'll also do pre/post feeds to the Aux Send channel, so I can get my bass sound as is from the Stomp, rather than post-EQ for the mains, which is quite different...sounded really good in one ear, anyway...10 points
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One last bump, I’ll be taking this down tomorrow (Sunday first September) - just let me know if there’s any interest A beautiful 23 inch scale mini Bass, superbly handcrafted by Basschat’s own Jabba_the_Gut. I bought this from Owen around a year ago. Quality of woodworking on this is genuinely up there with the very best of UK Bass building – and I speak from a position of some experience (my purchasing behaviour is ridiculous). The bass tunes as a standard instrument. It plays incredibly well and is an awful lot of fun. It is also a serious bass and very gigable and recordable. Of course, it’s extremely light, though I don’t have an accurate weight. i’d love to hang on to this but I just find that I gravitate to ordinary short scales almost all of the time. The bass is supplied with three sets of used strings and a brand new set of custom made Newtone strings. There are lots of different gauges to play around with, though the super light 30 to 90 strings that are on it now were a mistake. They don’t intonate very well given the scale length. In conversation with Jaba, he indicated that medium or heavier gauge is better. The bass is active (I don’t know what the circuit is) with bass and treble stacked controls. The pick up is an EMG soap bar. Condition is perfect, apart from on hairline mark on the back – I couldn’t capture this in the photographs. The bass comes with adjustment tools and a Warwick rockbag. I can ship in the UK at the buyer’s cost and risk. I paid £585 for this including the new strings. The price at £515 is firm and not looking for trades thanks (unless you have a villa and land in Portugal with mature olive, fig and pomegranate trees). Apologies for the possibly wonky text and poor photographs here. Contractors in my garden ripped out the broadband on Saturday morning so I’m working on an iPhone. Any questions, please just ask8 points
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I played at the Old Bush Blues Festival in Worcestershire on Friday, depping with Hooson Maguire playing rocky blues / soul stuff. Great little festival - sold out with 500 capacity, great crowd, well organised and really friendly. We stayed over for a coupe of nights and caught up with a few people we hadn't seen for a while. Great to play with my old mucka Paddy Maguire and the excellent Jenna Hooson-Maguire again. For those interested in such things, I was using a 78 P bass into a Caveman pre / Handbox R400 / Berg CN212. Apologies for the quality of the photos, taken on a phone by my missus, who may have had a couple of ciders / attempting to dance while taking them...!7 points
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Sire short scale U5 - alder body with binding, MHS and maple neck and board. This is the original version rather than the update (I think these were a bit more expensive than the current version). The bass plays very well with a low action and is currently fitted with medium SS rounds. Condition is excellent with just one or two very minor impressions. The bass is extremely powerful for a passive instrument. Great pickups and extremely solid build quality throughout. It's also light and well-balanced (again, typically well thought-through by Sire)), though I don’t have an accurate weight. Nut width is 38mm - the neck is slender but solid - the body contour is a nice feature too. The colour is best represented in the final image. I can ship at the buyer’s cost and risk - I have a box. Collection in Manchester is good too. Any questions, please just ask.6 points
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Here’s the pedalboard that my church supplies us bass players with 😁👍🏻6 points
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Gig yesterday in the sweltering heat.. placed in the corner suntrap with no shade. Jez... that's one sweaty bassboy. I know you all care about me so for info...I kept hydrated. 😁5 points
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While most people here start threads for discussion, your first posts tend to feel like you want an argument. It might not be the case, but it is how they come across sometimes. You also tend to go back and edit them quite heavily. OK not a massive problem in the scheme of things, we all have good days and bad days, and like you said earlier you’re a very long-standing and well-liked member and have earned respect on both those bases. But as I also said earlier, if you don’t want arguments, perhaps don’t start your threads argumentatively? Anyway, back to Charles Berthoud 👍5 points
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Thanks for this. I’m looking for a pedal board style unit to shorten up setup times so I think I’m going to go with the GLXD16+5 points
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Heads up for anyone looking at a cheap way of getting into IEMs, Andertons have the Behringer P2 on offer at the moment: https://www.andertons.co.uk/behringer-powerplay-p2-personal-headphone-amplifier/5 points
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Got a Helix/Headrush/Preamp etc etc this is for you. Specifically designed for Guitar / Bass amplification. Price includes shipping in the UK Very high quality electronics based on carefully selected components. Black steel and aluminium (front and back panels) enclosure. Laser printed front and back panels. Aluminium structure transport case included. Inputs/outputs and controls : 1/4" (6,35mm) input jack connector on the front panel. Neutrik Speakon loudspeaker output connector on the back panel. One on/off power switch. Massive pure aluminium volume control. Weight: 3.3 Lbs (1.5 Kg) Dimensions: 5.2 x 3.2 x 8 inches / 13 x 8 x 20 centimeters (Width x Height x Depth) Power: 600 Watt over 4 Ohm; 300 Watt over 8 Ohms; 150 Watts over 16 Ohms. THD (at full power): < 0,1 % Input impedance: 10 K Ohm Power voltage: 100-240 Volt ac 50/60Hz Frequency response (-1dB): 20-20000 Hz4 points
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Yesterday afternoon outside pub gig. Acinonyx bass straight into the GR Bass Dual 1400 and 2x12 cab. Sounded very clean with a ton of punch.4 points
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4 points
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4 points
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Gigs on Friday and Saturday (as a weekend warrior band with a rhythm section of two OAPs, we try and avoid this). My car had decided to play up so all the PA and my bass gear had to go into Mrs Zero's Nissan LEAF, which it did comfortably. Friday's gig went OK, last night was a bit more shaky. About two-thirds of the way through the first set, the bass suddenly started sounding horrible. Quick bass change in case there was a battery issue - the same. The band went into "Time of your life" to give me a little time to sort it. Putting the bass wired straight into the amp gave the same result, so I tried putting the bass through the PA (Behringer XR18, Alto 408 active speakers) but there seemed to be some issue with the channel routing and I couldn't get any sound from any channel other than the three vocal channels, so unplugged my mic and put the bass through that channel just in time to play under the solo of "Tennessee Whiskey", the first set closer. Tried some more fiddling in the interval but still couldn't work out what was wrong with the routing so left my mic off and the bass in there. Bass sounded fine even through the 8" Altos which I'd high-passed at either 60Hz or 80Hz (can't remember which). It did lead to one one amusing (for me) moment when a woman from the audience decided that she wanted to sing too, so came into our stage area and commandeered my mic. Singing her heart out to "Sweet Child o'Mine" to no avail. I told her before the next number (first encore) so she went to the second guitarist's mic instead, and her friend got her off the stage before we did the final number. Diagnosis about to start on the amp, and I shall work out what the issue is with the mixer.4 points
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Up for grabs, sadly (as we all say) is my 2010 Musicman Stingray. It’s a 2-band, black/roaewood combo - the best IMHO. It’s in excellent condition - few indentations, nothing major at all. Pickguard has some wear, but I’ve left is as it’s what it came with. You may be aware of Stingrays with the weak D/G string issue - it’s real, and mine had it. I had the pickup replaced by my Luthier with a Nordstrand - and the problem was fixed. The strings are now equal volume. Original is not included - there really is no need for it. I do genuinely love this bass - some sentimental reasons - but I never use it. My band hate it, so it never gets played. I plan to get something passive instead, as my main bass is my Ricky. As a result, this needs to be used and played. I bought it from Will at Bass Bros. It had an old gig bag, which I dumped (always use my own hard case). I’ll supply a new gig bag with it if necessary. According to the original listing, it comes in at 9lbs11oz, or 4.4kg. Quite light in Stingray terms! 😉 I’m asking £1350 for this, included a courier (at buyers risk) within the UK. I’ve bought, sold, and sent many basses on here over the years, so please buy with confidence. Not really looking for a trade, although I would consider anything ‘R’ related, as that’s where I always end up! 😀 Paypal ‘gift’ or bank transfer, please. Please PM with any questions - thanks for looking! SB 😀3 points
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We will need the internal dimensions of your boot for our calculations 😂3 points
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3 points
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I'd suggest that the jack socket is faulty, and remains 'switched on', even with the jack plug removed. It would be easy enough to check, by measuring the current drawn from the battery with the plug in, and again with the plug out. Any run-of-the-mill guitar tech (or even electrician...) could do the test; if there is current drawn without the plug, get the jack socket changed. It's certainly not normal to have a 9v battery go flat so quickly. Even intensive use should last at least a month or so, but most likely much, much longer. Hope this helps.3 points
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Or maybe he's hopeful some old wrinkly rockers (myself included) would think it was the lovely lady herself.... Though most people would never have heard of her anyway3 points
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Unfortunately CDRs and CDRWs have a limited lifespan, and IME 20 years is really pushing it. The problem is that unlike a glass-mastered CDs, writable CDs use a laser-activated dye to encode the information. Over the years the dye tends to break down and eventually the discs will become unplayable. Also back in the day there were a lot of cheap dodgy CDRs in circulation whose lifespan is even shorter than normal. However even if these are a good quality brand like HHB, Sony or Imation your chances of reading the information off them becomes slimmer every year. Being able to read old CDRs also isn't helped if you are using a flimsy modern CD drive built into a laptop. It might be worth looking for a tray loading, robustly made device with a higher-powered laser and seeing if that gives you any better results. If you do get the disc to read, copy them immediately.3 points
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3 points
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For those of you who are anti-Ric and don't like headless, I give you the Rickenberger!3 points
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Jam Night on Thursday. The host band set up the stage in a different orientation. I think it probably worked better. It's not really attracting a following yet - it's an out of town venue, so hardly surprising. The stage area is bigger so it does mean I'm less concerned about whacking the singer and can thus use my long scale basses rather than the headless shortscale - my G&L L2000 got a run out. We were asked by one of the other bands if we fancied doing a half gig with them. Probably neither band is at the stage where we can do a full gig yet. 10 - 12 songs so I think we should be able to manage that. The guitarist and I are keen on it, so I think there is a good chance we'll do it. This is us doing Price Tag. I'm not sure what happened with Vicky's voice with "Look to the Left" and "Look to the right". Hopefully we can sort that out at the next rehearsal as I think this could be a good gig starter for us. James' rap is good.3 points
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Just back from this afternoon's gig. Busy pub, loads of people in the garden. 2h30m including a 15 min break. Polite clapping after a few songs, more enthusiastic clapping and cheering after others. Some singing. Mostly lots of blank faces while we played though. Calls for an encore. We played 2 more tunes. I'll never understand audiences. Too hot to jump around. We got paid and will go back at some point.3 points
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Haven't tried some high-end and rare basses because you just don't see them hanging up when shopping here or there. I'd try these, but I'm afraid I would never buy either one.3 points
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No? what about this one? This is partly why I sold my Celinder - the 70s jazz sound from this bass is massive, I have never had such a good P and J sound in one bass and if you told me it would be on a mustang I'd have thought you were mental!3 points
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A lovely bass and a fine example of Jon’s craftsmanship, completed February 2023. A chance to pick one up without the insanely long wait times. (This took 14 months; some folks’ builds are up to 3 years now.) It’s in pristine condition, just a bit of “finger dust”. Now you’re probably asking yourself why I’m listing this. I have 3 P basses now and the other two are the same model as each other (one with flats, one with rounds) and 41.3mm nut width. I’m finding it easier to swap between those as the widths are the same. Also, despite my wanting a narrow-nut P bass again, I’ve finally come to appreciate and enjoy the slightly wider string spacing (only taken me 30 years)! The specs are as follows: 34" scale; 20 frets; 38.5mm nut width; 19mm string spacing; 21.5mm neck depth at 1st fret; 23.5mm at 12th; shallow C carve; Mastergrade quarter-sawn, roasted flame maple neck; rosewood fretboard; Rolled fingerboard edges; 9.5" radius board; 2-way truss rod; carbon fibre reinforcement; medium jumbo stainless steel fretwire; bone nut; 2mm cream side dots; 6mm cream face dots; satin finish on the neck; Schaller BM clover leaf tuners chrome; Hipshot triple string tree chrome; traditional P shape; alder; usual contours; reduced heel with recessed fixings (no plate); polyester basecoat; Olympic White; Tort/white/black/white 4-ply pick guard (traditional P shape); ABM 3704c19 bridge; Fralin (stock wound) pickup; volume / tone knobs (domed chrome, with small, discreet dot markers); Schaller strap locks; Shuker embossed Hiscox hardcase. Currently strung with Chromes 50-105 with super-low, buzz-free action. The in-joke decal is just a transfer and so can be easily removed according to Jon. Still has the cellophane on the pick guard. Collection from Sheffield. (For this sale, I’ll only deal with members who have a verifiable history/feedback record on here - no newly signed-up members, thanks.) I could potentially hand deliver to the Bath/Bristol area (only for a completed sale). The only bass trades I’d consider are these: EB Musicman Stingray 4H 2EQ or Classic in natural or honey burst (white and trans teal also considered). Prefer the bridge with mutes, preferably the Flea model; Fender American Professional II Precision; Fender American Standard Precision (2012-2016 ones with the CS60 pickups). As for non-bass trades, I’d be interested in a Minimoog Voyager. Any related questions, please ask.2 points
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As I said in the video description, I'm not 100% sure this is right, but it's a great tune to play!2 points
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Hey dudes and dudettes, Here for sale is my workhorse Fender Precision Bass, crafted in Japan, 04/05. The bass is all original and in good shape for a 20-year-old bass, with a few scratches here and there, but 100% functional. Frets are as new. Strung with La Bella flats 760FS. There is a light tarnish on the hardware, and there is a gap on the scratch plate where the previous owner probably put his plectrum. Great-sounding bass and also lightweight. I am going back to uni to study jazz. I will thin the herd and keep just one electric bass and one double bass for myself. Thanks for reading. Nick2 points
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2 points
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The temptation that is Chimike's place, has struck again. Was after the DB750, as just can't seem to find a 751 that anyone wants to sell. Day off work, and drove from Norfolk to Worthing (Sussex) - I don't know how people do the M25 every day, I really don't. Had a remarkably close shave with a car spinning off after hitting the concrete centre right in front of me on the way back- no idea how I and others missed him really, but there you go. So went down to get the Aguilar, and ended up depleting all that money I had after selling two basses, by buying the Trace too. I'm sort of glad that I'm now out of dosh completely, and that Mike is so far away, or I'd be helping him in his quest to clear out the hoarders paradise that masquerades as an engineering unit. Just a quick pic2 points
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Not mine. I could never land on a definitive combination for long enough. But the structure of this looks lush.2 points
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2 points
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The Green Machine Great bass that’s turns heads with roasted maple neck rolled fingerboard edge plays beautifully. Great P Bass thump. Some small marks on the roasted neck nothing that effects playability but just so you know it’s not “box fresh” Price includes shipping to the mainland UK or delivery. All my feedback is good !2 points
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2 points
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I'm very sceptical about that, maybe if the neck was made of plasticine...2 points
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The Track IV looks a lot nicer IMO, some of the prices are mental though.2 points
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It's a Westbury Track 2, they also made a double P version. Lovely, ain't they. I'm always tempted when they come up for sale2 points
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Surely all bass gear solves one of three key problems? 1. I haven't got one of those 2. I've only got one of those 3. My collection of those is unsatisfyingly small2 points
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It obviously depends on the circuit they are being used in. One of my basses starts distorting slightly at 8.0V and because of that i give myself some leeway at 9V. Mainly because i do forget to check the voltage on a regular basis. Batteries tend to last quite a long time on my basses tho. Minimum 1 yr. Possibly depends on how often i use that bass tho. I've also had issues with effects pedals that i occasionally use with batteries and when i check the battery its in the low 8V area. Rather than take a risk i just change them at 9V or below. Dave2 points
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Hi all, I am selling some of my basses to open space for new ones. My wife has had enough and I have literally ran out of space for them. This is my beloved Westone Thunder 1 A. It is in a very good condition given it age (made in 1984). Low action, all electronics work. Unfortunately the original knobs were gone when I got this bass. As i managed to polish the bridge to almost golden colour, I got some gold knobs as replacement. neck is straight with low action and the truss rod works fine. Electronic is also fully functional and I have shielded the cavities with copper tape to improve the already low noise. The previous owner had lacquered the whole bass, including the neck, so I have sanded the body and neck and finished them in tung oil for a satin finish. I didn't sand the front of the headstock in order to avoid damaging the logo. I prefer collection in London, NW2 and you are free to try before you buy. Cheers Everton2 points
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2 points
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The great thing for semi-pro musicians who are otherwise retired or self-employed is that mid-week afternoon gigs are easy to fit in – as of course are holidays and things like golf, although I’m not a fan of either… This being the case for all five of us our band gets regular work playing at the many agricultural and steam-fair shows down here in Wurzel country; typical was the Gillingham and Shaftesbury Show yesterday, playing from 17:30 to 18:45 straight through. First act before us was a pair of glamorously frocked lasses, singing 1940-50 style harmonies a la Andrew Sisters, plus some more recent Post-Modern Jukebox style takes on numbers like ‘Bad Romance’ – I liked it! Following us was a funk-oriented band, with then a big brass ska outfit to finish. This year the organisers had coughed up for a proper mini-Glasto-type stage instead of pallets in a marquee, with a good PA and engineer who knew what he was doing, so we had no excuse for a poor sound! We were using guitar dep #2 from a choice of four – he’s very good. We rattled through a pretty mixed set (see attached), including a ‘new’ rock’n’roll medley featuring sax, where I actually get a total of 24 bars improve – whoopee! I must say that our KB player’s bass lines are worryingly good… Short video attached to prove we were there. Mrs G came along but made a beeline for the show-jumping (she had to give up riding a few years ago but still loves horses). Apparently our band could be heard at the main ring where she was sitting – ‘not a bad bit of sax,,,’ she mused later on the way home, ‘but I think the people doing camel-racing were a bit distracted by it!’ WhatsApp Video 2024-08-14 at 22.22.11_8eeb4d6b.mp4 1x75_minute set_v1.pdf2 points
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I picked up a big orange hollow body Gretsch , and some suggested I should check out the ThunderJet. It took a little time to track one down , but it exceeded my expectations. Beautiful thing. Not heavy. And a little Gibson LP DC Jr. Another beauty. Still listed on the website for some reason , but has been out of production for a while now. I hope they make more , I keep suggesting these to friends as a great little shortscale bass. They’re getting harder to find.2 points